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Kiewa Valley Historical Society
Crutches - Pair
Crutches are used by patients recovering from an injury to the lower part of the leg. They transfer the body weight from the leg to the torso and arms. This one is an older model.Used by a resident of the Kiewa Valley2 wooden underarm crutches with leather (?) padded underarm support. The length can be altered by taking out the 'pin' and relocating it to another hole either higher or lower.crutches, medical aid -
University of Melbourne, Burnley Campus Archives
Photograph - Sepia print, Garden View, 1916
Used as an illustration in, "Green Grows Our Garden," A.P.Winzenried p 38.Sepia photograph. View of the path and Long Border from the Principal's Residence looking towards the Summer House which can be seen in the background behind the Lily Ponds.On reverse, "Feb 1916."summer house, green grows our garden, a.p.winzenried, gardens, long border, ponds, shelter shed, lily ponds, luffmann ponds -
Bendigo Military Museum
Equipment - KNIFE, CLASP, 1977
Standard pattern of clasp knives issued since before the Second World War. Part of the Kevin John Herdman, No. 397661, Collection. See Catalogue No. 5942P for details of his service record.Stainless steel construction clasp knife consisting of a retractable blade, a can opener and spike. A screwdriver is attached to one end. The knife is attached to a khaki coloured lanyard.Stamped on one side of the knife: “(upwards arrow), 5110-66-013-1930, 1977”clasp knife, equipment, kevin john herdman -
Bendigo Historical Society Inc.
Photograph - Unknown bridge
Large black and white photograph showing a concrete bridge. Several men and women can be seen crossing the bridge, all are well dressed. Location and date unknown. bridge, bush, concrete bridge -
Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO. 3770 COLLECTION: CORRESPONDENCE
Note, dated Nov 19, 1877. Matthew Mo?ss can attend a meeting on the above date with my permission. H. L. Atkinson per JHA.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, matthew mo?ss, h l atkinson -
Bendigo Historical Society Inc.
Postcard - BENDIGO VIEWS COLLECTION: WILLIAMSON STREET BENDIGO
Black and white postcard of Williamson Street looking toward the Post Office, on the right the Shamrock Hotel, six or seven horse carriages and several persons can be seen.bendigo, streetscape, williamson street -
Kiewa Valley Historical Society
Watering Can
Possibly home made for a specific purpose requiring a long narrow spout. Used by a resident of the Kiewa ValleyOld pale green watering can with a very long spout narrowing to its end. Barrel has spout and handle attached. The opening at the top is an oblong. There is no lid.watering can, oil can -
Flagstaff Hill Maritime Museum and Village
Photograph
HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Photograph of Loch Ard Gorge. Photograph taken some distance from the Gorge. Three men in the Gorge and outlines of steps can be seen. Right hand side of the photograph is written "Loch Ard Gorge"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, photograph of loch ard gorge, photograph -
Surrey Hills Historical Society Collection
Book, Geoff Hocking, Australian Houses of the Twenties & Thirties, 1993
Australian domestic architecture of the period between the two world wars is a fascinating and complex subject. Our preconceived notions are based on the more obvious styles and impressions, so that visions of bungalows set row upon row spring to mind quickly. Influences in the designs of Australian houses of the 1920s and 1930s were extraordinarily diverse. Apart from their obvious origins, they can be traced to India, Japan, Switzerland, Holland, Germany, Italy, Spain, Mexico and even the American backwoods. Australian architects travelled to England, Europe and North America bringing back ideas and influences.Includes: index, bibliography. Australian domestic architecture of the period between the two world wars is a fascinating and complex subject. Our preconceived notions are based on the more obvious styles and impressions, so that visions of bungalows set row upon row spring to mind quickly. Influences in the designs of Australian houses of the 1920s and 1930s were extraordinarily diverse. Apart from their obvious origins, they can be traced to India, Japan, Switzerland, Holland, Germany, Italy, Spain, Mexico and even the American backwoods. Australian architects travelled to England, Europe and North America bringing back ideas and influences.Front page: Sue Barnettarchitecture, (mr) peter cuffley, dwellings, interior decoration, 1919 - 1929, 1930 - 1939 -
Port of Echuca
Black and white rectangular photograph, 1950?
The paddle steamer P. S Pevensy appears to still be a working steamer in this photograph. The boat seems a bit dishevelled and the workers are doing repairs on her, while she is still steaming up the river. If this photograph was taken in 1950, that would have been well before the development of the Tourism Industry in the Murray Darling area. This would explain the number of workers and the fact that they were doing maintenance while the Paddle Steamer was still working. She does not appear to be towing a barge, but a large tarpaulin could be covering a load for transport. This picture holds significance because it shows a paddle steamer in use before the Tourism Industry had developed in the Murray Darling region. The paddle steamer which now carries passengers every day has been renovated to cater for passengers cruising up and down the river. Here is this photograph the P.S Pevensy looks a bit dishevelled and untidy.This is a black and white rectangular photograph of the P.S Pevensey. Four people can be seen painting the wall of the cabins on the upper deck. A person can also be seen kneeling on the back deck working on something lying on the back deck. A wooden boat is nearby, also on the back deck. The boat is steaming and appears to be moving upstream. There is along pole at a 45 degree angle attached to the very front of the paddle steamer.On the front of the photograph written on the paddle steamer can't be seen the words "PEVENSEY. Melbourne." Written on the back of the photograph in lead pencil " M4414-17. K4". p.s pevensey, paddle steamers -
Kilmore Historical Society
Photograph, Sydney Street Looking South, 1912
12.5cm x 20cm black and white photograph looking south on Sydney Street. Can be seen is original building which are now demolished. Also can be seen is: Morrissey Butchers, J.Loft Railway Hotel, Bullivant, some unidentified building and the Red Lion Hotel. Also in the picture are horse drawn vehicles and people walking on the footpaths, and power poles. One copy of the image is mounted on archival board.Written on the back of the mounting: 104/1.22 20486/1-22 Looking South Sydney St Kilmore Shops now demolished on left From right Morrissey Butchers, J. Loft Railway Hotel, Bullivant ?, ?, ?, Red Lion Hotel. R.J. Fagg. 17 Link Avenue, Kilmore 3601 Written on the back of one copy: 104/1.22 22 200486/1 22 P.C. Sydney Str. looking south 1912 Kilmore Historical Societyshopfronts, storefronts, retail stores -
Ballarat Tramway Museum
Photograph - Digital image, Max Harris, "Tram shelter bottom Sturt St"
The shelter was located at the Grenville St intersection and removed/relocated during 1922. Shows the clocks that gave the tram departure times.Yields information about the tramway shelter/office at the intersection of Grenville and Sturt Streets.Digital image and report - titled "Tram shelter bottom Sturt St" of a photograph of the Sturt St shelter collected by Max Harris, the original prints now held by the Ballaarat Mechanics Institute. Item placed by the Victoria Collections. Located at the Grenville St intersection Photo shows the clocks indicating the next tram departure times on a pole in front of the building. There is a box on the base of the pole and an oil can or sand can.trams, tramways, shelters, sturt st, grenville st -
Federation University Historical Collection
Plan, Lal Lal Iron Company Steam Engine Plan, 1880s
Large original plan of an engine of the Lal Lal Iron Company. Note, this item is in fragile condition and can only be viewed exceptional circumstance. Digital image details are available "W. Watson Prectical Mechanical Engineer Draughtsman Windermere St Ballaratw. watson, lal lal, lal lal blast furnace, lal lal iron company, steam engine, lal lal iron company steam engine, plan, engineering drawing -
Federation University Historical Collection
Object, Lawyers bodkin with eye
A lawyers bodkin is like a large sewing needle with a wooden handle. Used for putting holes in documents so they can be bound together. This particular bodkin is in its original box.lawyers bodkin with eye, bodkin, lawyers bodkin -
Lara RSL Sub Branch
Hat, United Nations Timor Hat Blue, 2001 (estimated)
Used by Australian United Nation forces in East TimorBlue United Nations floppy hat with United Nations Badge on front of hat. Hat is circular and can be squashed up to fit in baggage. Made in China of cotton material.Has United Nations Badge on front of hatunited nations, timor, hat, military, army, blue, royal australian army, east timor, australian army, royal australian regiment, rar, un, cotton, made in china -
Bendigo Military Museum
Equipment - TENT, 1970
Commonly called by Soldiers, a hutchie & sometimes spelt hootchie. Item issued to Peter Ball, 3796117, refer Cat No 4704One man waterproof tent, green colour, fitted with eyelets around outside so as can be strung up at any position desired. Made from wooven nylon.Hugh Quinn Ltd 1970.military, tent, waterproof -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, FRAMED, c.1915 - 1918
The portrait is EDGAR FREDERICK DAWSON DCM, No 4472, 57th Batt AIF. Refer Cat No 893 for his Service Details & Cat No 894 for award of the DCM.Heavy timber frame with glass front. Black & white portrait of an WWI Soldier wearing a Sam Brown belt. A decoration can be seen over the left jacket pocket. Bottom R corner: Karma Bendigophotography-photographs, frame accessories, military history - army, dcm -
Ringwood and District Historical Society
Photograph, R. Pullin, Ringwood Lake 1946, 1946
Ringwood Lake 1946, photograph by R. Pullin looking across lake from east side. Maroondah Highway can be seen on right hand side with avenue of poplars. -
Orbost & District Historical Society
black and white photograph, first half 20th century
The seed bean industry was a major industry in the Orbost district for the first half of the 20th century. The total area sown with beans for seed at Orbost was estimated to be about 1000 acres. Fisher Bros, grew or supervised the growing of approximately one quarter of the bean seed produced at Orbost, and, in addition, prepared for market and sold a considerable quantity for other growers. From Newsletter February 2015 : "the Fishers took over the old Butter Factory in Lochiel Street. They had sorting tables there in the 1920s. In Orbost, the Fishers had a Shell fuel depot at the back of the bean factory. The Fishers were very enterprising people, very smart. One of their uncles is supposed to have invented the knot that was used to tie the sheaves of hay in the fields. At their Lochend Barn, they had a Blackstone engine which ran on oil. They used to light a fire under it and hot it up to start it. This engine drove all the bean machinery in the barn" The seed bean industry was a major industry in the Orbost district for the first half of the 20th century. the Fisher Brothers were a significant part of that industry.A black / white photograph tajen from a river bank. On the right behind some trees is a barn. On the left between tres is a small building. Reflections can be seen in the water.on back - "Snowy River, Fisher barn on right. Mary Gilbert"bean-industry fisher-beans snowy-river -
Orbost & District Historical Society
Memento for Vietnam Veterans National Memorial, 1990s
The Australian Vietnam Forces National Memorial is located on Anzac Parade in Canberra, the Nation's Capital. In May 1988 the Federal Government announced its support for the project. In August 1988 the first official Vietnam Veterans’ Day was held. In September, the Minister for Veterans’ Affairs, Ben Humphries, launched two television commercials designed to encourage donations and handed over a cheque for $12,500. Subsequent support from the Federal Government brought this to $250,000. However the bulk of the funds cam from public donation, together with some corporate sponsorship. The final cost for the memorial was just over $1.2 million. (info. from Vietnam Veterans association of Australia web-site)This item is significant in that it is a reminder of the history and experiences of the veterans of the Vietnam War and the enduring impact of the war on society.A framed momento of Vietnam War. Medallion is inset into red coloured card over mount board. It is double sided so that the medallion can be viewed from both sides. Silver raised lettering on rectangular black ribbon: "For Those Who Served Suffered and Died - Vietnam 1962 - 1973" Black lettering on red card: "This Commemorative Medallion was presented to the Orbost Shire Council by the Vietnam Veterans Association in recognition of the generosity of the people of the Orbost Shire, the Shire Council and the local R.S.L. in raising $1000, toward the building of the Vietnam Veterans National Memorial in Canberra. This Shire was the first area in the state to raise $1000." On front of medallion: "In Appreciation For Your Support" On reverse side of medallion: "Australian Vietnam Forces - National Memorial"vietnam-war war-momento war-plaque -
Eltham District Historical Society Inc
Photograph, John Nation, Runners competing in the Eltham Gift, Eltham Central Park, Dec 1949, 1949
Vin Hogan won the Eltham Gift 1949Black and white photograph of five runners commencing a race with two officials standing beside the track. In the background can be observed the old Henry Street extension to Central Park.eltham gift, eltham, central park -
Tennis Australia
Ball container, Circa 1975
An empty, unsealed Wilson 'Optic Yellow Championship' tennis ball can. Ring pull top missing. Has red plastic reclosure cap. Materials: Metal, Inktennis -
Tennis Australia
Ball container, Ball, Circa 1955
A sealed Wilson 'Championship Extra Duty' dome-top tennis ball can. Key winder attached to base. Materials: Metal, Ink, Rubber, Synthetic material, Wooltennis -
Tennis Australia
Ball container, Ball, Circa 1955
An unsealed Wilson dome-top tennis ball can with lid. Key and seal strip lost. Contains three unbranded cream-coloured balls. Materials: Metal, Inktennis -
Tennis Australia
Ball container, Circa 1965
An empty, unsealed flat-lid Dunlop (U.S.) 'Championship' tennis ball can and domed lid. Key winder and metal seal strip missing. Materials: Metal, Inktennis -
Tennis Australia
Ball container, Ball, Circa 1945
An unsealed Pennsylvania 'Allcort Championship Tennis Balls' can. Has domed metal lid, contains three unbranded white balls. Materials: Metal, Ink, Wool, Rubbertennis -
Tennis Australia
Ball container, Ball, Circa 1975
A sealed can of three Sears 'Butch Buchholz Autographed' tennis balls. Has intact metal ring-pull seal. Materials: Metal, Ink, Rubber, Synthetic materialtennis -
Tennis Australia
Ball container, Ball, Circa 1980
A sealed Ten Pro tennis ball can. Has intact metal ring-pull seal and a plastic reclosure cap. Materials: Metal, Ink, Rubber, Synthetic materialtennis -
National Wool Museum
Medallion, CENTENAIRE DU DELAINAGE MAZAMET, 1951
This medallion was struck to celebrate the 100th anniversary of fellmongering in Mazamet in 1951. Fellmongering - In French, ‘delainage” means, literally, ‘de-wooling'. It is the industrial process of separating wool from sheepskins. In the 19th century, the southern French town of Mazamet became the world centre of délainage and played an important part in the Australian wool industry. At one time Mazamet was reputed to be the 15th richest town in Europe, and it was said that the town’s branch of the Banque Nationale de Paris (French banking firm) was the second largest in France. At its height, Mazamet had 48 fellmongeries and imported more than 100,000 tonnes of sheepskins a year from the southern hemisphere, mostly from Australia and Argentina. It also supported numerous associated industries such as tanneries, spinning mills and clothing manufacturers. In the 1980s Mazamet’s fellmongering industry fell into decline under pressure from environmental concerns and cheap imports. The town’s last two fellmongeries closed in 2004. The town continues to have a strong relation to Australia, with street names such as, Rue de Australie, Adelaide, Brisbane, Melbourne and Sydney in recognition of a connection to the two distant lands. Today, half a century since wool importation largely ended, there remains a link to the past. Elite quality leather and woollen clothing companies such as Hermes and Chanel still source much of their stock in Mazamet. This medallion was presented to William Haughton and Co. who were one of Australia’s largest wool-buying companies of the first half of the 20th century. Wm Haughton had a major presence in Geelong and its “SKINS WOOL HIDES TALLOW etc.” signs were prominent on railways stations throughout the Western District and beyond. Haughtons had branches in all Australian capital cities, New Zealand, London and Bradford. Its agents in Mazamet were Maison Louis Maffre, an enterprise founded by M. Louis Maffre, mayor of Mazamet from 1912 to 1919. This medallion was donated to the National Wool Museum by the family of Sir Robert Southey AO CMG, former managing director of Wm Haughton & Co.Bronze medallion contained within purple case. On one side of the medallion, a mill worker is seen scraping the wool off the treated sheepskin. On the reverse the inception can be read.Wording: CRESCAM ET LUCEBO // CENTENAIRE / DU DELAINAGE / MAZAMET // 1851-1951. Smooth edge stamped with a cornucopia and the inscription BRONZEmazamet, fellmongering, délainage -
National Wool Museum
Functional object - Spinning Wheel, Philip Elford, 1976-7
Jackie Kerin's (donor's) story. In 1973, I was in my late teens and while I’d moved to Sydney from Melbourne, to begin my first year of drama studies at the National Institute of Dramatic Art. My parents had moved to Lake Bunga, a few kilometers north of Lakes Entrance (Victoria). On my first holiday visit to Bunga, I called into the Jolly Jumbuck Country Craft Centre in Bairnsdale http://jumbukwool.com.au/history. I was entranced by the place and spent the following weeks learning to spin lumpy wool on an Ashford Wheel. By the end of the holidays, I had my own Ashford and it travelled with me back to Sydney. After graduation, I returned to Melbourne and the hippy “back to nature” movement was in full swing; there were many shops and galleries selling handmade woollen items and pottery etc. So I found an outlet for my pieces. Sometime in 1976-77, I met a spinner and weaver of Swiss origin (I think) – her name was Ingeborg Guber (not sure of the spelling). She had a small gallery/shop at Brighton Beach where she worked, with her pet duck for company. Ingeborg had an upright Philip Elford wheel; an Australian wheel crafted from Acacia melanoxylon (blackwood). I was smitten and ordered one. I have a memory of Philip driving to Hampton from Ballarat to make the delivery. I used this wheel for years but as time and enthusiasm for spinning waned, the wheel became a decorative item in the house. Then in the 90s, and with my drama training, I set myself up travelling to schools and festivals, museums and galleries as a storyteller. The spinning wheel had a new life accompanying me on my adventures. For many children, familiar with references to spinning in fairy tales, seeing the little Philip Elford upright was magical. The wheel was donated to the National Wool Museum in 2021.Vertical tripod leg spinning wheel. 6 spoke wheel with three bobbins. Inscription “Philip Elford Ballart” can be read in gold text stamped to the base of the wheel. Wording, stamped, gold. Philip / Elford / Ballartspinning wheel, textile production, hobby textiles, aciacia melanoxylon (blackwood)