Inscription beneath the photograph says the photograph was taken at the Cox family property, 'Woodslea", on 12-6-1917. L-R: Jean Cox, John Henry Cox, Anna Maria Cox, Arthur Cox, Gertrude Cox standing behind Arthur, Winifred Cox. Photocopy of original photograph sent to help research Steenholdt family.Photocopied photograph of Cox family, father, daughter and son seated, mother and two daughters standing.john henry cox, anna maria cox née kennedy, jean cox, arthur cox, gertrude cox, winifred cox, 'woodslea'

Sepia photograph of two children, boy & girl, boy standing on chair, girl seated on table."Perc & Elsie A.K/Cornish".percy cornish, elsie cornish

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.St Hilda's Band in Wales, 1934 Four black and white photographs of members of a brass band seated in a square playing their instruments. They are situated in fields or village greens and one shows seated spectators. The band is St Hilda's Band and the conductor is Frank Wright.1). Written in pencil on back - St Hilda's, Frank Wright (conductor), Cinderford, Wales 28/5/34 2). Written in pencil on back - St Hilda's, Frank Wright, Conductor, Merthyr, Wales 6/6/34 3). Written in pencil on back - St Hilda's, Frank Wright Conductor, Llanelly, Wales 29/5/34 4). Written in pencil on back - St Hilda's, Frank Wright (Conductor), Bridgend, Wales 5/6/34st hilda's band, frank wright, conductor, brass band

A family group of the three families. Templer Society. Back row (left to right): Fritz Bulach, Annelise Bulach, Eleonore Ehnis, Hermann Beilharz, Friedhelm Bulach, Irene Beilharz, Friedrich Froschle. Front row: Gunda Froschle, Ernstine Beilharz, Rudiger Froschle, Heinz Bulach and Anne Bulach.Black and white photograph of the Froschle, Beilharz and Bulach family. 3 men in suits and hats, 3 teenage girls and young boy standing, 3 wives seated and one young boy and youngest seated on mothers lap in front of washing line and hut.the number 213 on stand left hand front internee children, camp 3, froschle family, bulach family, templer society, fritz bulach, annelise bulach, eleonore ehnis, hermann beilharz, fridhelm bulach, irene beilharz, friedrich froschle, gunda froschle, ernstine beilharz, rudiger froschle, heinz bulach, anne bulach

Black and white photograph. Meeting of the Royal Horticultural Society. Large group of men and women standing and seated on chairs or the ground on the lawn near the ponds, several men seated around a table. Mr. Slater is standing, opening the Meeting, 22 March 1930.On reverse, handwritten, "Meeting R.H.S. May 1930."lawn, ponds, mr. slater, royal horticultural society of victoria meeting, public, rhsv, publicity

This black and white photograph shows the crew of the barque Newfield. They are pictured seated on a grassy slope and rock, a lifebuoy from the Newfield, Liverpool, resting on the men in the front row. The men are formally dressed, some with bowler hats, a bow tie and pipe, rather than in their sailing uniforms. ABOUT THE NEWFIELD The Newfield left Sharpness, Scotland, on 28th May 1892 with a crew of 25 under the command of Captain George Scott and on 1st June left Liverpool. She was bound for Brisbane, Australia, with a cargo of 1850 tons of fine rock salt, the main export product of Sharpness. At about 9pm on 28th August 1892, in heavy weather, Captain Scott sighted, between heavy squalls, the Cape Otway light on the mainland of Victoria but, due to a navigational error (the ship’s chronometers were wrong), he assumed it to be the Cape Wickham light on King Island, some 40 miles south. He altered his course to the north, expecting to enter Bass Strait. The ship was now heading straight for the south west Victorian coast. At about 1:30am the Newfield ran aground on a reef about 100 yards from shore and one mile east of Curdie’s Inlet, Peterborough. The ship struck heavily three times before grounding on an inner shoal with 6 feet of water in the holds. Rough sea made the job of launching lifeboats very difficult. The first two lifeboats launched by the crew were smashed against the side of the ship and some men were crushed or swept away. The third lifeboat brought eight men to shore. It capsized when the crew tried to return it to the ship for further rescue The rescue was a difficult operation. The Port Campbell Rocket Crew arrived and fired four rocket lines, none of which connected with the ship. Peter Carmody, a local man, volunteered to swim about one mile off shore to the ship with a line to guide the fourth and final lifeboat safely to shore. He was assisted by James McKenzie and Gerard Irvine. Seventeen men survived the shipwreck but the captain and eight of his crew perished. The Newfield remained upright on the reef with sails set for a considerable time as the wind slowly ripped the canvas to shreds and the sea battered the hull to pieces. The Marine Board inquiry found the wreck was caused by a "one man style of navigation" and that the Captain had not heeded the advice of his crew. According to Jack Loney ‘… when the drama was over . . the Newfield was deserted except for the Captain’s dog and two pigs.’ Peter Carmody was awarded the Bramley Moore medal by the Liverpool Shipwreck and Humane Society for Saving Life at Ssea, which he received by mail on January 21st 1893. Flagstaff Hill’s collection of artefacts from the Newfield is significant for its association with the shipwreck Newfield, which is listed on the Victorian Heritage Registry. The collection is significant because of the relationship between the objects. The Newfield collection is archaeologically significant as the remains of an international cargo ship. The Newfield collection is historically significant for representing aspects of Victoria’s shipping history and its association with the shipwreck. The Letter accompanying the Medal for Bravery awarded to Peter Carmody is significant because the attempt to save lives is associated with the shipwreck Newfield. Black and white photograph of the crew of the sailing ship “Newfield”. The men in formal dress are seated on rocky slope with the ship’s lifebuoy showing the name “NEWFIELD, LIVERPOOL”. Photograph taken 1889-1892 flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, newfield, photograph, crew of the newfield, 19th century sailing ship, peterborough, cape otway, medal for bravery

Members and staff of Tatura Water Trust. Identity of 3 men known: Mick Cussen (3rd from left seated), Thomas Hogan ( white beard, seated, legs crossed) and Billie Wilson snr (standing at rear left).Large mounted photograph, black and white of 16 men sitting and standing outside the Trust Office. Some would be Trust members and some staff (probably). The building is brick and window has Secretary's Office printed on it. Several hats on the ground in front.Secretary's Officetatura water trust, mick cussen, thomas hogan, billie wilson snr

Photograph of carthorse and dray with 8 girls seated on it. Front left seated: Eleanor Parsons, front right seated June de Chaneet. 3 out of the 8 girls were identified as: Eleanor Parsons (1939), June de Chaneet (1939) and Jay Leach (M.J. Leitch? 1939) in 1938 or 1939. Caption, "Off to the Orchard - Girls of Burnley Horticultural School setting off for work in a farm dray yesterday." female students, eleanor parsons, jay leach, m.j. leach, students working outside, horse, dray, june de chaneet

Set of three Photographs, Black and White, of the interior of SW6 850, showing the interiors of the tramcar, one showing the view from the drivers door and the other of the drop centre area. Shows the highly varnished seats in the drop centre or smoker area. See also Reg Items 674 and 3425 for other photos, probably taken at the same time. Two copies held of item 3. See Reg Item 3558 for another print within an album.In ink on the rear: Copy 1 - M&MTB SA 949, SW6 850, Interior 1939, Note: Loud speakers in rear bulkhead, plywood smoker seats, South Melbourne depot. Copy 2 - M&MTB SA 950, SW6 850, Interior, as above. Copy 3 - as above but notes the speaker was later removed and number SA26 Both prints have the photographers stamp and date stamped 12 Jan 1946.trams, tramways, sw6 class, interiors, new trams, tram 850

In 1900 "Morningside" was leased by the Langley family and was now taking in paying guests. The photo shows 'Morningside" with some of the Langley family in foreground,from left to right, Alice Maud (b. 1879) standing; Arthur Geo. (b. 1886) in front seated on ground; Florence (b. 1880) seated; Charles (father) (b.1853) standing wearing hat; Henry (Harry) (b. 1887) seated on ground in front; Alice Maria (b. 1855, nee Freeman) (mother) seated and Lucy Myrtle (b. 1884) standing. In 1909 "Morningside was leased by James and Grace D'Alton who continued to run a small guest house. The photo shows a weatherboard house with seven people grouped in the foreground. Trees can be seen behind the house.1900s early Morningside Langley familyaccommodation, morningside, people, langley

Postcard showing women seated with two men behindblack and white portrait postcard, unmounted, original, good conditionOn back: Alan D Mickle with his cousins, Claude, Evelyn and Maude Add (not sure DJM)

Associated with - Rose Series P4840 Buildings - Walkway Seat

Studio Portrait of two children with bench seat and dog.stawell

Memorial Seat & Sundial at Central Park. May 1931.stawell

The family group in this image is the Burnip family. George Burnip came to Australia in 1854. In 1856 he married Julia Grant. Sometime after this he came to the Bacchus Marsh area and purchased a farm near Coimadai and named it 'The Pines'. George Burnip was active in public affairs as a member of School Board of Advice and the Agricultural Society. One of the two men in this image is likely to be George Burnip, probably the man on the left. The man standing on the right is possibly his son, John, who would have been 22 at the time this photo was taken. The woman seated on a chair placed on the pathway is probably Mrs Julia Burnip. The woman standing with her arms crossed is possibly Mrs Julia Carroll (nee Burnip). The children pictured are likely to be the five Burnip children and two others.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. An image showing a brick house with a pitched roof in three separate sections. Two chimneys on either side of the house can be seen. Standing in front of the house is a group of people, male and female, young and old. One female is older and is seated in a chair. At the front of the group is a dog.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE houses coimadai vic, stevenson and mcnicoll 1883 photographs of bacchus marsh and district, houses bacchus marsh, burnip family bacchus marsh

Cardboard Cover: with a watercolour painting of bushland with a figure in foreground to the right. Picture Painted by Georgina McCrae . at the top is a black rectangle with White writing at the bottom is a logo in green below which is "National Trust in Black PrintAt The top Over a Black Background in white print 'Our Mountain Home' 'The McCraes of Arthur's Seat'. Ath the Bottom in Black Print "National Trust"stawell, victorian history, journal

Image taken of the Geelong Lawn Tennis Association - A2 Grade Premiers for Season 1968.1 photograph of Premiership tennis teamStanding: R Green, K Anderson (Capt), G Peacock Seated: Mrs R Anderson, Mrs V Dadds, Miss S O'Halloranleopold tennis club, geelong lawn tennis association, r green, k anderson, g peacock, r anderson, v dadds, s o'halloran

Image taken of the Geelong Lawn Tennis Association - A2 Grade Champions for Season 1970.1 photograph of Championship tennis teamStanding: B Ballard, R Davies (Capt.), R Green Seated: Mrs J Stacey, Miss S O'Halloran, Mrs R Andersonleopold tennis club, geelong lawn tennis association, b ballard, r davies, r green, j stacey, s o'halloran, r anderson

The bosun’s chair is a typical piece of equipment included on board a vessel in the late 19th and early 20th century. The nautical word 'bosun' is an abbreviation of the word 'boatswain' who is the person responsible for the repair and maintenance of the vessel. It could be used when rigging the sails and for rescue at sea, along with a thick rope anchored on shore or a rope between ships. It could also be used to move passengers to and from a ship as well as cargo on, to and from the vessel. A bosun's chair is a simple piece of equipment made from a short plank of wood and a sturdy piece of rope. It looks a little like a child's swing but usually has a pulley system that allows the user to adjust the length of the hanging piece of rope, and in so-doing adjusts the height above the floor or ground or sea. In modern times a harness would also be worn by the bosun’s chair user for safety reasons. Bosun's chairs are also used by window cleaners, construction workers and painters. The bosun’s chair is sometimes just a short plank, or even a canvas sling. The bosun's chair is significant for its association with maritime equipment carried on board a vessel in the late 19th and early 20th century for maintenance and safety purposes. It was occasionally used to save lives. The bosun's chair is also significant as an early version of equipment still used today. Since its invention there have been many safety features added in certain industries such as window cleaning and painting.Bosuns chair; flat smooth rectangular piece of wood, with rope passing through two holes at each end of plank and looped together above plank to form a suspended seat swing. Loops a are joined with knot work and ends are spliced together under the seat.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, bosun's chair, bosuns chair, boatswains chair, rigging, maritime equipment, bosun's seat, life saving, marine technology, ship rigging

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of a group of people in a mix of historical and contemporary dress. Some are standing, some seated on chairs, and some seated on haybales. In the background, a green, white, and blue marquee is set up, and is emblazoned with the Victorian Farmers Insurance Agency logo and the Victorian Farmers Federation.catalogue number on reverse in pencilchurchill island, photograph

Photocopy of Membrey family, from "Memoirs of Ray Membrey" Book Cat. no 820 Magazine Box 4. Photo taken about c 1910. Photo taken at 14 Skene St. Stawell. Names and information on the back of the photocopy was supplied by the family who visited Stawell in 2016 and attached to the back of the photo. Photocopy of a family group taken about c 1910. In the photo seven people are standing and three seated with a child on the knew of a seated person. There is also an empty chair. Names and information in inscriptions supplied by family who visited Stawell in 2016 and attached to the back of the photo. On front of photocopy "The Membrey Family with first daughter in law & baby". Back row Florence T. or Gertie (11.7.1891) aged 18/19. Laurence Harold (29.8.1886). Ivy (13.6.93) aged 16/17. Victor William (27.6.84). Ivy? Florance or Gertie T? (11.7.1891) aged 18/19. Federick Stampone (4.10.1882). Lillian Hazel (8.4.1897) aged 12/13. Front row. Empty chair William Edward (Father?) died 1898. Elizabeth Sarah, holding baby Hazel 1909. Raymond Edward 8.4.1897 aged 12/13. Harrier Emily (mother)1859 aged 50/51.stawell

Family Photograph in garden setting of George Anthony Bone, Annie Elizabeth Bone, Emma Bone, Alice Lilla Bone, and Anthony Bone.Photograph of 5 Bone Family members around a table set for tea in garden. Standing to the left is George Anthony Bone and Annie Elizabeth Bone on the right. Seated to the left is Emma Bone with Alice Lilla Bone beside Anthony Bone seated on the far right.

Scout CampBlack and white photographic reproductionScout Camp Grampians 1931 L-R R Walker seated in car L. Barnes Scout Master seated on running board T. McCarthy Rolf Chaffey L. Metcalf Reg Keens Photographer L.Izard Car 1918 Buick First owned by C. J. Degaris the first 6 cylinder car in districtscouts camping buick grampians merbein

Taken from a photo album of 79 photos of Phillip Island. Dated about 1925-1926. Family featured is unknown.Sepia photograph of 3 women and one child sitting on outdoor seat in parklike setting. House in the background.Lunch at San Remosocial life and customs, photographs, san remo

The portrait was commissioned in 1884, near the end of Stawell's term of office. The portrait was commissioned at the same time as those of Redmond Barry and Justice Molesworth. The total cost of all three paintings was 1200 pounds. Sir William Stawell arrived in Victoria in 1842; he quickly established a reputation for himself at the Bar. After the separation of the Port Phillip colony from New South Wales, Sir William served as the attorney general in the first representative government and was the leading prosecutor in the Eureka trials. Sir William was appointed as Chief Justice of the Supreme Court in 1857, serving 29 years in the post. In addition the township of Stawell was named after the recently appointed Chief Justice in 1858. The portrait is of historical significance as a portrait of Sir William Stawell.Full length portrait in oils of Sir William Stawell. Stawell is seated and dressed in his judicial robes. Signed and dated 1887 lower right hand corner of the painting. Plaque identifying subject. The Hon. Sir W.F. Stawell.K.C.M.C Chief Justice of the Supreme Court 1857-1886judges, william stawell

In 3098.1 from L-R are John Pritchard and Graeme Rodier. Jeff Wilson is in 3098.2. Both photographs are connected to Adult Learning TAFE and CEP. These photographs were taken at the Curriculum and Technology in Schools workshop held in Bendigo, Victoria in October 1987. Eighty rural primary schools were involved including many from East Gippsland. From the Snowy River Mail; " A large number of technologies was......demonstrated at the conference. Participants were given hands on experience with audio and computer conferencing, CD Rom. an Invicon booth ( individual video console (INVICON) enables any teacher to produce short, relevant teaching videos for individual pupils without assistance), packet radio, videodisk, robotics and many more...." This is a pictorial record associated with education in Orbost.Two black / white photographs of two men seated at a desk with computers. The man on the right is holding a phone.education-east-gippsland tecnology

Collection of leaflets comprising: Australian Electoral Commission 2022 "...official guide to the2022 federal election Saturday 21 May 2022"; individual leaflets for each of the Jagajaga candidates: Liz Chase, Zahra Mustaf, Maya Tesa, Kate Thwaites, Sahil Tomar, Allison Zelinks.Collection of leaflets describing candidates for election to the federal seat of Jagajaga in 2022, Includes the official guide to the election.elections, federal elections, jagajaga electorate

small b & w photograph depicting church service at the St Peter the Mariner chapel, seated congregationstamp: 8940, photographic paper markings ILFORD, hand written number 7st peter chapel, mission to seafarers, seamen's mission, chaplain, service, pulpit

The Port of Portland opened in 1959. Straight after the Mission had the desire to establish a Mission at this location. A building was found in November 1961 on Cliff Road (AR 1961). After alterations and renovations, it was officially dedicated and opened the 30 June 1962. The Portland Mission was the fourth building to be opened in Victoriasmall b & w photograph depicting outdoor Mission to Seafarers church service, with attendees seated in chairs.stamp: "PORTLAND GUARDIAN" PHOTO / COPYRIGHTportland-victoria, 1962, victoria, opening, dedication