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Vision Australia
Photograph - Image, Kevin Stapleton and Wally Urgacz using their white canes, 1969
RBS client Kevin Stapleton uses a white cane as he descends church steps, crosses a road and walks along the footpath. Another RBS client, Wally Urgacz, walks behind Kevin as he crosses the road in the Sydney CBD. Wally Urgacz steps off the Bondi Beach bus and up a flight of stone stairs using his Hoover long cane, under the purview of Margaret Rihr.5 x B/W photographs of men using a white caneMobility - historicalroyal blind society of nsw, white cane day, kevin stapleton, wally urgacz, margaret rihr -
Tatura Irrigation & Wartime Camps Museum
Programme, Sergeant Snow White, 1943
"Sergeant Snow White" was a happy go lucky musical revue of bad old and good new times. Was a Sergeant Doc K Sternberg production. Performed at the Union Theatre, Melbourne on April 15th,17th & 19th 1943Program of a Union Theatre production of "Sergeant Snow White" Blue print on pale blue green background. Folds into 4, cover picture depicts stage scene in plastic sleeve cover.documents, programmes -
Ringwood and District Historical Society
Mop Cap, White polycotton circular cap with narrow lace trim. (Qty 19) White ribbon bow, gathered to shape 5cm from edge, with elastic - Winnington Grammar School, Ringwood. (c.1960s)
Mop caps (Qty 19) used to cover the hair when cooking. Possibly used at Winnington School, Ringwood.White polycotton circular cap with narrow lace trim. (Qty 19) White ribbon bow, gathered to shape 5cm from edge, with elastic. -
Vision Australia
Photograph - Image, Man using white cane and sonic guide
A bearded man uses a white cane and sonic guide to help him navigate around the streets of Strathfield. The sonic guide consists of a pair of heavy black spectacles with three sensors built into the bridge of the glasses. The glasses are attached by a cable to a control box which is designed to be clipped onto the wearer's belt or clothing. The control box has two switches and a volume setting, and assists the user in determining objects in their path and their distance to them.2 B/W photographs of man using sonic guide and white cane"5156-220" and '5156-224" on back of photographsroyal blind society of nsw, white cane, orientation and mobility -
Mont De Lancey
Glass bottle, The Borer & White Ant Exterminating Co
4-sided, brown, glass bottle, with damaged label on the front and a cork stopper.On label: "Borantibane". A shield-shaped logo is surmounted by a banner with the name "Borantibane" printed on it. The shield has 4 pictures relevant to "Borer and white ant exterminator" (printed around the shield). Under the shield: "The sure preventative against Borers and White Ants. Manufactured by Borer & White Ant Exterminating Co.". On base: "L 718. 16 ozs.". On centre rear side: "Not to be taken" and on both adjoining sides there are 5 rows of small, embossed stars.bottles -
Merri-bek City Council
Print - Digital image, Marshall White, Strip 1, 1987
Marshall White is a former Merri-bek resident and artist. He completed a Fine Art diploma at the National Gallery Art School in 1973. After a severe motorcycle accident left him with quadriplegia in 1977, he returned to university, earning a Master in Painting from what is now the Victorian College of the Arts. White is considered a pioneer of digital art in Victoria. He taught art to inmates at Pentridge Prison, which provided him with access to early computers. Using a Commodore Amiga, Marshall pushed the boundaries of digital art. Strip 1 represents an early contribution to what was, at the time, an emergent art form. Inspired by William Blake and Arthur Boyd, White’s work delves into psychological spaces, addressing themes such as the apocalypse and White’s distain of religion. White's work exemplifies resilience and the transformative power of creativity in the face of challenges.Purchased -
National Wool Museum
Painting, The White Farm, 2020/21
The farm buildings that Linda Gallus has studied and painted are on the farmland adjoining the Leura Park properties in Curlewis, on the Bellarine Peninsula. The current owner of the property told Linda that he bought the farm in 1994. He has used it for both sheep and cattle grazing since purchasing the property. When the farmer bought the land all the buildings on the property were painted white for sale, despite the fact they were very old. The shearing shed was in use up until the time of sale but was in a bad state of disrepair. The roof, stumps and floor required replacing. The building was no longer in use after the sale, so the shearing shed gradually fell into further disrepair. The previous owner had also used the property for growing potatoes, crops and livestock, mainly sheep. Linda’s fascination with the property came when she caught a glimpse of the white chimney over the hill driving towards Point Lonsdale, which still stands proud today on the roof of the old shearing shed. The owner kindly allowed her to visit the property over the past few years to capture the buildings using photography and painting. During this time many of the buildings have fallen. Linda calls it The White Farm as there are remnants of that original white paint on the outside of most of the buildings giving it a strange and rather beautiful patina. The structures are wonderful remnants of the history of the Bellarine. Linda first spotted the old shearing shed when she was driving home to Clifton Springs from Geelong. It was the white chimney on the shearing shed that stood out behind the rolling grassy hills. It was intriguing – bright white and still in good condition, unlike the rest of the building. After further investigation Linda got to know the owner of the property and visited it frequently to draw, take photos and paint. There is a variety of lovely old buildings on the property, but it was the shearing shed that held extra fascination for Linda. The most intriguing thing for Linda was that the buildings were all painted white at some stage and now the patina of peeling paint and bleached timber brought a wonderful mood and feeling to the farm. This is what she has tried to capture in this series of 11 paintings. Most of the buildings are falling, so Linda felt an urgency to capture them using acrylic paint on canvas in order to commemorate them forever.Acrylic Paint on Canvas. The images both feature a falling down shearing shed as the central focus. The wood of the shearing shed is a central theme of importance. The old buildings were painted white for sale despite being in a state of structural instability. After time this same painted wood has been left with an interesting complex patina like film on the surface which the artist has taken great care to capture. Image 1 is titled ‘Another gust of Wind’. It shows the exterior of the shearing shed which is in the process of collapsing from the forces of mother nature. In the background of this painting another of the buildings in the ‘White Farm’ complex is visible, in addition to blue skies and overgrown green grasses. Image 2 is titled ‘Green Trough’. It features the interior of the same collapsing shearing shed. The image is painted as though the viewer is peering through a crack of the external wall. Internally a green trough is seen hanging on an internal fence. Unlike everything else in the shearing shed, the trough appears new and in good condition. It provides a strong juxtaposition to the rest of the shearing shed, and the larger surrounding ‘White Farm’ complexbellarine peninsula, the white farm, shearing shed -
Nillumbik Shire Council
Painting, Clifton PUGH, White Choughs in the Landscape, 1958
Pugh was one of many artists who brought an Australian experience to attention. His landscapes reveal the colour and textures of the natural bush, often with a dramatic emphasis. His reference to the harshness of the bush consistently arises, with angular forms dominating the composition. White Choughs in the Landscape is typical of his representations of the bush as a dynamic environment. White Choughs in the Landscape, 1958, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come White Choughs in the Landscape is typical of Pughs' representations of the bush as a dynamic environment. The brittleness and fragility of the landscape is recorded in the surface of the work, where paint is applied in thin layers.Signed 'Clifton Sept. 1958'clifton pugh, dunmoochin, white choughs -
Vision Australia
Document - Text, The White Cane Day: a brief history
A brief history of White Cane day outlining the use of the white cane in the United States and Australia.1 page typed sheet of informationwhite cane day, advertising -
Greensborough Historical Society
Article, Greensborough Historical Society et al, William John Ewart White, 1914-1918
A short article about William John Ewart White and his service in World War 1. William White lived in Greensborough.1 page, text and colour images.world war 1 project, william john ewart white -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Grave of Alan and Betty White, St Helena Cemetery, 14/05/1988
The Grave of Alan White (died 14/05/1988) and Betty Beale White (died 18/03/2014), St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph (grave)st helena cemetery, white family, beale family -
Vision Australia
Newspaper - Text, Newspaper articles on NSW White Cane Day fundraising 1994, 1994
A folder of newspaper cuttings about White Cane Day in 1994. These include personal stories about people who use white canes and the various schools and organisations who helped the Royal Blind Society of New South Wales sell confectionary white canes to help raise money for the Society.Various pages of newspaper cuttings royal blind society of nsw, white cane day -
Port Melbourne Historical & Preservation Society
Photograph - Tailor shop Bridge Street, David RADCLIFF, c. 2022
6 images taken by donor and 3 taken from Marshall White & Co website when the property was sold in 2022.9 digital images of the Bridge Street tailor shop tailor shop, 82 bridge street, marshall white & co. -
Stawell Historical Society Inc
Photograph, Mr David White 1886 -- Studio Portrait
White. David elected 1886stawell -
Linton Mechanics Institute and Free Library Collection
Book - Autobiography, Thayer, William M, From Log Cabin to White House, by W.M. Thayer, [n.d.] First published c1881, date of this edition unknown
Autobiography of James A. Garfield, President of the United States of America.Dark green hardcover book with gold embossing. Book is a fictionalised account of the life of James A. Garfield, President of the United States of America. 351 pages.fictionAutobiography of James A. Garfield, President of the United States of America.james a. garfield, w.m. thayer, assassinations, presidents, united states of america, biographical fiction -
Lara RSL Sub Branch
Photograph of Hell-Fire Corner, Belgium 27/9/1917, Black and White photograph Hell-fire corner, Belgium 27/9/1917
Photographic details of Ypes sector, Belgium 27/9/1917. Hellfire corner.Photographic details of Ypes sector, Belgium 27/9/1917 Area known as Hellfire Corner.Belgium: Flanders, West-Vlaanderen, Ypres, Menin Road, Hellfire Corner, on the Menin Road in the Ypres sector of Belgium 27/9/1917. It was continually under observation and notorious for its danger The area was piled with wreckage of all kinds of transport. "A very sticky spot."An A4 sheet of paper with a black and white photograph of Hellfire Corner attached in the center. and a small note describing the scene.belgium, ypres sector, 1917, hellfire corner -
Port Melbourne Historical & Preservation Society
Photograph - Social Club sign, Swallow & Ariell, Perce White, 1993
Council was invited by developers Buxton Brothers to tour the site in 1993, and Cr Perce WHITE took photos of those few items left in the buildingsSocial Club sign: one of 12 photos of various signs and fixtures in former Swallow & Ariell biscuit factory, taken 1993 after building was sold and virtually emptyindustry - manufacturing, swallow & ariell ltd, perce mcguire white, perce white -
Port Melbourne Historical & Preservation Society
Photograph - Empty pallets' notice board, Swallow & Ariell, Perce White, 1993
Council was invited by developers Buxton Brothers to tour the site in 1993, and Cr Perce WHITE took photos of those few items left in the buildings'Empty pallets' notice board: one of 12 photos of various signs and fixtures in former Swallow & Ariell biscuit factory, taken 1993 after building was sold and virtually emptyindustry - manufacturing, swallow & ariell ltd, perce mcguire white, perce white -
Port Melbourne Historical & Preservation Society
Photograph - Smoking area sign, Swallow & Ariell, Perce White, 1993
Council was invited by developers Buxton Brothers to tour the site in 1993, and Cr Perce WHITE took photos of those few items left in the buildingsSmoking area sign: one of 12 photos of various signs and fixtures in former Swallow & Ariell biscuit factory, taken 1993 after building was sold and virtually emptyindustry - manufacturing, swallow & ariell ltd, perce mcguire white, perce white -
Port Melbourne Historical & Preservation Society
Photograph - Uneeda passageway sign, Swallow & Ariell, Perce White, 1993
Council was invited by developers Buxton Brothers to tour the site in 1993, and Cr Perce WHITE took photos of those few items left in the buildingsUneeda passageway sign: one of 12 photos of various signs and fixtures in former Swallow & Ariell biscuit factory, taken 1993 after building was sold and virtually emptyindustry - manufacturing, swallow & ariell ltd, perce mcguire white, perce white -
Port Melbourne Historical & Preservation Society
Photograph - Display of product packs, Swallow & Ariell, Perce White, 1993
Council was invited by developers Buxton Brothers to tour the site in 1993, and Cr Perce WHITE took photos of those few items left in the buildingsDisplay of product packs: one of 12 photos of various signs and fixtures in former Swallow & Ariell biscuit factory, taken 1993 after building was sold and virtually emptyindustry - manufacturing, swallow & ariell ltd, perce mcguire white, perce white -
Port Melbourne Historical & Preservation Society
Photograph - Notice board, various biscuits, Swallow & Ariell, Perce White, 1993
Council was invited by developers Buxton Brothers to tour the site in 1993, and Cr Perce WHITE took photos of those few items left in the buildingsNotice board - various biscuits: one of 12 photos of various signs and fixtures in former Swallow & Ariell biscuit factory, taken 1993 after building was sold and virtually emptyindustry - manufacturing, swallow & ariell ltd, perce mcguire white, perce white -
Port Melbourne Historical & Preservation Society
Photograph - Start/stop/break sign, Swallow & Ariell, Perce White, 1993
Council was invited by developers Buxton Brothers to tour the site in 1993, and Cr Perce WHITE took photos of those few items left in the buildingsStart/stop/break sign: one of 12 photos of various signs and fixtures in former Swallow & Ariell biscuit factory, taken 1993 after building was sold and virtually emptyindustry - manufacturing, swallow & ariell ltd, perce mcguire white, perce white -
Port Melbourne Historical & Preservation Society
Photograph - Pipe identification board, Swallow & Ariell, Perce White, 1993
Council was invited by developers Buxton Brothers to tour the site in 1993, and Cr Perce WHITE took photos of those few items left in the buildingsPipe identification board: one of 12 photos of various signs and fixtures in former Swallow & Ariell biscuit factory, taken 1993 after building was sold and virtually emptyindustry - manufacturing, swallow & ariell ltd, perce mcguire white, perce white -
Port Melbourne Historical & Preservation Society
Photograph - Piano and stage backdrop, hall, Swallow & Ariell, Perce White, 1993
Council was invited by developers Buxton Brothers to tour the site in 1993, and Cr Perce WHITE took photos of those few items left in the buildingsPiano and stage backdrop, hall: one of 12 photos of various signs and fixtures in former Swallow & Ariell biscuit factory, taken 1993 after building was sold and virtually emptyindustry - manufacturing, swallow & ariell ltd, perce mcguire white, perce white -
Port Melbourne Historical & Preservation Society
Photograph - Baking schedule board, Swallow & Ariell, Perce White, 1993
Council was invited by developers Buxton Brothers to tour the site in 1993, and Cr Perce WHITE took photos of those few items left in the buildingsBaking schedule board: one of 12 photos of various signs and fixtures in former Swallow & Ariell biscuit factory, taken 1993 after building was sold and virtually emptyindustry - manufacturing, swallow & ariell ltd, perce mcguire white, perce white -
Port Melbourne Historical & Preservation Society
Photograph - Ladies rest room sign, 'gals', Swallow & Ariell, Perce White, 1993
Council was invited by developers Buxton Brothers to tour the site in 1993, and Cr Perce WHITE took photos of those few items left in the buildingsLadies rest room sign - 'gals': one of 12 photos of various signs and fixtures in former Swallow & Ariell biscuit factory, taken 1993 after building was sold and virtually emptyindustry - manufacturing, swallow & ariell ltd, perce mcguire white, perce white -
Port Melbourne Historical & Preservation Society
Photograph - Piano and stage backdrop, hall, Swallow & Ariell, Perce White, 1993
Council was invited by developers Buxton Brothers to tour the site in 1993, and Cr Perce WHITE took photos of those few items left in the buildingsPiano and stage backdrop, hall: one of 12 photos of various signs and fixtures in former Swallow & Ariell biscuit factory, taken 1993 after building was sold and virtually emptyindustry - manufacturing, swallow & ariell ltd, perce mcguire white, perce white -
Yarrawonga and Mulwala Pioneer Museum
Buggy, Surry or White Chapel Buggy, 1890's
1890's Surrey or White Chapel BuggyHistoricHorse drawn wooden buggy. Long wooden shafts. Sometimes known as Piano Box Buggy. 4 large wooden wheels with rubber strip on wheel - 16 spokes. Black leather seats with buttoned upholster. Leather canopy cover. Leather arm rests. Side lamps and small step down -
Stawell Historical Society Inc
Photograph, “White Gums” Nursery on Old Glenorchy Road
“White Gums” Nursery Old Glenorchy Road.stawell