Keys: 10 x 19 x 10 Plaque: Made by Aktiebolaget FACIT/ ATVIDABERG / SWEDEN’ Black enamel, painted “V”; good working ordeer

Churchill Island has a large photographic collection dating from the nineteenth century. This series shows the extensive work and volunteering conducted on site by workers after it was turned into a heritage siteColour photograph of a large haystack with a cart having the hay unloaded on the right with a Clydesdale, and another seen in the background. Potentially taken in 2001 at a Working Horses ExpoCatalogue number on reverse in pencil. churchill island, photograph

Photograph has been taken in Geoffrey Kaye's later years, approximately late 1970s or early to mid 1980s.Large colour photograph of an elderly Dr Geoffrey Kaye wearing a white dustcoat and working on his lathe at his Cromwell Road, South Yarra home.geoffrey kaye, metal lathe, workshop

Born: Melbourne, Victoria, Australia 1860; Lived and worked: France 1887-1932, England 1932-1940; Died: Brighton, Sussex, England 1940World War IGift of Mrs E.E. Ledger, 1987Drawing depicting a field hospital with tents and trees lining a snowy field and figures working at sunrise. Limed timber gallery frame with white window mountRecto: Signed, titled and dated 'ISO RAE / ETAPLES Jan 1918 – Tents no I Can. Hos. / fire buckets" in grey pencil in l.l.c of compositiondrawing, landscape, figures, trees, structures, tents, sunrise

Note by T.H. Kneen 18 December 1991, "The students are engaged in weighing produce from individual student plots. The dark haired female student is Lauris (or Loris) Inglis a 1966 graduate. Plots were a feature of the second year therefore the photo is probably 1965."Black and white photograph. Group of students working in the vegetable plots and bringing their produce to be weighed. One student spraying his crops. Yarra Boulevard in the background. On reverse stamp, "Photograph by Publicity Branch Victorian Department Of Agriculture Ref. No. D521F".students, female students, lauris inglis, loris inglis, weighing produce, orchard, students working outside, vegetable plots, spraying, yarra boulevard, publicity

Image of 3 Ladies working in the Maldon Shoe Factory 1958-1959. L-R: Val Lang (White), Heather Thomas (Bolitho), Wilma Evans maldon shoe factory

People maintaining Good Governs Street are Arthur Roberts, John Kift, Cliff Bellamy and Doug Sawyer.Black and white photograph of people maintaining Good Governs Street, Mitcham, which is unmade. Two figures working on the road and a group near a pole on the right.good governs street, mitcham

Types of Chinese from a Labour Battalion working on the Australian Corps Front. Digital copy of photograph from a personal album of Lieutenant General JJT Hobbs.talbot hobbs; labour battalion; aif

Flat belt pulley stand with multiple pulleys. Set up for driving multiple machines. Present power source is an electric motor. In working order, unpainted.trades, carpentry, metal working

Of Maryanne Coutts' exhibition at the Ballarat Fine Art Gallery Maryanne Coutts wrote: 'The same old story' is a curious phrase. As usual I can't tell you exactly in words what the story is,simply that I hope that this body of work evokes characters and implies the actions and interactions that engender a story. For me the story if seeking itself, trying to understand what about itself is repeatable yet malleable, rememberable yet changeable. The Triumph of Gutenberg' celebrates the seemingly ordinary by manifold ways that information is transferred and transformed. It arises from a fascination with the way a thought evolves from one idea to the next, often repeating itself, but sometime making leaps and in the dark mutating. Famed for introducing movable type and the printing press to Europe in 1450, Gutenberg enabled the mass production of books. He has consequently become a symbol for the power of the dissemination of knowledge. Vehicles for repeatability, like printing, are myriad and range from specific codes, such as DNA, to more ephemeral language systems like visual and narrative. Stories are my favourite vessels of memory, of recording. It seems that a story can have certain characteristics that allow it to be recognised as a particular story, indeed, that allow it to be repeated withing different narrations, different readings. As a visual storyteller, I have been curious about how much can change while the story remains the same, Within this visual exploration of what I consider to be a consistent story, conveyed through different media, scales, shapes, and styles, I have allowed mutations, which I hope will illuminate the repetition. In some ways this work is a direct response to Poussin's 'The Triumph of Pan', whose arrangement of figures approaches a kind of formal abstraction. As I worked through the drawing, painting and print that are in this exhibition, I have looked increasingly to more recent interpreters of that tradition like Beckmann, Layered, then, withing this story are other stories, other histories. In a metaphoric sense repeatability and mutability characterize both how the work came into being and how, being something more than paper, canvas and pigment, it can travel audiences' neural pathways as both memories of sights seen, as new thoughts ans/or as old thoughts and memories now mutated. Maryanne Coutts, January 2003.Maryanne COUTTS (1960- ) Born Australia Maryanne Coutts studied at the Victorian College of the Arts (VCA), The University of Melbourne, 1979 -1981, the University of NSW (UNSW),1984 and achieved a PhD at Federation University Australia in 1999. She has exhibited extensively throughout Australia and internationally including UK, Spain and Thailand and is currently Head of Drawing at the National Art School, Sydney. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work is presented on four linen canvases. It is a very large work showing a person working in an office. Donated under the Australian Government's Philanthropic Programme, 2005art, artwork, maryanne coutts, coutts, work, alumni, office, gutenberg

Collection of photographs, copies of originals. (1) Copy of B91.74. (2) Copy of B91.204. 15 others of students working in the gardens, leisure activities, garden views. students, gardens, leisure activities, garden views, students working outside, principal's residence

The co-operative was registered in 1919 as the Graziers Co-op Shearing Company Limited. It changed its name in September 1948 to Grazcos Co-operative Ltd. In 1981 the co-operative merged with Farmers & Graziers Co-op Ltd to form Farmers Grazcos Co-op Ltd. This item is part of a collection of Annual Reports from Grazcos dated from 1949 - 1980.Booklet featuring a black and white image showing an internal view of a factory with working processing wool , with printed black text on blue background below image.front: A GENERAL VIEW OF WOOL POOLING OPERATIONS IN A GRAZCOS STORE / THIRTY-FOURTH / ANNUAL REPORT / 1953 / GRAZCOS / CO-OPERATIVE LIMITEDagricultural co-operative, agricultural wholesaling, annual reports, rural life, rural industry, business, corporate body

Soft cover book, 34 pages, background on cover black & white photo of railway. Small inset of picture of drawing of men working underground excavating a cutter.Written on title page in pen: Donated by Bgo YMCAbooks, military, history, forced labour

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of five men in a working bee erecting the first fence at the Cowes Jetty Men are: W Thompson, A McLardy, J Walton, S Kennon and Mr Collins.local history, photography, working bee, black & white photograph, cowes jetty, coastline, first jetty fence at cowes, john jenner, bryant west

D'Alton's searching for alluvial gold. Photo shows Alfred and Charles D'Alton at Stony Creek Diggings. Charles is on the right and Alfred is on the left. Records 126 and 127 are enlargements from this photo showing each man separately.Photo shows two men working near a sluice. One man is shovelling into a sluice, on a creek and the other is holding an implement. A gold pan rests against a tree.people, d'alton, mining, stoney creek

Wattle-bark stripping (bundling) at Roses Gap. The identity of the men is unknown.The photo shows two men kneeling in a clearing. They are both working on pieces of wattle bark and have piles of bark around them. There is thick bush behind the clearing.timber industries, wattlebark stripping, scenery, roses gap

Bendigo Advertiser ''The way we were'' from 2001. Busy bees: members of a North Bendigo Progress Association working bee, circa 1929. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Victorian Railways general appendix to the book of rules and regulations, working time table April 1919. Blue paper cover, blue cloth binding that is stained and faded.document, memo, railway, victorian railways general appendix to the book of rules and regulations, working time table april 1919.

EIG School - Ralph Birrell Collection - Latrobe Uni Construction, 1965-69. Students working hard. Bookshelves along wall. Markings: Perutz, Made in Australia.Perutzeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection - latrobe uni construction, 1965-69. students classroom books shelves