'The Grange ' was a 2 storey home built 1857 by Mr Charles Tuck, originally named 'Baydon Hill' , at 1011 Nepean Highway, Moorabbin ( South Brighton). Mr Charles Tuck was Veterinary Surgeon from Baydon Hill, Wiltshire, England, who migrated to Australia c1850. He married his cousin Miss Jan Chaudler in Melbourne in1853. He was at the Ballarat gold-fields at the time of the riots and then they settled in South Brighton ( later Moorabbin) and built a large Georgian Styled home called 'Baydon Hill'. The Tucks had a large family - 9 children. Charles enjoyed a prosperous Veterinary Practice as his advice was needed for stock purchases by the farmers / settlers. Charles died in 1893 and Jane left the property c 1903 and died at Blackburn in 1928. The House had 5 owners, the last being the Healey family c1920 and at some stage the name was changed to 'The Grange' and the gates shown were installed. The Healey Family were also prosperous in developing vegetables and flower seeds and seedlings. 'The Grange' was sold to Moorabbin City Council 1972 and then used by the City of Moorabbin Historical Society for meetings and storage of historical material. It was demolished amidst considerable controversy 1983 and the District Police Offices were built on the site. ( S.T.Mulvany, Grand-daughter of Charles Tuck 26/7/1974)The Grange was a significant property 1853 -1983 in Moorabbin. It was built by Mr Charles Tuck 1857and in1900 extended from Point Nepean Road to South Road - 10acres. Mr Harold James Healey purchased the property in c1920 and leased a portion to a Chinese market gardener. Later with his sons he established a profitable Plant Nursery that they managed for 42years.. Keith Healey, a son, remodelled the house extensively mid 20thC .The Moorabbin City Council purchased it in 1972 for $255,000 and it was demolished amid controversy 1983. The District Police Offices are now on the site.3x black and white photographs of the property at 1011 Nepean Highway Moorabbin built by Mr Charles Tuck c1853 known as 'The Grange'. Originally it was named 'Baydon Hill' because he migrated from Baydon Hill, Wiltshire, England c1850. These photographs are c 1880, 1920 and 1950 showing the original and later additions made to the property by some of the 5 owners.Written in pencil on back a) " This Photo donated by Mr Neil Follett - at the time it came into his possession he had a photography studio in Cheltenham. Photographer unknown"; Folio 6 b) The Grange c 1950 Folio 6/10 c) 'Baydon Hill' ( alias "The Grange" ) / Donated by Mrs Elsa Jones, daughter of Leslie Stephen Tuck, youngest son of Charles Tuck Folio 6 /18tuck charles, tuck jane, veterinary surgeons, livestock, market gardeners, early settlers, dendy's special survey, brighton, moorabbin, ballarat, gold diggings, horses, chickens, cattle, bullocks, flower shows, fruit garden, mulvaney s. t., healey haold james, healey keith, moorabbin city council, chinese market gardeners, plant nursery, tuck leslie stephen, jones elsa

This is a written and pictorial history of The National War Memorial of Victoria, The Shrine of Remembrance. There are 50 photographs and illustrations included in this Magazine to complement the written history.This is an original magazine detailing of the history of The National War Memorial of Victoria, The Shrine of Remembrance.An oblong magazine, thick paper cream colour cover with white pages, The National War Memorial of Victoria, An Interpretative Appreciation of the Shrine of Remembrance. On the front page illustrations from the Shrine of Remembrance Victoria.Set up and Printed in Australia by D W Joynt, Colarts Studios Pty Ltd, Melbourne.national war memorial of victoria, the shrine of remembrance, magazine

This Pre Stamped Envelope is an original that was issued on 09 August 2001 from Puckapunyal Milpo, Vic 3662.This envelope is original can marks the 50th Anniversary of National Service in Australia.An oblong pre stamped envelope, white, enbossed stamp in the right upper corner - tri service -, Australia 45c. Four photographs in the left upper corner.50th Anniversary of National Service in Australia. First Day of Issue 9th August 2001 Puckapunyal Milpo Vic 3662pre stamped envelope, 50th anniversary of national service in australia, 09 august 2001

The Pre Stamped Envelope and the 50 cent Piece were issued on 08 September 2010 to mark the dedication of the National Service Memorial in Canberra.The item is an original that marked the Nation Service Memorial dedication, the first day of issue was 08 September 2010 in Canberra 2600.An green oblong envelope with a circle cut into the envelope for the 50 cent piece. A 60cent stamp in the upper right corner. A photograph of AIF takes up three quarters of the envelope. The post mark is the tri service logo.On the front of the envelope, National Service Memorial. First Day of Issue 08 September 2001. Canberra 2600.national service memorial, canberra, 08 september 2010, pre stamped envelope and 50 cent piece

Port of Portland Authority archives.Front: (no inscriptions) 6473 (lower right ) (pencil) Back: A show stand intended for promotional purposes. (upper left) (pencil). Photography by The Arthur Studion. Further copies always obtainable at 27 Commercial St, east. Mt Gambier (blue stamp) (lower right).port of portland

Port of Portland Authority archivesFront: (no inscriptions) Back: Company Nursery, Dartmoor (upper left, pencil). 11 (lower right, pencil). Photography by The Arthur Studio. Further copies always available at 27 Commercial St. East, Mt. Gambier (lower right, purple stamp).port of portland

This is a studio portrait of Jessie May Partington (1911-1999), possibly in her 20s.Jessie May is a member of the Partington family, Greensborough pioneers.Sepia photograph on postcard depicting young woman (seated) in dark sleeveless dress with pearls.On back: "Auntie Tim" in blue pen and "Jessie" in black pen.jessie may partington, jessie angus, jessie scholes, partington family

The Knight family ran a teashop at Henham and then on the Wannon riverPhoto shows Augustus (Gus) Knight C 1890 probalby in a professional photographer's studio Gus is standign with his hand resting on a table people, knight

Red cloth hard cover photo album with Art Nouveau design on cover and green paper pages, containing black and white photographs from the World War One era of soldiers abroad and family. Some formal studio photography. Subject matter includes: Middle East, France, Egypt, Horses, Zoo visit, well digging, horse in a hammock, hotels and souvenir cards, North Africa, camels, camps, tents, donkeys, ships, portraits, sports teams, Ypres in Belgium, Folkestone UK, Camp at Burrumbeet 1913 and another dated photograph reads 30th May 1916. Photographs are stuck down onto pages. Cover reads: SCRAP ALBUMwwi, world war one, soldiers, aif, anzac, portraits, photo albums, grand continental cairo, jb ballardie, william harrigan, ypres, cairo, 54th bn, t.s.s. borda, la rue au beurre, leas bandstand & parade folkestone

This 1920s wedding portrait helps understand the social and spiritual contexts of the Ararat community at a time when religious ceremonies were of great significance. The clothing helps identify the status of the couple and reflects their economic standing.Representative of the early social and spiritual Western ceremonies in the area of Ararat in the 1900sLarge, portrait-orientation black and white photograph mounted on card. Two people, dressed in formal wedding attire stand together in a studio. Bride carries a large boquet of flowers and has a ¾ length veil.Rear: "To Uncle Jim with best wishes / from Tom and Daisy / 11 2 20" / 1627 [cat.nbr]wedding, ceremony, photography, 1920s

This is a portrait of Mary Norman (later Mary Norman-Bail) photographed in a local studio in 1908. She was an educator and artist, living in Ararat and Warrnambool.This was donated to Langi Morgala Museum by the Estate of Jessica Norman-Bail. The image is of her mother, artist and educator Mary Norman-Bail. A studio portrait of a woman, seated and in formal clothing. She has rounded reading glasses and a long chain hanging from her neck. The cardboard backing is spotted and damaged by adhesive.Front "Yours Truly / Mary Norman" Rear "MP Norman when at / Echuca taken in January / 1908"education, teacher, art, artist, painter, warrnambool, ararat, norman-bail, 1908

Black and white photo of a section of Barkly Street, Ararat. The Turf Hotel is on the right side of the street and Frasers on the left. A utility and a car are parked on the right side of the street and three cars are parked opposite.Photo courtesy of Walker Studio

Reproduced on pp32-33 of 'Pioneers & Painters' Royal Mail coach with passengers, parked outside Post-Office and St. Andrew's Hotel, Buggy parked in front.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 35 mm B&W negative Print 20 x 25 cm (2)shire of eltham pioneers photograph collection, queenstown, post office, pioneers and painters, st. andrews, st. andrews hotel, horse drawn carriage, royal mail coach

Sculptor and jeweller Matcham Skipper (1921-2011) at work in his studio at Montsalvat, Eltham in 1970. He was a recipient of the Churchill Fellowship award. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, matcham skipper, montsalvat, mark stritizic

Mrs Georgina Hill (wife of Henry), nee Reynolds (of Research, Vic.) in cap [possibly misidentified by donor - see note below] with Mrs Isaac Hill and her children (left to right) Amelia Hill, (born 1853) Mrs Isaac Hill with baby Isaac (born 1860, Eltham) on her lap. Mary Jane Hill (born 1857, Eltham) seated on Mrs Henry Hill's lap and Bob Hill. The Hill family were early settlers of the Eltham area. Daguerreotype photo enclosed in a leather bound clam shell box with felt lining and gold trim. Donated by Mrs Ivy Edna Hill, 4/1 Bridge Street, Eltham, 4 June 1966 and includes copy of her note identifying the people. Daguerreotypes were one of the first forms of early photographs. They initially appeared in Europe in 1839 and were produced in large numbers to the early 1850s but were superseded by more modern and flexible forms of technology by 1860. The photo was usually formed on a thin copper plate with light sensitve silver iodide. They have a mirror-like appearance and the image itself was mirrored. They were usually inserted into a case or frame made of wood bound in leather or velvet and cost about one guinea in Australia, the equivalent of a week's wages. With the advent of the gold-rush and growing population came an increase in numbers of photographers both studio and travelling. The daguerreotype process was protected by patents and could only result in a single image from which no copies could be made. With new technology involving wet colloidion glass plate negatives and albumen paper prints of which multiple copies could be produced at significantly reduced cost, the dauguerreotype quickly fell out of favour. An accompanying note with the photo written by Edna Hill of 4/1 Bridge Street Eltham dated 4 June 1966 states: "Dear Mr Watson, I think the enclosed old time photograph will be of interest to you. It would have been taken about 1860. The two ladies are the wives of the original pioneers of the Hill family. The one in the cap was the wife of Henry Hill, the other of Isaac Hill. The children are those of Mrs Isaac Hill, and grandchildren to Henry Hill. The little girl on the left is Amelia, the baby Isaac, the second girl is Mary Jane, and the boy on the right is Bob Hill. They grew up tobe Uncles and Aunts of my late husband. I greatly appreciated a letter received a few months ago per Cr Pelling, from the Shillinglaw Cottage Committee. Yours sincerely, Edna Hill" Victorian birth registrations show Mary Jane Hill was born 1857 in Eltham (9879 / 1857) and Isaac Hill at Eltham in 1860 (1972/1860) NOTE: Mrs Isaac Hill was Ellen Fitzsimons (1834-1863), mother to Henry Hill. Mrs Georgina Hill, wife of Henry cannot be the lady in the cap as she was not born till 1864. Georgina Reynolds (1864-1927) married Henry Hill (1862-1948) in 1884. This lady has significant wrinkling of the face, especially around her mouth. It is possible that she is the mother of Mrs Isaac Hill (Ellen Fitzsimons) who was Isabella Fitzsimons (nee Ferguson).This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, eltham, hill family, research (vic.), women, amelia hill, bob hill, daguerreotype, early settlers, georgina hill (nee reynolds), isaac hill, mary jane hill, mrs henry hill, mrs isaac hill, ellen hill (nee fitzsimons), isabella fitzsimons (nee ferguson)

Enter - Energy and Water Saving, Studio Thirty8Colour photographindustries, bridge street, enter - energy and water saving, studio thirty8, susan street

Jojo's Cafe, NextStep Computers, Studio Thirty8Colour photographindustries, bridge street, susan street, jojo's cafe, nextstep computers, studio thirty8

Matcham Skipper's home behind Whitecloud Cottage (formerly Jarrold Cottage) Eltham built landscape Elevated studio/house built by Matcham Skipper and other family membersRoll of 35mm colour negative film, 7 stripsFuji 200 Aeltham, buildings, houses, matcham skipper, 1990, artists, dalton street, film - fuji 200a, scan - 35mm negative, skipper

Matcham Skipper's home behind Whitecloud Cottage (formerly Jarrold Cottage) Eltham built landscape Elevated studio/house built by Matcham Skipper and other family membersRoll of 35mm colour negative film, 6 stripsFuji 100 Neltham, buildings, houses, matcham skipper, 1990, artists, dalton street, film - fuji 200a, scan - 35mm negative, skipper

Wedding of Mary Sweeney and Michael Carrucan at St John's, Heidelberg, 1909 Celebrant: Fr. Parker. L to R: Catherine Sweeney, Michael O'Heare, Michael Carrucan, Mary Carrucan (nee Sweeney), Thomas Sweeney, Ellen Sweeney. Image was also published on p126 of the book, St. John's on the hill: the history of the Heidelberg Parish/ by Eileen Vaughan. A photstat copy of the page was sent to Harry Gilham by Mary Nelson of North Caulfield (14 Oct 2004) along with an accompanying note which indicated the original photo would have been supplied for use in the book by the late Betty Erickson (nee Carrucan), Jack Carrucan's sister. Thomas Sweeney in the wedding party was Mary Nelson's uncle by marriage. He married Eveleen Nelson.Photo mounted on embossed cardThe Allan Studio, 318 Smith St., Collingwood. Inscribed in pencil on reverse by Harry Gilham the names of the people and publication detailscatherine sweeney, ellen sweeney, mary carrucan (nee sweeney), michael carrucan, michael o'heare, thomas sweeney

Mrs Georgina Hill (wife of Henry), nee Reynolds (of Research, Vic.) in cap [possibly misidentified by donor - see note below] with Mrs Isaac Hill and her children (left to right) Amelia Hill, (born 1853) Mrs Isaac Hill with baby Isaac (born 1860, Eltham) on her lap. Mary Jane Hill (born 1857, Eltham) seated on Mrs Henry Hill's lap and Bob Hill. The Hill family were early settlers of the Eltham area. Daguerreotype photo enclosed in a leather bound clam shell box with felt lining and gold trim. Donated by Mrs Ivy Edna Hill, 4/1 Bridge Street, Eltham, 4 June 1966 and includes copy of her note identifying the people. Daguerreotypes were one of the first forms of early photographs. They initially appeared in Europe in 1839 and were produced in large numbers to the early 1850s but were superseded by more modern and flexible forms of technology by 1860. The photo was usually formed on a thin copper plate with light sensitve silver iodide. They have a mirror-like appearance and the image itself was mirrored. They were usually inserted into a case or frame made of wood bound in leather or velvet and cost about one guinea in Australia, the equivalent of a week's wages. With the advent of the gold-rush and growing population came an increase in numbers of photographers both studio and travelling. The daguerreotype process was protected by patents and could only result in a single image from which no copies could be made. With new technology involving wet colloidion glass plate negatives and albumen paper prints of which multiple copies could be produced at significantly reduced cost, the dauguerreotype quickly fell out of favour. An accompanying note with the photo written by Edna Hill of 4/1 Bridge Street Eltham dated 4 June 1966 states: "Dear Mr Watson, I think the enclosed old time photograph will be of interest to you. It would have been taken about 1860. The two ladies are the wives of the original pioneers of the Hill family. The one in the cap was the wife of Henry Hill, the other of Isaac Hill. The children are those of Mrs Isaac Hill, and grandchildren to Henry Hill. The little girl on the left is Amelia, the baby Isaac, the second girl is Mary Jane, and the boy on the right is Bob Hill. They grew up tobe Uncles and Aunts of my late husband. I greatly appreciated a letter received a few months ago per Cr Pelling, from the Shillinglaw Cottage Committee. Yours sincerely, Edna Hill" Victorian birth registrations show Mary Jane Hill was born 1857 in Eltham (9879 / 1857) and Isaac Hill at Eltham in 1860 (1972/1860) NOTE: Mrs Isaac Hill was Ellen Fitzsimons (1834-1863), mother to Henry Hill. Mrs Georgina Hill, wife of Henry cannot be the lady in the cap as she was not born till 1864. Georgina Reynolds (1864-1927) married Henry Hill (1862-1948) in 1884. This lady has significant wrinkling of the face, especially around her mouth. It is possible that she is the mother of Mrs Isaac Hill (Ellen Fitzsimons) who was Isabella Fitzsimons (nee Ferguson).Early pioneer settlers of ElthamAntique daguerreotypes in hinged gold frame, glass encased in a small clam-shell box lined with padded red felt and with catchamelia hill, bob hill, early settlers, eltham, hill family, isaac hill, mary jane hill, mrs henry hill, mrs isaac hill, daguerreotype, georgina hill (nee reynolds), research (vic.), sepp, shire of eltham pioneers photograph collection, women, ellen hill (nee fitzsimons), isabella fitzsimons (nee ferguson)

See audio recording of Alan Marshall and Joh Ebeli made by Joh Ebeli at this time whilst he was modelling Alan Marshall's face - EDHS_05003 See also plaster cast model of sculpture - EDHS_02441Colour photographalan marshall, alan marshall bungalow, joh ebeli, sculptures

Page 133: "..Studio potters and ceramic artists began settling in this area (Warrandyte) from about 1945.. Meanwhile a group was developing at Cottles Bridge, making their own kick-wheels and kilns and producing pots and models by what often began as a co-operative system, two or more artists co-operating in making each article... Husband and wife teams predominated.. Laycock and Alma Shanahan have been responsible for the now thriving reputation of the "Dunmoochin" pottery.."Black and white photograph reproduced on p131 of 'Pioneers & Painters: One Hundred years of Eltham and its Shire' by Alan Marshall (1971)pioneers and painters, peter laycock, dunmoochin, pottery

Colour photograph of Connie and Alec Smith's studio built after the 1939 bushfire. Photograph was taken many years later when the studio was owned by Reg and Phil Preston (potters). Includes background information from Audrey Cahnalec smith, connie smith, studio, reg preston, phil preston, potters, warrandyte