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Nillumbik Shire Council
Print (solar engraving): Christine JOHNSON
... Nillumbik Shire Council melbourne Print (solar engraving ... -
Nillumbik Shire Council
Prints (solar engraving): Christine JOHNSON (b. 1959 AUS), Christine JOHNSON, Dampiera stricta Voyages Botanical series A, 2014
... Nillumbik Shire Council melbourne Prints (solar engraving ... -
Nillumbik Shire Council
Print (solar engraving): Christine JOHNSON, Christine JOHNSON, Ceratopetalum gummiferum Voyages Botanical Series A
... Nillumbik Shire Council melbourne Print (solar engraving ... -
Nillumbik Shire Council
Photograph (digital print): Siri HAYES, Yellow Oranges and Purple Brown (from the series 'Loading'), 2017
... Nillumbik Shire Council melbourne Photograph (digital print ...The abstraction and colours refer to the modernist abstract expressionist painter Mark Rothko.Nillumbik Prize 2018 Winner. The artist lives and works in Nillumbik. Inspired by modernist abstraction the work is a reflection of current times, exploring our relationship with technology and its’ impact on our social, personal and professional lives. Blurred abstract image in warm colours: yellow, orange and brown. Loading circle in white at the centre of the image.photograph, digital print, rothko, modernism, instagram, abstract, loading -
Nillumbik Shire Council
Sculpture (textile): Susan WIRTH (b.1967 Syd AUS), I want to love this country (Murnong), 2017
... Nillumbik Shire Council melbourne Sculpture (textile ...Nillumbik Prize finalist (2018, 2016, 2015, 2014). The artist lives and works in Nillumbik. Abstract sculpture inspired by the artist attending a local ceremony in Nillumbik to harvest tubers of the Murnong (yam daisy), a traditional staple of the Wurundjeri people. Wirth was also inspired by the writing of Bruce Pascoe. Wirth works intuitively with awareness that meaning may be deciphered through the combination of material/mediums/techniques that she uses randomly. Through the process of experimentation and automatism Wirth allows her work to evolve organically. Wirth is represented in public art collections including: Victorian College of the Arts, Victorian Performing Arts Centre and Ararat Regional Gallery. She also completed a residency at Laughing Waters in 2012. Yellow abstract sculpture woven into a vessel with long tentacles using cotton yarn. N/Afinalist, nillumbik prize, abstract, textile, yellow, vessel, yam -
Nillumbik Shire Council
Textile (botanical print): Karena Goldfinch, Karena Goldfinch, Legacy, 2019
... Nillumbik Shire Council melbourne Textile (botanical print ...Recipient of the Local Prize, Nillumbik Prize for Contemporary Art 2019. The imprints of eucalyptus ficifolia, eucalyptus polyanthemus, grevilia robusta and casuarina verticillata onto woollen blankets. They tell a story of home and comfort, of legacy and place, of connection and continuity. Large wall hanging comprised of strips of recycled woollen blankets stitched together. Each strip has been printed (eco dyed) with organic matter local to the Shire of NillumbikN/Aeco dying, wool, blanket, wall hanging, environment, botanical printing, nillumbik prize, local prize recipient, eucalyptus ficifolia, eucalyptus polyanthemus, grevilia robusta, casuarina verticillata, nillumbik, karena goldfinch -
Nillumbik Shire Council
James NGUYEN, The Camelia Economy, 2019
... Nillumbik Shire Council melbourne The Camelia Economy ...When I first returned to our family plantations in Bảo Lộc Vietnam, I was given a handful of tea seeds by my late grandmother. Returning to Australia, my family managed to propagate a line of tea plants and seedlings which they still swap and trade with family friends and neighbours; maintaining a culture of storytelling, care and entrepreneurship that has helped them survive both war and political exile. Nillumbik Prize Contemporary Art 2021 winning open artworkMoving Image -
Nillumbik Shire Council
Painting, Nusra LATIF QUERSHI, Remnant Blessings - I, 2020
... Nillumbik Shire Council melbourne Painting Remnant ...REMNANT BLESSINGS-I reflects on the assortment of memories acquired over the years. We rarely remember events in their entirety; we are left with the remnants from the past. These fragmented elements make up the structure of this work. Nillumbik Prize Contemporary Art 2021 local winning artwork -
Nillumbik Shire Council
Julia deVILLE, As above, So below, 2018
... Nillumbik Shire Council melbourne As above, So below ...I create contemporary 'memento mori' that raise our curiosity through the use of paradoxical processes and materials. While all of my creatures have died a natural death, they live on as beautiful and compelling allegories, begging a reflection on our symbiotic but decidedly unequal relationship with the animal world. My practice questions our established societal paradigms around animals and asks why we divide them into arbitrary categories: food, pets, pests, transport, entertainment and endangered/protected species. The theme 'place and space' is addressed by the hollow space within the rabbit's ribcage and the gem-encrusted heart that is placed within.Nillumbik Prize Contemporary Art 2019 open prize winner -
Nillumbik Shire Council
Painting, Jessica JARVIE, Winter Blues, 2017
... Nillumbik Shire Council melbourne Painting Winter Blues ... -
Nillumbik Shire Council
Candy Crush I, Nusra LATIF QURESHI, 2018
... Nillumbik Shire Council melbourne Candy Crush I Candy Crush ... -
Nillumbik Shire Council
Painting, Alan SATORI, Mt Caroline Homestead, Doreen, 1973
... Nillumbik Shire Council melbourne Painting Mt Caroline ... -
Nillumbik Shire Council
Painting, Margot KNOX, 1888 Woodend, 1972
... Nillumbik Shire Council melbourne Painting 1888 Woodend ... -
Nillumbik Shire Council
Painting, Petra REECE, The Beast, 2018
... Nillumbik Shire Council melbourne Painting The Beast Petra ... -
Nillumbik Shire Council
Ceramic, Vipoo Srivilasa, We Come In Peace III, 2017
... Nillumbik Shire Council melbourne Ceramic We Come In Peace ...Vipoo Srivilasa works predominantly in ceramics, creating unique contemporary porcelain sculptures, vessels and figures to transmit a universal message of cross-cultural experience. His works explore similarities between the cultures of homeland, Thailand and his adoptive home, Australia. His work is both a playful, and at times a political, blend of historical figurative and decorative art practices with contemporary culture. For more than 20 years, Vipoo has exhibited both internationally and throughout Australia, including Museum of Fine Arts, Boston; Saatchi Gallery, London; Ayala Museum, Philippines; Yingge Ceramics Museum, Taiwan; Nanjing Arts Institute, China and the National Gallery of Thailand. His work is held in national and international collections including the National Gallery of Australia, the Art Gallery of South Australia, GOMA, and the Craft Council, UK. -
Nillumbik Shire Council
Ceramic, Gus McLaren, Queen Pepper Shaker, c1950s
... Nillumbik Shire Council melbourne Ceramic Queen Pepper ... -
Nillumbik Shire Council
Ceramic, Gus McLaren, Sculpture Animation, c1991
... Nillumbik Shire Council melbourne Ceramic Sculpture ... -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Marguerite Marshall, Eltham Community and Reception Centre, 2 October 2006
The Eltham Community and Reception Centre was Australia's first public mud-brick building. Commissioned in 1977 by Eltham Shire Council, led by Shire president (and architect) Robert Marshall, architects Whitford and Peck were asked to design a multipurpose facility in mud-brick and timber. The official opening was performed by the Hon. R.J. Hamer; E.D., M.P., Premier of Victorai on Saturday, April 22, 1978. Architects: Whitford & Peck Pty Ltd Quantity Surveyor: D.J. Cant & Associates Structural Civil Engineers: Charlett & Moore Pty Ltd Landscape: Peter Glass, Dennis Edwards Mech Elec: Lobley Treidel & Partners Pty Ltd Acoustics: Riley Barden & Kirkhope Builder: L.U. Simon Pty Ltd Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p177This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham community and reception centre, mudbrick construction -
Eltham District Historical Society Inc
Postcard, Take a seat in history, Alistair Knox Park, Eltham; Celebrating Children's Week 2000, 2000
Postcard as part of a series produced by Shire of Nillumbik for a children's photo project "Nillumbik Naturally" developed by FOCUS FORCE cleebrating Children's Week 2000. Words and photo by Janelle Chambers (Age 13). The logo for the Nillumbik Tourism Assocation Inc is stamped on the front of the postcard. This seat was placed in Alistair Knox Park in commemoration of the end of the Shire of Eltham after Victorian Council amalgamations with the words "Shire of Eltham 1871-1994" included on the back wooden plate of the seat. A similiar seat was placed in the Montmorency Shopping Centre referencing the west riding of the Eltham Shire, which incuded Montmorency. Digital file only - Digitised by EDHS from a scrapbook on loan from Beryl Bradbury (nee Stokes), daughter of Frank Stokes. Also physical postcard (used) alistair knox park, beryl bradbury (nee stokes) collection, janelle chambers, nillumbik tourism association, wattle, seat, children's week, commemoration -
Eltham District Historical Society Inc
Photograph, Fay Bridge, Eastern boundary of former Warrandyte Aboriginal Reserve, North Warrandyte, 7 November 2016
Two bronze commemorative plaques on rocks, unveiled by Wurundjeri Tribe Council Elders, mark two eastern boundaries of the former Warrandyte Aboriginal Reserve on the north and south sides of the Yarra. This project was initiated by Nillumbik Reconciliation Group in close association with Reconciliation Manningham and the Wurundjeri Tribe Council, as a means of commemorating the last great corroboree of the Kulin Nation which was held at Pound Bend in March 1852. This plaque is on the Nillumbuk side of the Yarra, accessed via The Boulevard, North Warrandyte. The plaque is set on a rock approximately 50 metres before the turning circle at the end of The Boulevard. Plaque : Warrandyte Aboriginal Reserve This commemorative rock marks an eastern boundary of the former Warrandyte Aboriginal Reserve established in 1852. Centred on Pound Bend, it covered 1,908 acres on both sides of the Yarra River (Birrarung). That same year saw the last great gathering of the Kulin nation here in Wurundjeri country which was celebrated over two weeks with traditional performance and games. For a few years longer the reserve intermittently served as a ration station.With gold having been discovered at Warrandyte, the Wurundjeri were moved on again but ultimately secured a permanent home at Coranderrk, Healesville. A second commemorative plaque and rock is located on the opposite bank of the Yarra and its confluence with Stony Creek. Melway ref : 23 C 9 Unveiled by Wurundjeri Elder, Uncle Bill Nicholson on 23rd March 2013 Funded by the Robert Bridgford Indigenous Trust (Nillumbik Community Fund) with assistance from Manningham City Council Small Grants Program Ref: Monument Autralia https://monumentaustralia.org.au/themes/culture/indigenous/display/99680-warrandyte-aboriginal-reserve-fay bridge collection, 2016-11-07, aboriginal reserve, north warrandyte, plaques, warrandyte aboriginal reserve -
Eltham District Historical Society Inc
Book, Land Conservation Council, Melbourne Area, District 2 Review: Final Recommendations, 1994
Notices showing the boundary of the area of the review and advising that an investigation was to be carried out were published in the Victoria Government Gazette and in local and other Victorian newspapers in May 1987. A descriptive resources report was published in August 1991. Council received 1,425 submissions and letters following publication of the descriptive report. The Council considered these submissions and published proposed recommendations in April 1993. A further 1,993 submissions were received in response to the proposed recommendations. The Council published its final recommendations in July 1994. A change to legislation in 1989 enabled the LCC to make recommendations for public land within a ‘town’, though cities and rural cities remained excluded from the definition of public land. Timber resources and water quality and yield from timbered catchment areas remained significant issues in Melbourne’s catchments. Recommendations for the Yarra Ranges National Park were based around the closed Melbourne water catchments and adjoining state forest. A recommended Phillip Island State Park based around the penguin reserve was ultimately implemented as the Phillip Island Nature Park.Shire of Nillumbik DPE/Enviro -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Marguerite Marshall, Rice House, 69 Ryans Road, Eltham, 27 March 2007
Built in 1953, the Rice House was leading Melbourne architect Kevin Borland's first commssion and was one of two houses of its kind. The design of the shell-like structure was inspired by the Arch of Ctesiphon, built in the second century south of Baghdad. Cement with a waterproofing agent was applied in layers to a form of regularly spaced timber arches covered in hessian. This ctesiphon system was developed in the United Kingdom by engineer J.H. de Waller in 1947. Commissioned in 1951 by Harrie and Lorna Rice, after Harrie, then an art student, met Borland at The Age Small Homes Service. Borland suggested they buy land in Eltham because at that time it was the only council in Melbourne that would grant a permit for such an innovative house. Covered under Victorian Heritage. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p157This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, rice house, ryans road -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Alan King, Shire of Eltham War Memorial, Kangaroo Ground, 28 January 2008
The Eltham Shire War Memorial, a tower of remembrance, was built with public donations to commemorate the memory of the fallen soldiers from the shire who enlisted in the 1914-1918 war. The tower is reminiscent of the peel-towers or watchtowers that lined the English-Scottish border from the mid 14th century to around 1600 and is constructed from locally quarried stone. This uncommon and picturesque war memorial, which affords an excellent view of the surrounding district was unveiled by His Excellency the Governor-General (Lord Stonehaven) on November 11, 1926. In July 1922 a deputation of returned soldiers from Panton Hill, presumably the Panton Hill branch of the Returned Sailors and Soldiers Imperial League of Australia (RSSILA), proposed to Eltham Shire Council that the monument should be a cairn of local stone “sufficiently high to form a prominent and conspicuous landmark, and crowned with some suitable device”. Eltham Shire Councillor and President of the Panton Hill branch of the RSSILA, Basil Hall, was credited with being the first to suggest a tower, and with organising a Memorial Park committee to raise funds for the monument in the Memorial Park. A meeting for those interested in the establishing a War Memorial monument in the park was held in January 1924 and the Eltham Shire War Memorial League was formed for this purpose. It appears that the broad and rounded cairn that had been recently built was considered by the League a temporary affair, and not the substantial cairn-as-monument, sufficiently high to form the conspicuous landmark, which had been envisaged by the Panton Hill RSSILA. A design competition was held for the monument. The chairman of the League, Councillor Basil Hall, suggested that the site of the memorial in Kangaroo Ground would lend itself to something rugged, instead of polished stone. By April 1924 thirty designs for a memorial had been received from which three designs were selected and of those, the design by the shire engineer Mr McCormack, for a 70ft tower suitable for construction in rough stone, was chosen. Artist Harold Herbert suggested that a peel tower-like design reminiscent of those along the English-Scottish border would be fitting for the site. Herbert drew up a rough sketch that was approved of, and later, Melbourne architect Percy Meldrum volunteered to draw up the design from sketch to architectural drawings. By January 1925 the Soldiers’ Memorial League had adopted Meldrum’s design for a 50ft high tower. Meldrum had also offered his design and supervision of construction free of charge. The Shire provided the stone to the builders, which was a gift quarried from land owned at Kangaroo Ground by Dr Ethel and Professor William Osborne The Shire of Eltham War Memorial, a tower of remembrance, and honour board were unveiled on November 11, 1926, by the Governor General Lord Stonehaven. At this stage a temporary honour roll was painted on the panels on either side of the tower entrance. In September 1930 bronze plates were added above the portal with the names of men who fell in the 1914-18 war. On November 16, 1951, the Governor of Victoria, Sir Dallas Brooks re-dedicated the war memorial tower and unveiled the names of men who gave their lives in the 1939-45 war. Two additional bronze plaques which recognise service in the armed conflicts of Korea, Borneo, Malaya, and Vietnam were unveiled November 11, 2001, by the Governor of Victoria, John Landy, A.C., M.B.E. The tower was first used for fire spotting activities following the Black Friday bushfire in January 1939 in response to a request from Mr R.D. Ness, secretary of the Kangaroo Ground bush fire brigade, who asked Council that the tower be used as an observation tower for detecting bush fires, and asked Council to arrange a telephone to be installed. It was suggested that if the Shire were to appoint a caretaker for the Memorial Park, his duties could also include raising the alarm in the event of a fire. Later in 1939 Council applied for a radio transmitter, which the Forestry Commission planned to install at vantage places throughout the state. The first dedicated fire spotter appointed from December1948, was Mr Smith of Warrandyte. A prefabricated glazed cabin was installed in 1974, which involved the removal of the original stone structure around the rooftop exit door. A new fire spotting cabin, which included the latest technology, was installed soon after the 2009 Black Saturday fires and is manned by CFA personnel on high fire danger days. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p123This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. While published in the book in black and white, this collection features the original colour digital photographs. nillumbik now and then (marshall-king) collection, garden hill, kangaroo ground, memorial park, shire of eltham war memorial -
Eltham District Historical Society Inc
Document - Folder, Paine, Geoff
Cr Geoff Paine is the Nillumbik Shire Councillor for Wingrove Ward for 2020-2024. He was elected to Council in 2020, and served as Deputy Mayor in 2022-23. Geoff Paine played the doctor Clive Gibbons in the "Neighbours" television series. Contents Newspaper article: "Last drinks: Ramsay Street veteran Geoff Paine reflects on the end of an era", The Age Green Guide, 21 July 2022. Geoff Paine's reflections on the end of "Neighbours" television series.Newspaper clippings, A4 photocopies, etcgeoff paine, "neighbours" television series -
Ringwood and District Historical Society
Newspaper, Scrapbook Clipping, Library Collection, Ringwood, Victoria
Newspaper Clipping from The Mail, 19-3-96, P 5. Councils unite to improve our roads.Maroondah Councilwill push for road improvements in the north eastern suburbs through a strategy group backed by Vicroads and five other councils. The municipalities of Banyule, Nillumbik, Manningham, Whitehorse and Yarra Ranges are also members of North East Metropolitan Regional Roads Strategy Group. -
Greensborough Historical Society
Postcard, Reflections of Diamond Valley, 1979
... City Council City of Whittlesea Nillumbik Shire yarra plenty ...Diamond Creek Community Centre (Bini Shell), 1979 Cardbanyule city council, city of whittlesea, nillumbik shire, yarra plenty regional library, arts victoria, diamond creek