Dark blue child's dress with white embroidered flowers around hem. Drawstring neck, lined bodice and drawstring waist. One button at back. Puffed sleevescostume, children's

Amey Cook, unmarried and only daughter of William Cook and Jane nee MaggsSepia mounted photograph on pale green card. Young dark haired female child wearing a pleated suit with short skirt and cummerbund, leaning on a wicker chaircook, amey

The artist is currently a member of the Tramways / East Melbourne RSL, and has donated these prints himself. Framed print of the image created by 'Andrew Archibald'. Print is signed by the artist and editioned as 11/ 100. Image shows a young child receiving medical attention in AfghanistanPlate states 'Donated by Craig Horne' andrew archibald, afghanistan, medcap, children, medical treatment, doctors, artworks, war

Soft cover book slightly larger than A5 size, Olive green cover with broken photos of fruit, man & child in the vegie section 185 pages

Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.2 x wooden Lasts (Adult size) with metal screws. 1 x cast iron Last (Child size) with holes in base and a removable elevated top.Wooden: Size 6 (80) Cast Iron: Size 9 Dbootmaking tools, boot lasts

This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A small container silver metal fitted lid. It features a painting of 2 women sitting under a tree playing with a naked child. It has a pseudo marble finish.domestic items, hand painted jewellery items

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. It depicts an unidentified woman and child standing beneath a flowering bush. A house is partially visible in the background.wodonga pioneers, haeusler family, glass negatives, dry plate photography

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. A child sitting in a wheelbarrow with a basket of fruit. Chickens are feeding beside her. There is an orchard and a house in the background.wodonga pioneers, haeusler family, glass negatives, dry plate photography, wodonga children

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection.This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. A small child identified as one of the sons of the McKoy family of Wodonga West, Victoria. C. 1910wodonga pioneers, haeusler family, glass negatives, dry plate photography, mckoy family

see page 7 Lakes Post Newspaper 22 October 1997Black and white photograph child and adult, Little Prince winner Daniel Hughes holding trophy at Baby Show for Bone Marrow Registry. Lakes Entrance Victoriacharities, baby show

Fifty four page magazine featuring black and cream printed graphics and text. The colour cover shows a woman and child both dressed in matching knitted jumpers.front: [printed] MAY 12, 1965 / 1'. / New Idea / The USELESS SEX / The year's most / talked about book / 8 / ADORABLE / COLLARS / TO CROCHET / MOTHER-DAUGHTER / COVER GIRL / SWEATERS TO KNIT / Instructions inside / Registered in Australia for trans- / mission by post as a newspaper. front: [handwritten] Abbsknitting, pattern, fashion, knitwear, children, women, new idea

This dress is hand made possibly by a mother for her daughters. It is hand and machine stitched. This style of dress would have been worn for special occasions, eg going to church or special outings.This item is very significant for the following reasons. Historic and social - it shows what little girls wore during the early 1900's of the Kiewa Valley. It also shows fashion of the times and how these styles of dresses were made. All of which is valuable for research on these topics. There are only two of these dresses in the collection of the KVSH, and therefore would be very rare. The condition is good enough to display, therefore it has good interpretive capacity.Brown Cotton Dress. Top and sleeves are lined in calico. Home made, with manual machine stitches and some hand sewing. The dress has a high round neck and long sleeves. There is a band around the waist to which a gathered skirt it attached with hand stitching. Two different shades of brown are used on this dress. Back opens with 8 hooks. Water stains on dresschild, homemade, dress, girl, kiewa-valley

Photograph of possibly a little boy in a sailor top and dress, it has white trimming and a bow on the front. He is leaning against a tree with a small shovel in his hand. In the foreground are leaves and what appears to be a wooden walkway.person, individual, child portrait, child, sailor suit

Chronology of Alama Brown's life, work in maternal and child health in the Diamond Valley area and conservation, memorialised by Brown's Reserve in Greenhills. Also a celebration of 100 years of Maternal and Child Health.4p. col. documents, photographsalma brown, infant welfare

A child's doll used in the 1920s.A celluloid doll - a baby doll, with painted blue eyes and red lips and wearing an embroidered calico dress which is soiled. Its joints are held together by string. doll baby-doll celluloid-doll

Shows child at a drinking fountainblack and white photograph, unmounted, original, good conditionOn back: Elwood Beach

Was one of Doris's toys as a child.Miniature wooden chest of drawers with three drawers with metal handlestoys, doll's furniture

Gardens, Port Fairy - childPhotographgardens, family, children

The man in the photograph is standing on the new CRB or Main Road (now Mt Dandenong Tourist Road). The date would be late 1920s. The building directly behind the man is a General Store that became a bank and is now a gallery. The FiveWays cafe is on the LHS of the photograph with the Mountjoy Guesthouse behind it up on the hill. The two elm trees that marked the Jeeves property are visible in the centre of the photograph. The image is from the album of Ivy Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia coloured photograph showing a man in a suit and hat standing in the foreground of an intersection with a building either side.Below photograph in album: FIVE WAYSfive ways, fiveways, fiveways cafe, mountjoy, kalorama, crb road, main road, mt dandenong tourist road, bank, elm trees, jeeves

Clint and Ted named in this photograph are Clint Rowse and Ted Rowse, two of the sons of W. Rowse. W Rowse purchased the house and 60 acres of land previously held by Willie Richardson when the Richardson family left the area in the early 1900s. Initially the Rowse family grew fruit and vegetables on the land but by the time W. Rowse died in 1936 they had shifted almost entirely to flower growing. The photograph is from he Ivy Child Album. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photo showing four men standing in a cluster of plants. One man holding a large mug.Written below photograph in album: ADAM, CLINT, TED, JOHN.rowse, clint rowse, ted rowse, w rowse, willie richardson, flowers, agriculture, fruit, vegetables

Most likely a scene of 'Mt Calvin', the homestead built by John William (Willie) Richardson for his wife Jeanie Green of Wandin. The house was built c1898 The Rowse family purchased the house and 60 acres when Willie and Jeanie Richardson with their 3 children moved to Brisbane. The Rowse family farmed the 60 acres for 35 years and the house was demolished in 1938. The photograph is from the album of Ivy May Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph with a house in the foreground looking over cultivated fields with treed hills in the background. A building is visible in the centre in the distance.Written below the photograph in the album" A SCENE OF KELVIN FARMmt calvin, kelvin farm, calvin farm, richardson, rowse, jeanie richardson, john william richardson, willie richardson

Black and white image of young child - approx. 6 months, seated on rustic style chair. Baby is dressed in dark dress, white frill on bottom, crocheted apron ( strings of apron tied to chair to secure child in position ). On back of image ' Bendigo Portrait Rooms, F. De Kock & Co, Photographic artists, corner of Mitchell and King Streets. N.B. copies may be had and enlarged to size'F. De Kock & Coperson, individual, baby portrait, bendigo, sandhurst, f. de kock & co.

Peter Jensen came to Martin's Creek (35 miles north of Orbost) in 1890 having been told that Martin's Creek would be on the railway line. He was a cooper who made the casks from silver wattles. He cleared the area for farming and then built an accommodation house, Danebo., which was well used by travellers to Bonang and Bendoc. . Gippsland was a relatively less developed part of Victoria in the nineteenth century. Danebo Hotel, Martin’s Creek, would have been an important stopping point for travellers to Bonang and Bendoc. The hotel is no longer standing A black / white photograph of a timber building - a house and another building at an angle. There are three people standing in front - a man. woman and child. On the left is a flag on a mast. In the background is bush.danebo-hotel-martins-creek jensen-peter

Gilbert Rule Collection: sepia toned photo of infant child, wearing a fur like coat, with long white spats over black shoes. Hat is matching coat.Alan Spicer, Williamson Street, Bendigoperson, individual, gilbert rule