Donald Clark Collection. A monochrome photograph of the building of concrete bridge at Eddington in 1928. Copy photograph. eddington, bridge

Donald Clark Collection. A monochrome photograph of the building of concrete bridge at Eddington in 1928. Copy photograph. eddington, bridge

Donald Clark Collection. A monochrome photograph of the building of concrete bridge at Eddington in 1928. Copy photograph. eddington, bridge

Donald Clark Collection. A monochrome photograph of the building of concrete bridge at Eddington in 1928. Copy photograph. eddington, bridge

Photograph is of the some memorabilia of Stawell Gift, taken on a visit by John Hayes to the Common School Museum to give a talk for the Rutherglen Historical Society. John Hayes, the winner of the Stawell Gift in 1954, was a former Rutherglen boy, who also produced "The Glen Guys", a booklet about Rutherglen personalities.Colour photograph of some memorabilia of the Stawell Gift 1954. Two of the objects are probably cartridges from a starting pistol.john hayes, stawell gift, the glen guys, common school museum

Two Blue Pennants, Royal Visit 1954stawell

These photographs were probably taken in the late 1940s - mid 1950s. 3275.1 was taken at the roundabout in Nicholson Street / Salisbury Street intersection looking south. On the right is the The Commonwealth Hotel and the Gippsland Northern Store can be seen on the right. The war memorial can be seen in the centre of the intersection. 3275.2 has been taken from a height (possibly from behind the hardware store) overlooking Orbost House in McLeod Street. The butter factory can be seen in the background. Back yard toilets and paling fences can be seen with a narrow lane for the sanitary truck. Mrs Ruth Hannah Macalister, 1861-1932, established “Orbost House” as a boarding house in about 1900. Following her demise “Orbost House” was taken over by her son, “Reg” and his wife and they continued the Macalister family‟s association until the accommodation house was purchased by “Slim” and Eileen Somerville and Lindsay and Joan Jensen, in partnership, in 1963. (info. from Marilyn Morgan)These photographs are detailed pictorial records of Orbost in the mid 20th century. They show the objects in their spatial context with detail.Two coloured photographs. 3275.1 is a streetscape with a large hotel on the right, a main shopping area in the background and a wooden fence on the left. 3275,2 is overlooking backyards and fences. In the middle is an extensive red roof with "ORBOST HOUSE" in white print.on back - 1948-1954orbost-1950s orbost-house commonwealth-hotel

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. A list of its productions by year includes: 1952 Florodora 1953 The Cingalee 1953 San Toy OR The Emperor’s Own 1953 Celebratory variety performance 195? While the Sun Shines 1954 A Country Girl 1954 Our Miss Gibbs 1955 The Toreador 1955 The Arcadians 1956 The Maid of the Mountains 1956 Whiteoaks 1956 Good night Vienna! 1957 A Country GirlThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the Kew Light Opera Company for a performance of 'A Country Girl'. Performances were held in the Kew Recreation Hall on 5, 6, 7, 8 May 1954. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild.kew light opera company, theatre (kew), performing arts, a country girl (musical)

1a. Donated by Carine Williams (nee Wettenhall) (1930) in 1991 for the Centenary Year. 1b. Photograph donated by Pat McVickar in 1991 for the Centenary Year, a note associated with the photographs states that she went to England in 1930 and finished the course at Burnley in 1931. 2. Copy of the original Sepia (by E.B. Littlejohn) lent by P. Hayne(s) (1928) for the 1991 Centenary Year who described it as a group of 15 students and Frank Weavers. 10 of these people graduated in 1928 including P.. Haynes, H. Kirkhope (centre with neck tie?) and Harry Wiseman, one of 2 boys in applecatchers?" (large spacious underwear, must mean trousers). Dairy in the background.1. 2 Sepia photographs and 2. Colour photograph. Copy of b/w photograph lent in the Centenary Year, 1991, by P. Haynes (1928).1. On reverse, "Mending the mower (hand-pushed, of course) 1929."mower, carine williams (née wettenhall), centenary, pat mcvickar, 1991, e.b. littlejohn, p. haynes, students, frank weavers, h. kirkhope, harry wiseman, mending mower, student outside class

The order of service of the ceremony to dedicate the Shrine Forecourt by the Queen on 28 February 1954. It was the official commemorative document of the occasion. The Queen lit the Eternal Flame as part of the ceremony. The design of the Forecourt was part of a competition that was run to find a suitable memorial. The Forecourt is cross shaped. The Cenotaph is 65 feet high and rises as a focal point to the Forecourt, it is balanced on the other side by three 70 foot high flagstaffs. The sculpture at the top of the Centoph is "carved in Footscray basalt. It represents six men in battle dress of the Navy, Army and Air Services, carrying a bier on which lies the figure of a dead comrade draped with the national flag. Its simple symbolism harmonises with the great shrine itself and sums up with dramatic power the whole message of the monument - the debt of the living to the dead, the eternal bond between the fallen and those who enjoy the fruits of their sacrifice." Also from the souvenir booklet: "In front of the Cenotaph, surrounded by a protective railing, the Eternal Flame which burns continually in its great bronze bowl. The eternal flame is an ancient symbol signifying at times the continuing spirit of a city, at others the constancy of man to an ideal, and again as they symbol of continuing faith." The document was in a file with other documents concerning the Shrine and it's history (01181 - 01190).A record of the dedication of the Forecourt at the Shrine of Remembrance by the Queen. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01190)Booklet x 12 pages with sepia photos and brown text in a cream card cover for the dedication of the Shrine Forecourt on 28 February 1954.memorial, wreath laying ceremony, royal visit, shrine of remembrance

The order of service of the ceremony to dedicate the Shrine Forecourt by the Queen on 28 February 1954. The Queen laid a wreath and lit the Eternal Flame as part of the ceremony. The design of the Forecourt was part of a competition that was run to find a suitable memorial. The Forecourt is cross shaped. The Cenotaph is 65 feet high and rises as a focal point to the Forecourt, it is balanced on the other side by three 70 foot high flagstaffs. The sculpture at the top of the Centoph is "carved in Footscray basalt. It represents six men in battle dress of the Navy, Army and Air Services, carrying a bier on which lies the figure of a dead comrade draped with the national flag. Its simple symbolism harmonises with the great shrine itself and sums up with dramatic power the whole message of the monument - the debt of the living to the dead, the eternal bond between the fallen and those who enjoy the fruits of their sacrifice." Also from the souvenir booklet: "In front of the Cenotaph, surrounded by a protective railing, the Eternal Flame which burns continually in its great bronze bowl. The eternal flame is an ancient symbol signifying at times the continuing spirit of a city, at others the constancy of man to an ideal, and again as they symbol of continuing faith." The document was in a file with other documents concerning the Shrine and it's history (01181 - 01191).A record of the dedication of the Forecourt at the Shrine of Remembrance by the Queen. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01191)Cream paper program with blue print, single page folded in half, order of service for the dedication of the Shrine Forecourt on 28 February 1954.memorial, wreath laying ceremony, royal visit, shrine of remembrance

Donald Clark Collection. A paper ticket from Llanelly, Newbridge & District Weighbridge, dating from 1928.

Yields information about the way Ballarat decorated the railway station to welcome the Queen on her visit to Ballarat in 1954.Digital image from the Wal Jack Ballarat Album of No. 17 inbound in Lydiard St North, taken from the Railway station showing the decorations placed at the exit of the station for the Royal Visit to Ballarat. The queen arrived by train. Photo 9-3-1954 by Wal Jack. See image i2 for rear of photograph.On rear in ink "SEC Ballarat #17 in Lydiard St Nth, from Railway station. During Queens visit 9th March 1954." In top right hand corner is Wal Jack stamp but with no negative number written in.trams, tramways, royal visit, railway station, lydiard st, tram 17

IT IS ON PERMANENT LOAN FROM HEPBURN SHIRE COUNCIL. CR. C.W. BLACKMORE WAS ELECTED TO THE CLUNES BOROUGH COUNCIL ON 7-5-1952 AND SERVED AS MAYOR 1954-55; 1958-59 AND 1959-60. THE PHOTOGRAPH ORIGINAL HUNG IN THE CLUNES TOWN HALL DURING HIS TERM AS MAYOR.FRAMED PHOTOGRAPH OF CR. CHARLES W BLACKMORECLUNES BOROUGH COUNCIL CHARLES W. BLACKMORE ELECTED 7-5-1952 MAYOR 1954-55 1958-59 1959-60. CON TARANS STUDIO BALLARATlocal history, photography, photographs, councillors & officers

Black and White Photo from the Official 'Back to Eaglehawk' Souvenir, 1928 of students from the school, has brief history, mounted on card, markings on photo read 'Back to Eaglehawk Oct 1928', 'H.J.G.Biggs Health Inspector'organization, institution, education, eaglehawk, st liborious school, school

Alan J. McConchie, a manufacturer’s agent, was elected to Kew Council in 1924, serving as a councillor for 21 years. He was elected Mayor of Kew in 1927-28, and again in 1945-46. During his second term as Mayor, he gained the support of Council for a pre-school plan which was the first of its kind in Victoria. The scheme established nursery schools and kindergartens as an extension of the existing baby health centres. Alan McConchie was active in Methodist Church work, and was one of the founders of the East Kew church, of which he was a trustee for 29 years. He was well known in the district as a cricketer and was a founder and past president of the East Kew Bowling Club. A Resident of Strathalbyn Street, he died in 1945 aged 60, while attending morning service at the East Kew Methodist Church. He is buried in the Burwood Cemetery. Handmade illuminated invitation to a notable Kew Mayor and MayoressAn illuminated invitation sent to the Mayor and Mayoress of Kew, Cr. and Mrs. McConchie, by a Citizens Committee to a Ball in the Kew Recreation Hall on 26 July 1928. The double page invitation is encased in an embossed maroon leather cover. The invitation was donated to the Society by a descendant of the McConchies in 2014.Inscription Cover: "To Councillor A.J. McConchie and Mrs McConchie". Inside cover in watercolour: "The Chairman Councillor George Ramsay and Members of the Citizens Committee desire the honor of the Company of HIS WORSHIP THE MAYOR OF KEW AND MRS. McCONCHIE at a BALL to be held in the Kew Recreation Hall Tuesday 26th July 1928 at 8 P.M. Tendered to them as a mark of recognition of the services rendered to the City during their Mayoral Year 1927".cr. a. j. mcconchie, mayor of kew (1927-28, 1945-46)

Land owners of land in the Kiewa Valley in 1928The Kiewa Valley was farming country with families settling in the area prior to 1928 Two sheets the same: (one old with paper joined together and the other is a copy without any joins. 21 6 1928 dated Map of Mullindolingong / County of Bogong showing land owners along the Kiewa River and beyond.Produced by the Department of Lands and Survey, Melbournemullindolingong, kiewa valley, land owners, families of the kiewa valley

Note by T.H. Kneen 19 November 1991, "Apart from the specimens of Eucalyptus camaldulensis the ground from the front of P.R.L. to Swan Street was very poor and became known as Siberia to generations of Burnley students."Black and white photograph. Just prior to completion. No planting at this stage.On reverse, "Plant Research Laboratory Nov 1928. Completed Dec 1928. Occupied Jan 1929. No 1." Initialed "A.W.J." (A.W. Jessep).plant research laboratory, a.w.jessep, trees, p.r.l., plant research institute, pri, siberia, eucalyptus camaldulensis

Red leather bound copy of Claude Blatchford's account of Legacy with metal Legacy badge on the cover.non-fictionhistory, blatchford, shrine of remembrance

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). This textile is one of the many domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.Hand made white cotton doily with hand stitched cotton fringe c.1919-1928textiles, sewing, handiwork, women's history, domestic, craft, family, wodonga, haeusler collection, haeusler

The Watters family moved from Albert Park to Garden City Port Melbourne circa 1934 buying a Bank House at 128 Williamstown Road (later renumbered to 400). The family consisted of Bob Watters senior and his wife Ellen (nee Oakley), children Patsy (b 1920), Bob Junior (b 1922) and Norma (b1924). The children attended Albert Park Primary, Middle Park Central School and then MacRobertson Girls High School and Melbourne Boys High School.Watters children. Norma (bumblebee), Bob junior (fireman), Patsy (maiden) c 1928norma madeline watters, ellen patricia watters, bob watters junior

Red Enamelled Stawell Fire Brigade Jubilee 1878-1928. ( A.E. Oliver Collection)stawell