Death and Bereavement notices for James Main White - died November 10, 1943, and Edith White - died December 30, 1943, both of Whitehorse Road, Ringwood.James, loving husband of Edith and father of Amos and May (deceased), grandfather of Edith, Jean, Amos and Dawne. Edith, loved wife of the late James Main, and loved mother of Amos and May (Mrs. Martin, deceased).

A bearded man uses a white cane and sonic guide to help him navigate around the streets of Strathfield. The sonic guide consists of a pair of heavy black spectacles with three sensors built into the bridge of the glasses. The glasses are attached by a cable to a control box which is designed to be clipped onto the wearer's belt or clothing. The control box has two switches and a volume setting, and assists the user in determining objects in their path and their distance to them.2 B/W photographs of man using sonic guide and white cane"5156-220" and '5156-224" on back of photographsroyal blind society of nsw, white cane, orientation and mobility

The farm buildings that Linda Gallus has studied and painted are on the farmland adjoining the Leura Park properties in Curlewis, on the Bellarine Peninsula. The current owner of the property told Linda that he bought the farm in 1994. He has used it for both sheep and cattle grazing since purchasing the property. When the farmer bought the land all the buildings on the property were painted white for sale, despite the fact they were very old. The shearing shed was in use up until the time of sale but was in a bad state of disrepair. The roof, stumps and floor required replacing. The building was no longer in use after the sale, so the shearing shed gradually fell into further disrepair. The previous owner had also used the property for growing potatoes, crops and livestock, mainly sheep. Linda’s fascination with the property came when she caught a glimpse of the white chimney over the hill driving towards Point Lonsdale, which still stands proud today on the roof of the old shearing shed. The owner kindly allowed her to visit the property over the past few years to capture the buildings using photography and painting. During this time many of the buildings have fallen. Linda calls it The White Farm as there are remnants of that original white paint on the outside of most of the buildings giving it a strange and rather beautiful patina. The structures are wonderful remnants of the history of the Bellarine. Linda first spotted the old shearing shed when she was driving home to Clifton Springs from Geelong. It was the white chimney on the shearing shed that stood out behind the rolling grassy hills. It was intriguing – bright white and still in good condition, unlike the rest of the building. After further investigation Linda got to know the owner of the property and visited it frequently to draw, take photos and paint. There is a variety of lovely old buildings on the property, but it was the shearing shed that held extra fascination for Linda. The most intriguing thing for Linda was that the buildings were all painted white at some stage and now the patina of peeling paint and bleached timber brought a wonderful mood and feeling to the farm. This is what she has tried to capture in this series of 11 paintings. Most of the buildings are falling, so Linda felt an urgency to capture them using acrylic paint on canvas in order to commemorate them forever.Acrylic Paint on Canvas. The images both feature a falling down shearing shed as the central focus. The wood of the shearing shed is a central theme of importance. The old buildings were painted white for sale despite being in a state of structural instability. After time this same painted wood has been left with an interesting complex patina like film on the surface which the artist has taken great care to capture. Image 1 is titled ‘Another gust of Wind’. It shows the exterior of the shearing shed which is in the process of collapsing from the forces of mother nature. In the background of this painting another of the buildings in the ‘White Farm’ complex is visible, in addition to blue skies and overgrown green grasses. Image 2 is titled ‘Green Trough’. It features the interior of the same collapsing shearing shed. The image is painted as though the viewer is peering through a crack of the external wall. Internally a green trough is seen hanging on an internal fence. Unlike everything else in the shearing shed, the trough appears new and in good condition. It provides a strong juxtaposition to the rest of the shearing shed, and the larger surrounding ‘White Farm’ complexbellarine peninsula, the white farm, shearing shed

A brief history of White Cane day outlining the use of the white cane in the United States and Australia.1 page typed sheet of informationwhite cane day, advertising

Pugh was one of many artists who brought an Australian experience to attention. His landscapes reveal the colour and textures of the natural bush, often with a dramatic emphasis. His reference to the harshness of the bush consistently arises, with angular forms dominating the composition. White Choughs in the Landscape is typical of his representations of the bush as a dynamic environment. White Choughs in the Landscape, 1958, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come White Choughs in the Landscape is typical of Pughs' representations of the bush as a dynamic environment. The brittleness and fragility of the landscape is recorded in the surface of the work, where paint is applied in thin layers.Signed 'Clifton Sept. 1958'clifton pugh, dunmoochin, white choughs

A short article about William John Ewart White and his service in World War 1. William White lived in Greensborough.1 page, text and colour images.world war 1 project, william john ewart white

The Grave of Alan White (died 14/05/1988) and Betty Beale White (died 18/03/2014), St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph (grave)st helena cemetery, white family, beale family

A folder of newspaper cuttings about White Cane Day in 1994. These include personal stories about people who use white canes and the various schools and organisations who helped the Royal Blind Society of New South Wales sell confectionary white canes to help raise money for the Society.Various pages of newspaper cuttings royal blind society of nsw, white cane day

Photographic details of Ypes sector, Belgium 27/9/1917. Hellfire corner.Photographic details of Ypes sector, Belgium 27/9/1917 Area known as Hellfire Corner.Belgium: Flanders, West-Vlaanderen, Ypres, Menin Road, Hellfire Corner, on the Menin Road in the Ypres sector of Belgium 27/9/1917. It was continually under observation and notorious for its danger The area was piled with wreckage of all kinds of transport. "A very sticky spot."An A4 sheet of paper with a black and white photograph of Hellfire Corner attached in the center. and a small note describing the scene.belgium, ypres sector, 1917, hellfire corner

Photo of 7 Bendigo Tram trailers - both single and double deck in Mitchell St for the Railway Picnic Day 1906. In the far distance can be seen an electric tram.Yields information about trams used for the Railway Picnic day in 1906.Black and White copy print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details..1 - On the rear in pencil, "Bendigo Tramway Railway Picnic Day, 14-9-06, Nos. 1st car 9, 14, ?13, ?14", Has Ken Magor stamp in the bottom right-hand corner with the number "3784". On the rear in pencil of second copy from the Ken Magor collection- "Bendigo Victoria, Railway Picnic Day, 14 September 1906. Photo by Cyril White, Mundy St Bendigo. DD Nos. 9, S deck 14, DD No.13, Open and Seat, S deck D No. 12" - see rear image.trams, tramways, bendigo, mitchell st, trailers

White. David elected 1886stawell

1890's Surrey or White Chapel BuggyHistoricHorse drawn wooden buggy. Long wooden shafts. Sometimes known as Piano Box Buggy. 4 large wooden wheels with rubber strip on wheel - 16 spokes. Black leather seats with buttoned upholster. Leather canopy cover. Leather arm rests. Side lamps and small step down

A white swan swims in the Fairyland at Lake Wendouree.lake wendouree, ballarat, fairyland, swan

“White Gums” Nursery Old Glenorchy Road.stawell

William Buckley was born in 1780 at Macclesfield, Cheshire, England. After time as a bricklayer and soldier he was caught with stolen property, sentenced on 2 August 1802, and transported to Australia. Between October, 1803, and January, 1804, he escaped from Sullivan's Bay in the Port Phillip district and spent the next 32 years in the company of aborigines wandering between Port Phillip and the near western district as far as Lake Corangamite. In about 1835 he was discovered by three white men, members of John Batman's Port Phillip Association investigating the area with a view to future settlement.Wild white man. Kevin Hayden. Marine History Publications; Geelong (Vic); nd. 28 p.; illus.; map. Soft cover.william buckley; aborigines; otway ranges;

Eltham Shire Councillor J. O. White farewells Councillor Albert F.C. Glover, ex President of the Shire of Eltham and Mrs Glover. Cr Glover served residents of the Montmorency ward from 1967. Cr White was also on the Council from 1967.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, eltham, cr. b.t. taylor, cr. a.f.c. glover, cr. j.o. white, mrs glover, shire president, presentation