Photocopy of a photo of eleven men. Five of them are seated and the rest are standing behind them. All of the men have facial hair. It appears to have been taken in a studio, there area is decorated with plants and greenery in pots.person, group, unknown

Harris collection, Black embossed leather bound photograph album containing 19 sepia & black and white photographs of people some by Bendigo photographers, some pages decorated with coloured illustrations, pages gilt edged.gphotograph, person, male/ female, bendigo-photographers

Black simulated leather 'Gold Crest' handbag with two carry handles - Hinged frame opening with chrome clip. Single inner zip pocket with small chrome bars decorate handles. Label affixed to pocket.Label ' Made in nsw by Gold Crest Leathergoods Pty Ltd. Simulated Leather Plastic.costume accessories, female

From collection of Betty McPhee. A round, cream cover with yellow and blue glass beads. Design: 6 radiating diamonds with centres of blue and yellow diamonds worked alternately. Outer edge: fans decorated with tear-drop shaped glass beads.handcrafts, crocheting or crochet work

Kukri knife as used by Ghurka soldiers in Burma. Curved steel blade with bone handle. Leather sheath with steel tip. Bone handle decorated with ivory dots and brass pins. Missing the two smaller knives.Blade adorned with intricate scroll and flower etching and the word INDIA .

Set of two decorated Chinese doll ornaments. Male and female Chinese characters featuring painted ceramic faces with rounded bodies. Dressed in cotton satin clothes and trimmed in coloured fabric and white cord with tassel.

Ceramic outdoor sculpture featuring 15 clay pipe forms of various heights and designs. Decorated with a range of diferent designs and paint slips. Water pumped through each pipe to make a waterfeature in the council garden.

Black and white photograph of W4 673 decorated and illuminated for the Centenary of Victoria (10/34) (Destination City) Photographed at Preston Workshops of the MMTB. Was an official photograph, by Sutcliffe Pty Ltd. From Ray Pearson collection.trams, tramways, mmtb, centenary of victoria, preston workshops , tram 673

Yields information about Ballarat's decorated trams, in particular this one for fund raising. The basic decoration was able to recycled for other events as well - Ballarat Base Hospital.Black and White photograph of No. 21 decorated for the March 1969 fund raising appeal for the Ballarat Base Hospital, dressed as the "Trambulance". Photographed at the depot? See Also Reg Items1885, 3750 and 3231 for more details of the tram.Stamped on rear in black ink "Donated to BTPS by and Photo By" / "Chris Wurr 12 Truscott Street, Ararat 3377 (053) 52 3403.tramways, trams, ballarat base hospital, decorated trams, appeals, tram 21

Painted ceramic mug, decorated with graphical image of man swinging a tennis racquet and text 'SUPER DAD'. Concave impression in side of mug contains representation of a ball. 'JAPAN' printed on base. Materials: Ceramic, Inktennis

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.A high waisted crimson silk velvet fitted cape featuring long panels of velvet at the front. The cape is decorated at the base with crimson silk diamond shaped velvet drops. All is lined with cherry red silk.capes, women's clothing, evening wear, edith mary weir (nee betteridge), illapa - 84 princess street -- kew (vic.), fashion -- 1920s

Large round silverplate, highly decorated surface, engraved with the text: 'LTAA presented to M.G. Rose in commemoration of the visit of Her Majesty Queen Elizabeth II to Kooyong 27-2-1954'. Materials: Silver/Metaltennis

The Forests Commission took safety very seriously, long before it became standard practice in the bush. The Chairman of the Commission, Alan Threader, personally chaired the safety committee Sandy Dobbin was appointed as the first "safety officer" in the early 1970s There were many innovations including safety boots and safety hardhats. Safety hardhats. One new hat with "two trees" FCV logo. One with hat with older style FCV sticker belonging to District Forester Col Almond (decorated with logos from the amalgamated CFL agencies).forests commission victoria (fcv), protective clothing

Colour postcard of one of the eighteen murals decorating the internal walls of the Glenara Motel, Lakes Entrance, Victoria. This one reflects the painter's romanticism showing a young couple in a small boat on a lake with water lilies and swans.Glenara Motel Motel of Many Murals (on front)motels, arts, rsl clubs

Discusses the exploitation of architecture in commercial signage; the use of architecture as signage can prove disturbing and a threat to curating an architectural style; argument reads like a reflection on Scott Brown and Venturi's Duck and the Decorated Shed.This is the original manuscript of a presentation to Victorian Employers Federation Franchising Seminar. Discussion of Fishbowl, 11.3.1971. It includes notes for slides.Typewritten. Major pencil and pen edits and additions (in one copy), quarto, 7 pages. (Two copies)One copy with annotations in pen and pencilfranchises, franchise buildings, advertising architecture, signage, fishbowl, colonel sanders, robin boyd, manuscript

Photograph taken by The Courier, published 29/3/1969 of No. 21, decorated as No. 21, "Trambulance", at depot. See Reg. Item 1110 for newspaper cutting, Tram photographed on the depot fan, with Lake Wendouree in the background. Yields information about Ballarat's decorated trams for Christmas and other events or fund raising. The basic decoration was able to recycled for other events as well - Ballarat Base Hospital.Black and White copy photograph used in The Courier.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, depot, decorated trams, ballarat base hospital, appeals, tram 21

Postcard produced by Kodak of the opening of the Geelong Tramway System on 14 March 1912. Shows the highly decorated trams in the background and a large crowd. See also item 9056 for another view, 4407 and 5900.Yields information about the opening of the Geelong tramway system.Black and white Postcard divided back, unused.tramways, trams, geelong, opening, new tramways

Photograph of Melbourne W1 421 decorated as an "illuminated" tramcar for the visit of the Duke and Duchess of York to Victoria April 21 to May 12, 1927 and the opening of Canberra on May 9, 1927, taken at Preston Workshops.Yields information about W1 421 decorated as an "illuminated" tramcar for the visit of the Duke and Duchess of York to Victoria April 21 to May 12, 1927 by the MMTBPhotograph - Black and White - illuminated W1 421 - visit of Duke and Duchess of York - 1927tramways, trams, illuminated trams, decorated trams, royal visit, duke of york, preston workshops, w1 class, tram 421

Pretty and tiny beaded bags and purses were highly decorated to match the dresses of the era. They were small enough to carry makeup compacts, a few coins, and they were fashion accessories more than practical handbags.This item is an example of a clothing accessory used by women in the early 20th century.Fully beaded drawstring bag with designs of flowers. Tassel of beads attached to bottom of bag. Small wooden hooks on the inside to hold black rope drawstring.bag personal-effects money-container beading drawstring-bag

Ron Goodwin reads a tactile map of Wynyard Railway Station in Sydney's CBD. The map was made at the Sydney Tesol College with wood working machinery and painting/decorating sections. In front of Ron sits a ultrasonic torch.B/W photograph of man looking at relief map of Wynyard Station14/69051 Ann. Report Orientation - historicalroyal blind society of nsw, ron goodwin, maps

Digital image of the Grenville St tram shelter decorated for the Victorian Centenary celebrations in Ballarat 1938 - the shelter has been decorated to look like a boat. Has tram 18 or 19 entering Bridge St. In the background is Bailey Bros butcher, Magnet bakery, advert for city Life Mutual and Cooke & Co. finance on the Nicholl & Allan building, Grenville St., Bridge St Photo by Jane Holmes, from the Museum of Victoria website - see related documents. Note the scanning error in the trackwork.trams, tramways, centenary, ballarat, shelters, grenville st, tram 18, tram 19

Colour photograph of Ballarat SEC No. 18 decorated for the 1964 Myers Christmas Tram. Photographed at the corner of Macarthur St and Wendouree Parade. Date and tram number advised by Alan Bradley 15/3/03. Tram partially painted white - windows and roof, but not possibly the sides or the front dash - and decorated with Christmas decorations and advertising boards on ends and sides of the tram, advertising Christmas at Myers, Santa's Castle and Gerry Giraffe. Photographed with tram turning from Wendouree Parade into Macarthur St. with the View Point terminus shelter in the background.On rear stamped in purple ink "Copyright by the Tramway Museum Society of Victoria Ltd."myers, decorated trams, macarthur st, view point, christmas trams

A red soft cloth covered book - Songs of Victory - hymns and solos for evangelistio meetings, conferences, and the home circle. With additional hymns 801 pieces in all. Large type edition. The front red cover is ornately decorated and the back cover has a black decorated square in the middle. There is a list of choruses at the back of the book on p.193 following the additional hymns and an additional Ccoruses list on p.202. There is an Index to first lines, choruses, additional hymns, additional choruses and subjects. Six extra pages are for advertising religious reading.non-fictionA collection of hymns and solos for religious gatheringsreligious books, hymns, churches, choirs

The Gregory Hall was built on the grounds of All Saints Uniting Church, Chapel Street, East St Kilda in 1910-11. It was used for assemblies and classes at the All Saints' Grammar School which, after faltering fortunes, closed in1937. It was then leased to Zercho's Business College, founded in 1911 by Frederick William Zercho (the brother of Charles Henry Zercho, who was headmaster of the All Saints Grammar School in 1913-1919). The certificate, dated 16 August 1938, is a birthday greeting addressed to F. W. Zercho that also acknowledges one year since the establishment of the Gregory Hall branch of the college. It is signed by the headmistress, staff and students. Zercho's Business College became the largest business college in Australia. In 1968 it was sold to Stott's Business College.Two page certificate in leather bound folder: two sheets of white paper, handwritten and decorated with ink of multiple colours and each affixed to a board. The boards are covered with blue-dyed leather, decorated with gold ink, and were once joined together to form an outer cover for the pages. One sheet carries on one side a message to FW Zercho Esq that has been written in decorative calligraphy, and signatures. The second sheet carries decorative artwork and a list of signatures on each side as well as a sepia photograph.gregory hall, all saints church, all saints anglican church st kilda, frederick zercho, schools

Phenyle has been used for decades as a cleaner and disinfectant. It is well know for its use for cleaning outdoor toilets and easily identified by its strong odour. The brown glass bottle is immediately recognised as containing a poison. We've all seen them in a hundred different mystery movie scenes. The medicine cabinet opens and there, sitting on a shelf, is the incriminating object -- the ominous dark bottle with the skull and crossbones on the label. In off-screen reality, however, poison bottles have quite a different identity -- they are distinctive, varied, colorful -- and definitely collectible. Obviously, the one thing that sets the poison bottle apart from all other bottles is the need for prominent and immediate identification as a receptacle for toxic material, and this was achieved in a number of ways, including shape, color, embossing and labeling. Poisons were commonly found in the home for the purpose of controlling rodents and other pests, and were sold by grocers and druggists. For consumer protection, as far back as 1829, New York State made mandatory the marking of the bottles with the word "poison" in large letters. Then, in the middle of the 19th century, the American Pharmaceutical Association recommended legislation regarding identification of all poison bottles. In 1872 the American Medical Association also made recommendations -- namely that poison bottles be made of colored glass, and also have a rough surface on one side -- making them identifiable even in the dark -- and the word "poison" visible on the other (the skull and crossbones wasn't quite as ubiquitous as those movies led us to believe). However, passing these laws was not easy, and the manufacturers were essentially left to do as they wished. For collectors, the high point of poison bottle manufacturing was the period ranging roughly from the 1870s to the 1930s. At that time some, of the bottles were distinguished by particularly bright colors, such as cobalt blue (the most common) and emerald green. Others, particularly rare and collectible, had unusual -- and appropriate -- shapes, including skulls, leg bones and coffins. In order to better identify these lethal vessels by feel (not forgetting that there were many people in this period who could not read) when groping for them in the dark, they had such elaborate tactile patterns as quilted diamonds, lattices, hobnails and prominent vertical or horizontal ribbing, as well as spiky knobs and ridges. In addition, many had sharp points on top for the same precautionary purpose. Further efforts to distinguish poison bottles from others included uncommon multisided and triangular shapes, and unusual, hard-to-open tops, the predecessors of the modern child-proof openings. https://www.southcoasttoday.com/story/lifestyle/2001/08/19/poison-bottles-steeped-in-history/50352280007/The recognition and awareness of bottles containing poisonpous substances is extremely important for safety reasons.Bottle, brown glass, diamond shaped. "Bright Star" phenyle. Paper label attached, but peeling off and badly damaged. Corked with contents. Text moulded into glass, some with a border of stars. Poisonous contents, not to be taken. Registered Number 2140. Volume is 20 fluid ounces. Printed label "Bright Star". Text is moulded in the glass in raised lettering: "PHENYLE" outlined and decorated with star border. "POISONOUS", "NOT TO BE TAKEN" "V / DM / A" within oval, "REGD NO. 2140" (D and O are smaller and underlined) . Base is marked "F190".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bright star, phenyl, cleaning and disinfecting chemical, poison, bottles

Yields information about a posters applied to a tram to advertise a Tex Morton variety show in Ballarat in 1963.Digital image from the Wal Jack Ballarat Album of Ballarat 18 dressed in extensive advertising posters and panels including the windows advertising the Tex Morton Variety Show, photographed in the parking loop, Sturt St by Wal Jack 9-11-1963. Has Thomas Jewellers shop, Gear chemist and the Union Hotel in the background. Tram No. 12 is parked behind No. 18. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negative Tex Morton died in 1983 and was a well known Country and Western performer. See Wikipedia and similar websites for more details.On rear in ink "SEC Ballarat No.18 decorated with Tex Morten's Variety Show posters - Sturt St, Parking Loop 9-11-63". In top right hand corner is Wal Jack stamp with negative number "T1275" written in.trams, tramways, sturt st, decorated trams, text morton, tram 18, tram 12