Application form with conditions of entry to Rotary Club of Bendigo Easter Fair Art Show 1994. The first Bendigo Easter Fair Art Show was held in 1968 and every year since. In past 10 years more than 12,000 paintings have been exhibited. on back of form - other history of art show details price range of painting sold.bendigo, bendigo easter fair, rotary art show

Two(2) State of Victoria Pensioner's Fare Concession Certificates.. Nos.60 and 61, for the years 1964-65. They are both printed on brown and off-white light cardboard. One colour to each side.The lighter side has a brown line across the top and then angled down to the bottom right corner. There is a lot of detail on these cards and for more information refer to the scans.person, individual, basil miller

Sepia photograph: male portrait, man is dressed in uniform, wearing tie and Sam Browne belt across chest. Badges on both shoulders. Short haircut, with moustache. Written on back in print: ' to the memory of our friend Maldwyn Leslie Williams, Lt. Col. MBBS, who died of wounds received in France, March, 3rd. 1917.' See Research field for more information.Bartlett Bros.person, individual, m.l. williams, williams, maldwyn leslie. medical practitioners. bendigo base hospital. world war 1. bartlett bros.

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.'Untitled' by David Armfield an oil on canvas painting depicts sand, sea, distant mountains and various figures scattered about in a typical Armfield landscape. The figures tend to be annonymous, sometimes included more to establish the scale than for a narrative purpose. The figures are well clothed and it could be assumed that it is not a hot summer's day. Depth is established by changing of colours and diminishing the size of the figures.david armfield, beach, eltham, nillumbik shire council

Negative No. N343 and black and white print made by a laser printer (stored in folder ) of the front of MMTB bus No. 556, Registration AT 056 with run number N74. Last bus from Spencer St. to Northcote 25/6/1955. See Reg items 680 and 493 for more details. Negative scanned hi res and imaged updated 22/5/2020.trams, tramways, melbourne, bourke st, spencer st, last bus, tram mmtb bus 56

Black and White copy print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Copy photograph of demonstration electric locomotive (narrow gauge) hauled vehicles at the Gold Jubilee Exhibition in 1901. See page 80 of Keith Kings, Bendigo Tramways, ARHS 1972 for further details. Image 5783i3 reproduces this page. .1 - On rear in ink "Electric railway demonstrated at Gold Jubilee Exhibition Bendigo 1901". In bottom right hand corner "P.W. Duckett". trams, tramways, bendigo, exhibitions

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. No. 17 Barnard St Bendigo, in bound to the City. Has the Leo Spencely butcher shop in the background. Photo taken Easter Saturday, 1941. Neg No. T190. Note: in Keith Kings book, "Bendigo Tramways", it is shown on the map as "Barnard St". On rear in ink "Bendigo No. 17 Summer car".trams, tramways, bendigo, bernard st, tram 17

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of No. 21 in Mitchell St, near the Railway Station, 7-3-1954. Photo by Wal Jack. Printed on Ilford paper. See image i2 for rear of photograph. See image i3 for hi res scan of negative On the rear in blue ink "SEC Bendigo No 21 in Mitchell St near Rly Stn Sunday morning 7-3-54" with Wal Jack copyright stamp in the top right hand corner and the number "T67PC" written in.trams, tramways, bendigo, mitchell st, tram 21

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Bendigo Birney No.28 at Quarry Hill, Photo Wal Jack, with the destination of Eaglehawk - 12/4/1959. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 6/6/2020. On the rear in black ink "SEC Bendigo #28 at Quarry Hill, about to leave for Eaglehawk, 4.00pm, Sun 12th April 1959", in bottom left hand corner "Wal Jack Photo"trams, tramways, bendigo, quarry hill, birney, tram 28

Yields information about Geelong tram No. 10 in 1948.Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Geelong No. 10 at the Beach terminus, 1940's. Photos by Ken Magor, Negative No. 3103. Taken on a summers day as the crew are in rolled up shirt sleeves. Two copies held - second is dated 26/2/1948.On rear in ink "SEC Geelong, No. 10 at Beach terminus" Has in bottom right hand corner Ken Magor stamp with negative number "3103" written in. In the bottom left hand corners has details of the photograph itself.trams, tramways, geelong, beach, tram 10

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of No. 27 at the Wharf terminus, with the wharf building in the background and the funnel of a steam vessel. Printed on Kodak Velox paper. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 18/6/2020. On rear in ink "Geelong No. 27 Birney at wharf"trams, tramways, geelong, wharf, tram 27

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of No. 17 to Belmont (right) and No 18 to West at the intersection of Moorabool and Ryrie Streets 8-1-1956. Photographer unknown. In the background is the Bank of New South Wales Building and a gifts building. The pole in the centre has a bar traffic light. Has written in ink on the rear "Intersection Ryrie and Moorabool Sts 8/1/56, Geelong"trams, tramways, geelong, ryrie st, moorabool st, tram 17, tram 18

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of No. 24 in Aberdeen St, 29-3-1948. Wal's album notes that the tram is in the new colour (all green) scheme. Printed on Velox Paper. Tram has the destination of East. Note the "Pay as you enter" sign. Has on the rear in ink "Aberdeen St, Geelong 29-3-48" and the L. M. Wood copyright stamp.trams, tramways, geelong, aberdeen st, east, tram 24

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photograph of the Geelong Scrubber, sprinkler or water tram in the depot, Photo by Wal Jack 24-6-1949, i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 27/6/2020.On rear in ink SEC Geelong / Scrubber inside Geelong Car Sheds / 24-6-49". Has the Wal Jack copyright stamp in the top right hand corner with the number T299 written in.trams, tramways, geelong, depot, scrubber tram, sprinkler tram, track cleaner, scrubber, water tram, sprinkler

Black and White illustration contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Illustration of Geelong No. 4 as the first official tram in Moorabool St, highly decorated. Has the caption - "Geelong's first electric tram, the gala opening of the service 14th March 1912." No details as to origin. Has the Bright and Hitchcocks building in the background.trams, tramways, geelong, opening, moorabool st, tram 4

Diggers & Mining. Diggers and miners. Alluvial gold mine, Ballarat, c. 1865. Gradually, mining became more completely industrialized both in the deeper alluvium - - - Slide shows the building at the mine, with the raised rails to take the rock raised from in the mine to be crushed to allow the gold to be extracted. The mine's flag is flying. Markings: 28 994:LIF I. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. Stores at the diggings. One grievance of the diggers on the early fields was the high cost of most commodities. Prices were rising all over Victoria, but they rose even more steeply at the diggings, because, with drays and bullock-drivers at a premium, and with the roads in a bad state, the cost of cartage to the fields rose rapidly. Markings: 38 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields

1879 - The Argus, Friday 11 July 1879, page 4. The Kew Borough Council having decided to initiate a fire brigade, invited volunteers to send in their names. About 40 complied with the invitation and met at the Town-hall to choose 12 of their number to form the brigade. The 12 elected then chose their officers as follows :— Councillor Gray, captain ; Mr. Thomas Greenhill, foreman ; and Mr. H. Loxton, secretary. The brigade decided to apply to the council for uniforms and a bell; and after adopting rules for their guidance the meeting separated. The brigade now possesses a reel and 500ft. of hose, and a shed is being erected in Little Walpole-street for a station. The council have applied for six additional fireplugs in the Main-road, so that the brigade may now be considered fairly established. 1886 - Globe (Sydney), Tuesday 16 March 1886, page 8 The Kew Fire Brigade, which obtained the pride of place at the recent fire brigades' demonstration, at Sandhurst, was met on their return at Spencer-street Railway Station by the Mayor and Councillors of that suburb, and were subsequently entertained at the Greyhound Hotel. 1886 - South Bourke and Mornington Journal, Wednesday 17 March 1886, page 2 It may be, deemed remarkable, but nevertheless a fact, 'that the Kew Fire Brigade, comparatively a new one, has gained premier place at the recent contest of brigades held at Ballarat, winning two first prizes and two second. On returning they were met at the station and escorted to Kew, preceded by the Borough banner. Certificate awarded to the Kew Volunteer Fire Brigade as an award for winning 'the best average time' in competition at Sandhurst. Surrounding the team's photo are a series of individual oval named portraits of the team. This version of the certificate, (there is two in the collection) is unframed and has a badly torn mount. It is also more faded than the framed version.The photograph without the mount (2016.0097a) has been digitally enhanced. Inscription: "Kew Fire Brigade U.F.B.D. Sandhurst. Kew 1886: Best Average Time, 16 points"kew volunteer fire brigade

Used in the 19th century.A forged steel long narrow sharp bladed felling axe head without a handle - it has a hole for the handle. It was commonly used to chop down trees as it has a more elongated and rigid blade excellent for deep gouging cuts.The length of the handle, weight of the head and angle of the blade all play a role in just how deep it cuts. It was use din the 19th Century.There is a small grooved pattern on the head where the handle would attach. A circular indentation is evident.woodworking tools, steel, froes, cleaving axes, axes, cutting tools, hand axes, felling axes, axe heads, tool components,

Black and white photograph showing a man standing beside a bench piled with scale. The bench is held up by a couple of boxes. He is holding some pieces of scale. Written on the back is : Scale Removal from Cohuna Butter Factory Boiler 1942. 24 buoy Machine. Most of this scale was from the tubes. Much more had been taken out at previous openings.sciences, bill ashman collection - correspondence, photograph, cohuna butter factory boiler

Photo of Lansell's Big 180 Victoria Hill - early 1870's. In the background is New Chum Hill. In the right foreground is Ballerstedt's second Open cut. On the left edge of the opencut is a building with a chimney beside it and poppet legs and a chimney further behind the building. Behind the opencut are more chimneys, poppet legs and buildings. Two photocopies donated by A Richardson in Folder 124 (3556.1).Lansell's big 180 Victoria Hill early 1870sphoto, lansell's big 180 mine, new chum victoria, nth old chum, old chum, ballerstedt's 2nd opencut, a richardson

.1 - Pamphlet, A4, full colour printed on gloss paper titled "Tram Network Upgrade - Track Renewal -0 Wallen Road Hawthorn", advising of the proposal to replace the tram track on the Hawthorn Bridge, Wallen Road, 3/1/2017 to 9/1/2017. .2 - ditto, a latter version with more information on the rear page - added 20-1-17trams, tramways, trackwork, hawthorn bridge, bridges, wallen rd

The origin of the fusee is not known. Many sources credit clockmaker Jacob Zech of Prague with inventing it around 1525. The earliest dated fusee clock was made by Zech in 1525, but the fusee appeared earlier, with the first spring-driven clocks in the 15th century. The idea probably did not originate with clockmakers, since the earliest known example is in a crossbow windlass shown in a 1405 military manuscript. Drawings from the 15th century by Filippo Brunelleschi and Leonardo da Vinci also show fusee mechanisms. The earliest existing clock with a fusee, also the earliest spring-powered clock, is the Burgunderuhr (Burgundy clock), a chamber clock whose iconography suggests that it was made for Phillipe the Good, Duke of Burgundy about 1430. Springs were first employed to power clocks in the 15th century, to make them smaller and portable.[1][5] These early spring-driven clocks were much less accurate than weight-driven clocks. Unlike a weight on a cord, which exerts a constant force to turn the clock's wheels, the force a spring exerts diminishes as the spring unwinds. The primitive verge and foliot timekeeping mechanism, used in all early clocks, was sensitive to changes in drive force. So early spring-driven clocks slowed down over their running period as the mainspring unwound. This problem is called lack of isochronism. Two solutions to this problem appeared with the first spring-driven clocks; the stack freed and the fusee. The stack freed, a crude cam compensator, added a lot of friction and was abandoned after less than a century. The fusee was a much more lasting idea. As the movement ran, the tapering shape of the fusee pulley continuously changed the mechanical advantage of the pull from the mainspring, compensating for the diminishing spring force. Clockmakers empirically discovered the correct shape for the fusee, which is not a simple cone but a hyperboloid. The first fusees were long and slender, but later ones have a squatter compact shape. Fusees became the standard method of getting constant force from a mainspring, used in most spring-wound clocks, and watches when they appeared in the 17th century. Around 1726 John Harrison added the maintaining power spring to the fusee to keep marine chronometers running during winding, and this was generally adopted. The fusee was a good mainspring compensator, but it was also expensive, difficult to adjust, and had other disadvantages: It was bulky and tall and made pocket watches unfashionably thick. If the mainspring broke and had to be replaced, a frequent occurrence with early mainsprings, the fusee had to be readjusted to the new spring. If the fusee chain broke, the force of the mainspring sent the end whipping about the inside of the clock, causing damage. The invention of the pendulum and the balance spring in the mid-17th century made clocks and watches much more isochronous, by making the timekeeping element a harmonic oscillator, with a natural "beat" resistant to change. The pendulum clock with an anchor escapement, invented in 1670, was sufficiently independent of drive force so that only a few had fusees. In pocketwatches, the verge escapement, which required a fusee, was gradually replaced by escapements which were less sensitive to changes in mainspring force: the cylinder and later the lever escapement. In 1760, Jean-Antoine Lépine dispensed with the fusee, inventing a going barrel to power the watch gear train directly. This contained a very long mainspring, of which only a few turns were used to power the watch. Accordingly, only a part of the mainspring's 'torque curve' was used, where the torque was approximately constant. In the 1780s, pursuing thinner watches, French watchmakers adopted the going barrel with the cylinder escapement. By 1850, the Swiss and American watchmaking industries employed the going barrel exclusively, aided by new methods of adjusting the balance spring so that it was isochronous. England continued to make the bulkier full plate fusee watches until about 1900. They were inexpensive models sold to the lower classes and were derisively called "turnips". After this, the only remaining use for the fusee was in marine chronometers, where the highest precision was needed, and bulk was less of a disadvantage until they became obsolete in the 1970s. Item is an example of clock mechanisms used until 1910 for many different styles of clocks and went out of fashion in the 1970s due to improvements in clock and watch making.Brass fusse clock movement, It has very heavy brass plates and wheels, high-count machined pinions, and a fusee. The mounting of the pendulum is missing and It has a recoil escapement. A fusee is a conical pulley driven through a chain by the spring barrel. As the spring runs down, the chain acts at a larger and larger radius on the conical pulley, equalising the driving torque. This keeps the rate of the clock more even over the whole run. It has motion work to drive an hour hand as well as a minute hand and the centre arbor is extended behind the back plate to drive some other mechanism.Inscription scratched on back"AM 40" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, clock mechanism, fusee mechanism, horology

Charlemont & Co., operated out of the Academy Studio, 114 Elizabeth Street from 1890 to 1898. The sitter’s identity has been established as a Mrs. Merritt. While we know that she is not the Mrs Merritt who was to be the wife of the future Mayor of Kew, there were two Mrs Merritts who were shopkeepers in High Street, Kew. Mrs Lucy Merritt operated a bootmaker’s shop, and subsequently a “boot warehouse” from 1888 until the 1920s. Miss Laura Merritt established a dressmaker’s shop in High Street in 1910. Her business also lasted until the 1920s, albeit changed to that of a bookseller and stationer. Silver albumen cabinet card by Charlemont & Co., who operated out of the Academy Studio, 114 Elizabeth Street from 1890 to 1898. In this portrait of Mrs Merritt, she is posed gazing directly at the lens, thus achieving a potentially more intimate relationship with the viewer. All that is revealed however in this supposedly more direct pose is her face. As with an earlier generation, her hair is centrally parted and flattened to accommodate her bonnet, which is surmounted by feathers. The detail in her coat-dress is sharply revealed by new photographic processes that allowed firms like Charlemont & Co., to capture greater light and shade, as well as the detail of fabrics. The entire garment is beaded with what is probably Parisian jet. The beading is arranged in a ‘paisley’ design. The paisley pattern was to become ubiquitous in the 19th century as a design on everything from carpets, to shawls, to clothing.Mrs Merrittcharlemont & co., mrs merritt

More images TBCColour printed brochure x 24 pages about leaving a bequest to Legacy.wills, bequests

The silk card were created by French women during the First World War. The women would create these in there homes as a way to earn an income during the tuff times. The silk mesh was embroidered by the women and was later sent to factories to be placed on the cards. According to the Australian war memorial website there were 10 million of the cards made between 1914-1919. This card in particular was sent from John (Jack) McIntyre to his mother for her birthday. J. McIntyre served in the first world war, first arrived in Egypt in 1915, then to the Western front in France in July 1916. He was servery injured during his time in France and was sent to the Hospital in England. After the war finished Jack travelled back to Australia and lived in Lara with his brother and sister.This card is significant as it is a reflection on the communication between families during the First World War. It also is a symbol of the way women in France made their money during the tuff timesA birthday card with silk on the front of the card. It has pink flowers stitched into the silk and says 'happy birthday'On the front it has 'Happy Birthday" "Remembrance" On the first page in the inside "Remembrance" "To mother" "From Jack" "France 1918" On the second page in the inside: "Wishes are nothing; t'is the heart That in the few lines dwells And says to those from us apart More that the greeting tells" birthday card, mother, son, mcintyre, world war 1, ww1, happy birthday, handmade, silk, embroidered

The ship HMAS Cerberus was Built at Jarrow, Newcastle upon Tyne, England, in 1870, specifically for the colony of Victoria (Australia) and originally named HMVS Cerberus. It had a displacement of 3480 tons and could travel at the speed of 10 knots. The ship carried 4x 10 inch M.L.R. guns. The ship was renamed HMAS Cerberus in 1911 when the navy became the Royal Australian Navy. The photograph was mounted by members of HMAS Cerberus at Crib Point, Western Port Bay, Victoria in 1986. It was presented to Flagstaff Hill Maritime Village by the HMAS Cerberus Museum in 1986 to commemorate the ship's 75 years of service for the Royal Australian Navy. The photograph is significant for its connection with the colony of Victoria before Federation. It is also significant for its connection with the Royal Australian Navy and its service and training of Australian defence forces. Photograph behind glass, in timber frame. Black and white photograph of vessel HMAS Cerberus anchored , with city in the background. Frame is painted white. Photograph was taken to commemorate 75 years of the ship's service in the Royal Australian Navy. It was framed and presented to Flagstaff Hill by the HMAS Cerberus Museum on 19 March 1986. Details are hand written below the photograph.Original script writing in centre "H.M.A.S. Cerberus. 4-10 M.L.R. Guns / Built at Jarrow 1870 / Displ 3480 tons. Speed 10 knots. More recent text "75 years / 1986" "Presented by / HMAS Cerberus / Museum/ 19 March 1986"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, hmas cerberus, 75 year commemoration, 1876, 1911, royal australian navy, navy training base, point crib, ran, cerberus, commemorative photograph, western port bay, hmvs cerberus

Small brown cloth-bound hardcover with decorative black embossed design on front cover. Title in gold coloured lettering on spine along with black embossed design. Cover very worn particularly at extremities., cloth torn front edge of spine. Front & rear hinges partially detached. Binding generally firm with a couple of loose spots. Pages generally clean & intact. Minor foxing throughout. 448pp. Fair condition.non-fictionThe Illustrated National Pronouncing Dictionary of the English Language.english language, dictionary

State School No. 3161 was originally situated between High Street (then Bulleen Road) and Kilby Road adjacent to Burke Road and was officially opened on 25th April 1892 with Mr Roland Gray as its Headmaster. With more people moving into the district, the School was moved in 1905 to Strathalbyn Street. (This site was to became the Kew East Bowling Club, and is now a Kindergarten.) 1929 saw the erection of the brick Infant School adjacent to the main building. In subsequent years many other buildings were added, including a weatherboard ‘Rural’ school, a brick library, an administration block, several portables, and a Community Music Centre and shelter sheds, culminating in the opening in March 2011 of the Commonwealth funded new Music/Sports Complex. At one time it was called Kew East Central School and included years 7 & 8. When Kew High School started, the high school students were accommodated there whilst their buildings were being completed.Original print positive, mounted on board of a co-educational class of students at Kew East 'Country School'. Howard Nickell is identified in an inscription on the reverse of the mount. The Age newspaper on 6 March 1906 included in News of the Day that: "At a meeting of the Executive Council yesterday it was decided to proclaim the following State schools as training schools under the provisions of the Teachers' Act: Brunswick 1213; Queensberry-street, Carlton 2365; Kew East 3161; and Queensberry-street, North Melbourne 307. These schools have been specially selected and staffed in order that teachers in training and junior teachers may study the methods of the best teachers in special kinds of work. The infant class is the special feature at Brunswick, while Kew East will be a model of the methods of a country school. The schools at Queensberry-street, North Carlton and North Melbourne, are to be more especially connected with the training college."Obverse: Written on held chalk board: "Kew East 3161 / Country School / 1919". Reverse: "Howard Nickell, 2nd row, left - end of row"kew east primary school, margery canham, margery nickell, elizabeth angel, kew east state school, kew east country school