Portraits were taken professionally often on important occasions. As graziers from a prominent family in Redbank, Walter and Ada Ryder were well known and respected.Walter and Ada Ryder were pioneer high country graziers and cattlemen. Ada (nee Sullivan)'s family lived at Redbank. Their children were Walter, Victor, Beatrice, Vera, Lorna and Dorothy. Walter 1872 - 1954; Ada 1887 - 1983 Walter was a son of John and Annie Ryder - Walter's parents being one of the first settlers in the valley. According to Ada Ryder's notes and John Cooper's notes, Ryders were followed by Higginsons followed by Coopers in about 1867/8. Ropers held Mullindolingong Station/Mt Yorke Station, but had managers on the station before actually taking up residence about 1867/8. Whilst the Sullivans lived at Redbank (now known as Coral bank), the Ryders lived at Tawanga (correct spelling in those days) on Ryders Lane, Tawonga where John and Annie first built and lived; Walter and Ada then occupied the family home, followed by Vera Hore (nee Ryder) and the current owners Kevin and Rhonda Ryder.Black and white photo of an elderly man and woman both well dressed. Framed by cream cardboard 3.5 cm at sides and 5 cm top and bottom with a plain metal frame surrounding all sides with decorated corners. McPherson, Albury on front below righthand side of the photo.walter ryder; ada sullivan; cattle graziers; tawonga

A short article about painter Walter Withers and his connection with Eltham. Withers is buried at St Helena Cemetery. A second article outlines the history of the Church.1 page, text and black and white image. st katherines church, st helena, anthony beale, st helena cemetery, walter withers

Story of the restoration of a 1924 Bean Fourteen car owned by Walter Brown and restored to going condition by his son Len and grandson Ross of Watsonia in 2009.4 pages, text with colour photographsmotor cars, brown family

Delahoy's Butcher shop Great Western showing Building and three people. Ellen Delahoy, Emma 12 and Walter 2 c1901. Built by George Delahoybutcher

Wedding of Walter (Norman) Jones and Lily Jones, nee Jeeves on 20/4/1946. Lily is a daughter of Ellis Jeeves and Eliza Jeeves (nee Hand). Black and white photograph of a man and woman on their wedding day. Woman wearing coat with fur collar and carrying floral arrangement and man wearing black suit. Both wearing glasses.jeeves, lily jeeves, norman jones, wedding

Documents. Connelly, Tatchell & Dunlop. 1 - 1902 - Letter in blue envelope addressed to Green, Samuel, Retired Farmer, Lily Street, Bendigo containing account re Walters to you. 2 - 1902 - Account in blue envelope addressed to Dixon Mr Jacob, Farmer, Woodstock West. 3 - 1903 - Account to Collins Mrs in blue envelope.cottage, miners, connelly, tatchell & dunlop, green samuel, walters, dixon mr jacob, collins mrs

Extract from scrapbook of Mrs Jesse Williams. Celebration of the diamond wedding of Fred and Gene Ballantyne. Fred, an architect, was indentured to Walter Burley Griffin. Later buildings included Tintern CEGGS and St Luke's original vicarage. Gene taught mainly at Melbourne CEGGS and Tintern CEGGS and was also District Commissioner for Girl Guides in Boronia.williams, jessie, ballantyne, fred, gene, griffin, walter burley, 'plumstead' terrara road, vermont, st lukes anglican church

Sergeant Payne was selected as one of three representatives from the 8th Light Horse to a review of the King's Banners presented to Australian regiments following the South African campaign. The review was held 14 November 1904. The Banner is now on display in the History Room of the 8/13th Victorian Mounted rifles, Simpson Barracks , Melbourne.Strong connections to other objects in the 8/13 VMR collection.Black and white photograph of soldier wearing helmet and holding mace. He is wearing both Queens South African medal and King's South African medal. Soldier is thought to be Sergeant Walter Edward Payne who served as Private No 1116 with the 5th Victorian Mounted Rifles contingent and following Federation with the 8th Light Horse (VMR).payne w e, 8th australian light horse, south africa, king's banner, uniform

TimboonSepia photograph of students and teacher. Names of students included in folder. Surnames include - Martin, McVilly, Wilkinson, Lia, Couch, Maynard, Barlow, Walters, Howard, McKenzie, Karlinski, Delany, Hickey, Smit, Roslin, Anderson, Hall, Baxter, McKinnon, Finch, O'Keffe, Tregea, Riordan, Hunter, Russell, Joiner, McMeel, Hovendon, Deppeler, Duynhoven, Savage. education, schools

This bottle was found under a building some years ago (Hand’s tobacconist shop, Liebig Street, Warrnambool). It is believed to be a beer bottle from the Warrnambool brewery of Sheldrick and Co. In 1868 Walter Sheldrick formed a company and established the New Brewery at the corner of Timor and Fairy Streets, Warrnambool. Two of the original directors, Walter Sheldrick and Thomas Price, took over the business under the title of Sheldrick and Co. When Walter Sheldrick died in 1876 Richard Sheldrick succeeded his father in the business. In the early 1890s Richard Sheldrick sold out and by 1892 a group of Warrnambool businessmen was operating the brewery. In 1894 it was sold to William McGee and Company and in 1922 the brewery closed when the Ballarat, Melbourne Co-operative and Carlton and United Breweries took over the business.This bottle is of interest as an example of a beer bottle from Sheldrick’s New Brewery. This brewery was prominent in Warrnambool for over 50 years. This is a green glass beer bottle with a rounded body and a heavily indented base producing an inverted hump inside the bottom of the bottle. The neck is rounded with a moulded glass top. There is no stopper. There are no markings on the bottle.walter and richard sheldrick, warrnambool, sheldrick’s new brewery. warrnambool, breweries in warrnambool, history of warrnambool

Walter Sheldrick, a butcher and publican, established the Warrnambool New Brewery at the corner of Timor and Fairy Streets in 1868 as a company. The business was known as Sheldrick and Co. and after Walter Sheldrick’s death his son, Richard, managed the company until his death in 1893. In 1894 the business was sold to John McGee and Company until this firm sold to the Ballarat, Melbourne, Co-operative and Carlton and United Breweries in 1922. This Pale Ale bottle, therefore, was bottled before 1922.This bottle is of considerable significance as it is one of the last products of a prominent brewery in Warrnambool and is now nearly 100 years oldThis is a brown-coloured glass beer bottle with a long neck and no stopperOn oval shaped paper label ‘Sparkling Pale Ale, Sheldrick and Co. Brewers, Sheldrick’s Warrnambool, Vic. Aus. Bottled at the Brewery, Timor St. Keep in a cold place’. Monogram, ‘S.C.O.’ ‘M.B.C.V’ embedded in glass in clover leaf motif and underneath ‘The Property of the Manufacturers, Bottle Company of Victoria Pty Ltd’ warrnambool, sheldrick ales, sheldrick brewery, walter sheldrick

Copy photograph of a small photograph contained within item Reg. No. 587. Photograph of the opening scene at Gregory St for the opening of the line to Lydiard St. North. Has policeman on left side of photograph, ribbon on tram 37 and an inspector on the right hand side. Caption from 587 is "OFFICIAL OPENING DAY 28.9.37 (corrected to 30.8.37) Official Car arrives from city driven by Mayor J.Pryor (SEC Ballarat accountant W.J.K.Dunstan running)." Walter Dunstan. copy 3 by John Phillips, 9/97, laminated 10/97. - in 01-01-54 See also Reg Item 2521 for another image of this event - newspaper cutting. For some details on Walter Dunstan see Reg. Item 3231 worksheet. Hi Res scan of the negative added 8/5/2020.trams, tramways, ballarat, lydiard st. nth, opening , tram 32

Second wife of August Schwerkolt. Wilhelmina had four husbands and died 1903, age 59, in Pittsburgh in U.S.A.Information supplied by Walter Jack, grandson of August SchwerkoltBlack and white copy of Wilhelmina Schwerkolt, taken in Pittsburgh, U.S.A.schwerkolt, maria catherina wilhelmine, pittsburgh, u.s.a.

Mary Pitt Withers was the fourth child and third daughter of artist Walter Herbert Withers and Fanny (nee Flinn), born December 4, 1895 at Heidelberg, Victoria. Many items in this collection have suffered from significant water damage and black mouldjohn withers collection, heidelberg, 1898, mary pitt withers

Dr Deanne Gilson is a proud Wadawurrung woman living on her ancestral Country of Ballarat. Her award-winning multidisciplinary art practice has spanned forty years full time creating through painting, clay (sculptural installation), fashion & textile design, photography, drawing and recently being recognised at the Koorie Heritage Trust for her work as a Blak Jewellery Designer. Celebrating her continued living culture through art and design that revives traditional marks used by Wadawurrung family, contemporary ceremonial business and including oral stories like her Creation Story. She depicts many indigenous plants, trees, birds, often painting endangered species to highlight the importance of taking care of the land and all living things. Working with the notion that time is traversed and all is connected through layers of Dja (Country), from the Cosmos, to Sky to Under Country. Alongside the issues faced by Aboriginal women stemming from the white male and female colonial gaze. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Marlene is a proud Wadawurrung artist, who currently lives in regional Victoria. Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist's meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Marlene is a proud Wadawurrung artist, who currently lives in regional Victoria. Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist's meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Ellie Franks is a proud Gubbi Gubbi woman, living and working in Naarm. Her practice is print informed and utilises print techniques to talk to concepts of identity, belonging and connection. She focuses on the malleability of materials and leans into the fluid nature of various mediums, mistakes and chance. Ellie graduated from RMIT University in 2020 with a Bachelor of Fine Arts and is currently participating in the 2023 Koorie Heritage Trust Blak Design Program. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Ellie Franks is a proud Gubbi Gubbi woman, living and working in Naarm. Her practice is print informed and utilises print techniques to talk to concepts of identity, belonging and connection. She focuses on the malleability of materials and leans into the fluid nature of various mediums, mistakes and chance. Ellie graduated from RMIT University in 2020 with a Bachelor of Fine Arts and is currently participating in the 2023 Koorie Heritage Trust Blak Design Program. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Edwina Green is a Trawlwoolway First Nations multidisciplinary artist based in Naarm (Melbourne, Australia) that works across painting, film, design, installation and sculpture to investigate narratives of perception, historical re-framing, cultural reclamation and the post- colonial paradigm and its impact on people and place. Graduating from The University of Melbourne with a Bachelor of Fine Arts, she has since been exhibited extensively across Australia and internationally. Her research influenced practice, connection to culture, and ties to reclaiming intergenerational disconnection, inform her practice and it’s aims to challenge understandings and interactions of Indigeneity through dynamic and poetic works. She has exhibited in respected galleries and festivals such as Firstdraft, Pari Ari, Incinerator Gallery, The Granville Centre, SEVENTH Gallery, TCB Gallery, Collarworks (New York), Yirramboi, Gertrude St Projection Festival, Brunswick Music Festival, and EFFA (Environmental Film Festival.) She has also worked as an art director, producer and programmer for RISING Melbourne, Samsung, Arts Centre Melbourne, Next Wave, and Darebin City Council. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Dr Deanne Gilson is a proud Wadawurrung woman living on her ancestral Country of Ballarat. Her award-winning multidisciplinary art practice has spanned forty years full time creating through painting, clay (sculptural installation), fashion & textile design, photography, drawing and recently being recognised at the Koorie Heritage Trust for her work as a Blak Jewellery Designer. Celebrating her continued living culture through art and design that revives traditional marks used by Wadawurrung family, contemporary ceremonial business and including oral stories like her Creation Story. She depicts many indigenous plants, trees, birds, often painting endangered species to highlight the importance of taking care of the land and all living things. Working with the notion that time is traversed and all is connected through layers of Dja (Country), from the Cosmos, to Sky to Under Country. Alongside the issues faced by Aboriginal women stemming from the white male and female colonial gaze. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Australian Design Set, The Last Anzacs - featuring Walter Parker, Roy Longmore, Alec Campbell and the 1914-15 Star awarded to all men who fought in campaigns in 1914 and 1915.

Original owner of items. JAMES WALTER PATTERSON. ENLISTED REAAF NO. SN149800 AGE 19 YEARS. Discharged 13 June 1947 with Rank LAC at LAVERTON, VIC. (BCOF).Photograph - black and white photocopy of a portrait.photographs, military history, ww2, bcof

Gaiters belonged to Alan Walter Mason VX140967, 2/10th AUST PORT OP COY AATNC. Enlisted 7 May 1943, Discharged 30 November 1945..1) & .2) Khaki webbed gaiter fitted with two clips and two straps for fitting. Straight double taped top and curved bottom with canvas lining on inside bottom.1 & .2) "VX140967 MASON, A.W." in black ink on canvas lining.uniform, gaiters

It was common for Soldiers to have this Note with an inset photo of themselves. Walter Forbes VX953 6th Div AIF. POW. Refer 1101 for service history also, 1102, 1103.44P. " Palestine Currency Board" One pound note, No F350017, Light green & white color. Inset B & W photo on one side re W. FORBES. These notes were pasted onto cardboard. Writing on rear in pencil is unclear."Jerusalem 30th September 1929"numismatics - notes, palestine, currency

Dorothea, born 1810, died 6 June 1899. She was the mother of Wilhelmina Schwerkolt, the second wife of August Schwerkolt.Information supplied by Walter Jack, grandson of August Schwerkolt.Black and white photo of Dorothea Kruse, mother of Wilhelmina Schwerkolt taken 6 June 1889.kruse, dorothea elizabeth, schwerkolt, maria catherina wilhelmine

Performers at the 1981 Carols by Candlelight concert, including Daryl Somers, Brian Naylor, Humphrey B. Bear, Denis Walter, Joan McInnes, Dianne and Bram Manusama and Santa.12 x col. photographs of Carols by Candlelight performerscarols by candlelight, daryl somers, brian naylor, humphrey b bear, denis walter, joan mcinnes, bram manusama, dianne manusama

George Walter A'Vard was a bullocky who worked all through the Dandenongs from 1900 to 1928, where he sold his bullocks. He settled in Emerald in 1920.VEMU1613.1 Eight holes and 7 nails. 13.5cm (H); 12.8cm (W); 4mm (D). VEMU1613.2 Eight holes. 14cm (H); 10.8cm (W); 3mm (D). VEMU1613.3 Six holes. 10cm (H); 9.5cm (W); 6mm (D). VEMU1613.4 Five nails. 12.5cm (H); 12.1cm (W); 7mm (D). VEMU1613.5 Five holes, 1 nail. 13cm (H); 11.5cm (W); 2mm (D).