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Federation University Art Collection
Painting - Artwork - Painting, 'Strive & Grow, Thrive & Flow' by leni
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.A triptych commissioned for the Federation University Mt Helen A-Building Staircase.aboriginal, abstract -
Federation University Art Collection
Work on paper - Artwork - Printmaking, Jack, Kenneth, "Glasshouse Mountains, Queensland" by Kenneth Jack, 1961
Kenneth JACK AM MBE RWS, (5 October 1924 – 10 June 2006) Australian watercolour artist Kenneth Jack who specialised in painting the images of an almost forgotten outback life; old mine workings, abandoned ghost towns, decaying farm buildings. He became a professional painter at the age of 39 after giving up his job as senior instructor at the Caulfield Institute of Technology. In 1977 he was elected to The Royal Watercolour Society and in 1982 was awarded the MBE, and the Order of Australia (AM) followed in 1987. Framed three block linocut depicting the Glasshouse Mountains in the Australian State Queensland. Donated through the Australian Gifts Programme by Katherine Littlewood.21/32artwork, artist, kenneth jack, printmaking, glasshouse mountains, queensland, available, linocut -
Federation University Art Collection
Artwork - Painting, Hickey, Dale, 'Still Life, Studio' by Dale Hickey, c1987
Dale HICKEY (31 July 1937 - ) Born Melbourne Dale Hickey studied art at Swinburne College of Technology before teaching at Phillip Institute of Technology (now Royal Melbourne Institute of Technology) from 1973–89. Leaving that position he devoted himself full-time to painting. In 1968 he was included in the National Gallery of Victoria exhibition of Australian minimalism, 'The Field'. His work is known for an awareness of minamalism, colour field and realism. In 1986 Dale Hickey won the Ballarat Fine Art Gallery's Hugh Williamson Art Prize. In 1988 the Ballarat Fine Art Gallery mounted a large retrospective exhibition of his work which was then toured. His work is widely represented in Australian public collections. Framed painting. dale hickey, available -
Federation University Art Collection
Work on paper - Sketchbook, Sketchbook of Artwork by David Alexander, 1980-1981
A number of sketchbooks filled with sketches and paintings by Dr David Alexander. .29) Includes sketch portrait of Gerty McDowell, Stephen, Molly Bloom, Father Cowley S.J., Father Connel, The Lake at Burrumbeetdavid alexander, drawing, landscape, figure drawing, boats, merimbula, portraits, life drawing -
Federation University Art Collection
Painting - Artwork - Painting, Portrait of Margaret Bennett: Drum Major of the Ballarat Ladies Pipe Band
Drum Major Margaret Bennett (formerly Reynolds) attended Ballarat Teachers' College in 1949. She was Drum Major for the Ballarat Ladies Pipe Band from 1950-1975. At times Margaret Bennett was a life model for Geoff Mainwaring. Framed portrait of Margaret Bennett as the Drum Major of the Ballarat Ladies' School of Mines. She wears tartan, blazer and a bearskin hat, and holds a mace.ballarat ladies pipe band, margaret bennett, drum major, geoffrey mainwaring, alumni, available, margaret reynolds, tartan -
Federation University Art Collection
Painting - Artwork - Painting, 'The heart's path' by leni, 2019
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriignal education centre collection -
Federation University Art Collection
Painting - Artwork - Painting, ''future days" by leni, 2019
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection -
Federation University Art Collection
Painting - Artwork, ''calm and clear" by leni, 2019
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection -
Federation University Art Collection
Artwork, [Life Drawing], 1993
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed life drawingart, artwork, jill rowe, life drawing, alumni -
Federation University Art Collection
Painting, Murray Walker, Life Models, 2003
Murray WALKER (1937- ) Born Ballarat, Victoria Described as one of Melbourne's Figurative Expressionists Murray Walker educated at the Ballarat Technical Art School (a division of the Ballarat School of Mines) in 1952 and 1953, followed by the National Gallery School and RMIT Art school, Melbourne between 1858 and 1859. He studied at the Slade School of Fine Art (London) from 1960 to 1962, with a Summer School at the Academia della Belle Arti, Perugia, Italy in 1961. Myth, narrative and people form an important place in the work of Murray Walker, and he has worked in many mediums including printmaking, painting, collage, assemblage, ceramics and tapestry design. Humour and storytelling are a feature of his work Figurative ExpressionismGift of Dr Graeme Williams OAMFramed hand coloured pen drawing of a number of life modelsavailable, alumni, life models, nude, life drawing -
Falls Creek Historical Society
Journal - Schuss Vol. 17. No. 8 August 1951
Schuss was advertised as Victoria’s Official Ski Journal It was issued monthly from 1935 to 1961 except during the war when summer issues covered two months. This continued after the war, but it averaged 10 issues annually over its 25 year life. Schuss was published by the Ski Club of Victoria which had a membership of 38 Ski Clubs and demanded to be recognised as the prime authority on skiing in the state. The other 30 ski clubs with 85% of the members disagreed and the politics of skiing became heated. These clubs formed the Federation of Victorian Ski Clubs with their own journal, Ski Horizon. With the establishment of the Victorian Ski Association, Ski-Horizon published its last issue in Nov - Dec. 1955 and the role of the official journal was fully taken over by “Schuss”. This item is significant because it contains stories, images and information documenting the development of the ski industry in Victoria.The journal features stories and events chronicling developments in Victoria and internationally. Items related to the Falls Creek Area in this issue include:- Page 304 - A meeting held at Bogong to which all clubs with Permissive Occupancies in Falls Creek were invited has agreed to form an Advisory Council. This body would be known as the "Falls Creek Alpine Village Advisory Committee. Each club was to have one representative and one vote. Suggested matters to be dealt with by the Committee included (a) Development of the village, (b) General Conduct and (c) Safety. Page 316 - An advertisement for Nissen Ski School with the slogan "Speed is the Thrill, COntrol the Art."schuss journal, the ski club of victoria -
Ballarat Diocesan Historical Commission
mosaic panel, Mosaic, 1985
In 1986 SOFUY (Servicing Opportunities for Unemployed Youth) was established by Ballarat Diocesan Family Services (later Centacare). This Mosaic art work was created by unemployed youth involved in the program 1986-87 and featured on the wall of the organisation's office at Ballarat's St Patrick's Hall. A single large mosaic of glass, porcelain and pottery fragments designed to represent stars and life.mosaic, artwork, unemployed, youth, sofuy, ballarat -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Thomas Stoddart 1828-1905, A Short Biography by Jennifer Burrell, 22/3/2010
A reasonably detailed account of Thomas Stoddart's life as of March, 2010.Thomas Stoddart was a generous benefactor who played a major role in "aesthetically enhancing [Ballarat's] colonial society."5 pages with black and white photos on pp.1,2,4 and photograph of new Stoddart plaque, p.5.None.doctor john garner, ballarat botanical gardens, thomas stoddart, stockbroker, miner, t.m.antcliffe, mining exchange, stoddart and binnie, ballarat art gallery, sporting clubs, ballarat philharmonic society, statues, james russell thomson, grave restoration, jennifer burrell -
Friends of Ballarat Botanical Gardens History Group
Work on paper - James Russell Thomson 1818-1886, A Short Biography, 2/2010
This summary of Thomson's life and work by Doctor John Garner is more comprehensive than other accounts. It contains information relating to his work as a miner and his character. J.R.Thomson played an important role in the nineteenth century history of Ballarat.2 pages. 1 and 1/4 printed and 1 copy.Signed p.2 JG 2/10doctor john garner, ballarat botanic gardens, statues, miner, eureka stockade, art gallery, thomson's grave, j.r. thomson's estate., ovens diggings, redan mines, d.gillies, thomas stoddart., john garner collection, gardens, ballarat, thomson -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Richard Armstrong Crouch. 1868-1949, Notes on his life by John Garner
Richard Armstrong Crouch initiated the Avenue of Sculptures of Australian Prime Ministers in the Ballarat Botanical Gardens. R.A.Crouch is mainly remembered for initiating the Prime Ministers' Avenue in the Ballarat Botanical Gardens. 1 white sheet of paper; half a page of print. (3 copies)Nonejohn garner, doctor, ballarat botanical gardens, avenue of australian prime ministers, benefactor, ballarat fine art gallery bequest, politician, labor party, barrister and solicitor, protectionist, war record., lt colonel, richard armstrong crouch, crouch, john garner collection, gardens, ballarat -
Bass Coast Shire Council - Art Collection
Artwork, other - Walks of Life, Jo Jo Spook
This mural represents all cultures that visit Phillip Island every year to view and experience the beautiful surroundingsAustraliaCeramicSigned -
Hymettus Cottage & Garden Ballarat
Work on paper - Print folder, Eureka 1854 -1954
eureka, prints, eureka centenary, ballarat, art -
Mont De Lancey
Book, Odhams Press Ltd, The World's Greatest Paintings - Volumes 1,2,3, c. 1934
This work is published in three volumes containing one hundred fine colour plates of well-known pictures from many lands for the general public to enjoy. In addition to the plates there is a brief account of the life and times of each master represented avoiding all discussion of technical matter as far as possible.Three Volumes of The World's Greatest Paintings - Selected Masterpieces of Famous Art Galleries. Large format blue hardcovers with a decorative embossed front cover with an ancient Greek or Roman head bust at the top. The spine has two sets of gold bands at the top and bottom with the title in gold lettering. The work has one hundred fine colour plates of well know pictures with information about each master. Each book has a brown paper dustjacket with the title at the top in black lettering.non-fictionThis work is published in three volumes containing one hundred fine colour plates of well-known pictures from many lands for the general public to enjoy. In addition to the plates there is a brief account of the life and times of each master represented avoiding all discussion of technical matter as far as possible.art books, art, painters, artists, artworks -
Mont De Lancey
Book, Lord Lytton, The Caxtons: A Family Picture
The Caxtons: A Family Picture is an 1849 Victorian novel that was popular in its time. The book was first serialised anonymously in Blackwood's Magazine from April 1848 to October 1849 and first published as a novel in 1849. Victorian novels were characterised by depictions of everyday people, hard lives and moral lessons. They were meant for more than just entertainment. Victorians were interested in the hero as well as folk art. Victorian novels often focused on these themes.A small red self patterned Collins Illustrated Pocket Classics novel The Caxtons: A Family Picture. It is very badly damaged with the spine coming away from the pages, loose pages and tears. Pages 3,4 and 5 are missing. The frontispiece opposite the title page is a black and white illustration of three well dressed men of the period standing talking in a sitting room. A few black and white illustrations are throughout the book. At the back are four pages of Collins' Illustrated Pocket Classics for further reading. Pp 632.fictionThe Caxtons: A Family Picture is an 1849 Victorian novel that was popular in its time. The book was first serialised anonymously in Blackwood's Magazine from April 1848 to October 1849 and first published as a novel in 1849. Victorian novels were characterised by depictions of everyday people, hard lives and moral lessons. They were meant for more than just entertainment. Victorians were interested in the hero as well as folk art. Victorian novels often focused on these themes.family life fiction, religious fiction, morals fiction -
Wodonga & District Historical Society Inc
Functional object - Transistor Radios, Sanyo Electric Co. Pty. Ltd, 1970s
The first transistor radio (the Regency TR-1) was produced by Regency Electronics in cooperation with Texas Instruments in 1954. Transistor 4 , the AWA transistor radio was manufactured by Amalgamated Wireless Australasia Limited (AWA), Australia's largest and most prominent twentieth century producer of radios, televisions, audio and telecommunications equipment. Transistor radios went on to become the most popular electronic communication device of the 1960s and 1970s. Billions of transistor radios are estimated to have been sold worldwide between the 1950s and 2012. They were exceptionally popular amongst young people in Australia due to their portability, allowing them to be taken wherever you wanted to gather with friends or, due to the headphone attachment, without disturbing those around you. These pocket radios are representative of technological developments which had a vast influence on social life and activities throughout Australia.4 pocket transistor radios of various brands. No. 1 orange Sanyo RP 1280 manufactured in 1979/1980. No2. is white bakelite No. 2 K--181 pocket transistor made by the Kmart Corporation c1975 and No. 3 is a Nation Brand AM Portable Receiver made in Hong Kong c1980. No. 4 Is an AWA Radiola B121 Solid State pocket transistor. All of them include a socket to plug in an ear piece.No. 1 on the front "SANYO RP 1280 and tuning dial. On the back: "SANYO MODEL RP 1280/ DC 3 V 2 x "AA" BATTERY/ SANYO ELECTRIC CO. LTD." No. 2 on the front "K-181" and tuning dial. On the back "Code 600-857/ AM POCKET RADIO/DC-3VC (UM-3x2)/ART 181. HONG KONG" No. 3 AM Portable Receiver Nation Brand on front No 4. on the front: below dial - AWA Radiola B121 ad at bottom "SOLID STATE" On the back: AWA Thorn Consumer Products Pty. Ltd./Model No. B121/Batteries 2 x UM-3 OR AA Cells/AM 520 -1620KHz/ Serial No. 75686/ Made in Hong Kong"radio communications, transistor radio -
Wodonga & District Historical Society Inc
Textile - Hamilton-Smith Collection Victorian-era Crazy Quilt Sampler
The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This quilt sampler was made before 1900 by Rosina Ellwood. Crazy quilts were fashionable in the late Victorian era. The rise of the trend is attributed to the display of Japanese art and ceramics at the 1876 Philadelphia Centennial Exposition (U.S.A.) that featured asymmetrical designs. Inspired, quilters began sewing pieces of fabric of different sizes and textures together into abstract, asymmetrical patterns. The craze spread from America around the world. Embroidery, ribbon and silk embellishments, and hand stitched applique birds and flowers were popular additions. One magazine estimated that a detailed crazy quilt could take over 1,500 hours to complete. Crazy quilts remained in fashion in metropolitan cities until about 1910, though the style endured for longer in rural areas. This item is unique, handmade and has a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history and women’s history.A colourful patchwork quilt sampler using mixed fabric types including velvet, cotton, brocade and satin, backed on cardboard.hamilton-smith collection, hamilton-smith, stiching, needlework, sewing, handmade, domestic, quilt, quilts, crazy quilt, crazy quilts, women's history -
Pyrenees Shire Council
drawing, Lynette Heenan, Knight by Lynette Heenan, 1996
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Charcoal still life sketch of wooden sculptureverso: Lynette Heenan sketch for the 2003 Pyrenees Art Award Knight 1996 -
Darebin Art Collection
Painting - Marlene Gilson, The Life and Times of Bundoora Homestead, 2018
"Aunty Marlene Gilson is a proud Wadawaurrung traditional owner and Elder. Her multi-figure paintings work to overturn colonial narratives by re-contextualising the representation of historical events. Learning Wathaurung history from her grandmother, Marlene began painting in 2008 as a form of therapy, while recovering from an illness. She has received considerable accolades and most recently exhibited a series of works in the Sydney Biennale (2018). The artist’s meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Marlene has developed an extensive body of work which relates to her ancestral lands which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Marlene was invited to create a new work for the Darebin Art Collection that either related to the City of Darebin or her traditional lands. She chose the subject of Bundoora Homestead for this new commission and has included First Nations people alongside colonial settlers and members of the Smith Family enabling an opportunity to reflect on the incredible history of Bundoora Homestead and its surrounds. This painting brings Aboriginal people and Colonialists into the one space living harmoniously and in doing so reminds us that reconciliation may be a possibility. ""We visited Bundoora Homestead and farm, what an amazing place. In my research I found that Mr Smith built a stone hut for the Aboriginal people to stay when they visited. They bred cattle and horses, Wallace being the greatest sire in Australia and is buried on the property. They had three gardeners and four children, which I have painted in the garden with Mr and Mrs Smith seated watching the children play. Thank you for allowing me to look into the history of John and Helen Smith. I hope I have captured their life and amazing Homestead and surrounds. 31.8.18""" -
Darebin Art Collection
Painting - Lesley Sinclair, Lesley Sinclair, Still Life Chrysanthenemums, N/A
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The Mrs Aeneas Gunn Memorial Library
Book, McMillan and Co, The life of Benvenuto Cellini, 1908
You should know that men like Benvenuto, unique in their profession, need not be subject to the law.'" "Thus spoke Pope Paul III on learning that Cellini had murdered a fellow artist, so great was Cellini's reputation in Renaissance Italy. A renowned sculptor and goldsmith, whose works include the famous salt-cellar made for the King of France, and the statue of Perseus with the head of the Medusa, Cellini's life was as vivid and enthralling as his creations. A man of action as well as an artist, he took part in the Sack of Rome in 1527; he was temperamental, passionate, and conceited, capable of committing criminal acts ranging from brawling and sodomy to theft and murder. He numbered among his patrons popes and kings and members of the Medici family, and his autobiography is a fascinating account of sixteenth-century Italy and France written with all the verve of a novelIndex, p.450.non-fictionYou should know that men like Benvenuto, unique in their profession, need not be subject to the law.'" "Thus spoke Pope Paul III on learning that Cellini had murdered a fellow artist, so great was Cellini's reputation in Renaissance Italy. A renowned sculptor and goldsmith, whose works include the famous salt-cellar made for the King of France, and the statue of Perseus with the head of the Medusa, Cellini's life was as vivid and enthralling as his creations. A man of action as well as an artist, he took part in the Sack of Rome in 1527; he was temperamental, passionate, and conceited, capable of committing criminal acts ranging from brawling and sodomy to theft and murder. He numbered among his patrons popes and kings and members of the Medici family, and his autobiography is a fascinating account of sixteenth-century Italy and France written with all the verve of a novelart - italy - history, artists - florence - biography -
Federation University Historical Collection
Painting, Student artwork from Horsham TAFE
Ewen Ross was lecturing in Visual Art at Horsham TAFE when these works were undertaken. Various examples of artwork undertaken by TAFE student at Horsham. Many of them relate to exercises relating to the Elements and Principles of Design. .1) An exercise in the Elements and Principles of Design by David McGennesken .2) Banksia by Walsh .3) Portraits in Colour by Erica Hein .4) Scaling (Owl) by David McGennesken .5) Subjective Colour by David McGennesken .6) Texture by Michael Rudolph .7) An exercise in the Elements and Principles of Design by Michael Rudolph .8) Shape by Michael Rudolph .9) Shape by David McGennesken .10) Texture by David McGennesken .11) Design Value by David McGennesken .12) An exercise in the Elements and Principles of Design by Michael Rudolph .13) Texture by Erica Hein .14) Design by Erica Hein .15) Design by Erica Hein .16) Tonal .17) Cross Hatching by Erica Hein .18) An exercise in the Elements and Principles of Design .19) Shape by Kris Young .20) Tone by Michael Rudolph .21) Colour by Michael Rudolph .22) texture by Michael Gromm .23) Cross Hatching by Michael Gromm .24) Cross Hatching by Nicholas Stevens .25) Birds Eye .26) a and B Relief Print .27) Colour .28) Still life relief Printtafe, visual arts, alumni, horsham, wimmera campus, elements of design, principles of design, ewen ross, nicholas stevens, erica heim, michael gromm, michael rudolph, david mcgenneskin -
Federation University Historical Collection
Photograph, Mavis MacDougall, Students of the Ballarat Technical Art School, 1941
Students of the Ballarat Technical Art School.ballarat technical art school, leila walters, billy rowe, bo boustead, isobel bousted, mavis heinz, margaret taylor, life drawing room, ballarat fine art gallery prize winners, joy martin, margaret mcdougall, ballarat fine art gallery, student activity, alumni -
Merri-bek City Council
Ceramic - Ceramic, acrylic paint, gold lustre and mix media, Bundit Puangthong et al, FLESH, 2018
In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FLESH" features a golden umbrella, serving as a metaphor for sex. -
Merri-bek City Council
Ceramic - Ceramic, acrylic paint, gold lustre and mix media, Bundit Puangthong et al, FOOD, 2018
These captivating pieces are part of a series called "FOOD / FLESH / FAME," a collaborative effort between Melbourne-based Thai artists Bundit Puangthong and Vipoo Srivilasa. Drawing from Buddhist teachings, the series explores the three elements of attachment: Food (consumption), Flesh (sex), and Fame (power). Although these elements are known to cause suffering, they remain persistently alluring, a paradox that the artists intend to explore further in the future. In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FOOD" depicts a durian, the king of fruits, painted by Bundit Puangthong. He notes, "Despite its pungent aroma, many people still love to eat it."Donated the by the artists -
Federation University Art Collection
Painting, Wojciechowski, Noirin, 'Homage to Delacroix' by Noirin Wojciechowski, 2009
Noirin WOJCIECHOWSKI Noirin Wojcjiechowski completed a Bachelor of Art (Fine Arts) in 2010 at the University of Ballarat (later Federation University. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painting of a still life, including a female bust.art, artwork, noirin wojciechowski, alumni, still life, available