Black and white photograph showing entrance and piers, viewed from ocean end of pier looking north towards Kalimna, small sailing boat in entrance inside of Eastern Pier, on right amongst the timber piers is a man leaning out. Lakes Entrance Victoria waterways, piers, boats and boating

Harris Bridge – Red Bend Road Great Western.Black & white photo of Bridge. Photo is out of focus so hard to work out.Harris' Bridge Red bend Road Great Westernstawell

sand hummocks known locally as Hill 60 Sandy beach and lake in foreground Lakes Entrance Victoria. Also two black and white photographs taken from sand hummocks looking west down Cunninghame Arm c1952Black and white photograph of an area of the sand hummocks known locally as Hill 60 Sandy beach and lake in foreground Lakes Entrance Victoria. Also two black and white photographs taken from sand hummocks looking west down Cunninghame Arm c1952houses, township, topography, gippsland lakes

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the jewellery polishing cloth has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Sarah Coventry Pty. Ltd. yellow jewellery polishing cloth in a light-coloured paper envelope with pink floral designs on the front and back, as well as text on the back. Oval cut out on the front surface to show the yellow polishing cloth."Sarah Coventry / Sarah Conventry, Inc. Newark, New York 14593 Copyright 1975 / A Care Cloth to keep your Sarah Coventry jewelry looking lovely. / A quick polishing will remove dust and fingerprints. / Enjoy Sarah Coventry at its finest."sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, jewellery polishing cloths

Yields information about the interior views of the Ballarat tramcars and the driver's compartment.Six (6) Digital images taken by George Coop during the period 1968 - 1970, of the interior of trams. .1 - looking out of the open windows of a the saloon of a single trucker to the tram 28, at the City terminus. There is an Australian Symphony Orchestra interior advert. .2 - Looking through the open passenger door, with No. 17 behind. .3 - Looking from the saloon towards to the open end, no car number apparent. .4 - Looking at the driver's bulkhead with the used ticket box and a hand on the controller. .5 - View of the driver's compartment - T1F Controller, PV brake valve and "Pay as you enter" reversed. .6 - Close up of the Westinghouse T1F controller. trams, tramways, interiors, controllers, brake valves, signs, westinghouse, tram 17, tram 28

Purchased to celebrate 150 years since the publication of Charles Darwin's 'Origin of Species' , displayed in exhibition and at the Charles Darwin celebratory dinner 2009. Sent by post from UK.Made of cardboard with lightweight stand at back. Brown and white colouring for photo. Stand at back handmade.starcut outs limited SC104

Boyd writes about the National Beverage (unspecified in the manuscript). This is page 3 of unknown number of pages, thus lacking context. Seems to be a satirical take on the Australian way of life.Handwritten, quarto, 1 page. Incomplete – page 3 onlyCrossed out paragraphs and editsaustralian culture, national beverage, robin boyd, manuscript

Circa 1940's vintage fire fighrter's helmet, green in color depicting fire station rank of Lieutenant, normally the 2IC at the station. Associated with early CFA 1940's circa. Green color is for the station Lieutenant, 2IC of the station normally. Green colored metal firefighter's helmet. The Green color depicts the fire station Lieutenant, usually 2IC at the station. Partially faded out "Lieutenant". green lieutenant fire fighter helmet, 1940's vintage green fire fighting helmet cfa

Group of men women and children, seated on boulders in bush setting. Concongella Boys Day Out

Red cloth-bound, mildew staining and fading on front & rear covers. Binding largely intact but is separating at title page. Staining & discolouration on end papers. Back endpaper torn at corner. 242pp. Fair - good condition.fictionSchool reading book, Form 1 levelreading, text, children

Photo taken at corner of Arthur Street looking across to Lyon Bros. Ford dealership on site of original Lyons Garage. The new post office is visible to the right of the dealership.Two colour photographs looking diagonally across Main Road, Eltham towards Lyon Bros Ford dealership. One photo shows a 1935 Datsun driving past the gatherered crowd in the medium strip, the other shows a 1974 XB Ford Falcon utility with bunting and a sign on the side advertising ''Sausage Sizzle'eltham, festivals, main road, lyon bros ford, post office

Photo taken at corner of Arthur Street looking across to Lyon Bros. Ford dealership on site of original Lyons Garage. The new post office is visible to the right of the dealership.Two colour photographs looking diagonally across Main Road, Eltham towards Lyon Bros Ford dealership. One photo shows a 1935 Datsun driving past the gatherered crowd in the medium strip, the other shows a 1974 XB Ford Falcon utility with bunting and a sign on the side advertising ''Sausage Sizzle'eltham, festivals, main road, lyon bros ford, post office

Photos show the Yarra river and the shipping turning basin that was used prior to the construction of the Spencer St bridge. In the view are are steam hauled suburban trains, Flinders St A signal box, Queensbridge, and the wharves on either side of the river. The viaduct was expanded to four tracks in 1915. Yields information about Yarra River, Flinders St railway station yards and shipping,Set of two photographs looking west from the Flinders St Station clocktower. over the Yarra River and station yards.On rear of both prints in ink: 1 – Melbourne - West from clock tower on Flinders St station - “Town and Country Journal 21/7/1909” Copy neg Mark Plummer collections ex late John Alfred collection. .2 - Melbourne, Looking west along Flinders St from clocktower of Flinders St station. Copy neg Mark Plummer collections ex late John Alfred collection. Has “T&C 20/12/09” in pencil on rear. bridges, flinders st station, yarra river, wharves, railways, signal boxes, queens bridge, shipping

Photo taken 1910-1911 at Lake Tyrell on the way to Mittyack where Frank Preston bought a block of Mallee scrub to farm. Frank Preston on wagon looking back, his father George T. Preston Snr standing by post (difficult to see) and George Forman on horse.Black and white copy of original photograph showing a covered wagon and horses with a man looking over the wagon. A man riding behind on a horse and another man standing by a post. A lake in the background, trees and an old fence. Dry ground in foreground.lake tyrell 1910-1911., mittyack, frank preston, george t preston snr., george forman, wagon, horses

Stawell Shire Hall photograph taken around the same time as 84.13. Image shows the building painted white with no decorative fence out the front.View from the street of Stawell Shire Hall. The image is taken from the right hand side of the building showing a colourful flower bed in front of a large tree. The flag post is also out the front of the Shire Hall. stawell

Lower Main Street looking East from Railway gates. Shows four horse drawn vehicles. The photo was taken from the railway gates towards the main shopping area. The Presbyterian spire can be seen in the back ground. c1905.Sepia Postcard of a street scene the roadway is central in picture featuring 4 horse drawn vehicles. Street is tree lined with picket fence on right side of photograph. 0007a taken opposite the Diamond house looking down Seaby St. toward the railway crossing.Lower Main Street Stawell No 10. is inscribed on the front and The "Merle Studio" Main Street, Stawell on the back.stawell shops business streetscape building transport

This Cat No 5880P and the following ten Cat No's to 5890P were part of the original GRINTON PHOTOGRAPHS exhibition in 2008. Each frame follows a story from the 'War to Home' at Tragowel near Kerang, Victoria. The Grinton Collection was a large negative collection found in a tin at Myers Flat and developed from there. Frame 1. 1. Jack Grinton in full marching order. This appears to have been taken after Jack came back from being wounded the 2nd time on 31/9/1918 in the push into the Hindenburgh Line. He was away 3 months with his wounds and rejoined his unit at Visme-au-Val on 11/1/1919, a small village near Abbeville, France. he is wearing his two "Empire Wounded Stripes" on his arm. It is believed he took this photo to show what a fully kitted out digger looked like. 2. Full kit lid out, right down to a tooth brush. It is also believed this was taken to go with the above photo. Note the protective cover on the rifle trigger and magazine area. 3. Mess parade line up. From notes of Jack this could be at "Gamaches", France where the last group of 111 men of the 38th Batt in the 45th quota left to come home. They went from Gamaches to Havre then to England. 4. In "Billets" behind the lines. Note the straw on the floor. When a unit came out of the line they were billeted in farm houses, barns, sheds, homes and at times anything that would give the men shelter from the elements. Refer Cat No. 1280 for Jack GRINTONS Service Records. Photographs - black and white on paper. Four photographs top to bottom, Soldier in uniform, Full kit laid out, Mess parade line up, Billets behind lines. Frame - timber, black colour paint with glass. Mount - black cardboard. Backing cardboard with handwritten notation.On backing cardboard - handwritten in black felt tip pen "1."framed photographs, grinton collection, ww1, 38th

tall glass bottle18 What looked to be a wagon wheel

black and white photographCollins Street, (looking east) 1897

PHOTOGRAPH OF SUSPENSION BRIDGE WITH THE GOVERNMENT BRIDGE IN THE BACKGROUND.LOOKING UP LIGAR ST. E.local history, photography, photographs, bridges

Port Phillip from Point LonsdaleB&W photos of pier at Pt LonsdaleView across the Rip via Pt Lonsdale pier from the hill behind."Looking across The Rip, Point Lonsdalehistory

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Before true aerial photography became possible, photographers such as J.F.C. Farquhar were compelled to shoot their images from the highest vantage point. Here, it is presumed to be the roof of Xavier College, from which the panoramic view extends west towards the rise of Studley Park. The houses in the foreground face the southern end of Gellibrand Street. Wellington Street is at an angle to the camera with the Queen Street intersection on the near right. The wooden building behind the large horse paddock on the other side of Gellibrand Street is the Kew Recreation Hall, built 1888, demolished 1960. It was reputed to have one of the finest dancing floors in or around Melbourne. The Bowling Green at the rear of the Hall belonged to the Kew Bowling Club. Further west is the Kew Railway Station on Denmark Street, opened to the public in 1887. At this period, much of Studley Park was locked up in large landholdings, dominated by large mansions such as ‘Byram’. Bird's Eye View Looking Westkew illustrated, kew where we live, photographic books, henry kellett, denmark street, kew recreation hall, kew bowling club, wellington street

Yambuk beach digging for wormsBlack and white photograph of two people kneeling in the sand digging up sand worms for fishinglooking for worms Yambuk march 1927yambuk, yambuck, beach, worms, fishing, sea, ocean

Black and white postcard of Esplanade, showing timber sand groynes, rock wall, concrete footpath along the foreshore. Across the highway from left to right Kia-Ora House, Heyfield House, Coates Bros Garage, Robin Hood Inn, Vises Cafe, Methodist Church, Bellevue Guesthouse, Police Station, Maranui Guesthouse and Glenara Guesthouse. Lakes Entrance VictoriaLooking Along The Esplanade Lakes Entrancewaterfront, township, accommodation

Black and white postcard of west end of Bullock Island, showing rock groynes around island, wooden entrance piers in entrance to Gippsland Lakes from Bass Strait, sand dunes showing New Works houses and sheds. A tree branch across top and foreground shrubbery. Lakes Entrance VictoriaLooking towards Lakes Entrance (on front)islands, waterways, room display

From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Postcard with a drawing of a uniformed sailor boy with his hand raised over his eyes, as if to shield from the sun. White background. Handwritten message on back.Front: "Joe" (handwritten) "Looking for Bill"album, photo album, newspaper clippings, postcard, wwi, sailor, bill, joe