Vision Australia Enterprises was the division that provided employment opportunities and training for people who are blind or have low vision. It continued the initial approach that began with the formation of the first workshop in 1867. In these images, packaging items for external vendors, office skills and woodwork are shown. In 2009, the Prahran building was sold, and a new centre opened at Kensington. 52 digital images of workers in the Prahran buildingvision australia, employment, mary pipczak, norm richards, alan binginic, gena kacowicz, adrian smith

The '3' on this instrument indicated it was size 3. Jetter and Scheerer were a surgical instrument maker founded in Germany in 1867. Their company symbol is that of a serpent curled around a rod, surmounted by a coronet/crown. This instrument was part of a collection of instruments used by Dr Michael Kloss in his medical practice. Dr Kloss subsequently donated this collection to the College.Metal scraper. Instrument consists of a large, six sided handle section, a short, thin shaft and a small, oval shaped scoop at the end of the shaft. The handle at the proximal end is in the shape of an elongated teardrop, hollowed out at centre. The number '3' is engraved on the shaft of the instrument. The shaft is also engraved with a derivation of the Rod of Asclepius, featuring a serpent wrapped around a rod, with the entire design topped by a crown.'3'obstetrics

The '3' on this instrument indicated it was size 3. Jetter and Scheerer were a surgical instrument maker founded in Germany in 1867. Their company symbol is that of a serpent curled around a rod, surmounted by a coronet/crown. This instrument was part of a collection of instruments used by Dr Michael Kloss in his medical practice. Dr Kloss subsequently donated this collection to the College.Metal scraper. Instrument consists of a large, six sided handle section, a short, thin shaft and a small, round scoop at the end of the shaft. The handle at the proximal end is in the shape of an elongated teardrop, hollowed out at centre. The number '3' is engraved on the shaft of the instrument. The shaft is also engraved with a derivation of the Rod of Asclepius, featuring a serpent wrapped around a rod, with the entire design topped by a crown.'3'obstetrics

The former bluestone Bulla Shire Hall building was constructed in 1867 and remained the centre of local government until the early 20th century when the administration was moved to Sunbury. In the 1990's the Alister Clark Rose Garden was established in the surrounding grounds. The garden is open to the public all the year round. In 1999 the rose garden was officially opened.A coloured photograph of the front elevation of the original Shire of Bulla offices. It is a bluestone building, double fronted with a pitched roof on both wings and above the porch. The woodwork trims have been painted in cream and red. The double wooden front door is painted red. The sign outside the building indicates the former function of the building and its importance.ORIGINAL/SHIRE OF BULLA/OFFICE/1868-1923shire of bulla, council chambers, rose gardens, rose growing, bulla township, roses, clark, alistair, george evans collection

The former bluestone Bulla Shire Hall building was constructed in 1867 and remained the centre of local government until the early 20th century when the administration was moved to Sunbury. In the 1990's the Alistair Clark Rose Garden was established in the surrounding grounds. The garden is open to the public all the year round. In 1999 the rose garden was officially opened.A coloured photograph of the side garden and the bluestone building which was the shire offices of the former Shire of Bulla. A treated pine fence runs along the front of the property. The roses in the garden are supported with the stakes and there is a backdrop of trees behind the building.shire of bulla, council chambers, rose gardens, rose growing, roses, bulla township, clark, alistair, george evans collection

Ballarat Female Refuge was established by a group of Ballarat women in 1867. It moved from Grant St to the position in Scott's Parade in 1884. The building was used continuously as a refuge until the 1940s. Alexandra Children's Home continued until its closure in 1973, and around 2003-4 it still remained an institution before being purchased by private owners.Colour photograph of the Staircase at the Former Ballarat Female Refugeellis, sarah ellis, ballarat female refuge, ballarat, welfare, town and city mission, women

Christ Church was constructed in 1854-57 and designed in Decorated Gothic style by Albert Purchase & Charles Swyer. It was enlarged in 1874 and 1881 to the designs of Sydney W Smith. It is one of four main buildings constructed on land granted to the Church of England in 1855 and named Church Square. The other buildings are the bishop's residence, vicarage and parish hall. Heritage Victoria describes it as a 'rare and significant square in the history of town planning in Victoria which demonstrates the importance of the church to the community'. It is built from rarely used undressed random coursed sandstone from Point King Sorrento. It is located at 14 Acland Street, St Kilda. The triangular rose window is said to have been modelled on Lichfield Cathedral and shows outstanding craftsmanship. According to Heritage Victoria, the only other known example in Victoria is at St Georges Presbyterian Church in East St Kilda, designed by the same architect, Albert Purchas. The Church has a varied collection of stained glass, including work by leading stained glass firms and artists in Victoria in the nineteenth and early twentieth century: Ferguson & Urie, William Montgomery and Brooks Robinson. The 'shipwreck window,' north west transept, is an historically significant memorial window dedicated to Miles and William Dalzell Nicholson, the second and third sons of the Hon. William Nicholson, M.L.A, a Lord Mayor of Melbourne and Premier of Victoria in the 1850s. Miles, died in England on 27 April 1874. His younger brother William died in the wreck of the ‘British Admiral’ off King Island on 23 May 1874. The images show the condition of the church at the time they were taken (c 2012). Signs of deterioration can be seen. The bell is not rung any more because of damage to the stonework.There has been some remedial work since and the National Trust of Australia conducted a heritage restoration appeal.churches, acland street, purchase, swyer, st kilda, christ church

Taken in Beechworth 1867, this photograph depicts the Bank of Victoria on the corner of Camp and Ford Street. This building was erected in 1867 to replace the former bank that was destroyed by a fire on the same site. This classical style structure was designed by architects Smith and Johnson who designed many of the public buildings in Melbourne and Victoria. Arthur Ebden Johnson, 1821–1895 and Alfred Louis Smith, 1830–1907 were appointed as the Bank of Victoria's architects who, in-conjunction with the Branch in Beechworth, also completed branches in Wangaratta and Bendigo. This photograph was taken and produced by the American and Australasian Photographic Company which was founded by Beaufoy Merlin joined by his assistant, Charles Bayliss and Augustus Clinton, and operated between 1866-1873. The company traveled throughout Victoria and New South Wales before establishing a portrait studio in Sydney. There is no apparent connection to America. Sepia rectangular photograph. Image is printed on matte photographic paper and has a white border.Reverse: 1997.2727 (in pencil) Bank of Victoria / Beechworth / 1877 (in pen) Harvey Collection American & Australasian / Photographic Company / Victoria Branch / C. Bayless, Manager No 56beechworth, bank of victoria, american and australasian photographic company, 1877, c.bayless, harvey collection, arthur ebden johnson, alfred louis smith, smith and johnson

This is a photograph of Councillor Jacob Perry who represented Central Riding in the Orboast Shire Council from 1928 - 1931. and from 1934 - 1944. He was president twice in 1934-1935 and 1943-1944 Jacob Perry was an Orbost farmer. Born 1874. Died 1950. He was a Boer War veteran , 4th Victorian Imperial Bushmen. He was a shire councillor and worker for school affairs.This item is associated with the Orbost Shire Council. The shire covered an area of 9,347 square kilometres and existed from 1892 until 1994 when it became part of the East Gippsland Shire Council. It is also associated with the Perry family early Orbost settlers.A black / white head and shoulders portrait photograph of a moustached man in a suit.on back - "Cr Jacob Perry J.P."perry-jacob orbost-shire-council

This building opened on 19 October 1874. The front section of this building including 8 classrooms, the headmaster's office and the bell tower were destroyed by fire 27 February 1890. "The burnt section of the school was rebuilt along the lines of the original building and today the red brick facade and bell tower are a feature of the Hare Strett skyline" (Echuca Stetchbook, Blyth, I, 1978, p.32.Henry Hopwood, founder of Echuca, saw the need to establish a national school to educate the children of Echuca. The first National School opened in October 1858 in a framed tent. Construction of the first brick school house began in 1859 on the site of the original Post Office in Hare street. Later the site changed to the southern end of Hare street and this building was opened 19 October 1874. The school stayed here until a new school was built on the old Echuca Technical School site.Colour photograph (post-card size) of Echuca Primary School, 208, showing the eastern facade including the bell tower, taken from the eastern side of High street. Printed on the reverse:"this paper manufactured by Kodak"echuca-primary schools, echuca-historical buildings

Brothers homes and Andrew Chirnside, who emigrated from Scotland, built the Italianate -style mansion on their Werribee property between 1874 and 1877. They were pioneering pastoralists who foundered the Chirnside Pastoral Empire. The Victorian Government purchased the property in 1973 and it opened as a tourist attraction in 1977 run by Parks Victoria. The photograph was taken when the students from Bulla Primary School visited the property.The visit to Werribee Park Mansion was included in the students' history studies.A coloured non-digital photograph of a large double storey Italianite style mansion with an imposing lookout tower with flagpole over the main entrance. A large sweeping gravel driveway leads to the main entrance.school excursions, bulla primary schooil, werribee park mansion, thomas chirnside, andrew chirnside, parks victoria

Famous Swiss landcape painter Louis Buvelot came to Melbourne in 1864 and set up a portrait photography studio which he operated for one year only in 1865. This photograph is believed to be the oldest photo in the Shillinglaw Family Album collection. It is believed that the subject is a young Phillip Shillinglaw, without beard, at age 22 or 23. Phillip Shillinglaw was born Melbourne, August 7, 1842. He married Sarah Ann Kidd in Heidelberg, Victoria, February 28, 1872. In 1881 Phillip and Sarah and their small family moved to Eltham and made home in what was later to become known as Shillinglaw Cottage but which Phillip named 'Wattle Brae'. Shillinglaw Cottage is significant to Eltham’s local history. It is one of the earliest known buildings still in existence. Records suggest that the cottage was built circa 1859 by a man named Cochrane, believed to be Thomas Cochrane, in conjunction with George Stebbings though it is not known what Stebbings’s contribution was. It is believed Stebbings owned the cottage between 1874 and 1888. According to Margaret Ball’s (2017) book Shillinglaw Family of Eltham 1660-2007, Thomas Cochrane and family lived there from 1867 to 1874 however this is contrary to the records of assessable rates levied by the Eltham District Road Board, established in 1858, which shows Cochrane was the owner occupier (in Little Eltham) of approximately 25 acres of cultivated land and 25 acres of pastureland upon which a hut was sited in 1860. It is suspected that George Stebbings may have acquired the property from Cochrane in 1874 as it is noted that he had a tenant for a period, James Rossiter, who was the editor for the Evelyn Observer in Kangaroo Ground in 1874 (LATE SHIRE OFFICE AT KANGAROO GROUND (1934, February 16). Advertiser (Hurstbridge, Vic. : 1922 - 1939), p. 5. Retrieved February 25, 2022, from http://nla.gov.au/nla.news-article56743657). In 1881 Phillip Shillinglaw became the ratepayer for the cottage though Stebbings retained ownership until 1888 at which time it was transferred to Shillinglaw. Photographer: Louis Buvelot Swiss landscape painter and portrait photographer, settled in Melbourne in 1864, admired by the artists from the Heidelberg area such as Tom Roberts and Arthur Streeton who bestowed him with the accolade of 'Father of Australian painting’. In the 1870s, his work increasingly drew elements from Australian landscape such as the bush land in works like Lilydale (1878) and Bush Track. "Louis Buvelot :: biography at :: at Design and Art Australia Online." Daao https://www.daao.org.au/bio/louis-buvelot/biography/. Accessed 9 Mar. 2023. On arriving in Melbourne in February 1865 Buvelot bought a photographer's studio at 92 Bourke Street East and took portraits for a year. In 1866 he moved to 88 La Trobe Street East and resumed his painting while Caroline-Julie gave French lessons to help Buvelot to establish himself as an artist in Melbourne. "Biography - Abram-Louis Buvelot." Australian Dictionary of Biography https://adb.anu.edu.au/biography/buvelot-abramlouis-3132. Accessed 2 Dec. 2022. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1865, l. buvelot photographer, louis buvelot, phillip shillinglaw (1842-1914), unknown

Book 559 pages, brown board cover: ' Dictionary of English Language containing the pronunciation, etymology and explanation of all words authorized by eminent writers'. Written on front page in black pen ' David Harris Axedale' Stuck on bottom page, newspaper articles about the Rochester mugwamp, two women and as they do it in China. 'Jonathan Harris May 26 1874, written twice on second page. On third page 'Jonathan William Harris written twice, David Harris once. Dates October 18th 1885 and August 21st. 1881.person, individual, jonathan harris axedale

This is a medal awarded by the Warrnambool Bowling Club to William Kucks in 1900. The Warrnambool Bowling Club was established in 1867 with a green near the Royal Hotel in Timor Street. The club still operates in Kelp Street. William Kucks was a long-time resident of Warrnambool, operating a boarding house in the town in Timor Street in the 1860s and then a bakery in the same street for many years.This medal is of considerable interest as a memento of the Warrnambool Bowls Club in the early 20th century and of a well-known 19th century and early 20th century Warrnambool resident, William Kucks.This silver gilt covered medallion is diamond shaped with the edge incised into four small triangles and four curved and pointed shapes. The latter have four adjacent leaf shapes in relief. The centralised text is surrounded by a horseshoe of graduated, rounded pentagons. It has a small ring attached at the top.There is a hinged pin and catch on the reverse.WARRNAMBOOL BOWLING CLUB CHAMPIONSHIP 1899-1900 W KUCKS Runner up Hallmarkwarrnambool bowling club, william kucks, warrnambool history

In 1867 Frenchman, Joseph Monier patented reinforced concrete horticultural troughs. In 1873 this process was extended to iron reinforced bridges with the first bridge built in 1875. In Australia, Sir John Monash of Monash and Anderson company, originally built 8 Monier bridges in Bendigo all single arch except Weeroona Ave., which was a double arch. Six of these remain.Black and white photograph. Steam rollers appears to have collapsed from a Monier bridge with men investigating amidst the rubble with one steam roller remaining on the bridge, and another resting in a creek underneath. Photograph by W. H. Robinson. Photograph mounted on cream-coloured card.Written on the front in black ink 'May 1902.'monier bridges, bendigo creek, accidents

Louisa Thomas married Henry Gipps (1837-91)in 1863. They had six sons and two daughters. While Louisa and Henry Gipps were to die in Sussex, two of their sons, Frederick George De Visme Gipps (1867-1953) and Richard Brook Woodthorpe Gipps (c.1872-1946) migrated to Queensland, possibly bringing with them their mother’s sketchbook.The collection of artworks that are included in the sketchbook are often of outstanding aesthetic and artistic significance. In the variety of subject matter and the geographical places represented, it is historically significant as a document recording the postings of Colonel Henry Gipps, 9th Norfolk Regiment, and his wife Louisa to locations in the Mediterranean and West Asia. The large bound sketchbook has a marbled cover with blue binding. The name Louisa Goulburn Thomas and the date 1862 are faintly inscribed in pencil on the front page. However the book contains pen and ink and pencil drawings, watercolours, and photographs, which both predate and postdate 1862. The approximately 75 works are loose-leafed items and [currently] do not form a chronological, geographical or thematic sequence. Creators identified on some drawings and watercolours include Mary Julia Wilder Thomas, JFV Wright, ELG (Edward Louis de Bondell Gipps?), L Nicholson, Bertha Isadore Thomas, and HG (Henry Gipps?). Many of the works are signed and dated, and include rural landscapes and seascapes, archaeological sites, animal studies, and portraits. While most of the works were created in the British Isles, others are scenes of Venice, the Ionian Islands, Cape Town, Hong Kong and Japan. [A number of the ‘oriental’ paintings on silk were probably purchased from local artists.] The art works in the book are at various stages of completion and represent a diverse range of artistic skills. What may be the earliest work in the sketchbook is a drawing of three uniformed soldiers. An annotation on the reverse records that the drawing is of a Group of Soldiers after [Philipp Jakob] de Southerbourg 1830. The birth of Louisa Thomas' oldest son, William Henry Houston Meyrick Gipps (1864-1903) in Corfu perhaps explains why a number of scenes and items in the album are of the Ionian Islands. Louisa is probably the creator of a number of still life and botanical studies in the album. These range from floral studies to a bird’s nest. The painting of objects was to remain a socially ‘approved’ specialty of amateur and professional women artists into the 20th century. The complete contents of the album will be uploaded to accompany this record. Some items may be published separately on Victorian Collections, but will acknowledge their origins in the sketchbook."Louisa Goulburn Thomas / 1862"victorian sketchbooks, manuscripts - kew historical society, 9th norfolk regiment, rosemary (gipps) vaughan smith, vaughan-smith collection

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). Bound copy of Weldon's Practical Needlework, retailed by W.C. Wright and Co., Booksellers & c., Broken Hill, New South Wales. The book includes advice for women on Knitting, Crochet, Drawn Thread Work, Netting, Knitted Edgings or Shawls, Mountmellick Embroidery with full working descriptions.Inscribed top right of title page: "E.M. Betteridge, Broken Hill, July 2nd 1891 / E. Weir".edith mary weir (nee betteridge), 84 princess street -- kew (vic), needlework patterns

The Address in honour of the memory of the Late Fred J. Martell given 3/4/1938, President of the Adam Lindsay Gordon Memorial Cottage was delivered by Mr A.E.C.Kerr, President of the Adam Lindsay Gordon Memorial Cottage Committee, Ballarat. The photograph of Craig's Hotel Stables' sign is included as Adam Lindsay Gordon held the leasehold of these livery stables in 1867.Mr Martell made valuable contributions to the Ballarat community as one of the Founders of the Ballarat Art Gallery, Registrar of the School of Mines and was "really [the] founder" of the Lindsay Gordon Memorial Cottage. His ashes were scattered around the Cottage.8 pages with 3 illustrations and 2 title pages. The 3 black and white illustrations are of Fred J. Martell, the Adam Lindsay Gordon Memorial Cottage and Adam Lindsay Gordon. The photograph of Craig's Stables is high gloss in colour. Nonejohn garner, doctor, john garner collection, ballarat botanic gardens, friends of ballarat botanical gardens, fred j. martell, mr a.e.c.kerr, adam lindsay gordon cottage, adam lindsay gordon memorial cottage committee, craig's royal hotel ballarat, craig's hotel livery stables, craig's hotel livery stables metal plaque, dougles sladen, poet's corner westminster abbey, bath lane, australian poet, adam lindsay gordon bust, gardens, ballarat

George Garnsworthy Bennett was a son of William Garnsworthy Bennett and Susan Bennett née Williams. He was born at Linton in 1867. He married Ada Bersey in 1896. Around the time of his marriage he established his own butchery business in Sussex Street, Linton. G. G. and Ada Bennett had three sons - Gordon, Harold and Stan.Sepia portrait of a young man with moustache, wearing high necked collar, suit with medallion pinned centre chest.george garnsworthy bennett, surman collection

Caroline Murrell, b. 1867 at Happy Valley, was a daughter of Ambrose and Mary Murrell. Prior to her marriage, Caroline Murrell assisted her mother to manage the Victoria Hotel in Linton. In 1910 she married William Ochiltree Lewers (son of Annie Lewers and Samuel Lewers), and they had two children - Bill, born 1910, and Sam, born 1911.Sepia portrait of a young lady wearing high necked garment with brooch at throat."Caroline Carrie Murrell later Mrs W O Lewers".caroline murrell, caroline lewers

This is booklet of 32 pages. It has a buff-coloured cover with some ornamental scroll patterns and blue and gold printing. The pages contain printed text and black and white photographs. The pages have been bound with staples and tied with yellow cord but the staples have been removed.non-fictionHistory of the first 60 years of the Warrnambool Baptist Churchwarrnambool baptist church, baptist church 60 years warrnambool

Celluloid was the first plastic. The first Celluloid experiments began in 1856 by Alexander Parkes in Birmingham, England. Later in the same year, he patented his invention "Parkesine". By 1868, no advancement was achieved, and Parkes' labor and efforts were ended. In 1869, Englishman Daniel Stills created a company called Xylonite to experiment and create a product similar to Parkesine. These efforts ended in 1874 when Stills went bankrupt. Celluloid / xylonite was made into toiletry articles, novelties, photographic film, and many other mass-produced goods. Its popularity began to wane only toward the middle of the 20th century, following the introduction of plastics based on entirely synthetic polymers. This item is an example of a personal item made of this synthetic plastic.A xylonite backed man's hairbrush. Backing is yellowish/cream. There is a small ornate decoration (initials?). The top is scooped. the bristles are possibly boar bristles.toiletries-men's hairbrush xylonite celluloid

Celluloid was the first plastic. The first Celluloid experiments began in 1856 by Alexander Parkes in Birmingham, England. Later in the same year, he patented his invention "Parkesine". By 1868, no advancement was achieved, and Parkes' labor and efforts were ended. In 1869, Englishman Daniel Stills created a company called Xylonite to experiment and create a product similar to Parkesine. These efforts ended in 1874 when Stills went bankrupt. Celluloid was made into toiletry articles, novelties, photographic film, and many other mass-produced goods. Its popularity began to wane only toward the middle of the 20th century, following the introduction of plastics based on entirely synthetic polymers. This item is an example of a personal effect made from celluloid.A creamy yellow xylonite backed hand mirror with a narrow handle. The back is decorated with a swirling pattern (initials?).

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. An Elementary Manual of Roman Antiquities Author: William Ramsay Publisher: Charles Griffin and Company Date: 1871Label on spine cover with typed text RH 937 RAM Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library Front loose endpaper has a sticker from Corangamite Regional Library Service This book as a hand written name that reads "Fred. C. Flaxman, High School Glasgow. Oct. 1874" warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, fred. c. flaxman, an elementary manual of roman antiquities, william ramsay

This cash book comes from the National Bank of Warrnambool and the entries date from 1909 to 1911.The Warrnambool National Bank opened in 1867. The bank opened in temporary premises in Timor Street and in 1869 it moved to a new stone building on the corner of Timor and Kepler Streets which it occupied until 1975. The National Australia Bank still operates today in Koroit Street.This cash book is of considerable interest mostly because of the listing of local names in the early 20th Century.This is a ledger used as a cash book. It has printed red lines and hand written entries in black and red ink. It also has the National Bank stamp. The hard board cover has a mottled pattern on the back and the front and is completely detached from the pages.warrnambool banks, warrnambool national bank, bank ledger 1910

This book, edited by Donald MacLeod, was given in 1883 as a prize to Annie Egerton by the Rev. W.H. Scott for Bible Knowledge. Annie Egerton was a pupil at the Allansford State School. John Jones was the Head Master at this school from 1867 to 1891. The school was opened in December 1856 as a National School and is still operating. No other details concerning Annie Egerton have been found.This book is of importance as it is a 19th century book given as a prize to a pupil of the Allansford School in 1883 for her Bible knowledge. It is particularly interesting that a prize for religious knowledge was given in the 1880s to a pupil at a secular State School. It is also interesting to note the type of book given to a primary school girl in the 19th century – a book with strong moral overtones and some heavy instructional articles. This is a hard cover book of 836 pages. It has a dark green and black cover patterned with an ornamental pattern and gold lettering contained within a square box on both the cover and the spine. The inside front and back pages have a mottled green flower pattern. The edges of the pages have a gilt finish. The book has a bookplate on the inside cover and the book contains an Index of Contents, short stories, articles on various topics and an Index of Authors. There are many black and white illustrations and sketches throughout the text. The first illustration has a piece of tissue paper in front of it. The cover is a little frayed at the edges and somewhat blotched. ‘Allansford State School No.3, 1st Prize given by the Rev. W. H. Scott awarded to Annie Egerton, Bible Class, Senior Division, for Bible Knowledge, 21st December 1883, J.E. Jones Head Teacher’. allansford state school, education in the warrnambool area, annie egerton, john jones, rev. w. h. scott

Rev. Kolinio Saukuru was the grandson of the only survivor of the party led by Rev. Thomas Baker, which was massacred and eaten by a hill tribe in central Fiji in 1867. In 1933 he was appointed by the Methodist Mission as a catechist to work among the aborigines of North Australia. He was accepted for the ministry in 1939, and was ordained at Croker Island in 1945. During WWII he was in charge of the Yirrkala Mission Station. B & W head and shoulders studio portrait of the Rev. Kolinio Saukuru, in postcard format.Rev. Kolinio Saukurukolinio saukuru, methodist, minister, thomas baker, fiji, croker island, aboriginies, mission