Donated by Charles Willoughby who found the axe and two others on his farm on the site of the present Lake Buffalo.Aboriginal atrtefacts are relatively rare in the North Eastern Region. This is a well made axe. The location of the quartzite may be significant in showing regional affinities.Quartzite ground edge stone axe with use polish on working edge and flaking on opposite edgeaxe, aboriginal artefact, buffalo river, north east region

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1942 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Diamonds and Precious Stones Author: Harry Emanuel Publisher: John Camden Hotten Date: 1867 Label on spine with typed text PAT 549 EMA Inside front cover has a sticker that reads Warrnambool Mechanics Institute and Free Library Inside front endpaper has a sticker that reads Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, harry emanuel, diamonds and precious stones

Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, cresco

Slide. Bendigo Views. Additions to the Cathedral. Partly constructed wall of bricks and stone with scaffolding in place.slide, bendigo, bendigo views, bendigo views

Camp 1 German wool buyer Mr Eberhard Schuster, standing in front of the remains of Cafe Wellblach at camp 1. Colour photograph of a man in black hat and jacket standing in front of a stone wall. Trees in the background. german wool buyers, eberhard schuster, camp 1, cafe wellblach

Item carved by a German Internee who was held in Camp 1 in WW2. Came into the possession of one of the guards, whose nephew donated it to Tatura MuseumSandstone piece with carved map of Austraiia, Tatura 1939-1940, and a 1939 penny inserted in the stone."Tatura Vic.1939-40." Map of Australia/Bird.internment camp 1, tatura, german internee..

At the crossover between placemaking and public art, this space designed and constructed by Katherine Masiulanis embeds local stories to enliven the local community centre. Masiulanis has designed the public artwork to reflect the lines of crops and ploughed fields and mountains in the surrounding landscape. The artwork also refers to the seasonal travel of Aboriginal people from Wendouree to Burrumbeet and migratory birds making a similar journey. The style of the refurbished courtyard will reflect the 1970s positivity style reflected in the Community Centre architectural design and the history of the first development of the ‘Village’. Cardigan Village is home to about 450 residents on the outskirts of Ballarat. It was established in the 70s, with all the positivity and optimism of the period.Painted walls, metal bird shapes, metal cut out wall shapes, stone bowl

Stone Memorial showing two miners slucing gold . a sheep on the left and a cow on the right side.On Front: Erected in memory of the Early Pioneers of Deep Lead By a Grateful public of 1986deep lead school, education

A Histroy of Glenpatrick and Nowhere Creek. A record of the history and pioneer families of these two areasOff White Card Cover with Brown Print below which is a drawing of trees and stone chimney,Ghosts of the Glen (Undelined) A History of Glenpatrick and Nowhere Creek By Isabel Armerstawell

Colour photograph of a group of people around a stone cairn, one of the men applying sealant to the top.On back of photo: "Don Nash sealing time capsule in cairn at Rutherglen Showgrounds 23-11-80"time capsule, rutherglen showgrounds, cairn, monuments, don nash

A mineral water pump with stone wall running along a creek in the Hepburn Mineral Springs Reserve.wyuna mineral water spring, hepburn springs, mineral water, hepburn mineral springs reserve

Two definite marks on the lower edge of this pavement were made possibly to show the positioning of the stone.

These photographs show a reproduction of maker's marks on stone. Taken at Durham World Site Visitor Centre.

Colour photographs of a stone memorial commeorating the first overseas wireless message sent from Australia. From this spot on twlfth July 1906 The first overseas wireless messages from Australia were sent by Lord Northcote Governor-General Sir R. Talbot Governor Hon. A. Deakin Prime Minister Hon. A Chapman Postmaster General Hon. R.A. Crouch M.P, For Corio Equipment supplied and operated bu Marconi Wireless Coy Ltdwireless, telegram, queenscliff, lord northcote, alfred deakin, a. chapman, r.a. crouch, r. talbot, marconi wireless company

Purchased in Hong Kong by Mrs. H.N. LordSilver filigree bracelet set with 4 semi-precious green and pink stones and attached to a chain.

Comfort Station Camping Reserve No 33 Halls Gap The GrampiansLog cabin with a tin roof and stone features around entrance and windows. Building in natural setting.Comfort Station, Camping Reserve hall's Gap Grampians No 33.halls gap grampians

Photographs of the Former Sherriff's Office, Camp Street, BallaratThis stone was laid by the Mayor C.C. Shoppee M.L.A. 21st August. 1903former sherriff's office, camp street, arts academy, charles shoppee, c.c. shoppee

Colour photograph of the exterior of the Wellington St. Methodist Church Collingwood.Cnr. Hodgkinson St. & Wellington St. Collingwood. Foundation stone 1886.wellington st. methodist, collingwood, clifton hill

Silver commemorative trowel with turned wooden handle.Were St Methodist Foundation stone laid 31st July 1955

This church is associated with the Henty family of Merino Downs.Colour photograph of a brick church at Henty.AMCD and in memory of Louisa Henty This stone was placed on 4th October 1936henty, st paul's church of england, henty, st paul's anglican church, henty, louisa henty

In the early 1970s, Arthur Boyd bought and restored a large, two-storey traditional farmhouse called Il Paretaio. Situated on the crest of a hill and surrounded by fields and olive groves, it is five kilometres from the village of Palaia in the province of Pisa, Tuscany. Boyd established this farmhouse as a residency programme, (which was later managed by the Australia Council). The residency program ended in 1990. Anthony Pryor undertook an Australia Council residency at Paretaio in 1984. This work is one in a series made during his time there. This work was entered into the Shire of Eltham Art Award in 1985.Pryor is an artist of national significance. This work is an example of his series of 'boxes' made principally for his own pleasure and often swapped with artists and other friends as soon as they were finished. The 'box' series was part inspired by Japanese techniques of wooden construction. Pryor first visited Japan in 1975 and was immediately drawn to Japanese methods of working with stone and wood. Many of these boxes are based upon the principles of the Japanese Zen Buddhist monk Sengai Gibon (1750-1838). This work relates to Sengai's famous hanging scroll Circle, Triangle and Square in which the circle can be read to stand for the cosmos, the square for the individual, and the triangle for aspiration. A heavy, box-like (cube) structure created from huon pine, with bronze, brass and stone elements. Within the cube is an eastern inspired, rear lattice wall in combination with bronze domestic fittings, and symbols (cube, pyramid and circle). Metal lightning, clouds and wooden rainbow hover over an asymmetrical bronze bed floating within the cube. A chair leans and a tilting ladder reaches towards the sky. Stamped into wood: lower right 'ANTHONY PRYOR PARETAIO'huon pine, pryor, brass, bronze, stone, cube, paretaio, italy, eastern, japan, sengai gibon, symbols, zen buddhism, sculpture, personal

The front and rear of the body had minor restyling, with new front grille, headlights and taillights. The interior has been significantly upgraded. Interior upgrade includes a new instrument panel, centre console and steering wheel and new design transmission lever and handbrake.[2] There is also a new mobile phone power outlet under the centre console. The new instrument cluster features a large multi-function digital display (single or triple-window, depending on model), which displays information such as radio station display, PRND321 gear selected indicator, trip computer with stopwatch function, service reminders and a help facility. Standard features (on some models) now include "twilight sentinel" - automatic headlamp control, programmable headlamps off time delay, high feature Blaupunkt audio systems, road-speed sensitive intermittent wipers and passenger airbags. The VY Series II update added cruise control, front power windows variable front seat lumbar support, and revised interior trims. A 245 kW (329 hp) V8 was introduced to sports variants and a sportier repositioning of the Calais model. This repositioning included a subtle body kit, the option of a 235 kW V8 in place of the previous 225 kW (302 hp) and a firmer suspension tune (known as FE 1.5) that was not as stiff as the FE2 suspension on sports variants. Released in September 2002 and produced until August 2004 (with a Series II released in August 2003), the VY series was the first major design departure (both inside and out) of the third generation Commodore range released in August 1997. It launched at the same time as the Ford Falcon (BA).VY Holden 4 door sedan white paint with grey fabric upholsteryLion and stone emblem grille centre, V6 badge on mudguards, Commodore badge on boot LHS, Lion and stone badge on boot centre, Acclaim badge RHS of boot lidvehicle, commodore, car