Showing 135 items
matching work bag
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Victorian Interpretive Projects Inc.
Photograph - digital, LJ Gervasoni, Murtoa Stick Shed 00031, 13/08/2011
From the Victorian Heritage Register statement of significance H0791 The Marmalake/Murtoa Grain Store, originally the No.1 Murtoa Shed, is located within the Murtoa Grain Terminal, adjacent to the grain elevator tower and railway line. The shed is 280m long, 60m wide and 19m high at the ridge with a capacity of 3.4 million bushels. The hipped corrugated iron roof of the shed is supported on approximately 600 unmilled hardwood poles set in a concrete slab floor and braced with iron tie rods. These poles are the reason for use of the term "stick shed". With its vast gabled interior and the long rows of poles the space has been likened to the nave of a cathedral. An elevator at one end took wheat from railway trucks to ridge level where it was distributed by conveyor along the length of the shed, creating a huge single mound of grain. Braced internal timber bulkheads on either side took the lateral thrust of the wheat, and conveyors at ground level outside the bulkheads took wheat back to the elevator for transport elsewhere. Wheat had been handled in jute bags from the start of the Victorian wheat industry in the mid nineteenth century. Bulk storage had been developed in North America from the early 1900s. NSW began building substantial concrete silos from 1920-21. In Western Australia, farmers' co-operatives, who had to supply their own bulk storage from 1934-5, pioneered the use of low-cost horizontal sheds of timber and corrugated iron for bulk storage. Following its establishment in 1935 the Victorian Grain Elevators Board (GEB) planned a network of 160 concrete silos in country locations, connected by rail to the shipping terminal at Geelong. By the outbreak of the Second World War there was a worldwide glut of wheat, and Australia soon had a massive surplus which it was unable to export. Only 48 silos had been established under the Victorian Silo Scheme so far, and wartime material and labour restrictions prevented progress with this scheme. The storage deficit had become an emergency by 1941 as Britain obtained its imports from North America, rather than over the lengthy and difficult shipping route from Australia. In 1941 the GEB, under chairman and general manager Harold Glowrey, proposed large temporary versions of the horizontal bulk storage sheds already in use in Western Australia. The proposal was approved by the Victorian Wheat and Woolgrowers Association, who considered the use of shed storages as a longer term proposition. After initial resistance from the Australian Wheat Board, some of whose members represented wheat bagging interests, the Commonwealth and Victorian governments agreed to split the costs, and Murtoa was chosen as a suitable site for the first emergency storage. The main contractor, Green Bros, commenced work on the No.1 Murtoa Shed in September 1941, deliveries of bulk wheat began in January 1942, and the store was full by June of the same year. In the following years the Council for Scientific and Industrial Research (later CSIRO) conducted valuable research and experiment on the impacts and control of insect pests at the Murtoa No.1 shed. With these discoveries, and the development of more effective pesticides, use of the No.1 shed and the larger No.2 shed, erected in 1942/43, continued for many years. The No.2 shed was demolished in 1975. By the 1990s, pest resistance to pesticides and requirements for both pest free and insecticide free grain rendered open storage of this type unviable. The No. 1 store was also becoming increasingly expensive to maintain, and its use was phased out from 1989.Image of the Marmalake/Murtoa Grain Store which is of historical, architectural, scientific (technical) and social significance to the State of VictoriaDigital colour image of the interior of the Marmaduke . Murtoa grain storage facility better known as the Stick Shed. The shed was constructed in World War Two to store grain. The supporting columns are trees.marmalake, murtoa grain store, wheat store, stick shed, murtoa -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Doctor's theatre gown worn by Dr Mitchell Henry O'Sullivan, c. 1930s
The wearing of gown became mandatory in all operating theatres from the 1900s and in 1914-1918 during the Spanish flu epidemic. During the 1930s gowns were worn when attending polio patients. From 1945 onwards, midwifery hospitals required all staff working in labour wards, premature nurseries, and special care (observation nurseries) to wear gowns when in contact with mothers or babies. During the 1950s the gown regime helped to combat the spread of golden stph in midwifery hospitals. Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Cotton gown with high round collar and long sleeves. Gown is made in two sections with a centre doubled seam. The collar is made to button at the neck, but the button on this gown is missing. Wrists of gown are fastened with flat mother of pearl buttons. Open at back with six ties. Laundry tag taped to right side of gown.surgery -
Bendigo Historical Society Inc.
Textile - FLOUR BAG COLLECTION: ROBERT HARPER AND COMPANY, 1900-1950
Textiles. Calico bag - ''Harpers Flaked Oatmeal'' Star brand, Trademark Registered ''My Brekfus'' 7 lbs Net. Robert Harper and Company Limited Australia. Head and shoulders drawing of a blonde haired girl surrounded by wheat.On the other side of the bag is a blue and white picture of a box of ''Silver Star Starch''. Robert Harper and Co Ltd. Slogan written on box, '' The best in the world. Won't sick to the Iron''. Robert Harper and Company (1842-1919), businessman and politician, was born in Scotland. He migrated to Melbourne with his family in August 1856. He worked for J.F.McKenzie & Co., roasting and grinding millers. In 1865 he established Robert Harper & Co., trading in tea, coffee and spices from the East Indies and later in oatmeal and flour.textiles, domestic, robert harper and co calico bag -
Bendigo Historical Society Inc.
Textile - FLOUR BAG COLLECTION: ROBERT HARPER AND COMPANY, 1900-1950
Textiles. Calico flour bag printed on one side in red and blue''EMPIRE SELF RAISING FLOUR 25 lbs nett weight. Contains phosphate Baking Powder. Robert Harper & Company Incorporated Victoria, Australia''. In the background is a lighthouse with three beams of light extending from each side. Printed on the light beams- ''LIGHT BREAD, LIGHT PASTRY, LIGHT PUDDINGS, LIGHT LABOUR, LIGHT HEARTS, LIGHT HOMES''. Robert Harper (1842-1919), businessman and politician, was born in Scotland. He migrated to Melbourne with his family in August 1856. He worked for J.F.McKenzie & Co., roasting and grinding millers. In 1865 he established Robert Harper & Co., trading in tea, coffee and spices from the East Indies and later in oatmeal and flour.textiles, domestic, robert harper & co flour bag -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Collection of suture needles used by Dr Mitchell Henry O'Sullivan
Needles in this collection include: -2 x abdominal triangular cutting edge suture needles, used for skin suture. Size 2/0 -Morrison's half circle round bodied suture needle, size 3 and size 2 -Bonney's regular curved cutting edge suture needle, size 7 or 8 -Regular curved triangular pointed suture needle, size 2 and size 6 -Ferguson's round point half circle suture needle, size 15 -Hagerdorn's reversed 1/20 suture needle, size 7 -Bonney's curved suture needle, size 7 and size 9 -Regular curved triangular cutting point suture needle, size 15 -Boston/intestinal fine round bodied half circle suture needle Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Collection of suture needles in wooden case. Consists of four, loose, crescent shaped needles, and an additional nine needles stuck into a piece of cork. Case is cylindrical, has a lid and is possibly made from pine wood.surgery -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Equipment - Hypodermic syringe and needles used by Dr Mitchell Henry O'Sullivan
Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Hypodermic glass syringe (.1) with three hypodermic needles (.2 - .4) and metal storage case (.5 - .6). Barrel of syringe is marked from with measurements from 0-20. .2 is a needle head with a rounded flange tapering towards the needle shaft. .3 and .4 are needle heads with flattened oval bulbs, attached to a round bead which holds the needle shaft. The case is oval in shape with the word 'Crystal' engraved diagonally into the top of the lid. There are two fixings attached inside the bottom of the case which form a cradle for the storage of the syringe.'Crystal' -
Geoffrey Kaye Museum of Anaesthetic History
Inhaler, Bruck
The Bruck Inhaler is a modification of the Clover Inhaler, designed by Lambert Bruck. Bruck added a glass dome which enabled the level of ether to be monitored during administration. This was a revolutionary change as it removed guess work from the process.The inhaler is oval shaped with two halves. One half should be made of glass [missing] to allow observation of the ether level. A vertical cross tube, 22mm in diameter passes between the face-piece and the bag [broken]. There is a stopcock for admission of oxygen or nitrous oxide opposite the bag attachment. There is a central tube, 28mm in diameter, with controllable ports on either side.The Bruck Inhaler is a modification of the Clover Inhaler, designed by Ludwig Bruck. Bruck added a glass dome which enabled the level of ether to be monitored during administration. This was a revolutionary change as it removed guess work from the process.joseph clover, lambert bruck, inhaler, rebreather, nitrous oxide, oxygen, probyn williams, hewitt -
Geoffrey Kaye Museum of Anaesthetic History
Bird Anaesthesia Assistor/Controller Mark 4
... respirator eliminating manual bagging. The machine can work through... bagging. The machine can work through Boyle anaesthetic system ...The Bird Mark 4 is an anaesthesia assistor or controller with pressure and volume controller to be driven by a respirator. Combination of Mark 4 with respirator makes an automatic anaesthesia respirator eliminating manual bagging. The machine can work through Boyle anaesthetic system. It is designed for both paediatric and adult application. (Drugs and Equipment in Anaesthesia Practice, Aruna Parameswari, 2019)Green metal box atop a clear plastic unit with a black bellows inside, which forms one part of the overall unit. The unit is attached to a pole, enabling height adjustment. The pole is, in turn, attached to a set of four castors [not original].White text on black stick on strip on top of metal box: DO NOT PULL APART / FOR USE IN THEATRE ONLY A series of instructions are printed in white text over the unit.anaesthesia assistor, anaesthesia controller, pressure controller, volume controller, paediatric, adult -
Tatura Irrigation & Wartime Camps Museum
Domestic object - Knitting/sewing bag, Palestine German Families, 1940's
... bag sewing bag camp 3 hand work Brown wooden frame ...made and used by internee at camp 3.Brown wooden frame that is similar in shape to that of a coin purse. The bag opens by pulling apart the top two wooden rails to reveal the inside of the calico coloured material the bag is made of.knitting bag, sewing bag, camp 3 hand work -
Tatura Irrigation & Wartime Camps Museum
Picture (embroidered), Head of Christ, 1945
Made by Vincenzo Longo, an Italian POW, in Murchison Camp 13, Graytown POW Camp and Tocumwal and presented to Vincent Villarroya, an Army Guard/Interpreter for Italian POW'sWooden framed, embroidered picture of "Head of Christ" worked in shades of red, blue, brown and cream cottons. Face and hands have been drawn. A bronze plaque in a small plastic bag is stuck on the back of the pictureDonated by the daughters of Vincent Villarroy 7/12/2007head of christ, embroidery, longo v, villarroya family, camp 13, tatura, ww2 camp 13, graytown pow camp, tocumwal, handcrafts -
Tatura Irrigation & Wartime Camps Museum
Accessory - Hand Bag, 1940's
... Dark brown coloured, crochet cotton evening bag... crochet Dark brown coloured, crochet cotton evening bag ...Used by internee at Camp 3Dark brown coloured, crochet cotton evening bag with decorative pattern, worked holes at the top. Has dark brown cotton material lining, and what appears to be dried lavender insidehandbag, hoefer family, camp 3, tatura, ww2, costume, accessory, female, handcrafts, crochet -
Stawell Historical Society Inc
Memorabilia - Realia
2 Bag or Bale Hooks with wooden handles. Inscribed Anthony_. Used to shift Jute Bags or Bales. Anthony's had a grocery Business, Timber Yard (General Merchants) in Stawell. Used by Mr Stephen Pauling who worked for Anthony's stawell -
Brighton Historical Society
Outfit, Evening outfit, 1961
Growing up in Sandringham, Joy Bosomworth learned to sew at the knee of her mother Elsie Myra Keefer, a seamstress. By the time she was an adult, she was making most of her own clothes. She made this shot velvet evening dress, along with a matching stole and bag, in 1961 to wear to a ball at the Royal Melbourne Hospital, where she worked as a radiographer. An evening outfit consisting of a matching dress, stole, bag and gloves. Sleeveless one-shoulder evening dress of blue velvet shot with metallic red. The dress is gathered at the proper left front waist and is lined with red synthetic fabric. Fastens with a zip and hook at the side. Stole of blue velvet shot with metallic red, lined with red synthetic fabric. Handbag made from blue velvet shot with metallic red. The bag has a gold metal frame and clasp, with a shot gold metal chain attached. The interior is red synthetic fabric, with a single side pocket. Elbow-length red nylon evening globes.joy myra bosomworth, joy myra keefer, evening dress, ball gown, 1960s -
Whitehorse Historical Society Inc.
Accessory - Evening Bag, circa 1900
From the estate of Jenny LangBlack velvet oblong evening clutch bag. Gold and silver thread, red and blue seed beads worked into design of embroidered pattern on front. Gold cord handle and small amount of embroidery on back. Lined in black satin with two pockets for mittens or comb. Front closing with press stud.costume accessories, female -
Whitehorse Historical Society Inc.
Textile - Toilet bag
Handmade toilet bag. Example of container for personal items. Donated by Heather McNamara - worked by Isobel McNamara.Cotton cream drawstring toilet bag for brush & comb.toilet bag, frush & comb container, cotton, embroidered -
Numurkah & District Historical Society
Carpentry Tools & Storage Box
These carpentry items were owned and used by Archibald (Mick) Blackley, a local long-time resident of Numurkah. Born 1912 in Numurkah, Mick was the son of Archibald (Senior) and Grace Blackley, also residents of Numurkah. Archie Senior was a carter, horse-breaker, conducted a livery stable and worked at Brown Corke & Co for a number of years. Archie also served in the Veterinary Corps in WW1. Some of the tools donated belonged to Archie Senior eg wooden hand planes. Mick Blackley used his dad’s tools (and also added some of his own) when he worked in various carpentry jobs during the 1930’s and 1940’s. One particular carpentry job was during the depression when Mick relocated to the Wonthaggi State Coal Mines building stables for the horses, and also completing some building works inside the mines. Returning to Numurkah, Mick joined a Mr Murray as carpenter and painter to build and repair houses. He then joined another builder for 4 years (We think this was Jim Tuttle). Mick then went on to work at the Butter Factory (originally called Holdenson & Nielsen) where some of his carpentry skills were still used. Item list: • Wooden box for carpentry tools • 1 x steel pliers • 2 x wooden hand planes • 1 x tin snips • 1 x wooden spirit level in canvas bag • 1 x small wooden spirit level • 5 x wooden handled hand-saws • 1 x wooden handled right- angle square • 1 x wooden handled tenon-saw • 1 x steel plumbers wrench • 1 x wooden handled hedge-clippers • 1 x cloth & leather measuring tape • 1 x wooden mallet • 1 x narrow wooden plane • 1 x plastic handled hand-saw • 1 x plane blade sharpening stone • 1 x brace hand drill • 1 x compass for marking wood • 1 x cold chisel • 1 x set of various chisels and hand drill bits in a canvas bag • 1 x steel sike • Various other drill bits, chisels, files • 1 x wooden handled trowel • • 2 x steel garden secateurs • carpentry, building, wood, tools, planes, levels, chisels, hammers, saws, drills, drill bits -
Ballarat Tramway Museum
Photograph - Framed Photographs, "Archie Viccars 1950 Ballarat", Original 1950
Containing a colour copy photograph of Conductor Archie Viccars, leaning out of a bogie tram. He has cap number 2 with the conductor's bag slung over his shoulder. The donor noted that Archie worked as a Trammie from the 50's to the 60's when he transferred to the Ripon St offices on clerical duties. See acquisition notes for a story from Noel Forster - email of 1-3-2017 re Archie. Has a strong association with the family of SEC Conductor Archie Viccars and demonstrates the uniform of the time.Wooden frame, with carved out front edge, inner gold lining, varnished with title "Archie Viccars 1950 Ballarat". Printed onto Fujifilm Crystal Archive paper. Has a strip of tape at the base of the photograph ""Archie Viccars 1950 Ballarat".trams, tramways, conductors, ballarat, crews, archie viccars -
Queenscliffe Maritime Museum
Instrument - Survey tape on metal reel in leather bag with other articles
A surveyors chain is actually a thin steel band on a reel and is used for accurate measurements. This 110 yard [101m] chain is subdivided every 10 links [2.2 yards or 2m]Items belonged to J P Larkin Government marine surveyor who worked on surveys up to 1938. He worked in Port Phillip and Queenscliff related surveys [e.g. Western channel, Queenscliff channel].Survey tape on metal reel in leather bag with other articles: plumb bobs, number pegs, drawing instruments in box and steel punchesMade by A.E. Parsons surveying instruments, 215 Queen Street Melbournesurveying equipment, j p larkin -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION: 'TRAXO' CLEANING LABEL
A plastic bag containing 'Traxo' cleaning labels'. 'Traxo' cleaning labels. 'The Great Cleanser.' 'Kitchen Laundry Lavatory.' 'The Tarax Brewing Co. Depot: 4 City Market, Bendigo.'domestic equipment, cleaning, cleanser, lydia chancellor, collection, house cleaning, domestication, cleaning, house work, cleaning agents, 'taraxale brewing, ' bendigo, pethard family, mr. george pethard, industry, industries, domestic equipment -
Bendigo Historical Society Inc.
Ceremonial object - Ceremonial collar
Ceremonial purple velvet collar with gold metallic bullion fringe to outside edge and gold metallic ribbon and ribbon lace to all edges. At each end is a five point star in gold zardozi work in sequins and metallic thread with central couched button. Above the stars on the LHS is couched zardozi work initial G and on RHS couched zardozi work initial M and above these are two identical five point stars as lower ones with the addition to each of two metallic thread tassles. At the bottom centre of the collar are two small rings. In a separate bag is a purple velvet rosette with central sequined button and braided surround with large tassle all in gold metallic thread.ceremonial collar, grand master -
Ballarat Tramway Museum
Souvenir - Postage stamps - Australia's Historic Tramways, Australia Post, Oct 1989
Stamps feature: Adelaide Horse Tram - 1878 Sydney Steam Tram - 1884 Melbourne cable tram - 1886 Hobart double-deck electric tram - 1893 Brisbane combination electric tram - 1901.Demonstrates the work of Australia post in designing and selling stamps.Set of three items purchased at the time of the issue of "Australia's Historic Tramways" stamps - 11 Oct. 1989. 1 - Envelope - DL Size with five 41c stamps, cancelled with details of the issue on the rear. 2 - Presentation set of Australia Post collector cards, each with a stamp contained within a plastic envelope. 3 - paper bag printed by Australia Post for containing purchased items.tramways, postage stamps, stamps, australia post, australian trams, steam trams, horse trams -
Kew Historical Society Inc
Accessory - Black silk handbag with cornelli work embroidery, 1960s
The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products.Black evening bag with fabric covered metal frame. Flat black strap. Same colour cornelli embroidered exterior decoration.handbags, evening bags, fashion accessories, grace james collection -
Kew Historical Society Inc
Accessory, Gilded mesh evening bag, 1920s
The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products. This handbag was donated by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Evening purse of gilded mesh with brass frame and chain handle. The base of the bag features a mesh fringe. The clasp includes a faceted red glass gem.purses, fashion accessories, lilian cohen, mcintyre collection, evening wear -
Surrey Hills Historical Society Collection
Work on paper - State Savings Bank of Victoria & Commonwealth Bank of Australia
A vertical file with the following items: 1. Bank opened in 1916, Box Hill Reporter, 21.9.1966 (3 copies), (3 pages). 2. ‘Going going gone!’, SHNN No. 4 June/July 1983 (1 page). 3. ‘Bank closures anger traders’, Anthony Dowsley, (unknown newspaper and date), (1 page). 4. ‘Commonwealth bank closes – shame, shame, shame!’ SHNN 108 Oct./Nov. 2000 (1 page). 5. ‘Which bank?- State to Commonwealth to Community!’ SHNN No. 117 April/May 2002 (1 page). 6. ’50 years in Surrey Hills’, Box Hill Reporter, 21.9.1966 (1 page). 7. ‘On the site of Surrey Theatre’, Eastern Times Gazette, 21.9.1966 (2 copies), (1 page). 8. Information on State Bank of Victoria (date and source unknown), (1 page). 9. ‘For Bank’s jubilee’, undated newspaper cutting (1 page). 10. List of first 20 depositors of Surrey Hills branch (1 page). 11. Sample withdrawal form used in 1980s (1 page) 12. Sample CBA deposit & withdrawals forms used from 1990s to present day (2 pages). 13. Sample State Bank Victoria Term deposit maturity advice 1991 (1 page). 14. 2 sample State Bank Victoria deposit books and coin bag from 1990s (3 items). 15. ‘Commonwealth Bank Closes – shame, shame, shame!’, SHNN, No. 108, October/November, 2000 (1 page). 16. ‘A good news bank story!’ SHNN No. 116, February/March, 2002 (1 page). 17. ‘Which Bank ? – State to Commonwealth to Community!’ SHNN No. 117, April/May, 2002 (1 page). 18. ‘Community Bank share offer opens’, SHHN No. 118, June/July 2002 (1 page). 19. ‘Community Bank opening soon!’, SHNN No. 120, October/November, 2002 (1 page). 20. ‘The Bank is back in town!’, SHNN No. 123, April/May, 2003 (1 page). state savings bank of victoria, commonwealth bank of australia, banks -
Surrey Hills Historical Society Collection
Photograph, Mrs Caroline de Graaf
Mrs Caroline de Graaf photographed in 1929. Caroline and James de Graaf were married in 1885 and came to live in Surrey Hills. They had two blocks of land at 13 Charles Street. At first James rode his bicycle to his work in Richmond and each week Caroline would walk to Richmond carrying her baby to see her parents. They would put their shopping on the bike and walk home in the evening. Eventually train schedules suited them and they were relieved to be able to use the train for the trip. James later became employed in the timber trade in Box Hill. A black and white photograph of a lady seated on the sand. She is wearing a coat and hat and carrying a bag. There is another bag on the sand beside her. It is possibly a camera bag.(mrs) caroline de graaf, (mr) james de graaf, charles street, surrey hills, clothing and dress -
Brighton Historical Society
Accessory - Bag, 1960s-1970s
This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this bag from Tyabb Packing House Antiques in Tyabb, Victoria.Oval shaped bag made from armadillo leather with head and feet attached. Leather straps may be a recent addition. Metal clasp. Mirror on inside of lid. Interior lined with blue silk.handbag, armadillo, 1960s fashion, 1970s fashion, di reidie, vintage clothing -
National Wool Museum
Work on paper - Women's Village/Travel Uniform Design Drawings, Wendy Powitt, c. 1992
A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Village/Travel Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The village clothing was designed to be a highly visible garment meaning that it was easy to "Spot the Aussies" and helped to contribute to a good team spirit. Blocks of contrasting colours were a feature of the pure wool shirts. A newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8118.1- A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic women's Village/Travel Wear Uniform. The main drawing shows the design for a pair of yellow shorts with a yellow and green printed, striped shirt, cinched at the waist by a brown woven belt. At the bottom of the page is a detailed drawing of the weave of the belt with an Australia shaped belt buckle. A small drawing to the right of the main image also details a small bag/pouch that attaches to the belt. 8118.2- A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic women's Village/Travel Wear Uniform. The main drawing shows the design for a pair of yellow shorts paired with a block colour shirt in green, red, white and yellow with a symbol in the shape of Australia on the right side of the shirt. There are small detail images of shorts and a skirt to the left of the main image and a detail drawing of a brown leather shoe to the right.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
National Wool Museum
Work on paper - Women's Opening/Closing Ceremony Uniform Design Drawings, Wendy Powitt, c. 1992
... as well as a depiction of a brown leather bag. Work on paper ...A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. Opening Ceremony Uniform included a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy.8120.1 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt, a matching headband and scarf, yellow gloves and brown leather shoes. To the right of the main image are five detail drawings of the skirt, gloves, shoes and scarf as well as a depiction of a brown leather bag. 8120.2 - unnumbered- mounted on green card this sketchbook page depicts a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt and yellow gloves. 8120.3 - unnumbered- A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt, a matching headband and scarf, yellow gloves and brown leather shoes. To the right of the main image are five detail drawings of the skirt, gloves, shoes and scarf as well as a depiction of a brown leather bag.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
National Wool Museum
Uniform - 1992 Barcelona Olympics Women's Barramundi Skin Bag, Wendy Powitt, c. 1992
Uniforms for the 1992 Barcelona Olympic Games were designed by Wendy Powitt in conjunction with the AWC. Doug Pleasance, donor of these items, worked for the AWC and closely with Wendy Powitt, obtaining these uniform examples. About the Olympic Uniforms Doug wrote- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by T D Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.The bag is small, tanned leather with a panel on the front of the bag made from delicate, tanned barramundi skin. The handle is attached to the bag using a gold loop in the centre, top of the bag and one long adjustable strap, The main clasp of the bag features an image of the Australian emblem above the Olympic rings, the reverse of the bag is unadorned.Clasp on the front of the bag has the image of the Australian emblem over the Olympic rings. On the inside of the bag is a label- "Witney Green" "Made in Australia"1992 barcelona olympics, sport, athletes, fashion, design, uniform -
Port Fairy Historical Society Museum and Archives
Container - Bag, school
... that children would carry their school work, lunch bag to and from ...Schoolbag belonging to Joan Powling when she was a student at the Port Fairy Consolidated School in the 1960s.The school bag is typical of the bag that children would carry their school work, lunch bag to and from school in this period. It evokes memories of another time period and is culturally significant to the life of children who attended the Port Fairy Consolidated School. Brown solid leather school bag with 2 backstraps, 2 buckle fasteners.Solid leather 13. Joan Powling.school bag, joan powling, port fairy consolidated school