Second copy 5.5 x 8.5Black and white large format postcard showing moonlight reflections through clouds and across Reeves Channel of Lake King, Gippsland Lakes. Dark form of Rigby Island breaks the reflection on the lake. Lakes Entrance VictoriaMoonlight from Jemmys Point Lakes Entranceislands, boats and boating, waterways

3 identical 6 x 8.5|1 same size hand tinted 6 x 8.5Black and white small format postcard of a sunset scene on Reeves Channel, Gippsland Lakes. It shows sunlight reflected through clouds and on the lake between Rigby Island and the mainland. Lakes Entrance Victoriaislands, waterways, topography, ships and shipping

Colour photograph of Rick Jakobis fishing boat Kendean working in Bass Strait, shows white painted boat not over side of boat stormy sky and rain clouds in background, sea is grey and choppy. Lakes Entrance Victoriafishing industry, ocean, ships and shipping

Framed black and white photograph titled "Mirboo in Storm" featuring a streetscene at Mirboo North. The scene shows the main street of Mirboo North with shops on both sides. A sign "THIS IS MAYS" is featured on the side awning of the shop in the foreground. In the distance storm clouds are forming in the sky. Maroon card window mount set in decorative gold painted wood frame.

Woven wall hanging featuring 5 panels showing a country scene of rolling hills, sky and clouds. Woven in heavy wool of greys, geeens and pinks. The clouds feature fluffy tufts of wool. Hanging on white dowel curtain rod. Hem of each tapestry contains a heavy weight inserted in the seam.

Black and White photograph shows a herd of cows in the middle distance. The land then falls away and flatter land fades away into the distance. There are fluffy clouds in the sky.

Bendigo North Primary School Children's Ball held at the White Hills Technical School on Thursday 18th August 1983. Front page has drawings of clouds,ants, bees, mushrooms, butterflies and caterpillars. On the inside is the names of 16 dances and a representation of subjects. The back page has acknowledgements to people who assisted the ball. They include: Heather and Noel Ridge, Lloyd George, David Tunley, Greg Taska, Di Milich, Merilyn Tatt, Brian and Roger Hillman, Mark Walters, Jim McDonald, Lexie Ottery, Peter Ellis, John Ottery, Jenni Hillman, Fay McCaig, Elaine Price, Ruth Sloan, Lesley Campbell, Joan McColl, Connie Kairns, Janet Holland, Val Lee, Sandra Kaska, Evelyn Bruhn, Marg Gilbee, Ken Miles, Joy Miles, Helen Penna, Ken Gilbee, Marg Gilbee, Jane Pattinson, Jenny Mollison, Coral McClure, Maureen Warren, Robyn Murphy, Olga Chafer, Deanne McNeil, Carol Canfield, Sandra Kaska, Lesley Revert and Neil Ross.entertainment, dance, ball, peter ellis collection, bendigo north primary school children's ball, white hills technical school, peter ellis, bendigo north primary school, heather and noel ridge, lloyd george, david tunley, greg taska, di milich, merilyn tatt, brian and roger hillman, mark walters, jim mcdonald, lexie ottery, john ottery, jenni hillman, fy mccaig, elaine price, ruth sloan, lesley campbell, joan mccoll, connie kairns, janet holland, val lee, sandra kaska, evelyn bruhn, marg gilbee, ken miles, joy miles, helen penna, ken gilbee, marg gilbee, jane pattinson, jenny mollison, coral mcclure, maureen warren, robyn murphy, olga chafer, deanne mcneil, carol canfield, sandra kaska, lesley revert, neil ross

Couta boatssheltering Couta boat fleet membersBlack & white photograph of the moored boats under storm clouds at QueenscliffeReverse - " N/A "historical references

Ill, p.344.fictionThe afternoon sun was lowering towards a heavy bank of clouds hanging still and sullen over the Medite-rranean. A mistral was blowing. The last yellow rays shone fiercely upon the towering coast of Corsica, and the windows of the village of Olmeta glittered like gold. There are two Olmetas in Corsica, both in the north, both on the west coast, both perched high like an eagle's nest, both looking down upon those lashed waters of the Mediterranean, which are not the waters that poets sing of, for they are as often white as they are blue; they are seldom glassy except in the height of summer and sailors tell that they are as treacherous as any waters of the earth. Neither aneroid nor weather-wisdom may, as a matter of fact, tell when a mistral will arise, how it will blow, how veer, how drop and rise, and drop again. For it will blow one day beneath a cloudless sky, lashing the whole sea white like milk, and blow harder to-morrow under racing clouds. england - fiction, fiction - corsica

Large thick vey worn Mammoth Mother Goose collection of verses and rhymes in various categories for young children. Front cover has a coloured illustration of Mother Goose flying towards elves and pixies outside a house in the clouds. A surprised eagle is pictured beneath her with Series 695 The Goldsmith Publishing Co Cleveland, Ohio Made in U.S.A. The damaged brown fabric spine has the title, No.695, Publisher and place of publisher in black lettering. Severe tanning and foxing seen all through.fictionA Mammoth Mother Goose collection of verses and rhymes for young children in various categories - Alphabet, Wild Animals, Countries, Animal Adventures, Christmas. Black and white illustrations are on every page. M.A. Goldsmith has written some of the categories of verses.nursery rhymes, rhymes, verses, mother goose

Abel Hoyle Turton was born in 1877 and married Hannah Richardson of Barnawartha, Victoria in 1902. He established a wheelwright and coach making business. Mr. Turton also operated a blacksmith business as a side trade. In his earlier years he was actively involved in the fire brigade, including as Secretary, and on the committee of the Wodonga Brass Band. Mr. Turton also served as secretary of the local branch of the Australian Natives Association. In 1912, despite having received a long service medal for the Wodonga Fire Brigade, Turton resigned for the brigade under a cloud after having been accused of insubordination at a fire. The brigade captain Mr. Twomey also resigned. They were both later reinstated. He died in Wodonga on 24 December 1932. After his death, the premises were taken over by George McFarlane who commenced business as a shoeing smith and general blacksmith.This image records the premises of an early 20th century Wodonga business.A black and white photograph of the premises of A. H. Turton, Coach builder of Wodonga as well as 2 newspaper advertisements for this business.Above the store: A. H. TURTON / COACH BUILDER On windows: PAINTING/ TRIMMING/ RUBBER TYRES A SPECIALITYwodonga businesses, a. h. turton, turton wheelwright wodonga

Photo Finish shows Kalama's Peak winning the Penrith Handicap (2.19 or better) at Harold Park NSW on 17 December 1965 defeating Smart Set (2nd) and Tradran (3rd). Driven by Merv Adams. Distance 13 furlongs 98 yards. Started from a 24 yard handicap. Mile Rate 2.10.0. Kalama's Peak won the Bendigo Pacing Cup on the 8 March 1965 defeating Future Raider (2nd) and Chief Cloud (3rd). Driven by JP Moore. Kalama's Peak was owned by RJ Webster, was trained and driven in Australia by JP Moore, K Raw and M Adams. Kalama's Peak raced from 1962 (2YO) through to 1966 then raced in US from 1966 until 1968 (8YO). Career: 23 wins 8 seconds 6 thirds 88 starts.One large black and white photo in a black and white frame. Nilbendigo harness racing club, horses, race, winner, bendigo trotting club, pacing cup, driver, trainer, owner, kalama's peak, rj webster, m adams, jp moore, harold park, keith raw, jack moore, merv adams, ke raw, k raw, j moore

Invasion places an imaginative eye in Australian colonial history and turns around the dominant view, taking alien creatures into iconic London-based cityscapes, with white urban residents their victims. Cook's images express the shock that enveloped the Australian continent when European people appeared on Aboriginal shores. Aboriginals as aliens, sci-fi scaled animals - featherless birds, super sized grubs, giant lizards, possums on ufo's, laser shooting fembots, and clouds of rainbow lorikeets - arrive into urban London, the 'mother' country, and wreak havoc. Within the broad narrative are mini narratives that speak to the past, historical references that tease out and reverse the racist practices imposed on Aboriginals. The drama of such an event heightened with the use of vintage-inspired B-grade horror movie aesthetic - an ironic 'spoofy' edge.australian first nations art, photography, colonialisation, sci-fi

Invasion places an imaginative eye in Australian colonial history and turns around the dominant view, taking alien creatures into iconic London-based cityscapes, with white urban residents their victims. Cook's images express the shock that enveloped the Australian continent when European people appeared on Aboriginal shores. Aboriginals as aliens, sci-fi scaled animals - featherless birds, super sized grubs, giant lizards, possums on ufo's, laser shooting fembots, and clouds of rainbow lorikeets - arrive into urban London, the 'mother' country, and wreak havoc. Within the broad narrative are mini narratives that speak to the past, historical references that tease out and reverse the racist practices imposed on Aboriginals. The drama of such an event heightened with the use of vintage-inspired B-grade horror movie aesthetic - an ironic 'spoofy' edge.australian first nations art, photography, colonialisation, sci-fi

Sent to Mrs Garnet O'Neill from her brother Bill Beaty, Light Horseman, sent c1915Black and white postcard with verse.|'Sweet Thoughts'|While slowly sinks the sun from view,|Gilding the west with rosy light,|Come fond memories, dear, of you,|To brighten my deepest thoughts to-night.|Richer than golden clouds above,|Pictures of ne'er forgotten hours,|Visions of our unchanging love,|Thoughts of each promise dear, of ours.|WillmerDear Gar........From Billdocuments, postcards

Used to hold a myki card in a wallet. Instructions on how to use the auto top-up feature is printed on both sides.One of many marketing methods for the myki ticketing system which may be superseded by 2024.White cardboard folder used to hold a myki card. In the background of the cover is the spire at Arts Centre Melbourne in front of blue skies with a few clouds. 2 copies held.myki, public transport, public transport victoria, tickets, arts centre

This painting was inspired by an original painting by Wilhelm Melby held at the National Gallery of Victoria. Melby is a Danish artist (1824-1882). It depicts a famous Devonshire coastal region famous now for its lighthouse and the pick up point for the pilot when entering waters approaching Dartmouth. The sailing vessels pre-date the construction of the famous lighthouse. Over the centuries the view would have been familiar to many sailors as they left or approached the English mainland and south coast ports in the English Channel. Madeline Mary Ravenna Lewellin (1854 – 24 November 1944) was born in Victoria to Dr John Henry Hill Lewellin, a physician, and Grace Elizabeth (née Danneby). She was one of five daughters, and the family lived in Prahran. Lewellin's brother, Captain Herbert Gordon Hill Lewellin, was a commander in the P. and O. fleet (apprentice on the Romanoff, Lieutenant RNR on the HMS Arethusa in 1899, RMS Mongolia in 1913 sunk in 1917, Naldera in 1920). She studied painting at the National Gallery School in 1879 under Eugene von Guerard. She's also known for collecting and painting specimens, and became a member of the Field Naturalists Club of Victoria in 1885. In 1884 she won a silver medal for her studies of fungi. She collected plants for Australian botanist Ferdinand von Mueller, and the variety of Dicrastylis lewellinii (Purple sand-sage) is named after her. Miss Lewellin, who had a love of the sea and ships as subject matter is listed in 1910 as a donor as a 10/6 member donating to the motor launch fund and in 1918 as a working member of the Ladies Harbour Lights Guild which involved regular volunteer shifts at the Mission to Seamen on canteen and other duties.Marine art, Maritime artThis oil painting has a dark polished wood and gold leaf slip. The painting depicts two masted boats. The choppy sea takes up the lower-third of the painting, and the other two-thirds of the image of made up of stormy grey clouds. A rocky cliff face can be seen on the right-hand side of the painting. A small church can be seen on the hillside. The ship on the left third of the painting sits on the horizon line of the sea. The centre ship with two masts appears to be leaning to the right and its deck is exposed to the viewer showing four men attempting to handle the masts and rigging. The left-hand ship with three masts is surrounded by two grey distant silhouetted mast ships. There are three seagulls at the upper left-centre of the image. There are another three gulls down on the lower-left of the image. Front: ENGRAVED PLAQUE: Start Point Light. Devonshire. SIGNATURE: After W. Melby / M.M.R Lewellin. 1875. Reverse: IN BLACK MARKER PEN: * Hang from two points * WHITE STICKER WITH CONSERVATOR DETAILS: Art Conservation Frames / 118 Bridport Street, Albert Park, VIC, 3206 / 9696 9066 / artconservationframers.com.aupainting, ships, mast, church, sea, storm, oil painting, seagulls, madeline r. lewellin, artwork-paintings, ngv, wilhelm melby, eugene von guerard, botanist, rms mongolia, captain herbert gordon hill lewellin (1862-1935), paddy lewellin, reproduction

Railways Collection -Two Photos on glossy paper of Steam engine D3 616 with man's face superimposed in the clouds (in the colour photo) above the goods train bottom photo. The pages contain two photos of the same train - one in black and white, the other in colour - There is a pencil note on the back of one -David Bennett , - VR Steam Locomotive: D3 616 Moama N.S.W. Circa 1956 .Echuca Crew - Driver is Keith Bennett , Fireman is David Bernoth, Photographer is David Bernoth. The train is pulling goods wagons.bendigo, railways, david bernoth collection

Roundel painting in circular frame. Scene depicts a lagoon edged with grass and low bushes in foreground and trees in background. Two black swans swim in foreground and a boat with a mast and rigging is anchored near land and a tree at centre right of image. Top half of painting is a sunset with clouds in pink, red, white, yellow, indigo, russet. These colours are generally reflected in foreground water. Framed in round wooden frame.Front: (no inscriptions) Back: "Sunset" Blair's Creek, Portland. Jan. 7th 1893 (centre) (black ink). 90 (ink on varnish) (centre left). 1996 (pencil) (upper left).

Unknown. "Item of the Month", 2006 (Jan-July) - on display in Council Foyer (Portland Office).Scene of a man herding cattle and sheep down a country lane. To the left is a wooden pole fence and trees edging the road. On right, a path curves up and behind bushes. A man in a red coat is walking at the end of this path with his back to the viewer. In mid-ground on right is a white, thatched roof building and a church is evident behind it. In background are mountains, painted in rose and violet. Clouds sweep across the sky and mist fills the valley in front of the mountains. Framed in ornate gold-painted frame.Front: (no inscriptions evident) Back: Conservation Centre label. From previous Worksheet: W.V. Tippel, 1853. Jefferson, Artists Colours, Crystal House Baths, BRISTOL (stamp).

Art Collection Previously located in History HouseThe painting depicts a large sailing ship with orange masts and is almost in full sail. To the left of the ship are two other sailing ships. To the right are several sailing ships and white cliffs with a port. In the foreground is a rough green ocean with several seagulls in midflight. The background is a blue sky with numerous dark clouds. The work has a heavy gilded ornate frame and exposed canvas.Front: C DELL 1856 Back: Sticker of the Conservation Centre

Port of Portland CollectionView of harbour and jetties from a dock. Dock is in foreground. A white fishing vessel is berthed at a jetty positioned near the dock. In background is a view of the foreshore with buildings. The water is pale blue with darker blue details. The sky is blue with grey wash depicting clouds near horizon line. Mounted in thick cream canvas mount, framed under glass in wooden gold painted frame.Front: Signature - Ramon Horsfield (lower left) (orange paint). Back: (no inscription)port of portland

Port of Portland AuthorityFront: Port of Warrnambool (lower centre, printed). Published by Sands & Kenny, Melbourne & Sydney 1857. Back: 17 UL pencil, 1996 UR pencil.port of portland, port of warrnambool

View of two tents and a wagon in a dry landscape. In foreground is a camel loaded with packaged goods. A man on a horse is in centre of image, to the right of one of the tents. Two more horses are tethered by the wagon of far right. In background are trees and grassland. The top half of image is sky, with clouds painted in blue, grey and mauve with white highlights. Australian desert scene. Framed in silver and gold painted wooden frame.Front: B. Malloch '77 (lower right) (sienna paint) Back: 8 (pencil, sticker, upper left)oil painting, camel, horses, transport

These booklets were issued in 1944 to 1948 by the Warrnambool Progress and Tourist Association(established in 1927). Warrnambool was the winner of the Sun News Pictorial Quest in 1928, the ‘Ideal City’ and used this title to promote the city. There had been several Tourist Associations in Warrnambool prior to 1927 and all of them promoted Warrnambool as a health resort and an ideal holiday destination with the Sea Baths in Gilles Street and the beach close by. These guides were produced during and immediately post World War Two with rationing of petrol and other goods and most people in Victoria would not have been contemplating long and expensive holidays so Warrnambool with its rail service and beach facilities would have been seen as a possible holiday destination. The booklets contain information on the tourist attractions of Warrnambool and district, black and white photographs of buildings, events and scenic spots and advertisements for local businesses. Many of the advertisements also contain photographs of business premises.These booklets are of interest as they contain photographs of Warrnambool in the mid to late 1940's and advertisements for many business operating at that time.[.1] 56 page booklet. The apricot cover has red printing and a picture of a young woman holding a beach ball aloft on the front. The white pages have black printing & blue coloured photographs. The last page is pink. [.2] 54 page stapled booklet. The pale blue cover has dark blue printing and a picture of a young woman holding a beach ball aloft on the front. There are three pink pages at the front. The remainder are white with black printing. This booklet contains a handwritten letter to the Warrnambool City Council and a yellow page typed reply acknowledging the donation. [.3] 48 page originally stapled booklet now held together with white cotton. The beige cover has dark blue printing and a picture of a young woman holding a beach ball aloft on the front. Name written in biro on front cover. There are blue and pink pages which contain photographs and an apricot coloured fold out map. [.4] 50 page booklet with rounded corners. The beige cover has brown printing and a drawing of a tennis player and golfer waving to two ladies in bathing costumes on the beach. There are sail boats, a mountain, clouds and a gum tree in the background. There are some coloured pages. [.1] The Ideal City WARRNAMBOOL ON THE SEA Victoria Australia Tourist Guide Where to Go! What to See! To Advance Warrnambool - "THE IDEAL CITY" Victoria's Premier Health and Holiday Resort - Price 6d. [.2] The Ideal City WARRNAMBOOL ON THE SEA Victoria Australia Tourist Guide Where to Go! What to See! To Advance Warrnambool - "THE IDEAL CITY" Victoria's Premier Health and Holiday Resort - Price 1/- [.3] The Ideal City WARRNAMBOOL ON THE SEA Victoria Australia Tourist Guide Where to Go! What to See! To Advance Warrnambool - "THE IDEAL CITY" Victoria's Premier Health and Holiday Resort - Price 1/6 Handwritten in biro Terry O'Sullivan - WCC 20/2/06 [.4] The Ideal City WARRNAMBOOL Victoria Australia ON THE SEA Happy Holiday Health Resort Surfing Boating Shooting Tourist Guide Where to Go! What to See! To Advance Warrnambool - "THE IDEAL CITY" Victoria's Premier Health and Holiday Resort - Price 1/6 Handwritten in biro 1948 warrnambool, ideal city, warrnambool tourist guide, warrnambool progress and tourist association, warrnambool tourism, warrnambool business advertisements

From Victorian Heritage: The single storey mansion house with enclosed glass verandah, Burswood was built in 1853 on a site overlooking the Portland Bay for English born pioneer colonist Edward Henty. John Barrow of Adelaide was the architect for this exceptional Australian regency style residence which he designed as a central block of fine axed basalt ashlar and slate roof (now replaced) with flanking brick wings forming an enclosed rear courtyard. Burswood is the most important early mansion house in western Victoria, being an exceptional Australian regency design by distinguished colonial architect James Barrow. Edward Henty, a member of one of Australia's most remarkable colonial families and the founder of Portland, established the first permanent settlement in Victoria on 19th November 1834, and Burswood is testimony to his success as an early colonist. Henty lived in his mansion for 17 years in a semi-regal state. Burswood has been little altered since completion in 1853. A glasshouse conservatory to the side of the present enclosed verandah was demolished prior to 1895 and the slate roof replaced with iron. Johnstone, O’Shannessy & Co was a leading photographic studio located in Melbourne, Victoria, Australia. It was active from 1865 to 1905. Henry James Johnstone was also an artist and studied at Louis Buvelot's school and with Thomas Clark.Painting of a sandstone coloured building. A grand house with a driveway and well-kept gardens to the front. There is a horse and cart with a man standing to the side of it. There is a female figure exiting the building and another female and a man further along the driveway with a dog. The building has a glass conservatory attached to the side. The sky is blue with several fluffy clouds.Bottom right: Johnstone O'Shannessy & Co Melbourne (in white paint)homestead, henty, historic buildings, colonial, burswood house