B+W photograph on grey board. Large group of adults + children. Outside, Trees in background. Inscription: (On board: 'Cohn Bros Victoria Brewery Company Ltd./Employee Picnic/held at 'Cherry Hill(Ravenwood)' Saturday &7th March 1903'. 'W.H. Robinson Photo Bendigo), (On Back: circular stamp 'Royal Historical Society of Victoria/ Bendigo Branch)Witt. Robinson, Bendigoorganization, business, cohn bros. limited

COPY OF PHOTOGRAPH -WEARNE FAMILY - Four people are identified in the reproduction of this photograph of approximately 40 children and adults seated and standing in garden setting: ''Seated No 5 & 6 - John Wearne, Ann Catherine Penaluna; No 7 - William John Wearne; No 8 - Katherine Wearne, wife of William John Wearne''. (Identification in terms of attached handwritten note as above).person, family, wearne

Photograph - black and white. Photograph of a wedding party. Bride standing in full length wedding dress, groom sitting on her left. Groom wearing bow tie and 3 piece suit. Looks like a family photo, parents, bridesmaids, best men, 2 young girls and a toddler. 14 adults (include bride and groom) and 3 children.R.Vere-Scott, Hannan St., Kalgoorlie, W.A.person, family, wedding portrait, cloonan family collection.

Manila Adult Tourist ticket, 1/- Card Ticket No Ba 083105. Useable on all provincial tramways. See attached sheet for more information. Card preprinted for years 1943 to 1945 and dates for Ballarat, Bendigo and Geelong. Allowed a return trip on all routes. Was punched for use on Monday Jan. 7, 1945 and used on trips 1 to 5 in Ballarat.trams, tramways, secv, ballarat, tickets, tourist ticket

The photograph is identified in an early index to LDHS photographs as "A New Year's Day picnic at Lake Burrumbeet". The people in the photograph are not identified, and the photograph is undated, however J H Morgan is known to have owned and operated the Linton "Economic Store" until 1930, so the photo may have been taken in the 1920s.Enlarged black and white copy of original photograph which has been mounted on white card. The photograph shows a group of adults and children in an outdoor setting, some are standing, some seated in a horse-drawn wagon which has "J.H. Morgan Economic Stores" painted on the side. The men in the photo are wearing jackets and ties, and everyone is wearing a hat.picnics, horse-drawn vehicles, lake burrumbeet, j h morgan, linton economic store

Block of "The Met City Saver" Concession tickets - with The Met logo. Tickets not priced. Ticket nos. A 675805 to 676000. Printed on white sheets, stapled at the top with a large staple onto a cardboard backing strip. Note the top of the tickets have a green band on the right hand side of the ticket. See also Reg item 978 for an Adult example..2 - has "5133" in black marker on the back.trams, tramways, tickets, city section, mta, the met

Light card, tickets for the 25/1/1982 "A Cavalcade of Transport" Adult ticket - white card - featuring L and T class on the ticket - 60c - Nos. 0501 and 0502 Child ticket - white card - featuring Ballarat 27 and Bendigo 18 - 20c - Nos 12203 and 12204 Tickets are un punched, have been torn from a block.trams, tramways, tickets, melbourne pageant, tram cavalcade, melbourne, australia day

From the outset the Ithacan Philanthropic held at least one family picnic a year. They either took place at a popular seaside locations or at popular picnic sites in the nearby hills around Melbourne. The first annual picnic was held in 1918. The Ithacan Greeks worked long hours in family food and restaurant businesses in Melbourne. On Sundays the shops were closed so it was seen as an opportunity to relax outdoors away from the city. The Ithacan Philanthropic Society continues this tradition holding an annual picnic in late summer.A black and white panoramic photograph of a large picnic group of men, women and children standing in an open area with trees around the perimeter. Eight children are sitting on the ground in front of the adults and a group of ladies are sitting on a bench to the left of the group. Some of the party are holding long walking sticks which must have been used when they went on a hike or walk.families, picnics, leisure time.

number in album 03608.01Colour photograph small group, three adult instructors Joyce Robinson LEGC, Virginia Kenworthy E G Captain, Melissa Fraser frofm Sale, and five children, Nicole Twite, Meaghan Cook, Katie Knorr, Kate Brady and Phillipa Davies, East Gippsland Junior Girls Golf Camp at Golf Club. Lakes Entrance Victoriagolf club, sports

Knox Pharmaceuticals Ltd is a UK registered pharmaceutical wholesaler that offers a wide range of prescription, non-prescription and other pharmacy related items. Knox Ltd are licensed to supply pharmacies, hospitals, clinics and other healthcare providers; both in the UK and overseas. Since 1989, we have grown into a large and successful pharmaceutical distribution company based in Ripon , UKAn empty brown glass bottle that contained ;Mendaco' tablets used for treating Asthma, Bronchitis and Hay Fever.Front ; MENDACO / for / Asthma / Bronchitis / Hay Fever / 3/- size / Made in Australia for / THE KNOX DRUG CO. /(Pty Ltd ) Distributors / Melbourne, Sydney, / Wellington. Left side ; Contains ……. Right side ; SAVE MONEY / ……….By purchasing the larger sizes……… Back; DIRECTIONS / Adult dose ….. Children dose ……..Base: A F583 Mpharmacy, medicines, the knox drug company pty ltd, melbourne, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, asthma, mendaco

Growing up in Sandringham, Joy Bosomworth learned to sew at the knee of her mother Elsie Myra Keefer, a seamstress. By the time she was an adult, she was making most of her own clothes. She made this shot velvet evening dress, along with a matching stole and bag, in 1961 to wear to a ball at the Royal Melbourne Hospital, where she worked as a radiographer. An evening outfit consisting of a matching dress, stole, bag and gloves. Sleeveless one-shoulder evening dress of blue velvet shot with metallic red. The dress is gathered at the proper left front waist and is lined with red synthetic fabric. Fastens with a zip and hook at the side. Stole of blue velvet shot with metallic red, lined with red synthetic fabric. Handbag made from blue velvet shot with metallic red. The bag has a gold metal frame and clasp, with a shot gold metal chain attached. The interior is red synthetic fabric, with a single side pocket. Elbow-length red nylon evening globes.joy myra bosomworth, joy myra keefer, evening dress, ball gown, 1960s

This wooden box and other small gifts were given to performers at Carols by Candlelight as a small thank you for donating their time and talents at the concert. The Carols by Candlelight logo of two candle adult shaped figures stand beside a smaller candle child shaped figure, with the words 'Carols by Candlelight 2001' arching over the top of the figures and 'RVIB' at the base of the figures.1 dark brown wooden box with hinged lid and green lining on baseCarols by Candelight 2001 RVIBcarols by candlelight, royal victorian institute for the blind, fundraising

Legacy have many programs to send young junior legatees on activities, camps and outings. The photos show junior legatees before or after a balloon ride. There are more photos of the event, a note with the photos say it was 'Ballooning weekend at Benalla 2003'. An adult in the back left of the photo appears to be Legatee Tony Parkes who was President in 2002 (to March 2003).A record of a Legacy providing experiences for the junior legatees.Colour photo x 3 of junior legatees beside a balloon basket.Printed on the back 'No.15A', to 'No.17A' which are the image numbers.junior legatee outing, ballooning, tony parkes

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Long, white cotton christening gown, ornamented with a v-shaped panel of lace on the bodice. Lace is also used on the upper part of the short sleeves and on the neckline. The fabric of the skirt is gathered below the waist.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.A white cotton and lace christening gown. The primary decorative elements of the gown are at the front which includes multiple layers of lace on net that extend from the neck to the hemline, which are then bordered with ruffles of the same lace. The bodice has a high neck, bordered with lace, and two short sleeves.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Long, white muslin christening gown. The gown features lace on the front of the bodice, neck, and on the short, puffed sleeves. The skirt at the front has pleating separated with inserts of lace and horizontal hanging scalloped bands of lace christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Simple fine, white cotton petticoat used underneath an outer christening gown. The petticoat uses the same silhouette as the gown. The sleeveless bodice is held up by shoestring straps at the shoulder. Gathered fabric at the waist creates volume as an undergarment. Six bands of decorative horizontal pleating are used in the lowest section of the skirt as well as a scalloped hem.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Long, white cotton christening gown. Handmade featuring lace on the layered short sleeves, as well as at the neckline. The gown has a tie above the waist. The bodice is designed to form a number of horizontal and vertical panels, most prominently including tapered pleating at the front. The fabric comprising the skirt is gathered at the waist, allowing the full skirt to flare towards the hem. The lower part of the dress features a scalloped double hemline above which are four bands of folded fabric.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Long, white cotton christening gown featuring an elaborate hand-worked bodice. The bodice has diagonal bands of lace as well as sections of fabric that imitate the effect of a bolero. These, as well as the sleeves are also hand embroidered and bordered with tatted lace. The fabric is finely gathered below the waist. The lower part of the gown includes inserted bands of different kinds of lace. The longer sleeves might indicate that the gown was made for an older infant. christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Very long, white cotton christening gown. The bodice is distinguished by an intricate panel of handmade lace that forms a semi-circle at the neck. On either side of the lace insert are folded lapels, each bordered with lace. The short sleeves are constructed of two overlapping pieces of fabric. Below the waist the fabric is pleated to allow for the large amount of fabric in the skirt to flare outwards. The extraordinary detail within the gown is extended to the lower section of the skirt where the maker has created five pleated bands, each comprising four layers. The hem also features a band of lace. christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Long, white cotton christening gown. The bodice includes a number of pieces of lace, most notably a panel of broderie anglais at the centre of the bodice. Bands of lace are also used at the neck and on the sleeves. The skirt is gathered below the waist allowing the fabric to form folds.The lower section of the skirt five pleated bands and a hem also created from broderie anglais.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.A long, white cotton christening gown designed and made using a number of decorative elements. These include an embroidered lace v-shaped insert at the front of the bodice that extends below the waist. Bands and layers of lace are also used at the neck and on the double-panelled sleeves. A broad band of lace has been used to form the waist, below which the fabric of the skirt is very finely gathered. The front of the skirt includes thirty-two horizontal pleated bands. christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.A handmade, sturdy white cotton christening gown. The bodice is made from a number of separate pieces of fabric. At the front there is a flat, pleated panel that extends well below the waist. The longer half-length sleeves are attached to the neckline rather than from a shoulder. Each sleeve is bordered with crocheted lace. Crocheting is also used as a decorative element on the front of the tie. The skirt is simply hemmed. christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.A sturdy white cotton christening gown that confirms to a number of conventional design rules. These include pleating on the bodice and at the front of the skirt. The width of the pleats below the waist would indicate a later rather than earlier manufacture. Lace is used in a vertical band at centre front, on the neck and at the waist. christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.The christening gown of Dione McIntyre, local architect and life member of the Kew Historical Society. The colour and fabrics used in the gown were recycled from Ilma Diamond's [her mother's sister] wedding dress, when she was christened in 1931. As the smallest of the christening gowns in the collection, this would indicate that she was baptised at a very early age. The fragile baptismal gown is made from a silk slip, above which is an outer layer of embroidered net separated by bands of chiffon. The lace at the hem is also scalloped.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life, mcintyre collection, dione mcintyre

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Long, white cotton christening gown. The high necked, short sleeved bodice has a number of decorative elements. These include two panels of fabric, the lower of which includes pleating, and inserts of lace that extend beyond the waist. Ties extend from the front to the back of the bodice. Lace is also used on the neckline and on the edge of the folded sleeves. The skirt is pleated at the front extending to the hem.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Long, fine white cotton christening gown. The short bodice includes a v-shaped lace insert bordered by a scalloped collar. Lace is also used on the neckline, short sleeves, and hem. The lace on the sleeves is attached in rows of overlapping fabric. The fabric below the high waistline is gathered to produce a full long skirt.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

part of WW2 medical kitBrown coloured square sided glass bottle with paper label and black screw topFront Label Sanax Castor Oil; Soothing application for the eyes or as an aperient Side label; Externally - for eye burns or eye irritation, drop freely into the eye. A suitable application for caustic burns Side label; Internally - Adult dose as a pugative, 1 to 2 tablespoons. A valuable remedy for inflammation of the bowels, colic, diarrhoea etc.

During World War One Tim Tovell of the No. 4 Squadron RAAF befriended a French orphan known as Henri or Digger. The child became an unofficial mascot, was given a custom made AIF uniform, and at the end of the war was smuggled back to Australia. As an adult Henri was killed in a car accident and is buried at Fawkner Cemetery, Victoria. Members of the No 4 Squadron subscribed for a memorial stone.Five black and white image. Top Left, Digger and his adopted father Tim Tovell, and the oats bagged he was smuggled in. Top right: Defence training at Hurdcott. Centre: Henri as an unofficial member of the AIF. Bottom left: Henri as a member of the RAAF. Bottom right: The last resting place of Henri/Digger at Fawkner Cemetery. The statue depicts Henri as he was when he first came to the 4th squadron. henri, digger, aif, raaf, tim tovell, no 4 squadron, fawkner cemetery, world war one, flight, aeroplane, hurdcott