Six small black and white photographs of Melbourne Aerodrome showing aircraft and hanger circa 1925. Photographer unknown.glenhuntly, aviation, glen huntly melbourne aerodrome, pilots, lyons street, grange road, aircraft, airports

Postcard of early black and white photograph of the main street of Marysville in Victoria. This street is now known as Murchison Street.Postcard of early black and white photograph of the main street of Marysville in Victoria. This street is now known as Murchison Street.POST CARD PLACE/ POSTAGE/ STAMP/ HEREmarysville, victoria, murchison street, postcard, souvenir

Eight black and white photographs showing the new built house at "Launchley" for Harry Holmes and the garden preparation and layout.A number of photos of the Holmes family at "Launchley", Ascot, Victoria. .1) Elizabeth Holmes, Harry Holmes and wife Edith in front of house at "Launchley". Ascot.chatham-holmes collection, harry holmes, launchley, gardens, edith holmes, elizabeth holmes

Also two other black and white photographs, one of Nicholson State School, and one unidentified students and parents.Sepia toned photograph of Nicholson State School no. 1716, showing small wooden building with porch, both with corrugated iron roof, two windows with sunshades, square ships water tank at corner, fourteen students and two teachers, not named. Nicholson Victoriaschools

Black and White Photograph of Reg, Glad & Edna Rae on horseback & photograph of sheep grazing with car & dead trees in background.

Postcard with black and white photograph of reception area at Town House Motel Wagga Wagga. decor by Dr Enrico Taglietti.Postcard (not written on), black and white photo.

Copy black and white photograph of railway level crossing on Nepean Highway Moorabbin before excavations for the below ground rail crossing. The level crossing gates are closed and five cars are waiting, while other cars can be seen coming in the opposite direction. A woman with a child in a pram is walking along the road, and a number of men, probably construction workers, are standing behind a barricade on the right hand side of the road. Gilbey's Gin distillery is visible in the background. TCopy black and white photograph of railway level crossing on Nepean Highway Moorabbin before excavations for the below ground rail crossing. The level crossing gates are closed and five cars are waiting, while other cars can be seen coming in the opposite direction. A woman with a child in a pram is walking along the road, and a number of men, probably construction workers, are standing behind a barricade on the right hand side of the road. Gilbey's Gin distillery is visible in the background. Handwritten in blue ink on reverse: 57-465C Handwritten in red ink on reverse: 71% A red circle has been drawn around all handwritten text.moorabbin, railway station, railway crossing, suburbs, cars, local production

This is a set of 26 black & white photographs of troops from the Army Headquarters Survey Regiment undertaking ceremonial drills at a military funeral held at Mildura in 1968. As a senior officer of field rank (Colonel or above) led the funeral procession, it is presumed the unknown deceased soldier was also a highly ranked field officer. The location of the funeral service was the Methodist Church in Merbein, based on the sign in photo .2P and the burial was held at the Midura Cemetery in northwest Victoria, based on the annotation on the back of photo .10P.This is a set of 26 black & white photographs of troops from the Army Headquarters Survey Regiment undertaking ceremonial drills at a military funeral held at Mildura in1968. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) to .8) - Photo, black & white, 1968. All unidentified. .9) &.10) - Photo, black & white, 1968. Front rank L to R: unidentified (x4), SPR Bob Williams, SPR John McCracken, remainder unidentified. Rear rank L to R: all unidentified. .11) to .13) - Photo, black & white, 1968. File on right: No. 4 - SPR Bob Williams, No. 5 - SPR John McCracken, remainder unidentified. File on left: all unidentified. .14) to .19) - Photo, black & white, 1968. All unidentified. .20) - Photo, black & white, 1968. Front rank L to R: all unidentified. Rear rank L to R: unidentified, SPR John McCracken, SPR Bob Williams, remainder unidentified. .21) to .26) - Photo, black & white, 1968. All unidentified. There are no annotations, except the date ‘1968’ is written on the back of photo .10P. No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Undated black and white photograph of Main Hurstbridge Road, Diamond Creek in flood looking west. Nillumbik Historical Society collectionflood, diamond creek, nillumbik historical society

Winkler and Streker families were internees in Camp 3 Rushworth during WW2. 2 black and white photographs also in file.Sepia photograph of a group of people coming out of a door standing around a bride and groom. Photograph has been laminated.martin winkler, helene streker, camp 3 weddings

A black and white photograph of a man dressed in a white dust coat, and carrying a baby. He is standing in front of a corrugated iron fence. There are some cloth nappies hanging on a line behind the fence. Advertising signage (indistinct) can also be seen on the wall behind the fence. Mr Donald Hartley Rowe was born in 1876; married Mary Gibson in 1901 and died in Surrey Hills in 1958. In 1935 his daughter Winifred (1903-1985) married Phillip Sebastien Slavin (1907-1980), known as Paddy, who took over the business. He is first listed at 118 Union Road (no occupation noted) in the electoral roll of 1937 through until 1963. Peter Donald Slavin died in Kew in 1936.A black and white photograph of a man dressed in a white dust coat, and carrying a baby. He is standing in front of a corrugated iron fence. There are some cloth nappies hanging on a line behind the fence. Advertising signage (indistinct) can also be seen on the wall behind the fence.stirling crescent, surrey hills, union road, (mr) peter donald slavin, (mrs) winifred slavin, (miss) winifred rowe, (mr) phillip sebastien slavin, (mr) donald hartley rowe, (mrs) winifred rowe

1 small black and white photograph (undated) of 10 Olive St, Caulfield South, a brick, semi-detached House in a terrace row.houses, olive street, terrace houses, caulfield south, architectural features, architectural styles, streetscapes

This is a black and white photograph of a group of women who were members of the Country Women's Association. The original photograph was taken in the Sunbury Memorial Hall.A black and white copy of a group of women.country women's association, sewing, craft, women's organizations, collett, margaret, duggan, mary, sunbury memorial hall, george evans collection

Black and white photographs taken around Shakespeare Grove in 1995 by Janne Martin. Please contact [email protected] to request access to this record.1990s

This black and white photograph of the grave of A.W. Eustace is believed to have been taken in September 1987 at the Chiltern New Cemetery. Alfred William Eustace, an Australian artist, was born in the small village of Ashbury, Berkshire, England, the son of John Eustace, Head Game-keeper to the Earl of Craven at the beautiful Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped next to the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was owned by the Withers family and was in excess of 55,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that are in the Beechworth Museum collection are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by his relatives from the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.A. W. Eustace, as well as being a well-known Australian artist, was a significant member of the Chiltern community.Black and white photograph of the grave of A.W. Eustace, under glass, in a metal frame.Sticker on back: 184 (original Registration number)a. w. eustace, grave, chiltern new cemetery

This file contains eleven items: 10 original photographs and 1 newspaper cutting. 1/A black and white photograph titled in the format of the shot ‘Murrumbeena. 4. The Railway Crossing’, date unknown, estimated to be 1905. Donated by the Hermes Studio on 19/11/1980. 2/A black and white photograph with a white border of the signal box at Murrumbeena Station by R.P Dunbar dated 16/03/1979 with a handwritten description on the back. 3/A black and white photograph with a white border of the interior of the Murrumbeena Train Station Signal box with a man identified as Michael sitting, taken by R.P Dunbar dated 17/03/1979 with a handwritten description on the back. 4/A black and white photograph with a white border of the removal the boom gates at Murrumbeena Train Station railway crossing. Taken by R.P Dunbar printed 28/04/1979, which includes a handwritten description on the back. 5/A black and white photograph with a white border of the removal of the boom gates taken by R.P Dunbar dated 29/04/1979, with a handwritten description on the back. 6/A black and white photograph with a white border of Murrumbeena Road Crossing during the removal of the boom gates taken by R.P Dunbar printed 29/04/1979. This includes a hand written description on the back. 7/A black and white photograph with a white border of the Murrumbeena Road Railway Crossing during the removal of the boom games dated 29/04/1979, taken by R.P Dunbar, with a hand written description of the photograph on the back. 8/A black and white photograph with a white border of Murrumbeena Road Crossing during the removal of the boom gates dated 29/04/1979 taken by R.P Dunbar with a handwritten description on the back. 9/A black and white photograph with a white border of Murrumbeena Road Railway Crossing with a new boom barrier replacing the boom gates, taken by R.P Dunbar dated 29/04/1979. Including a handwritten description on the back. 10/A black and white photograph with a white border of Murrumbeena Railway Station, Murrumbeena Road with the replacement boom barriers in place, taken by R.P Dunbar dated 29/04/1979. Including a hand written description on the back. 11/A newspaper article titled ‘Boom gates to create road Chaos’ written by Adam Carey from ‘The Age’ dated 29/11/2011. This includes a coloured photograph of the Murrumbeena Road Level Crossing taken by Michael Clayton Jones, and a map of the train line and level crossing between Carnegie Station and Hughesdale Station. The article makes educated predictions based on VicRoads Studies of future implications on road traffic unless more level crossings are removed. In particular the Dandenong corridor and Murrumbeena Road crossings are identified as high priority on the list of potential crossings which may have to be removed. Additionally the article discusses options the government has in addressing the dilemma, and the opinion of a Carnegie pharmacist Gerald Galatis whose business is near the level crossing on Koornang Road.transport, railway crossing, koornang road, railways, level crossing, gates, trains, road crossing, transport establishments, signal boxes, murrumbeena railway station, dunbar r.p., murrumbeena road, carnegie station, railway lines, railway buildings, road traffic, galatis gerald, construction sites, poath road, neerim road, hermes studio

Copy of a black and white photograph mounted on cardboard of the building Cambria with a caption noting that the building was purchased by the Presentation Order, date unknown, and then demolished in 1976.crosbie house, cambria, caulfield, caulfield historical society