More than a decade after the end of direct military involvement, the ambiguous lessons of the Viet Nam War have continued to haunt American foreign policy.vietnamese conflict , 1961-1975., viet nam war, american foreign policy

Gary Bray landed in South Vietnam as a recently married, freshly minted second lieutenant in the U.S. Army. His assignment was not enviable: leading the platoon whose former members had committed the My Lai massacre - the murder of Vietnamese civilians - eighteen months earlier. In this compelling memoir, he shares his experiences of Vietnam in the direct wake of that terrible event. 1961-1975 - personal narratives - american, vietnam war, 1961 - 1975, personal narratives, american, charlie company, my lai massacre

This is the first that those in direct command of Delta Company have shared their memories of the most significant battle fought by Australians in Vietnam, the Battle of Long Tan.soldiers - australia - biography, vietnam war, 1961-1975- participation, australian, battle of long tan

This is the first that those in direct command of Delta Company have shared their memories of the most significant battle fought by Australians in Vietnam, the Battle of Long Tan.soldiers - australia - biography, vietnam war, 1961-1975- participation, australian, battle of long tan

Notice of a public meeting at St Kilda Town Hall on 12 November1928 about the financing of the Memorial Buildings. The year is not specified in the notice but it would have been 13 February 1929 because the Mayor is identified as Thos Unsworth, who served as Mayor in 1928-29. The Memorial Hall commemorates those who served in World War I, was officially opened on Armistice Day, 1924, and operated as a dance and social hall. In January 1927 the Health Department gave permission for it to operate as the Memorial Cinema. It continued as a cinema until 1957.White paper, discoloured with age, printed in redmemo, st kilda memorial hall

Memorial plaque or death penny, medals and photograph of Private Percy Albert TIPPETT 483 who served with the 6th Battalion AIF and was wounded on the 25/4/15 during the initial landing at Gallipoli and died on 28/4/1915.Percy, aged 19, was one of the first young men from Wangaratta to enlist in the First AIF, Service No. 483. He was posted to the 6th Infantry Battalion on 19th October 1914 and sailed from Melbourne on HMAT Hororata. On 25th April 1915, Percy was in the initial landings at Gallipoli when he was seriously wounded. He was retrieved and taken to a transport ship for medical attention but unfortunately did not respond to treatment and died from his wounds on 28th April 1915. The Tippet family has a long and direct association with the land where the memory of Percy is commemorated and now known as 'Percy Tippet Reserve`.Timber frame with photograph of solider, four medals with ribbons and death pennyMedals include: The Victory Medal, The British War Medal, The Memorial Plaque and the 1914/15 Starpercy tippett, ww1, wangaratta, gallipoli, 6th battalion

The program includes list of items to be recited and short biography of writers: Roderic Quinn, John Buchan, J M Barrie, Hillaire Belloc, A A Milne, John Masefield, John Drinkwater, Rudyard Kipling.Fifth and final tour of Alexander Watson considered to be the leading British Elocutionist with 25 years' experience. The program was directed by E J Gravestock presented in Melbourne by Frank Talbot. Two Matinee recitals were held at the Athenaeum Theatre on 24th and 27th May at 2.30pm.Program: Regarding the details of the recital to be given by Alexander Watson commencing Saturday 21 May 1927. Program is on beige paper with dark brown print; 8 pagesPrice 3d (three pence)athenaeum theatre, alexander watson, elecution, recital, theatre program

The program states: "The University of Melbourne presents the Melbourne Theatre Company in The Merchant of Venice". The play completes the Melbourne Theatre Company's Season 24, Part one, of performances at the Athenaeum Theatre, The Melbourne Theatre company was also performing at the Russell Street Theatre (at the Melbourne University. ). While MTC was waiting for its purpose-built playhouse at Southbank to be completed, performances were held at the Athenaeum and popular with subscribers. Program notes state that the company thanks everyone for their support "during Part 1 of the Season, during which attendances were higher than at any other time in our Company's history". The Artistic Director for this season was Ray Lawler, author of the Doll Trilogy which was later performed at the Athenaeum Theatre. The play was directed by John Sumner who would have appreciated the acoustics of the 'intimate theatre".Paper program; coloured cover; 16 p. includes articles about the play and the actors.melbourne theatre company, the merchant of venice, william shakespeare, john sumner, jonathan hardy

Play by Tom StoppardDirected by John Sumner cast included Graeme Blundell, John McTernan and Kirsty Child Theatre program colouredthe real thing, athenaeum theatre, program, programme, melbourne theatre company, tom stoppard

Article states show may be last by Melbourne Theatre Company at Athenaeum Theatre. Play began as Melbourne Theatre Company Sunday Reading Cast included Beverley Dunn Marie Redshaw directed by Monica MaughamPhotocopied A4 sheets giving details of play athenaeum theatre, program, programme, the celebrated, athenaeum theatre two, melbourne theatre company, stephen gard

Part of Comedy Festival 1995 with comedians Colin Lane and Frank Wood, produced by Lano and Woodley. Special thanks to Micheal Wild,Yuri Worontschak, Zhodi Cummings, Marni Foulis.Black and White flyercomedy festival, curtains, athenauem theatre ii

This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. This lithograph comes from a series of still life by Wegner from the early 80's; a subject matter in which he has not returned to. Wegner is well known for his drawings and enjoys the immediate and directness of the process. He sees the drawn image as an experience of observation, with the content revealing the process of its making. Lithographic print - still life in black and white. Details several kitchen/household items: spoon, tea pot, egg holder, cup and saucer, bowl, chop sticks and mandarin.Lower far left: 'A/P'; Low centre: 'Mandarin on Kitchen Table'; Lower far right: 'PW 83'wegner, lithograph, still life, black and white, utensils, table, fruit, print

A finalist in the Shire of Eltham Art Awards in 1985. Born in Harrow, England, Graham Fransella studied at the Bradford School of Art, Yorkshire. He came to Australia in 1975. Graham Fransella lives and works in Melbourne and is represented by galleries across Australia.Fransella is an artist (printmaker) of national significance. “A feature of Fransella’s art is that it has an immediate visual simplicity, sometimes possessing the lucidity of graffiti-like directness, but this is attained through the most complex and intricate means. The surface on which he works is the arena in which he performs with an endless layering of marks, surfaces and signs. It seems that he surrenders to an intuitive process, one in which chance serves as an active collaborator. Ultimately his practice engages with the theory of the artist’s subconscious being allowed unbridled freedom of expression.” Sasha Grishin AM FAHA, in 'Gorgeous simplicity in signature themes: Graham Fransella', Sydney Morning Herald, April 5, 2014This etching depicts a busy and carefree day at the beach in bright colours of red and blue. The figures are drawn with spontaneity and simplicity, which is characteristic of Fransella's style. Figures are positioned in states of relaxation or bounce around beach scenes in joyful exuberance. eltham art award, etching, print, beach, figures

This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. This drawing has a link to another of Wegner's work in the Collection, the lithograph 'Mandarin on a Kitchen Table'. This portrait is of Danny Moynihan, one time lecturer at Phillip Institute of Technology (now RMIT - Bundoora campus) who taught Wegner printmaking (lithography) when he was a student at the institute in the 80's. Wegner is well known for his drawings and enjoys the immediate and directness of the process. He sees the drawn image as an experience of observation, with the content revealing the process of its making. He is inspired by English artist Leon Kossoffs' drawings where the likeness of the subject is secondary and separate from the credibility of the drawing itself. Black and white charcoal portrait drawing on paper of artist/teacher Danny Moynihan.Hand written (signature) in charcoal - lower right - 'Peter Wegner'wegner, drawing, charcoal, black and white, moynihan, artist, teacher

Collection of documents from various sources put into one folderSignificant because it directs the reader to sources of further research about the aboriginal culture in the district.Looseleaf folder containing photocopies of various documents, maps, extracts from books all pertaining to the aboriginal prehistory of the Peterborough area.girrai wurrung, peterborough aboriginal history

The booklet's full title is 'Motorists and Tourists who assist to build The Great Ocean Road (Barwon Heads to Warrnambool) will have helped to found a worthy Memorial to all Victorian Soldiers and a National Asset for Victoria.' Date of the copy is unknown. The booklet is an appeal for donations toward the construction of the Great Ocean Road which, upon completion, would then be a Memorial to soldiers and, during construction, provide employment for returned soldiers. The GOR was added to and improved to encourage tourism and has had a direct and lasting impact on the development of the towns, including Peterborough.Facsimile copy of an A4 size leaflet issued in 1918, 4 pages including photographsgreat ocean road, peterborough, the arch, loch ard gorge, tourism, the great ocean road trust

Melbourne premiere newspaper write up in the age spectrumon Saturday nov 5th as well as a advertisment strip on october the 15th

Stick mercury barometer, named after Admiral Robert Fitzroy of the Royal Navy (1805 - 1865) for his detailed instructions on interpreting the weather that are included with the instrument. Fitzroy was the captain of the Beagle, a weather forecaster to Charles Darwin and the second Governor of New Zealand. He developed many different types of barometers and was the first person to introduce the science of weather forecasting to the British Isles. A local manufacturer of scientific instruments, Thomas Gaunt, produced the barometer and it was adapted for the southern hemisphere by Robert Ellery, the State Astronomer based at the Melbourne Observatory. Described as "Gaunt's Fitzroy Barometers" in the original sale catalogue, it was priced from 25/- to ₤9.9s. [See Miller, M., Gaunt’s Time, 2014]. Thomas Gaunt's business was originally located at 14 Bourke Street East from 1858. In 1869-1870 he moved to new premises in the Royal Arcade, Collins Street. Gaunt's business became an institution in Victorian Melbourne and Gaunt its leading clock maker. PROVENANCE According to official minutes the barometer was purchased by the Melbourne Athenaeum in 1874. In particular, at the March meeting of the General Committee the House Subcommittee was instructed to "obtain a Fitzroy or other reliable barometer" to be "fixed in the Reading Room". The 1874 Annual Report records the purchase at ₤3.10.0. The barometer is historically significant as an example of the work of Melbourne’s leading scientific instrument maker, Thomas Gaunt. The barometer has social significance as an example of the type of accoutrements provided by the committee of the Melbourne Athenaeum for the comfort of its members. Further social significance lies in the fact that Robert Ellery, the Government Astronomer, who designed the local version of the barometer, has a direct connection with the Athenaeum being a subscription member and committee member of the Athenaeum during the 1870s. There are also records of a T Gaunt as a subscription member of the Athenaeum during the 1870s and 1880s which may be Thomas Gaunt, however, this is yet to be verified. Stick mercury barometer known as the Admiral Fitzroy Barometer. It comprises an oblong wooden case with glass front panel, ornate pediment, barometer with bulb cistern (empty of fluid),printed instructions for interpreting information given by the gauge affixed to left and right face of instrument. Includes a thermometer. The barometer appears to be intact except for the turning knobs which are missing and the mercury in the tube which is not present. Whether the instrument could be restored to working order is unknown. Front right panel, metal plaque: "Thos Gaunt, Barometer Maker, Royal Arcade, Melbourne"melbourne athenaeum, barometer, thermometer, admiral fitzroy, thomas gaunt of melbourne, robert ellery

they also performed at the athenauem in march the same year for the comedy fetival.black and white newspaper advertisement from the age on the 28/10/94lano and woodly, athenauem theatre

by Union Theatres screened 10 July 1940 at Athenaeum TheatrePhotocopied page of program sourced from SLVathenaeum theatre, union theatre, the skin game, old soldiers never die