Hardcover w/ Dust JacketMelbourne University Press Thank you Letter to Patricia Davies, corrigenda and subscription card bookmarked the page detailing Leslie Wilkinson (Australian Architect)biography, dictionary, australian biography, walsh st library

MagazineIssue has and article on the 1998 Royal Australian Institute of Architects Awards. 2 photocopies of article on the monarchy from The economist Oct 22 1994walsh st library

SoftcoverIssue has an article on the 1998 Royal Australian Institute of Architects Awards. 2 photocopies of article on the monarchy from The economist Oct 22 1994phillips collections, art, walsh st library

Bendigo Advertiser "The way we were" from 1999. Class: Penwinnick at 5 Harkness Street, Bendigo, was built in 1895 by architects W.C. Vahland and Son for John Robert Hoskins, timber merchant.newspaper, bendigo advertiser, the way we were

Colour slide in a mount. English, Scottish and Australia Bank, Melbourne, Victoria, Australia, 1960. (Architects: Chancellor and Patrick. ) It is on the corner of Elizabeth and Franklin Street, and now has a high rise building above it.Made in Australia / 12 / Encircled 10 (Handwritten)slide, robin boyd

Colour slide in a mount. Mitchell building on the left with Sir Walter Hughes statue in centre, University of Adelaide, North Terrace, Adelaide, South Australia, 1882. (Architects: William McMinn of Woods & McMinn.)Made in Australia / 17slide, robin boyd

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Looking down the ramp onto 22 Prescott St from the Carpenter Centre for the Visual Arts, Harvard University, Cambridge, Massachusetts, USA, 1963. (Architect: Le Corbusier.)Made in Australia / 7 / AUG 64Mslide, robin boyd

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Centrepoint, Tottenham Court Road, London, 1963 alongside spire of St Giles in the Fields, 1733. (Architects: George Marsh (Centrepoint); Henry Flitcroft (St Giles in the Fields).)Made in Australia / 31 / MAY 69M2slide, robin boyd

Colour slide. An artist or architects impression of the fully restored QVWC building. Was used for promotional material including being used on the real estate board at the front of the QVWC building advertising for prospective tenants. etched ontop of slide '300% B+W"historic buildings, cultural structures and establishments, architectural models

Handwritten account of the laying of the Foundation Stone of the Sandhurst Masonic Hall. Dimensions and architectural style are also mentioned as well as the laying of a cylinder containing a scroll in a cavity beneath the stone. Architects were Vahland and Getzschmann.document, names of bendigo pioneers, the australian sketcher, the australian sketcher 1873, laying the foundation stone of the sandhurst masonic hall, mr vahland, mr gotzchmann, brother j mcintyre w m, brother buckley, brother connolly, golden and corinthian grand united lodge, rev j c mccallagh, brother g p joseph

Robin Boyd was invited to be a judge on the AIA-Sunset Western Home Awards Program (see correspondence item D416). Robin and Patricia Boyd travelled to California in July 1965. They also visited Japan.Colour slide in a mount. Pacific Mercantile Bank Building (or the Perpetual Savings and Loan building), 9720 Wilshire Boulevard, Beverly Hills, Los Angeles, California, USA, 1961(Architect: Edward Durell Stone.)Made in Australia / 15 / Encircled 5 (Handwritten)slide, robin boyd

Colour slide in a mount. Russell Offices, Building 14 (now building 8) under construction, Canberra, 1972. (Architect: Max Collard from Collard Clarke & Jackson for National Capital Development Commission.)Aystralian News and Information Bureau Canberra, A.C.T / April 1970 (Handwritten) / M.J (Handwritten) / Russel Building 14 (Handwritten)canberra, slide, robin boyd

Robin Boyd was invited to be a judge on the AIA-Sunset Western Home Awards Program (see correspondence item D416). Robin and Patricia Boyd travelled to California in July 1965. They also visited Japan.Colour slide in a mount. Pacific Mercantile Bank Building (or the Perpetual Savings and Loan building), 9720 Wilshire Boulevard, Beverly Hills, Los Angeles, California, USA, 1961. (Architect: Edward Durell Stone.)Made in Australia / 14 / JUL 65M / Encircled 3 (Handwritten)california, slide, robin boyd

Plan. Specification No. 45 for Home Management Table for Education Dept., High Schools. Drawing No. T:1:11:1 for Public Works Dept., Furniture & Fittings Branch, Chief Architect. Drawn by K.H.furniture

number in album 03593.01Black and white photograph five men sitting at table, team involved in the building of the Golf Club extensions, Stewart Marsh, architect Murray Goff and building contractor Phillip Baade. Lakes Entrance Victoria golf club, celebration

“Details of Gothic Architecture is measured and drawn from existing examples by James K. Colling, author of ‘Gothic Ornaments’.“—Front cover. It contains detailed drawings of parish churches during the 19 century.A large book with blue hardcover and black cloth corners and spine. Illus. with b&w plates of architectual drawings. Vol.1. Title is printed in black and red. This book contains measured drawings of details from parish churches. It includes 8p. table of contents. Inscription on title page "W. H. Piper, architect". A plate inside front cover titled "Ballarat Technical Art School Library No. AD/14".and, architecture gothic, decoration, ornament gothic, james k colling, gothic england, norman, early english, decorated, perpendicular, burnby church, etton church, yorkshire, walsoken church, norfolk, great grimsby church, lincolnshire, bookplate, ballarat technical art school library

The foundation stone for the new church was laid by the then Prime Minister, Mr R G Menzies, in 1953. The tender of 13,300 pounds submitted by Mr R S Grills was accepted in 1952. Work was completed in November 1958. The cost of the carpets was met by the Ladies' Guild and the windows in the children's chapel were given in memory of the Rev T W Leggatt by members of his family. The Rev T J Riddle was the minister at Glen Iris Presbyterian Church from 1941 - 1956.Oblong brass commemorative plaque with black text and holes at each corner."TO THE GLORY OF GOD" "THIS BUILDING WAS OPENED FOR WORSHIP ON NO.21ST 1953" "MINISTER - REV. T.J.RIDDLE B.A." "ARCHITECT - KEITH REID A.R.A.I.A." "DIP. M.U.A.A. BUILDER - R.J.GRILLS"rev t j riddle, presbyterian moderator, rev t j riddle presbyterian minister, glen iris presbyterian church, r s grills builder, keith reid architect

Silver commemorative trowel with a black Bakelite handle in a dark blue cardboard box."Presented to M.WHITE ESQ. JP by the Architect CLIVE H. LORD, A.R.I.A. to lay the FOUNDATION STONE of the NORTH BALWYN METHODIST CHURCH. 30-8-41."white, m., north balwyn methodist church, lord, clive h.

Presented to the Bishop of Ballarat, Dr. James Moore, when he laid the foundation stone for the new schoolroom/residential wing at Loreto Mary's Mount. A decorative artefact manufactured by an early Ballarat jeweller. Records the early building and expansion of Mary's Mount.Silver engraved commemorative trowel with ivory handle.Presented by the Architect to The Very Rev'd J. Moore D.D.V.G. on the occasion of his laying the foundation stone fo the Loretto Convent Ballarat 8th Dec'r 1881

Also known as the King George V memorial building this branch of the Mission to Seamen opened in 1937 as a replacement for the old Mission in Port Melbourne. The Foundation stone was laid by the Victorian State Governor and a photograph of the event is also held in the MTSV collection. The Art Deco style building was commissioned by merchant and philanthropist, Alfred Michael Nicholas (1881-1937) and designed by prolific Melbourne-based architect Harry A. Norris (1888-1966) in 1937 best known for his commercial work in Melbourne city centre. NB PMHPS Kindly allowed MTSV heritage to take scans of the Kelly series notes in their collection for reference in 2019.One of the few full colour images of this building originally classified by the National Trust and now demolished. An example of architect Harry Norris' work 1937. All that remains are a ceramic plaque, a brick and several items of chapel artefacts. Alison Kelly, a photographer, was part of the group supporting the Port Melbourne Seamen's Mission in the 1980s and 1990s. She took a series of photographs of the building now held by the Port Melbourne Historical and Preservation Society.Full colour Postcard featuring colour image of a large red brick building in a 1930s era Architecture. There is a green wrought iron gate ajar in the foreground with the word SEAMAN spelled out. MISSIONS TO SEAMEN can also be seen spelled ut in white across and down the central clock tower of the building and this is surmounted with a white flagpole.On verso: Printed: "Heritage Series / POST CARD " at right angles in small print from lwr edge to upper: "PHOTOGRAPHY BY ALISON KELLY PORT HERITAGE SERIES NO 6". At Lwr left crnr printed:" Missions to Seamen Building, Port Melbourne/ Designed in the Modern style by architect Harry Norris,/ this 1937 National Trust classified structure was until 1972 / an entertainment and spiritual centre for seamen, with / important roles during the war [WW2] and immigration periods"king george v, memorial chapel, harry a. norris, brick, art deco, alfred m. nicholas, beach street, mission to seamen, alison kelly, 1937, arts centre, seamen mission, mission to seafarers, port melbourne

Boyd outlines reasons why architecture students and young architects are less outspoken about the quality of architectural design in comparison to older practising architects.Original manuscript published in Meanjin, Vol.17 No.78, pp. 175-178. It was reprinted in the 'Architect' (Perth) Vol.3 No.53, pp. 26-27.Typewritten (c copy), quarto, 6 pagesarchitects, 'slate' magazine, robin boyd, manuscript

Ironbark Heritage Study 2010 Volume One & Two, contains maps and photographs of houses in area along with heritage reports and historical information. Prepared by Amanda Jean Architect and Heritage consultant for the City of Greater Bendigo.Amanda Jeanbendigo, buildings, heritage buildings

Manila folder of architectural specifications for the alterations and additions to the W.J.Baker Memorial Hall of Preston Technical College from Drayton and Colman, Architects dated 1967. Also photograph of the hall which is undated but estimated to be 1976-1977.preston technical college, buildings, w.j.baker memorial hall, nmit

Black and White Photo of the Australian Natives Association Hall in Bendigo 'Wm. Beebe, Architect', Plate 20 - Ninnia Photo, Capital Theatre, Masonic Building is pictured to the left of the picture, two trees in protective guards.buildings, organisation, australia natives association, australia natives association hall, wm. beebe architect, masonic building, capital theatre

DVD containing scanned images of : Post office, shops and dwellings at Mitcham for P.J. Markham Esquire, plans and elevations - Sydney Smith, Ogg and Serpelt, Architects. Original document and preservation copy are held: see ND6466.markham, patrick joseph, mitcham post office

"26th March 2019 In contribution to the historical account of the Mission to Seafarers, Melbourne. To whom it may concern, In 2005, the Mission to Seafarers’ Padre Bevil Lunson assigned an upgrade to the existing bar and gift shop. The brief outlined alignment with health code and liquor licence regulations, rethink of stock display and aesthetic upgrade of white peg-board and fluorescent-lit display-case. Two students of architecture answered the call and provided pro bono design, building and installation services. Beyond the updated flooring, work surfaces and new hand-wash point their ethos of sustainable design presented a strategy of redressing the existing on a shoe-string; helping minimise trades and protect the heritage substrate. A new standing-bar was proposed to envelope the display case and re-orient the hall back toward the stage. Punters were directed to the seated-bar for purchases. The chosen palette aimed to anchor the bar below the hall’s half-timbered dado-line utilising the muted tones of recycled materials. Glass bottles set in resin diffusing panels and timbers sourced from throw-outs were dressed and composed to suggest the multiple approaches to a calling of the sea. This flotsam and jetsam was intended to provide a shifting background that is representative of the many walks of life that support and are supported by the mission. Two uninstalled elements further accented the design: -the flying angel logo was to appear hovering within the bar’s archway and also inverted by the dado-line in the bar’s rear mirror (refer attached sketch), -and the two lampshades, referencing the inverted form of nautical beacons, were to shepherd clientele to the bar (refer attached sketch). Where are they now? Derek Stevenson – Turner Townsend Thinc Stuart Webber – ARM Architecture The bar was dismantled during the renovation mid 2019 and replace by another bar.These documents provide insight into an early 21st C refurbishment to the interior of the MTSV and Mission club operations in the early 21st Century and provides names and details of both the consideration of the need to: protect heritage components, provide a functional service point, incorporate recycled materials that related to aspects of the sea and environment, the flotsam and jetsam that is found where the sea, and those from the sea meets the land. Also provides an example of early career designs by two practising 21st C Australian architects and designers. During the renovations in winter 2019, the decision was made to demolish to make space to another more convenient one brought from a cafe, along with new chairs and tables for the club.Digital copy files sent in March 2019 by architect Stuart Webber after a visit to the Mission. Along with two sketches he submitted, he sent a document telling how the bar came to life in 2005.bar, stuart webber, derek stevenson, mts club, mts interior, bevil lunson

Margaret Evelyn Evans Gordon married Arthur Lyulph Stanley, 5th Baron of Alderley, in 1905. Appointed K.C.M.G. in 1914, Sir Arthur served as Governor of Victoria from 1914-20. Lady Stanley became the first President of the Australian Red Cross, Victoria, in 1914. The foundation stone of the St Peter chapel was laid by Lady Stanley on 14 November 1916. The trowel (see item 2074) used for the laying of the stone was gifted to Lady Stanley and ended up in Toronto, Canada, where one of her daughters, Victoria was living. The trowel was presented to the Mission in 2019. A picture of the stone can be seen on the article of the Leader dating from Saturday 25 November 1916, page 25. The photograph shows the state of the plaque before the renovation works that finished in 2020.Photograph depicting the foundation stone laid by Lady Stanley in November 1916, in 2019.missing "Greater Glory of God ..is Stone was laid by The Honourable Lady Stanley November 14th 1916" Walter R. Butler F.R.I.B.A. Architect A.B. Robertson Builderfoundation stone, lady margaret stanley (1875-1964), sir arthur lyulph stanley (1875-1931), flinders street, mission to seafarers, mission to seamen building, st peter chapel, chapel, seamen's mission, m