Certificate presented to D L Parry by the Royal Australian Airforce in appreciation of his services in the Volunteer Air Observer Corps, dated 20 September 1945. Certificate shows Royal Australian Airforce Badge, illustrations of observers and aeroplanes, volunteer Air Observers Corps Badge, and one year's service (two of) attached stickers.person, individual, daniel leslie parry

Alfred William Howitt 1830-1908 was a pioneer anthropologist. ?The Native Tribes of South-East Australia? is not only a great classic anthropological work, it contains an enormous wealth of material of interest to anyone interested in Australian history, particularly the people of Koorie descent. His work has been presented here in total as originally peoduced.maps, b&w illustrations, tables, musical notationsalfred william howitt

Alfred William Howitt 1830-1908 was a pioneer anthropologist. ?The Native Tribes of South-East Australia? is not only a great classic anthropological work, it contains an enormous wealth of material of interest to anyone interested in Australian history, particularly the people of Koorie descent. His work has been presented here in total as originally produced.maps, b&w illustrations, b&w photographs, tablesdieri, wonkanguru, yuin, wonkamala, kulin, kurnai, wiradjuri, kamilaroi, wotjobaluk, wurrunjerri, wimbaio, yaurorka, urabunna, yantruwunta

Alfred William Howitt 1830-1908 was a pioneer anthropologist. ?The Native Tribes of South-East Australia? is not only a great classic anthropological work, it contains an enormous wealth of material of interest to anyone interested in Australian history, particularly the people of Koorie descent. His work has been presented here in total as originally produced.musical notations, b&w illustrations, b&w photographsdieri, wonkanguru, yuin, wonkamala, kulin, kurnai, wiradjuri, kamilaroi, wotjobaluk, wurrunjerri, wimbaio, yaurorka, urabunna, yantruwunta

A soft covered book of 64 pages, produced for the education of school children about the practical aspects of energy from the Australian perspective. Book citation from TROVE: Murray, Peter R & Rosier, Malcolm & Vulcan Industries Limited (1974). Energy Australia. J. & D. Burrows [for] Vulcan Industries Limited, Blackburn, Vic energy, education, school books, basic science

Female Relatives BadgeWW2 x 2 (removed from collection 2013) Mothers & Widows Badge WW2 x 2 (removed from collection 2013) Volunteered Badge No. 20984 Australian National Flag Association Badge x 2 "Australia Remembers 1945-1995" Badge x 2 RAAF Europe 193uniforms, ballarat rsl, ballarat

Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard C.2 - 1925, "Electrical Performance of Traction Motors - Direct Current Series Wound". Dated Dec. 1925. Provides an index and information about enclosures, ratings, testing and information to be supplied.On top right hand corner has stamp of the "The Electric Supply Co. of Victoria Ltd Ballarat" and date "17 April 1934".trams, tramways, tramways, electrical equipment, motors

Brass-plate above reads "National Servicemen's Association Outer Eastern and Yarra Valley sub-branch" - Stylized map of Australia with Australian flag at top left flowed by the words 50th/Anniversary 1951-2001/National Service/ Below brass plate reads/ "Celebration March/Port Fairy/November 3 2001

A blue coloured cardboard cove with black information on the front. At the top right hand corner reads Australian Air Publication 7453.088-3. Above the RAAf insignia reads Royal Australian Air Force and under the insigia is the details of the manual. There are three punch holes and two metal staples down the left hand side.royal australian airforce - manuals, australian air publication, starter units

A blue linen covered cardboard cover with black information of the front. Top right hand corpner reads AAP 7416.024-3 former Australian Air Piblication 742.30. Above the RAAF insignia reads Royal Australian Air Force and under the insignia are the details of the manual. The manual is held together by three metal screws.royal australian airforce - manuals, australian air publication, control panel type 34, voltage regulator type 93

A blue coloured cardboard cover with the information on the front in black. Top right hand corner reads Australian Air Publication 7415.013-3. Above the RAAF insignia reads Royal Australian Air Force and under the insignia is the desription on the manual. There are three punch holes and two metal staples down the left hand side.royal australian airforce - manuals, base control panel, australian air publication

A yellow cardboard cover with black information on it. Top right hand corner reads Australian Air Publication 7416.007-3. Above the RAAF insignia reads Royal Australian Air Force and under the insignia reads Voltage Regulator Type A1202 STC etc. The manual is held together b a large metal slide.royal australian airforce - manuals, australian air publication, voltage regulator

Set of two Engineering Standards stapled within in a Standards Association of Australia folder" with the numbers stamped and hand written onto the cover. Contains 6 sheets printed using the Gestetner process and one photocopy on foolscap paper. Contains the standards for "E30 - 1934 - Australian Standards Specification for Manganese Steel Castings for Tramway Trackwork"in ink "1939" and "Hardwood Paving Blocks" on right hand edge.trams, tramways, standards, track materials, track repairs, road works, points, trackwork

From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Colour postcard, blue / green colour scheme. Map of Australia in central frame surrounded by native Australian animals in a bush setting: kangaroo, emu, currawong / magpie, kookaburra. Above them is a rising sun. The central frame is actually a flap but whatever it may have concealed beneath is now lost. Handwritten message on back.album, photo album, newspaper clippings, postcard, wwi, magpie, currawong, kookaburra, emu, kangaroo, australia

Robert James Lee VX65555 enlisted in the 2nd AIF on 3.11.41. According to his birth date he was aged 17 years. He was a "Gunner" in the 4th Field Regiment Artillery. Awarded the Military Medal for Bravery in the Field. He was discharged from the 2nd AIF on 18.6.46. Refer also 728.2, 1814.3. Medal set, court mounted, set of (6)re R.J Lee MM. 1. Military Medal. 2. 1939-45 Star. 3. Pacific Star. 4. War Medal 1939-45. 5. Australian Service Medal 1939 - 45 6. Australian Service Medal 1945-75 with clasp "PNG"Military Medal has "VX65555 GNR RJ Lee AIF" Others have "VX65555 RJ Lee"numismatics-medals, military, metalcraft

Beathea Isobel Weppner No VFX126729 enlisted on 22.6.43 in the 2nd AIF. At discharge from the Army she was a Cpl in 2/9th Aust General Hospital. VFX meaning Victorian female. Medal Set, court mounted, set of (6) Re B.I WEPPNER. 1. 1939 - 45 2. Pacific Star 3. Defence MEDALLON 4. War Medal 1939 - 45 5. Australian Service Medal 1939 - 45 6. Australian Service Medal 1945 - 75 with clasp 'S W PACIFIC" "VFX 126729 B.I., WEPPNER" medals, military, history, passchendaele barracks trust

RVB Limited is now called Sirens and Horns and is still manufacturing sirens in Australia. A hand siren with an L shaped handle two centimetres wide and five centimetres long is attached to the base of a metal cylinder ten centimetres diameter and six centimetres long with the last two centimetres tapering to a six centimetre diameter opening which flares to a 12 centimetre opening in four centimetres. The handle is connected to a thin metal disc which vibrates when the handle is turned making a loud noise. The siren is attached to a wooden handle four centimetres by two centimetres and 21 centimetres long. It is all painted red. A label attached states, "Hand HURRICANE Siren, Made in Australia, Model no. HSI, RVB Limited."siren, alarm

Plate created to celebrate the centenary of the Melbourne Harbor Trust beginning operations. Presented by Australian Dredging and General works Pty. Ltd. Large blue and white Dutch Delftware ceremonial plate with image of two ships, one sailing ship and the Abel Tasman at sea. The Melbourne Harbor Trust shield features above the ships. "The Melbourne Harbor Trust Commissioners/ 1877 Centenary 1977/ 1877 1977/ Abel Tasman" On reverse: "Presented by/ Australian Dredging and/ General works Pty. Ltd./ Delfts blauw/ Hand painted / Made in Holland/ Wp." Sticker attached "43196 B" "PMA 0166/1"

Arthur William Preston was born in 1912. Following his ordination into the Methodist Church he was stationed in Mareeba and Townsville in North Queensland. From 1944 to 1948 he was Field Secretary for the Queensland Methodist Centenary Celebrations, conducting evangelistic missions throughout Queensland and assisting in raising the sum of 100,000 pounds for development work within the Queensland Methodist Church. From 1948 to 1963 he was superintendent of the West End Methodist Mission in Brisbane. In 1963 he was awarded the O.B.E. From 1963 - 1966 he was Associated Minister at the Adelaide Central Mission. During his ministry in Adelaide he established and directed the Life Line Telephone Counselling Service. During 1966 and 1968 he was Associate Minister in the Glen Iris Circuit, Victoria. From 1968 until his retirement at the end of 1981, Arthur Preston was the Superintendent of what is now Wesley Central Parish Mission (Central Methodist Mission prior to Church Union in 1977. In 1982 he was awarded the Order of Australia. Arthur Preston died on 19 March 1985.Informal gloss coloured photograph of the Rev Arthur Preston standing in the grounds of Government House, Melbourne with his wife Mrs Claire Preston and his daughter Miss Adel Preston. He is wearing his Order of Australia Award medallion.arthur preston, methodist, minister, wesley church, life line, order of australia, claire preston, adele preston

The medallion pays respect to the sacrifices made by the units in Operation Bribie on 17th February 1967.The medallion takes its place amongst similar medallions and other commemorative items that revert to particular instances or event in Vietnam during the war.Two medallions showing front and reverse faces of a medallion issued at Vietnam Veterans Association of Australia, 2014 National Congress, hosted by Macarthur Sub Branch. Front face shows an APC with text on upper edge: "Phouc Hai-South Vietnam" and text on bottom edge: "Lest We Forget"; the two text lines are joined by leaves. Text in the middle of the face: "In memory of the sacrifice made by 6RAR & A Sqn 3 Cav Regt Operation Bribie 17th Feb 1967. The reverse face has the Vietnam Veterans Association of Australia logo in the middle, with the motto: "Honour the Dead but fight like hell for the living" underneath; two sprigs of leaf cradle the logo and motto.Front face shows an APC with text on upper edge: "Phouc Hai-South Vietnam" and text on bottom edge: "Lest We Forget"; the two text lines are joined by leaves. Text in the middle of the face: "In memory of the sacrifice made by 6RAR & A Sqn 3 Cav Regt Operation Bribie 17th Feb 1967. The reverse face has the Vietnam Veterans Association of Australia logo in the middle, with the motto: "Honour the Dead but fight like hell for the living" underneath; two sprigs of leaf cradle the logo and motto.vietnam, vietnam war, diamond valley vietnam veterans sub branch

Life Governorships were awarded to individuals who undertook significant work or monetary donations to Vision Australia Foundation. This Honour Board was located in the Warrnambool office, and recognises the names of these people. 1985 J. Amoore 1985 M. Officer 1985 M. Coulthard 1990 G. King 2001 M. Godkin1 wooden board with letteringHonour Roll Vision Australia Foundation Warrnambool Centre Life Governors 1985 J. Amoore 1985 M. Officer 1985 M. Coulthard 1990 G. King 2001 M. Godkinnameplates, vision australia foundation

This certificate was presented to Montmorency R.S.L Sub Branch Inc with the Australian National Flag by the Speaker of the House of Representatives Neil Andrew on 22nd June 1999Black wood frame with gold inner trim with glassCertificate reads This is to certify that the Australian National Flag accompanying this certificate was flown in the House of Representatives Chamber at Canberra on 22 June 1999 for presentation to Montmorency R.S.L. Sub Branch Inc signed by Speaker of the House of Representatives Back of frame GOV 22/6/99certificate, house of representatives, canberra, australian, flag, coat of arms

Yhonnie SCARCE (1973- ) Born Woomera, South Australia Language group: Kokatha, Southern desert region and Nukunu, Spencer region Yhonnie Scarce works predominantly in glass. She majored in glass withing a Bachelor of Visual Arts (Honours) course at the South Australian School of Art, Adelaide, and holds a Master of Fine Arts from Monash University. One of the first contemporary Australian artists to explore the political and aesthetic power of glass, Scarce describes her work as ‘politically motivated and emotionally driven’. Scarce’s work often references the on-going effects of colonisation on Aboriginal people, In particular her research focus has explored the impact of the removal and relocation of Aboriginal people from their homelands and the forcible removal of Aboriginal children from their families. (https://thisisnofantasy.com/artist/yhonnie-scarce/, accessed 10 September 2018)Artist's Statement 'The More Bones the Better', 2016 Yhonnie Scarce was born in Woomera, SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non traditional approach to glass blowing using glass as more than a mere material, acting as a lens and a mirror, Scarce reflects and exposes the tragedies of Australia’s colonisation. She applies the technical rigours of traditional glass blowing techniques in an innovative and unconventional manner. In particular Scarce uses glass to explore the lives and histories of Aboriginal Australians. Hand blown glass is shaped, engraved, painted and smashed to create indigenous fruits and vegetables such as bush bananas, bush plums and long yams symbolic of her peoples culture and traditions. With their elongated, torso-like shapes, they even evoke human bodies. Akin to a gatherer of bush food Scarce creates glass-gatherings of the persecuted. The repetition of brittle ambiguous bodies collected for experimentation and examination conjures the relentless impact of colonisation and the litany of abuses suffered by Aboriginal people. Within her research Scarce encountered a variety of ethnographic studies examining the use of scientific interventions amongst Indigenous cultures. These include Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices amongst indigenous prison inmates. This work metaphorically looks at these situations and poses questions of what might have gone on in such a laboratory. The judge of the 2017 Guirguis New Art Prize (GNAP), Simon Maidment, Senior Curator, Contemporary Art, National Gallery of Victoria said; “The winning work by Yhonnie Scarce captures the sensitivity to materials she displays throughout her artistic practice. The blown and shattered glass elements are a delicate contrast to the shocking and little discussed histories of Aboriginal exploitation and abuse in the name of science in Australia. Engaging this topic, this work is haunting, in the same way those lived and documented experiences continue to haunt the collective unconscious of this country. Yhonnie Scarce’s work, The More Bones the Better 2016, I believe makes an important contribution to the Collection of Federation University Australia and will engage and move diverse audiences with its technical accomplishment, beauty and message. Yhonnie Scarce was born in Woomera SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non-traditional approach to glass blowing using her medium as more than a mere material. Applying the technical rigours of traditional glass blowing in an innovative and unconventional manner, Scarce’s glass objects act as a lens and a mirror to reflect and expose the tragedies of Australia’s colonisation and, in particular, explore the lives and histories of Aboriginal Australians. Hand-blown glass is shaped, engraved, painted and smashed to represent indigenous fruits and vegetables such as bush bananas, bush plums and long yams, symbolic of Scarce’s people’s culture and traditions. While these elongated shapes on the one hand represent fruit and vegetables, gathered and grouped as in the gathering of bush food, Scarce’s torso-like bodies and forms are glass ‘gatherings’ representative of the gathering of people. Here, the many brittle bodies act as a metaphor for the collection, experimentation and examinations undertaken by government authorities on Aboriginal communities researched by Scarce. Exposing a variety of ethnographic studies, examining the use of scientific interventions on Indigenous cultures, Scarce also revealed Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices undertaken on indigenous prison inmates. Scarce’s gatherings also reflect the impact of colonisation and the relentless conjuring and litany of abuses suffered by Aboriginal people. The More Bones the Better metaphorically looks at these situations and poses questions of what was undertaken and investigated in these laboratories. guirguis new art prize, yhonnie scarce, glass, aboriginal

Paul Raphael MONTFORD (1868 - 1938) Paul Montford moved to Australia to carve four buttress groups in granite for the Melbourne Shrine of Remembrance. In 1924 he was teaching at Geelong Technical College. Professor Alfred Mica Smith was a long term lecturer at the Ballarat School of Mines. The sculpture was commissioned by former Students of the Ballarat School of Mines working in Western Australia. One of those former students, William Corbould, remembered his first encounter with the professor fondly:- 'From the Registrar's Office I was led to be introduced to the Professor of Chemistry, one Mica Smith. The initial encounter gave me little encouragement - his large laboratory was filled with hundreds of bottles bearing strange labels with queer symbols on them. My heart sank. At the first opportunity I grabbed my hat and made for the door, but the good professor called me back. I pointed out that I was never any good at school ... so it was no use pretending to be clever enough to understand all those weird symbols! The Professor told me not to worry about that and took me to one of the benches where he found a blowpipe and a charcoal block. Mixing together two powders from bottles on the shelf he transferred a sample to the charcoal and directed the bunsen flame onto it. Soon it began to melt and a white bead appeared in front of my eyes. He then took a test tube and added a little colourless liquid from each of two bottles. A beautiful dark blue colour appeared. My interest was won.' Alfred Mica Smith was the well-loved Professor of Chemistry and Metallurgy at the Ballarat School of Mines between 1881 and 1922. Upon reaching the age of 78 Mica Smith retired having influenced generations of miners. At the time of his death Ballarat School of Mines Students’ Magazine reported: "In the annals of the School, the year 1922 will be noted chiefly as the last year in which Professor Mica Smith taught here. With his retirement, a memorable epoch closed. The Professor has served the School for 42 years with a service, the length and thoroughness of which are unique. … It is not quite realised in this city how famous the School became throughout the world, nor to what extent the Professor was responsible for its high position in the mining and metallurgical world. … This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Marble bust of Ballarat School of Mines Professor Alfred Mica Smith by Paul Montford. The bust is mounted on a jarrah pedestal made from timber donated by the Millar Timber and Trading Company. The bust was formally presented to the Ballarat School of Mines on Saturday 13 December1924 in front of Alfred Mica Smith and a large gathering. It is signed 'Paul R. Montford, Sc, 1924' at the back.Professor A. Mica Smith, 1924, Presented by His Old Students Associated with Western Australia as a Token of Affectionate Esteemart, artwork, ballarat school of mines, montford, paul montford, alfred mica smith, mica smith, marble, bust, sculpture

Irons such as this were very popular prior to the widespread introduction of electricity in Australia. It was manufactured by the Tilley Lamp Company Ltd. In 1818 John and William Henry Tilley established W. H. Tilley, in Stoke Newington, London, England. During WW1 they started to use paraffin as a lamp fuel in pressurised containers. A production plant was established at Hendon, just north of London, and the first commercial lamps were produced after World War 1. During the 1920s the company diversified into domestic lamps. This expanded to other appliances such as heaters and eventually to irons. The use of paraffin or kerosene as a fuel was a much cleaner form of heat, especially when compared to older flat irons which used coal.This item is significant because it is representative of domestic appliances used in the Wodonga District prior to the introduction of electricity throughout the area.Cream coloured iron with a black Bakelite handle which attaches to the fuel tank. It has a steel sole plate. The heat of the iron is provided by a paraffin burner.On Metal plate: Model D.N. 250 Made in England British Pat. 524719 Australian Pat. 114305 On Knob at rear: ON/OFF TILLEYdomestic appliances, tilley paraffin iron, tilley lamp company ltd.

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Australian fundraising button for ‘Hospital Day’ in 1919. ‘Hospital Day’ buttons may have been used to raise funds for veterans in military hospitals. The slogan is written in black on a seven pointed star bordered in red. The star sits on a dark blue ground with sprays of wattle."Hospital Day / 1919"hospital day, fundraising buttons, badges

Australian Army Cessna 180 A98-044 which suffered bullet damage whilst operating from Bien Hoa South Vietnam on 6th July, 1968Two black wide narrow shaped wings with white strip on ends either side of round grey nose centerpiece.Plaque - This Propeller powered Australian Army Cessna 180 A98-044 It suffered bullet damage whilst operating from Bien Hoa South Vietnam on 6th July, 1968 Pilot 2nd Lt Steve TIZZARD Observer Lt Kev LUNNYvietnam war, bien hoa, australian army cessna

Lest We Forget is a contemporary and crisp treatment, marking the sacrifices of Australian forces involved in the conflicts of South East Asia, including the Korean War 1950-53, the Malayan Emergency 1950-60, the Borneo Uprising 1962-64 and the Vietnam War 1962-72. A plaque was added in 2006 by the Victorian Vietnam Veterans Community in commemoration of the 40th anniversary of the Battle of Long Tan. The memorial is of historic significance to the people of BallaratLest We Forget is a contemporary and crisp treatment, marking the sacrifices of Australian forces involved in the conflicts of South East Asia, including the Korean War 1950-53, the Malayan Emergency 1950-60, the Borneo Uprising 1962-64 and the Vietnam War 1962-72. A plaque was added in 2006 by the Victorian Vietnam Veterans Community in commemoration of the 40th anniversary of the Battle of Long Tan. Lest We Forget/ Korea/ Malaya/ Borneo/ Vietnamkorean war, malayan emergency, borneo uprising, vietnam war, battle of long tan, war history, ballarat

The Kangaroo Hoppet is Australia’s premier long distance cross country ski race, and a member of the Worldloppet series of international cross country ski events. The first race at Falls Creek was held in 1979 under the name of “Australian Birkebeiner”. It was a 21km race with about 80 participants organised by the Birkebeiner Nordic Ski Club of Mount Beauty. The course started and finished at Falls Creek Alpine Resort and took participants out into the Bogong High Plains. After running the event for 10 years, it was decided they should become part of the Worldloppet series of marathon ski races. Representatives from the Birkebeiner Nordic Ski Club and the Australian Ski Federation attended the Worldloppet Annual Meeting in Finland in June 1990 to put the case for the acceptance of an Australian event into the Worldloppet series. Before being admitted, they had to demonstrate that the Birkebeiner Club could run a world class event, so three months later in August 1990 a 42km event named the Australian International Ski Marathon was held at Falls Creek together with a 21km Birkebeiner race and a 7km event called the Birkebeiner Lite. The event was approved by delegates from USA, Norway and Austria, in 1991 Australia became the 12th member of Worldloppet, with the condition that there had to be a name change. After some late night discussion allegedly involving red wine from North East Victoria the main event became the 42km Kangaroo Hoppet, with the minor events being the 21km Australian Birkebeiner, and 7km Joey Hoppet. In the winter of 1991, the first Kangaroo Hoppet was held. It was a great success and has been a regular fixture on the international ski calendar ever since. It features the main 42km event as well as a 21km event and a 7km event. The Hoppet brings the Australian snowfields to an international audience. In 2000 the Men's Winner was Ben Derrick from Australia in a time of 1:56:39. The winner of the Women's event was Camille Melvey of Australia in a time of 2:19:21.This poster is significant because it documents an event which brings international attention to Falls Creek and the surrounding region.A coloured poster featuring an image of a group of seven skiers on the snow against the sunset, with the outline of four kangaroos in the sky. The slogan for the year was in an arc of yellow text above the skiers. The logos of Worldloppet and QANTAS were featured on either side of the text at the bottom. This year celebrated the 10th Kangaroo Hoppet.In arc of gold text: BE PART OF THE MOB / 26th AUGUST 2000 Beneath image: KANGAROO HOPPET 10 FALLS CREEK AUSTRALIA In smaller print along bottom: Tel: (03) 5754 3103 Fax: (03) 5754 4475 P.O. Box 400 Mount Beauty 3699 Website: http://www.netc.net.au/-hoppet/ Email: [email protected] hoppet, worldloppet events, falls creek, mt. beauty