One of three photographs of delagates to the 1955 Wool Textile Conference in Australia. Photographed include, W R Lang, F O Howitt, A G Ogston, J B Speakman, H P LundgrenDEPT OF THE INTERIOR - NEWS AND INFORMATION BUREAUwool - research wool - testing wool - measurement, gordon institute of technology, lang, dr w. roy astbury, mr w. t. dillon, mr j h speakman, professor j. b. watt, mr k d lindley, dr hugh, wool - research, wool - testing, wool - measurement

Appears as an illustration in , "Green Grows Our Garden," A.P. Winzenried p 71. "Garden Instructor from 1926 to retirement in 1946…a very competent ornamental garden instructor. Popular with students." E.B. Littlejohn.Black and white photograph. Frank Weaver standing in a flower bed holding a pair of secateurs.On reverse, "Mr. F. Weavers "Frank" B.H.C. 1926.flower beds, frank weavers, e. chalmers (née fry), green grows our garden, a.p. winzenried, garden instructor

Note by T.H. Kneen 19 November 1991, "View from left of B91.23 - reveals Library above Assembly Hall. This photograph appears on p. 85 of, "Green Grows Our Garden," by A.P. Winzenried."2 copies black and white photograph.. Newly constructed Administration Building. No planting around it.library, assembly hall, winzenried, administration building, main building

Used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 86. According to the text in the book, work was probably done in the early 1950's but cataloguer has put 1948 as date of photograph.Black and white photograph. Public Works maintenance staff, George Phillips and Jack Edwards working outside the College in Swan Street.george phillips, jack edwards, green grows our garden, a.p. winzenried, public works maintenance staff, swan street entrance, stone retaining wall

Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 87. The caption reads, "Area added to the garden in the late 1940's. First use of this area was for an apiary, and it is now a native garden."Black and white photograph. Fenced and grassed area with Eucalypts around the perimeter.On reverse, "Late 1940's."eucalypts, green grows our garden, a.p. winzenried, apiary, native garden, additional land

Possibly issued by the Conductor's school following the completion of S J Charles training as a conductor. Dated 22 Apr 1975 - gives table number, time and depot. Signed R P Bradshaw Instructor.Demonstrates a MMTB a report for duty form.Form - Report to Depot - printed with details filled in and date stamped.Dated 22 Apr. 1975trams, tramways, mmtb, conductors, training, kew depot

Dora Walker, a member of the Ladies Harbour Lights Guild married H.P. Simpson on 14 February 1928. The wedding was celebrated at the Mission's chapel at 2.45pm. The article in the Herald of the day describes the event: "WEDDING AT SEAMEN'S CHAPEL Reception at Hotel Windsor The pretty little chapel at the Sea men's Institute was packed with interested friends this afternoon, when Miss Dora Walker, one of the Mission's most enthusiastic and efficient voluntary helpers, chose it as the setting for her marriage with Mr H. P. Simpson, son of Mr and Mrs J. H. Simpson, of Mornington. A group of her fellow workers decorated the chapel with lovely pink and white gladioli, carnations and roses. The ceremony was performed by the Rev. J. R. Weller, chaplain of the Mission, and the bride was given away by her father, Mr A. W. Walker, of Manning road, East Malvern. She wore a lovely ivory georgette frock, the finely tucked skirt being fashioned with a deep transparent hem of Chantilly lace. Over it fell a beautiful Honiton lace veil mounted on tulle and arranged to give the ef fect of a train. Fragrant white roses composed her bouquet. Two attendants followed her down the aisle — her sister, Miss Molly Walker, and Miss Ella Kendall — both wearing dainty shrimp pink georgette frocks and large crinoline straw hats in the same shade with a dainty edging of tulle. They carried bouquets of pink cactus dahlias nnd delphiniums. Mr Louis Buscombe was best man, and Mr George Thompson grooms man. After the ceremony Mr and Mrs Walker entertained about 50 guests at the Hotel Windsor."2 original prints and a reprinted version depicting the St Peter chapel decorated with flowers for Dora Walker's wedding in 1928 wedding, dora walker, st peter chapel, mission to seamen, mission to seafarers, flinders st, lhlg, dora simpson, 1928, valentine's day, amy dora walker, ladies harbour lights guild, malvern, reverend j.r. weller, molly walker, ella kendall, flowers

Note: No wedding ring is visible on her left hand so possibly shortly before her marriage to William Beere. H.H. Hemmings Photographers were operating at 8 Edinburgh St, Richmond from 1905 through 1910 according to Sands McDougall directories CABINET 1866-1905 The Cabinet photo was introduced in 1866 in answer to a demand for a larger format photograph which could be mounted for a cabinet or on the wall. They were 4.5 inches by 6.5 inches (11.5 x 16.5 cm), more than twice the size of the cdv. They cost about twice as much as a cdv but eventually displaced them. They were not extensively produced until 1880 and had ceased by 1905. Coloured mounts, especially maroon or green, indicate a date between 1880 and 1890. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991cabinet photo, marg ball collection, 1905, 1905-1910+, florence may aldous, hemmings photographer 8 edinburgh st. burnley, shillinglaw family photo album 3, unknown

Back Row (L-R): Mr Cross (teacher), Evelyn Smith, Ruby Lacey, Moya Sloan, Dorothy Walters, Margaret Bannerman, Helen Allan, Yvonne Campbell, - , Mary Moore Fourth Row (L-R): - , Bill Goodman, Robert Allan, Graeme Goldman, - , - , Bill Motschall, Charlie O’Day, Ray O’Day, Miss Edwards (teacher) Third Row (L-R): Milton Smith, Gloria Hemming, - , Pat O’Day, Patsy Mills, Pat Basefield, - , Leonie Morrisey, Vera Lacey, Carmel Bunney, - , Ailsa Smith Second Row (L-R): - , Bob Sinclair, Doug Howard, John Heathcote, Robert Kynoch, - , - , - , Roland Howard, Jim Howard Front Row (L-R): Lewis Howard, Ben Donaldson, Fred Motschall, Graeme Motschall, Wally McLaren, Robert McLaren, Neil Marshall, Ian Marshall, - ,Digital file only - scanned by EDHS from item on loanailsa smith, ben donaldson, bill goodman, bill motschall, bob sinclair, carmel bunney, charlie o’day, dorothy walters, doug howard, evelyn smith, fred motschall, gloria hemming, graeme goldman, graeme motschall, helen allan, ian marshall, jim howard, john heathcote, leonie morrisey, lew howard collection, lewis howard, margaret bannerman, mary moore, milton smith, miss edwards, moya sloan, mr cross, neil marshall, panton hill primary school, pat basefield, pat o’day, patsy mills, ray o’day, robert allan, robert kynoch, robert mclaren, roland howard, ruby lacey, vera lacey, wally mclaren, yvonne campbell

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. At this time, she had a collection of 300 garments. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. This blouse is one of a number of items donated to the Fashion Collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Pale aqua coloured long sleeved silk blouse with an attached scarf of the same fabric and colour at the neckLabel: TULLO (removed)norma tullo, women's clothing, australian fashion - 1960s, blouses

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. At this time, she had a collection of 300 garments. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes.The dress was owned, worn and donated to the collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Long sleeved black cotton dress the fabric of which includes a pattern of small beige and cream polka dots. The ends of the sleeves and the base of the dress include ruffled trims of the same fabric. Label: TULLOnorma tullo, australian fashion - 1960s, women's clothing, day wear, mcintyre collection

The Athletics Club under the guidance of a committee of workers, which included Mr Stan Hemmings and Mr Alex McCullough, sponsored a Junior Athletics Club which became the Gra-Y Club for young boys and HY-Y for older lads. Mr A E Clark (YMCA) had the idea of adopting the American Gra-Y System which was to instil in the boys good principles and values similar to those of the service clubs i.e. YMCA, the Masons and Buffalo Lodge. Story has it that the town was virtually crime free for many years. The Athletics Club became a very powerful force in Mount Beauty and assisted other fledgling groups to get started. The committee had the bright idea that they could raise money and entertain the men who lived in the outlying camps by running sporting exhibitions by their members and the Gra-Y boys for entertainment.It is a connection to the early history of Mount Beauty regarding the start of an athletics club and the activities of the town.Wooden shield with metal 'ribbon' shaped engraved heading below which are 25 small (of varying sizes) metal shields each engraved with the winner's name, group and date. The dates range from 1952 to 1965. On the back, top middle, is a metal piece surrounding a hollow to enable the shield to be hung up on a flat surface.Heading: "Mt Beauty Junior Gra-y". Example of a small shield "Won by / Group 7 / R.Scott (Ldr) / 4th Quarter / 1953" mt beauty. gra-y club. juniors.

The Athletics Club under the guidance of a committee of workers, which included Mr Stan Hemmings and Mr Alec McCullough, sponsored a Junior Athletics Club which became the Gray-Y Club for young boys and HY-Y for older lads. Mr A E Clark (YMCA) had the idea of adopting the American Gray-Y System which was to instill in the boys good principles and values similar to those of the service clubs i.e. YMCA, the Masons and Buffalo Lodge. Story has it that the town was virtually crime free for many years. The Athletics Club became a very powerful force in Mount Beauty and assisted other fledgling groups to get started. The committee had the bright idea that they could raise money and entertain the men who lived in the outlying camps by running sporting exhibitions by their members and the Gray-Y boys for entertainment.It is a connection to the early history of Mount Beauty regarding the start of an athletics club.Blue material banner with gold fringe and inscription in middle.Red material triangle inserted within banner and red material H and I (overlapping) sewed into the middle of the triangletextile, youth club, mt beauty, athletics club, gray-y club, kiewa hydro electric scheme

The illustration published in the Illustrated Australian News (Melbourne, Vic. : 1876 - 1889), p. 144, on 2 September 1885, depicts Sandridge now Port Melbourne in 1885 from a seamen's point of view on board a ship.This engraving is a rare depiction fo the Bethel church as there is no early photograph. The Sailors' Rest is located at the back. In 1887, the church was demolished to erect the building still standing on the corner of Nott Street and Beach Road.Copy of an engraving depicting a sailor sitting on the mast of the ship and looking at the shore from the sea. A Bird's-eye View Of Melbourne From Sandridge.nott street, sandridge, melbourne, port melbourne, beach road, seamen, ships, sails, sailing ships, customs house, bethel church

A pelvimeter is used in obstetrics for measurement of the female pelvis, with the aim of attempting to determine whether there will be any potential issues with a vaginal birth. The style of this pelvimeter is similar to Collyer's pelvimeter as depicted in Aesculapius Surgical Instruments p. 2195. This instrument was included with other obstetric instruments, mostly destructive instruments, given to RANZCOG from Box Hill Hospital labour ward in February- March 1998. The maternity service at Box Hill Hospital combined with St George's Hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Pelvimeter. Similar in style to Collyer's pelvimeter. Has adjustable arms hinged with a wingnut, and a scale graduated in inches and centimetres.obstetrics

The vaginal syringe, also known as a female syringe, was introduced in the early 1900s and was in use until the late 1940s when it was replaced by the glass douche nozzle. (Thackray, 'Midwifery & Gynaecological Instruments, (M)463, p. 264.)Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920. She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them to the museum collection in 1993. Vaginal syringe with glass barrel and plunger and a cork bung. Fluid capacity of syringe 60-90 mls. Cotton thread is woven tightly around the end of the plunger. There are five holes in the end of the glass barrel.midwifery

Used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 62. The caption reads, "Break-up of the 1929 school year. Mr. And Mrs. Jessep are nearest the camera; gardeners to the left, students to the right."Black and white photograph. Break-up of the 1929 School Year. Students and Staff seated at tables in a large shed with pictures hanging on the walls. Cars parked in the background.On reverse, "1929."green grows our garden, a.p. winzenried, year break-up, 1929, mrs jessep, a. w. jessep, principal, gardeners, students, student group 1929, shed

Rose Series postcard No. P 3418, titled "The Queen Victoria Memorial Hospital Melbourne", with W2 359? southbound in Swanston Street at Lonsdale Street Many pedestrians are waiting at the tram stop or waiting to cross the road.Yields information Swanston St and the "The Queen Victoria Memorial Hospital Melbourne" late 1940s.Postcard - printed real photograph with Rose Stereograph Co. name on the rear. Two copies held.tramways, trams, swanston st, lonsdale st, hospital, w2 class, tram 359

Button has the raised letters "P & M Tramway Trust" on the front of the badge and the imprint of Stokes & Sons Melbourne on the rear. Used by the Prahran and Malvern Tramways Trust for their Uniforms. See item 517 for another example.Demonstrates buttons worn by the PMTT staff.Button, brass fitted with a hook and a clip - small sleeve or cap.trams, tramways, buttons, uniforms, pmtt

Programme booklet - Official Opening of The Ringwood Cultural Centre by His Excellency, The Honourable Sir Henry Winneke, K.C.M.G., K.C.V.O., O.B.E., Q.C. Governor of Victoria - Saturday 19th April 1980. Includes Ringwood Arts Festival week of entertainment to be presented in the Ringwood Cultural Centre Karralika Theatre, Saturday 19th April 1980 to Sunday 27th April 1980.Mayor's Welcome Message - Cr. P. Gotlib. Sculpture: "Cassini" - Created by sculptor Charles O. Perry of Norwalk, Connecticutt, U.S.A.rinx

Models originated at the Nhill Air School during the war. These models were used for instructional purposes.Bakerlite model identification planes, Kittyhawk, Grumman F6F Hellcat, Tony (Kawasaki Ki61)116.1 Curtis p 40E Kittyhawk E9-2183, 116.2 F6F Hellcat E9-3810, 116.3 "Tony" E9-3309bakelite model, model plan, identification model, len pilmore

Wooden frame, green inset, with sepia photo of 38th Batt AIF Band. Glass front with inscription below.The 38th Battalion AIF Band Port Melbourne Pier 20.6.1916 prior to embarkation on the No 54 HMAT Runic. Donated by P Hall.photography, photographs, framed photographs

One of 17 photographs donated by Olive BlameySepia postcard of the Beach Road with fence and trees on the left and trees on the right."The Rose Series, P. 674" "The Beach Road, Cowes, Phillip Island, Victoria" Letter on back to Lois from Auntie Alicebeach road, cowes phillip island, phillip island, olive blamey

Commercial Souvenir for sale to holiday makers in San Remo 1910.Sandy cove - back beach San Remo at bottom of small cliff. People on beach - one bathing box at middle right. Two cars on cliff top. Black & WhiteThe Back Beach San Remo, Vic. The Rose Series P 1456. On reverse - Bathing Box Beach, Bonwick's Beach. Elmslocal history, photographs, san remo, beaches, bathing box, black & white photograph, tourism

Black and white photograph of a cliff face with a beach at the base. At the top of the cliff is a lighthouse. In the foreground is a grassy area and a wooden paling fence. A jetty extends into the harbour in the background.Front: THE ROSE SERIES. P. 1117/ COPYRIGHT (typed, lower left) LIGHTHOUSE BLUFF, PORTLAND, VICTORIA (typed, lower centre)postcard, portland view, lighthouse, tourism, communication, correspondence