This item has come from the business of J.P.McMeekin of Warrnambool. It would have been sold or given to clients of the business for promotion purposes. The father of James McMeekin, with his brother, William, established their business in Warrnambool in the early 1880s with land, estate and insurance agencies and a produce store, including a dairy produce trade exporting butter to South Australia, South Africa and England. The business was initially in Fairy Street Warrnambool and then moved to Kepler Street. James McMeekin’s son, also James Parker McMeekin (1885-1935) continued on with the business until his death.His pen is of interest as an example of the type of promotion item issued by business men in Warrnambool in the 1930s. This is a pen with a brown-coloured wooden body tapering to a point at its end. It has a metal band at the other end with a metal nib inserted. The end of the pen is slightly broken and the nib is rusted. J.P.McMeekin Produce Merchant Warrnambool Phone 263j.p.mcmeekin, history of warrnambool

Produced and distributed during commemoration of Centenary of St John's Catholic Church MitchamBlue and black ink biro pen with plastic steel ball point and top with steel pocket clip and steel trim. The barrel of the pen has a printed dull gold logo and text.Logo: oval logo 'SJM/ with faith and love'|'1888 - 1988 / St John's Mitcham Centenary'|End of barrel: 'Made in USA'domestic items, writing equipment

This refillable ink bottle was extensively in use in the early 1900's, firstly with the nib pen and then with the fountain pen. Both these pens required to be refreshed with ink as they had no long term self storage capacity. The requirement, before the 1970's, for all legal documents, wills and heath certificates etc. forms had to be signed with penned ink and not biro(1950's onward). This caveat was to prevent forgeries (signatures) from ocurring. Hand writing experts can clearly distinguish forgeries because by using nibs, the "natural" and distinctive hand inflections whilst forming the signiture cannot be replicated by forgers.This item is significant to the Kiewa Valley because it details that even in the rural sector,(Kiewa Valley) the legal requirements of the day had to be adhered to. This was even at a time when in the rural areas a "man's word and handshake" was his bond", especially between neighbours or others in a small rural region. This however was not the case for Government Departments , banks and the hospital. To highlight certain words or paragraphs due to their importance, the red ink application was not only highly visible but also less likely to be tampered withThis is a clear thick glass bottle with shoulders tapering up to the neck. The red stain on the cork stopper indicates that the bottle contained red ink.On one side is embossed "ANGUS & C0" and on the base "J 32" and below this "M" (the manufacturer's mark)dip pen ink, ink bottle, writing methods, nib.

This refillable ink bottle was extensively in use in the early 1900's, firstly with the nib pen and then with the fountain pen. Both these pens required to be refreshed with ink as they had no long term self storage capacity. The requirement, before the 1970's, for all legal documents, wills and heath certificates etc. forms had to be signed with penned ink and not biro(1950's onward). This caveat was to prevent forgeries (signatures) from ocurring. Hand writing experts can clearly distinguish forgeries because by using nibs, the "natural" and distinctive hand inflections whilst forming the signiture cannot be replicated by forgers.This item is significant to the Kiewa Valley because it details that even in the rural sector,(Kiewa Valley) the legal requirements of the day had to be adhered to. This was even at a time when in the rural areas a "man's word and handshake" was his bond", especially between neighbours or others in a small rural region. This however was not the case for Government Departments , banks and the hospital. To highlight certain words or paragraphs due to their importance, the red ink application was not only highly visible but also less likely to be tampered withThis empty bottle is cylindrical with curved "shoulders" tapering to a neck the size of a 20c coin. It has a white screw on lid bearing the name SWAN triple filtered INK. There is a paper label on the side of the bottle.SWAN TRIPLE FILTERED INK. 'SWAN' INK PERMANENT BLUE BLACK MABIE TODD & CO (AUST) PTY LTD SYDNEY CONTENTS 1 1/2 FLUID OZS.dip pen ink, ink bottle, writing methods, nib.

A letter that was sent to potential members of a new club being formed in Melbourne in September 1923. The text of the letter includes; 'The inaugural luncheon of the proposed Remembrance Club will be held at Anzac House at 1pm on Tuesday next 25th inst. You are urged to be present and the promoters would appreciate the presence of any ex-AIF friend you care to bring with you.' The Remembrance Club in Melbourne later became Legacy. The notation H1 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. Hence the notation of being forwarded from Legatee Kemsley to Anderson in 1969.This is one of the first documents that pertain to the Remembrance Club - later becoming Legacy. File copy of a letter about the inaugural meeting of the Remembrance Club in Melbourne.Handwritten H1 in red pen. Signed 'JP Hiller'(?) in black ink. Notation added later 'To L/ AN Kemsley, from LK Anderson 25/6/1969' from when it was added to archive.history, remembrance club

Part of "Woolcock Gallery Collection" Exhibition, CEMA, 1989.Three plant studies. At top of page is a study of a broad-leafed stem, with eight leaves and two flowers. On the right of this study are two pen and ink views of flower buds. Below in page centre is a plant with many small leaves and multiple stems. There are many small round flowers. On left of study are a flower, bud and leaf study. On the right there are two bud studies, one flowering stem study and one leaf study.Front: Cymbonotus preissianus (Austral Bear's Ears). Centipeda minima (Spreading Sneezeweed). " cunninghamii (lower left) (pencil) Back: 26 (upper left) (pen)botanical drawing, collin woolcock, woolcock, woolcock collection, cema

Frank Kirkham, refer Cat No 3868. James Kirkham, refer Cat No 1281.Cutting in colour showing Frank Kirkham with a framed photo of North Beach ANZAC. Brought home by his father James Kirkham.In pen “25.4.1977”newspaper, anzac, north beach

Briar Hill author Graham Patterson discusses his latest book "Coastal Guide to nature and history II: Mornington Peninsula, Western Port Bay, Phillip Island and French Island".Local authorNews clipping, black text, colour image.Date in pen.graham patterson, briar hill, authors

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.This single sheet of typed paper has the printed header of the New Zealand Brass Bands' Association and is a letter of reference for Frank Wright signed by John G Osborne, the Secretary. The typing is purple.Signature in penfrank wright, john g osborne, new zealand brass bands' association, reference

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A single foolscap sheet of paper with a blue printed header and black typing. This reference for Frank Wright was signed by J.R. Foster the Secretary of the Queensland Band Association.A pen signaturefrank wright, j r foster, queensland band association, reference

This notebook was owned by Penuel Richardson (nee Gilbert). Entries were made by the treasurer of the Orbost High School Sports Club, P. Gluth.This item is a contemporary record for a community organisation. The group no longer exists. Orbost High School / Orbost Secondary College has played a significant part in the education of senior students in the Orbost district . It is the sole senior educational institution. The Gluth family was a prominent family of Marlo/Orbost in its early history.A small red covered stapled notebook used to record expenses of the Orbost High School Sports Club. Entries are hand-written. A small window has bee cut into the ront cover to reveal "P Gluth Tres."inside back cover hand-written in pen -"Pen Richardson".orbost-high-school-sports-club

This is a studio portrait of Jessie May Partington (1911-1999), possibly in her 20s.Jessie May is a member of the Partington family, Greensborough pioneers.Sepia photograph on postcard depicting young woman (seated) in dark sleeveless dress with pearls.On back: "Auntie Tim" in blue pen and "Jessie" in black pen.jessie may partington, jessie angus, jessie scholes, partington family

A photo of Santa and Melbourne Legacy President Bill Braidie with children and gifts in one the residences (either Stanhope, Harelands or Blamey House - Kew) in 1974. Photo came from a folder marked Residences. Melbourne Legacy ran residences to take care of children whose deceased father had been a serviceman and the mother was unable to care for them herself or the child needed to be in city for education reasons. The first was Holmbush which started in 1942. Then Stanhope in 1945, these were for older children for education or vocational opportunities. There was a need for a toddler/younger child home so Blamey House was established in Beaumaris in 1947 for 3 to 9 year olds. Harelands was acquired in 1950. Then the property in Beaumaris was sold and the name Blamey House was transferred to Holmbush, at 1267 Burke Road Kew from 1956 to 1978. For much of the time from late 1950s to 1970s Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent. Stanhope was closed in the late 1970s and when Blamey House (formerly Holmbush) was closed the name was again transferred, this time to Harelands from 1978 to 1981 when it was the last residence to be sold.A record of gifts for the children at the residences in 1974.Black and white photo of Junior Legatees with Santa and gifts at a residence in 1974.Handwritten 'P7 Legacy' in blue pen and '1974' in black penchristmas gifts, residences, bill braidie

This bottle held ink for use with a nib pen.Green glass bottle, 'C' pressed into base.glass bottles, inkwells

A photo of a large group of children crossing a bridge enroute to the beach. It came from an envelope with other camp photos. The Legacy envelope was marked "P6 Junior Legatee Camps and Hols" in red pen, and dated Jan 1977 in pencil. The contents will be items 00418 to 00425. Melbourne Legacy provides camps for junior legatees. The camps gave the children an opportunity of a summer beach holiday with other Legacy children. It started with outings to the property of Legacy founder, Legatee Stan Savige, who had a place in Balnarring. close to the beach. Permanent camp buildings were built in 1930. In 1930 Lord Somers (Governor of Victoria) also started a camp at a nearby property and the area was renamed Somers. Legacy Somers Camps continued intermittently at Stan's property until it was decided in 1951 to make other arrangements for holidays. A record of Junior Legatee camps.Black and white photo of children crossing a bridge at the beach.Handwritten on back "Jan 1979" in blue pen. Stamped "The property of Melbourne Legacy" in purple ink. Stamped "Copyright The Herald and Weekly Times" in blue ink. junior legatee outing, bridges, beach, somers camp

Mid-Eastern brass travelling scribe box. 19th century. Having a pen or quill case with a crown finnial on lid. Inkwell with shell lid. Engraved decoration throughout. Touchmark on pen case.Decorative engravingscribe, pen case, calligraphy

This earthenware dinner plate fragment is very similar to others recovered from the wreck of the LOCH ARD. It is uncertain whether the plates were personal belongings or part of the cargo. The Asiatic Pheasant pattern is a transfer design and was the most popular design of the 19th century Victorian era. It is still being produced today. The design was produced as high quality, decorative dinnerware by the potters in the Staffordshire, England, area from the late 1830’s, but no-one is sure exactly who the original designer was. The industrial age made production of this design more affordable to the ordinary person who purchased and proudly displayed settings in their homes. The high demand for production resulted in loss of quality in both potting and design, particularly between 1860-1914 when the design reached its height of popularity, and the results were often a poor match for the earlier pieces’ quality and detail. Some engravers would make copies of the Asiatic Pheasant design (and other designs) onto copper plates and sell them to more than one pottery producer (the Copyright Act of 1842 was intended to control this very thing). Consequently the list of Makers’ Marks associated with the Asiatic Pheasant is well over 100. A single pottery factory could have several owners, all with their own Marks. These factors all make the dating of pieces difficult. Also, after 1891, pieces produced for the export were required to be stamped with “ENGLAND”, but pieces produced for the domestic market in England did not need this stamp, so early pieces and pieces produced for the domestic marked would all be without the “ENGLAND” stamp, confusing the matter. Over time the body shape of the pieces changed, the feathered, curved and fluted edges giving way to the simpler, cheaper oblong shapes. The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. [References: Flagstaff Hill Maritime Village information sheets and documents, http://www.asiaticpheasants.co.uk/index.html ]Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Fragment of earthenware dinner plate recovered from the wreck of the Loch Ard. White glazed porcelain with blue Asiatic Pheasant design; this piece shows a pheasant. Sticker underneath has blue pen handwriting "L/58". Asiatic Pheasant Cartouche has Maker’s name (hard to decipher). Stamped underneath "0 1 2 8 1 (or 9)" Sticker underneath has blue pen handwriting "L/58". Asiatic Pheasant Cartouche has Maker’s name (hard to decipher). Stamped underneath "0 1 2 8 1 (or 9)" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, dinner plate, asiatic pheasant, loch ard, plate

A document written in 1973 with a summary of the first few years of Legacy. It relates the story of Legatee Stan Savige being inspired by Major General Sir Gellibrand to start a club in Melbourne with the broad objective to help the further the interests of ex-servicemen (by business reciprocity). Stan Savige had 'within a few weeks had gathered a small band of ex-servicemen, mostly from his old Brigade, and on 25th September 1923 a Club of about 50 members was established in Melbourne. It was given the name of 'Legacy' and its members in due course came to be known as 'Legatees'. ' Two years later the focus changed to the families of departed comrades. In September 1925 'a quiet and experienced Legatee pointed to the Families, now two years older, of their comrades who had not come home, the name and destiny of Legacy, hitherto not fully grasped and with its inner significance of Challenge, Trust and Responsibility, flashed for the first time into full and clear focus and Legacy had, in that realisation, found both its goal and its Soul.' The document is not signed but a file reference on the bottom is 'JHBA:WF 16.1.73" and the note from the Public Relations Committee indicates the author as being Legatee JHB Amstrong (Brian). The note from the Public Relations Committee mentions 'Fifty Years On' and 'In the beginning', both written by Legatee Armstrong were a fine contribution to the Annual Report in 1973, and were being sent to the printers. (Fifty Years On is at 01506). The notation H31 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. A summary of the beginnings of Legacy written in its 50 anniversary year by Legatee Brian Armstrong.White foolscap paper with black type x 2 pages, a summary of Legacy's history written in 1973.Handwritten H31 in red pen. It is dated 16 January 1973 (the 50th Anniversary of Legacy).history, golden jubilee

Photos of the Australian Military Cemetery in Harefield UK where Anzac Day services are held every year. Also miscellaneous documents that were sent to Legacy by Mr Alf Young. These include a booklet about St Mary's Church as it contains information about the cemetery and a copy of a pen letter from a school child at the school to a child in Australia. During World War 1 the Australian Auxiliary Hospital No.1 was stationed at Harefield Park in Harefield, UxBridge, Middlesex UK. 111 Australian soldiers and one nurse from the hospital are buried at St Mary's Church, Harefield. This became an Australian Military Cemetery with individual headstones and an obelisk and arch. The headstones which are of a scroll design unique amongst Commonwealth War Graves Commission cemeteries were chosen by the staff and patients at the hospital. The arch was erected by the CWGC. Anzac Day services are held there and the local school became involved with the headmaster, Mr Jefferies, bringing the school children to lay flowers on every grave and attend the service on Anzac Day. This started in 1921 and has continued until at least 2021. One school child who attended was Mr Alf Young, he made contact with Legacy in the 1990s and sent photos of the Anzac Day Services and the cemetery. Legacy responded by sending Australian flags for the school children and also Legatee John Cohen met with Mr Young when in London. Melbourne Legacy staff member Susie Howard also visited Mr Young and the cemetery in 1995. Mr Young provided historical photos and information of the area to Legacy. He was featured in the widows' newsletter The Answer many times and his death was announced in The Answer in April 1997, he was 85. Many of the photos he provided were labelled as coming from Mr R G Neil, Photographic historian from Harefield. He holds copyright over those photos.A record that Legacy helped support remembrance of Anzac Day and World War 1 soldiers buried in the UK.Colour photo x 5 of Australian Military Cemetery in Harefield UK and an article in The Answer in 1995. Also a booklet about the church and a copy of a pen letter from a school girl.cemetery, harefield, alf young, memorial, answer, church

These inkwells would have been used in a household or business during the first half of the 20th century. By the 1950s fountain pens were in common use and, by the 1960s, ballpoint pens were used, making the use of ink obsolete in most situations. These inkwells have no known local provenance but are of interest as examples of a common household item over 100 years ago. These are two inkwells made of glass with black bakelite tops. One of the tops is broken on the side. The bases of the inkwells have an embedded star-shaped pattern with eight points. ‘Velos product’ household items, inkwells, history of warrnambool

A small retractable pen whis was used by Arthur LockThis item is part of a collection of items owned by Arthur Lock, a member of the 2/23rd Battalion, an all-volunteer Second Australian Imperial Force which served as part of the garrison during the Siege of Tobruk, then at El Alamein, New Guinea and Borneo. It has particular local significance as the battalion was know as "Albury's Own" because a large majority of the battalion's initial intake of volunteers came from the Albury–Wodonga region. A small extendable pencil made from metal and plastic. The penilcan be screwed out to extend it and replace lead. Initials "N.W.D. engravedon sideworld war 11, rats of tobruk, arthur lock

Questions Council right to sell property which was gifted to them by the community and references back to the Eltham Public Hall in Henry Street then Arthur Street as well as Shillinglaw Cottage3 pages, Legal Pad, handwritten in various coloured ink pensarthur street, eltham district historical society, eltham public hall, eltham village, eltham war memorial, eltham war memorial garden, eltham war memorial trust, harry gilham, henry street, nillumbik shire council, shillinglaw cottage, stanley s addison

Local RIngwood Family Service was conducted by The Reverend Heather Martin. Assistant Curate: The Reverend Maureen BeattieGreen bifold with insert black printing, pen and ink sketch on front.

Black and white photograph of the Conservatory. At the bottom in blue pen: Bendigo 1959.bendigo, streetscape, conservatory gardens

Document: black pen engineering drawing. On top ' Piston'. On bottom ' A. Richardson'Alf Richardsonperson, alf richardson, engineering drawing, bendigo, alf richardson, mining, engineering drawing

8605.1 - Wood with metal tip pen. 8605.2 - Large glass inkwell.

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This photograph shows Sophie - a Clydesdale brought to Churchill Island in 1997 - hitched to a mill.Photograph of a horse in a wooden pen operating some machinery with a group of onlookerscatalogue number written on reverse in pencil photograph, churchill island, clydesdale, working horse, sophie