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Eltham District Historical Society Inc
Photograph, Phillip Morrow, David Thomas and Melina Bryans, Eltham Christian School, 1981, 1981
Students: Phillip Morrow, David Thomas and Melina Bryans, Eltham Christian School, 1981 in a construction/art based activity. From series of photographs from a magnetic photo album relating to the staff, students and activities of the Eltham Christian School which operated as part of the Eltham Christian Church at Nyora Road, Eltham. See also entries for each photograph.Colour Photographeltham christian school, melina bryans, david thomas -
Stawell Historical Society Inc
Photograph, Brewery Building of the Stawell Brewery originally owned by Thomas Powell and later Bryant and Co in Stawell West near the Botanical Reserve
Wooden Brewery Building Stawell Brewery originally owned by Thomas Powell and later Bryant and Co. Located Stawell West near the Botanical Reserve. Closed about 1918. where there are scores of Hotels common sense says "Build a Brewery" and share the takings. Stawell Brewery was situated in part of the present Caravan Park. Almost opposite the entrance to the RacecourseTwo Story wooden Building with additions to left. A Man sitting on Barrels to the right.Stawell Breweerystawell, stawell brewery -
Greensborough Historical Society
Photograph - Digital image, James Robert Whatmough, 1910c
Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin and Whatmough family. This photograph shows James Robert Whatmough.Digital copy of black and white studio photograph.shirley fraser, james robert whatmough -
Federation University Historical Collection
Photograph - Black and White, James Robert Pound
James Pound (22 April 1888-21 February 1967) was lecturer in Chemistry at the Ballarat School of Mines from 30 Augusr 1918 to 22 April 1948.Photographic portraitjames r. pound, james pound, james robert pound, ballarat school of mines, chemistry -
Surrey Hills Historical Society Collection
Book, The James Miller Story
A brief history of the development of the rope making business of James Miller. It celebrated its centenary in 1962, being Australia's largest manufacture of rope, cordage and associated products.[32] p. : chiefly ill. (some col.), ports. ; 29 cm. A4 booklet with plastic comb bindingjames miller and co. -- history, rope makers -- history, rope trade, plant fibre industry, (mr) thomas hogg, (mr) james miller vine, (mr) f. s. vine, (mr) alexander gray -
Parks Victoria - State Coal Mine - Wonthaggi
Lamp, Thomas A Edison
Used in S.C.M by an unknown minerStainless steel battery case, black lead to lamp fitting. See (SCM 0938) for printed manual.On front of lamp fitting " EDISON SAFETY LAMP MFD. BY THOMAS A. EDISON. INC. WEST ORANGE. N.J. UNITED STATES OF AMERICA" On top of battery case "EDISON" The side of the top of the battery case has "365" stamped on it showing that it was not the original top. The battery case has "M78". Side of battery has the "Thomas A Edison" seal. Below that reads "MODEL J CAP LAMP Approved Under Lighting Schedule Approval issued to THOMAS A EDISON CAUTION The battery and headpiece housings shall not be unlocked or opened by the lamp user." -
Ringwood and District Historical Society
Book, Thomas Guest, A Ringwood Childhood, 2022
Sub-titled A Ringwood State School Boy's Story - The World Of The 1940s And 1950s by Thomas J Guest. Hard cover book with photographs, poetry and stories recalling the author's family life growing up in East Ringwood, Victoria. -
City of Kingston
Photograph - Black and white, Funeral procession of Francis Thomas Le Page, 1927
Funeral procession of Francis Thomas Le Page leaving Church of Christ, Chesterville Road, Cheltenham. Minister of church lead procession followed by members of the Star of Moorabbin Order of the Sons of Temperance Friendly Society wearing broad collars. F.T. Le Page was a councillor for 25 years and served as president of the Shire of Moorabbin in 1902/3. He died on 12 December 1927.Nicholas and Rachel (nee Addy) Le Page migrated from Geurnsey to Australia in 1852 with their young son Francis, who was less than a year old. They first lived in Prahran, setting up their own business and after about two years decided to move to Cheltenham and take up market gardening. The Le Page family has been associated with region ever since and have taken on many roles of prominence including local politics. Black and white image of a group of men, standing in two lines, all with hats off. They are standing in front of a line of cars. The first car in the line appears to have flowers on the roof which possibly indicates it is carrying the coffin in this funeral procession. -
Greensborough Historical Society
Photograph - Digital image, Barbara Downey (Mrs James Ryan), 1915c
Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows Barbara Downey (Mrs James Ryan)Digital copy of black and white studio photograph.shirley fraser, barbara downey, james ryan -
Greensborough Historical Society
Photograph - Digital image, James Robert Whatmough 1897, 1897_
Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin and Whatmough family. This photograph shows James Robert Whatmough in 1897.Digital copy of black and white studio photograph.shirley fraser, james robert whatmough -
Robin Boyd Foundation
Document - Telegram, Mollison, James Mollison to John Davies
James Mollison, Director of Australian National Gallery notifying John Davies that Alex Maguy, Galerie de L'elysee has been notified that they would like to view the Braque. -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Charles E. Gordon Frazer, Sir Thomas Bent, 1892
When Thomas Bent, politician and land speculator, was appointed Speaker of the Victorian Legislative Assembly in 1892, a number of local Brighton constituents and supporters raised money to present him with an oil portrait. Bent had been a member for Brighton for 21 years, and the painting was seen as a way of showing their appreciation of his services to the Brighton constituency, as well as congratulating him to his new position as Speaker. In June 1892, British/Australian landscape and portrait artist Charles E. Gordon-Frazer was given the commission to paint the portrait. Thomas Bent is depicted as standing in his Speaker's robe on the dais beneath the canopy in the Legislative Assembly Chamber in the act of addressing the House. He wears the traditional Speaker’s dress of a black silk and gold laced robe over a three-piece black suit, lace jabot and cuffs, buckled shoes and a ceremonial long wig. The top of the gold parliamentary mace sits on the right of the work near the frame's edge.sir thomas bent, thomas bent, speaker, mayor, premier, brighton, moorabbin, land speculator, local government, councillor, official, member of lower house, portrait, parliament, ceremonial robes, legislative assembly, jabot, wig, mace -
Flagstaff Hill Maritime Museum and Village
Audio - Gramophone Cylinder, Sandy McNab, 1908
Edison Records was one of the early record labels that pioneered sound recording and reproduction, and was an important player in the early recording industry. The first phonograph cylinders were manufactured in 1888, followed by Edison's foundation of the Edison Phonograph Company in the same year. The recorded wax cylinders, later replaced by Blue Amberol cylinders, and vertical-cut Diamond Discs, were manufactured by Edison's National Phonograph Company from 1896 on, reorganized as Thomas A. Edison, Inc. in 1911. Until 1910 the recordings did not carry the names of the artists. The company began to lag behind its rivals in the 1920s, both technically and in the popularity of its artists, and halted production of recordings in 1929. Thomas A. Edison invented the phonograph, the first device for recording and playing back sound, in 1877. After patenting the invention and benefiting from the publicity and acclaim it received, Edison and his laboratory turned their attention to the commercial development of electric lighting, playing no further role in the development of the phonograph for nearly a decade. Start of the Recording Industry: In 1887, Edison turned his attention back to improving the phonograph and the phonograph cylinder. The following year, the Edison company introduced the ”Perfected Phonograph”. Edison introduced wax cylinders approximately 4+1⁄4 inches (11 cm) long and 2+1⁄4 inches (5.7 cm) in external diameter, which became the industry standard. They had a maximum playing time of about 3 minutes at 120 RPM, but around the turn of the century the standard speed was increased to (first 144) and then 160 RPM to improve clarity and volume, reducing the maximum to about 2 minutes and 15 seconds. Several experimental wax cylinder recordings of music and speech made in 1888 still exist. The wax entertainment cylinder made its commercial debut in 1889 at first, the only customers were entrepreneurs who installed nickel-in-the-slot phonographs in amusement arcades, saloons and other public places. At that time, a phonograph cost the equivalent of several months' wages for the average worker and was driven by an electric motor powered by hazardous, high-maintenance wet cell batteries. After more affordable spring-motor-driven phonographs designed for home use were introduced in 1895, the industry of producing recorded entertainment cylinders for sale to the general public began in earnest. Blank records were an important part of the business early on. Most phonographs had or could be fitted with attachments for the users to make their own recordings. One important early use, in line with the original term for a phonograph as a "talking machine", was in business for recording dictation. Attachments were added to facilitate starting, stopping, and skipping back the recording for dictation and playback by stenographers. The business phonograph eventually evolved into a separate device from the home entertainment phonograph. Edison's brand of business phonograph was called the Ediphone. The collection of three phonograph cylinders are an example of early recorded music use for domestic entertainment. They are significant as they represent the beginnings of the modern recording industry.Cardboard tube-shaped gramophone cylinder box with lid. The printed label on the outside of the box advertises the maker and patent details. The Catalogue Number and Title are either printed or hand written on the cylinder’s lid. This cylinder was made by Edison 1908 and contains Record number 53 by Sandy McNab. c. 1908On label “Edison Record No. 53, Sandy McNab" and "Form no. 1130, April 1908. Patented December 6 1904, No. 2109, and December 6 1904 No. 2110. “This record is sold by the National Phonograph Company of Australia Ltd, at Sydney Australia.” Trade Mark Thomas A. Edison warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, gramophone record, gramophone cylinder, edison cylinder, edison record, home entertainment, music recording, edison laboratory orange nj, usa, national phonograph company of australia ltd sydney, thomas a. edison -
Federation University Historical Collection
Scientific Instrument, Kelvin and James White Ltd, Astatic Wattmeter: No. 394
http://special.lib.gla.ac.uk/exhibns/Kelvin/miscellany.html https://www.radiomuseum.org/dsp_hersteller_detail.cfm?company_id=16089Cylindrical metal case with glass front. Semi-circular dial with kilowatt marking from 0 to 35. Mounting rods on backManufacturer's Name " Kelvin & James White Ltd Glasgow and London"scientific instrument, electric power, power measurement, astatic wattmeter, kilowatts, kelvin & james white, glasgow, london -
Latrobe Regional Gallery
Painting, JACKSON, James Randalph b. 1882 Palmerston, New Zealand. d. 1975 Sydney, Sydney Harbour, Not dated
Oil on canvasSigned 'James R Jackson' in lower left corner of painting. -
City of Ballarat Libraries
Photograph - Card Box Photographs, James Airth Wilson circa 1880
James Airth Wilson was the last Captain of the Prince of Wales Light Horse Regiment when it was disbanded in 1883. Costume detail Carte de Visite. The photo was taken at the Bardwell Studio.james airth wilson, prince of wales light horse regiment, person, costume, uniform, bardwell -
Kew Historical Society Inc
Archive (collection) - Personal papers, Leonard James Baker Collection, 1918-1971
Susan BakerReference, Research, InformationProvenance Order1. Photograph of Len Baker in WWI British Army uniform; 2. Certificate of Transfer to Reserve 1918; 3. Photograph of Len and Edie Baker's wedding in 1932; 4. Letter from St Paul's Church of England, East Kew vicarage 1940; 5. Letter from City of Kew 1941; 6. Wallet from City of Kew given in WWII; 7. 2nd Australian Imperial Force Certificate of Discharge, dated 7 May 1941; 8. Australian Military Forces Volunteer Defence Corps Certificate of Discharge dated 15/3/42 - 9/10/45; 9. British Passport issued 20 April 1971 from British High Commission Canberra The items were donated by the great-niece of Len Baker. Each item can be viewed in the image carousel above.ww1 (1914-1918), second world war (1939-1945), first world war (1914-1918), ww2 (1939-1945), wwii (1939-1945), wwi (1914-1918), len baker, city of kewww1 (1914-1918), second world war (1939-1945), first world war (1914-1918), ww2 (1939-1945), wwii (1939-1945), wwi (1914-1918), len baker, city of kew -
Mont De Lancey
Legging
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Handmade leather legging with 4 metal clips.boot covers, leggings -
Mont De Lancey
Half-Moon Knife
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Cast iron handmade knife with a wooden handle, attached by a nail.bootmaking tools, cutting tools -
Federation University Historical Collection
Document - Document - Letter, Ballarat Junior Technical School: Character reference for Neil James Keast, 1956
Reference letter for Neil James Keast, a pupil at BJTS from 1952 to 1954. He gained his Junior Technical Certificate. Good character and a suitable applicant for apprenticeship in the Air Force. Cream sheet of paper, typed ballarat junior technical school, headmaster, l garner, neil james keast, junior technical certificate, apprenticeship, air force, 1952-1954 -
Greensborough Historical Society
Article, Greensborough Historical Society et al, Arthur James Spencer, 1914-1918
A short article about Arthur James Spencer and his service in World War 1. At the time of his enlistment he was living at North Melbourne; the Spencer family later moved to Bundoora.One page, text and colour images.world war 1 project, arthur james spencer -
City of Ballarat Libraries
Photograph, James Airth Wilson
Believed to be James Airth Wilson driving himself from his home in Mt Helen to Ballarat circa 1870. From a carte de visite by Flintoff. We do not hold original.james airth wilson, vehicle, mt helen, ballarat -
Stawell Historical Society Inc
Photograph, Mr Charles Henry Akins front row second from left with Mr Donald Gordon Akins back row left & Mr James Ziba Sumner back row right -- Victorian Rangers c1900
Charles Henry Akins front row second from left Donald Gordon Akins back row left and James Ziba Sumner back row right Victorian Rangers c1900stawell boer war -
Melbourne Tram Museum
Photograph - Digital Image, Melbourne & Metropolitan Tramways Board (MMTB), Retirement event - James Hacker Brownlie, 16/5/1960
Set of two digital images of the retirement event for James Hacker Brownlie, coachbuilder Preston Workshops, Construction Department, 16/5/1960. Demonstrates the work clothing and formal suits of the time.Demonstrates a retirement event at Preston Workshops.Digital image of a set of two photographs.mmtb, tramways, preston workshops, retirement, j h brownlie -
Kew Historical Society Inc
Clothing - Year 12 Valedictory Dress, Grace James, 1971
Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Floral jersey with matching cape and small coin pursefashion and textiles collection - kew historical society, grace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design -
Kew Historical Society Inc
Clothing - Long Brown Dress with Braids & Matching Jacket, Grace James, 1972
Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Three piece brown outfit comprising a long dress, a separate bodice and a belt of scarf. The outfit is made of a synthetic fabric. The long plain brown dress has been designed with a matching bodice that features a tan trim; the wide belt/scarf is striped. Brown silk purse with brass fittingsgrace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design -
Kew Historical Society Inc
Clothing - Black Jersey Caftan with Turquoise Braiding & Matching Hood, Grace James, 1972
Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Black caftan decorated with aqua braid and matching capgrace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design -
Kew Historical Society Inc
Clothing - Red Crepe Full Length Dress with Two Patterned Chiffon Overlap, Grace James, 1973
Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Long plain red sleeveless dress made of a crepe like fabric. The dress has narrow strapped shoulders. Red, pink and black floral chiffon overlap. The chiffon overlap is a John Kaldor fabric.grace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design -
Kew Historical Society Inc
Clothing - Full-length Multicoloured Knitted Coat Dress, Grace James, 1978
Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Multicoloured knitted long coat dress. The garment has a high round collar and full-length sleeves. It is buttoned at the front.grace james, women's clothing, dressmakers - surrey hills (vic), fashion design, fashion -- 1970s -
Kew Historical Society Inc
Clothing - Apricot Chiffon Dress with Waterfall Front & Satin Shift, Grace James, 1981
Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Three-piece pink chiffon outfit, the outer sections of a different floral weave. The two outer sections are attached with buttons at the waist. The plain pink shift with a zip at the neck was created to wear underneathgrace james, women's clothing, dressmakers - surrey hills (vic), fashion design, fashion -- 1980s