A green covered bound volume published c1924 to support students who were preparing for examinations for Oxford and Cambridge Universities in England. This series of books were used widely is Australia, particulary in the private school system. This copy has some underlining of phrases and hand-written notes in the margins.non-fictionGeorge Gill (April 1, 1836 - November 24, 1901) was a Liverpool and London based schoolmaster and educational publisher active in the late 19th and early 20th centuries. Gill began his career as an educated schoolmaster who, recognizing a shortage of good educational materials, began publishing in Liverpool in 1864. He transferred the company to London in 1879, becoming a limited company under the imprint of George Gill and Sons. In time the firm was taken over by his sons, George Reginald Gill (1862 - and Claude Edward Gill (August 30, 1872 - August 16, 1960). The firm published books and maps for schoolrooms. Under the Gill family the educational publishing firm prospered until closing its doors in 1941. The firm was based at Minerva House, no.12 Warwick Lane, London. This book was owned and used by William John Hamilton-Smith when attending the Grammar School in Albury, New South Wales and is part of the Hamilton-Smith Collection.william shakespeare, annotated study guide, john william hamilton-smith

Index, ill, p.709.non-fictionWhen I received the script of The Voyage of the Discovery I was amazed. I had only to read a few pages to realise that it was literature, unique of its kind ... Scotts mind was like wax to receive an impression and like marble to retain it. So wrote Leonard Huxley, and he was not alone in his opinion. Scott's account of his first expedition to the Anrarctic. antarctica, antarctica - discovery and exploration, robert falcon scott 1862-1912

Ill, maps, p.24.non-fictionA history of the railway from Nelson to Dun Mountain in the North Island of New Zealand, from 1862 to 1872.railroads - new zealand - north island - history, railroads - nelson - new zealand

This painting was inspired by an original painting by Wilhelm Melby held at the National Gallery of Victoria. Melby is a Danish artist (1824-1882). It depicts a famous Devonshire coastal region famous now for its lighthouse and the pick up point for the pilot when entering waters approaching Dartmouth. The sailing vessels pre-date the construction of the famous lighthouse. Over the centuries the view would have been familiar to many sailors as they left or approached the English mainland and south coast ports in the English Channel. Madeline Mary Ravenna Lewellin (1854 – 24 November 1944) was born in Victoria to Dr John Henry Hill Lewellin, a physician, and Grace Elizabeth (née Danneby). She was one of five daughters, and the family lived in Prahran. Lewellin's brother, Captain Herbert Gordon Hill Lewellin, was a commander in the P. and O. fleet (apprentice on the Romanoff, Lieutenant RNR on the HMS Arethusa in 1899, RMS Mongolia in 1913 sunk in 1917, Naldera in 1920). She studied painting at the National Gallery School in 1879 under Eugene von Guerard. She's also known for collecting and painting specimens, and became a member of the Field Naturalists Club of Victoria in 1885. In 1884 she won a silver medal for her studies of fungi. She collected plants for Australian botanist Ferdinand von Mueller, and the variety of Dicrastylis lewellinii (Purple sand-sage) is named after her. Miss Lewellin, who had a love of the sea and ships as subject matter is listed in 1910 as a donor as a 10/6 member donating to the motor launch fund and in 1918 as a working member of the Ladies Harbour Lights Guild which involved regular volunteer shifts at the Mission to Seamen on canteen and other duties.Marine art, Maritime artThis oil painting has a dark polished wood and gold leaf slip. The painting depicts two masted boats. The choppy sea takes up the lower-third of the painting, and the other two-thirds of the image of made up of stormy grey clouds. A rocky cliff face can be seen on the right-hand side of the painting. A small church can be seen on the hillside. The ship on the left third of the painting sits on the horizon line of the sea. The centre ship with two masts appears to be leaning to the right and its deck is exposed to the viewer showing four men attempting to handle the masts and rigging. The left-hand ship with three masts is surrounded by two grey distant silhouetted mast ships. There are three seagulls at the upper left-centre of the image. There are another three gulls down on the lower-left of the image. Front: ENGRAVED PLAQUE: Start Point Light. Devonshire. SIGNATURE: After W. Melby / M.M.R Lewellin. 1875. Reverse: IN BLACK MARKER PEN: * Hang from two points * WHITE STICKER WITH CONSERVATOR DETAILS: Art Conservation Frames / 118 Bridport Street, Albert Park, VIC, 3206 / 9696 9066 / artconservationframers.com.aupainting, ships, mast, church, sea, storm, oil painting, seagulls, madeline r. lewellin, artwork-paintings, ngv, wilhelm melby, eugene von guerard, botanist, rms mongolia, captain herbert gordon hill lewellin (1862-1935), paddy lewellin, reproduction

The Silver Standing Cup was made by Ernest Leviny c1860 and presented to Mr Charles Abraham Saint, editor of the Mount Alexander Mail newspaper, by the town's citizens on his departure from Castlemaine on 31 December 1863. Mount Alexander Mail report; 23 January 1864. This substantial silver centrepiece was the second masterpiece created by Ernest Leviny around 1859. It is decorated with highly detailed cast figures, fine embossing and chasing. This work of Australian Colonial significance reflects Leviny's rich European artistic background which he successfully merged with new Australian motifs, which epitomise the great wealth, ambition and pride at that time in the emerging, young Colony of Victoria.Semi matt surface albumen print mounted on cream coloured card with border around image drawn in pencil. Albumen photograph of Silver Standing Cup (Eperne). Elaborate silver cup, with lid highly decorated with cast figures, etc.Handwritten in pencil under image: I.1 'Photo Davies & Co' I.r 'Melbourneernest leviny, silver, silversmithing, cup, london exhibition 1862, mount alexander mail, william davies, photograph, charles a. saint