RMS Queen Mary a retired ocean liner by 1971 that sailed primarily on the North Atlantic Ocean from 1936 to 1967 for the Cunard Line (known as Cunard-White Star Line when the vessel entered service ( Wikipedia) Maritime ArtLong framed unglazed landscape format painting predominantly depicting in foreground an ocean liner painted black hull and white superstructure with three funnel stacks painted red with black trim, under full sail against a blue sky. The back of the painting is covered with brown paper in places damaged. Hangs on a cotton cord threaded between two screw in eyelet hooks. Brown paper backingat lower right corner single uc word in white paint : "CV WRIGHT (artist symbol of crossed anchors) / 3 ? '71"marine painting, ocean liners, rms queen mary, royal mail ships, p & o steamships, ww2, artwork-paintings, hobbies, bosun, c.v. wright

The Mission to seamen provided special services and support for cadets and officers of the merchant fleets. Officers had access to accommodation at the Mission and were encouraged as senior crew to improve pastoral and counselling skills that may benefit crews at sea. Padre Oliver is in his office, holding the book: Clanbrae: A Golfing Idyll by Pentland PeileThis image depicts Chaplain Oliver and three young seafarers possibly all officers / cadets (one is wearing a Merchant Navy badge) at the Mission circa 1944. Unclear if any of these men were related to Frank Ware.Black and white photograph depicting Padre Oliver, holding an open book and three seamen, one in naval uniform standing and two other men seated next to the Padre. A Mission to Seafarers Flag is in the background. mission to seafarers, frank ware, frank oliver, padre oliver, merchant navy, mn, clanbrae a holding idyll, josephine atkinson

On 18 May 1937, Lord Huntingfield, Governor of Victoria (14 May 1934 – 4 April 1939) layed the foundation stone of the last of the missions built in Melbourne. The Mission to Seamen, Port Melbourne opened in December 1937, superceded the original 19th C building and service point in Port.Demolished in the late 20th C by developers the building was of architectural significance and funded originally by Alfred Nicholas who gifted 18,000 pounds. An indicator of the importance of shipping and seafarer welfare as regarded by Industry and business during the interwar years of the 1930s. This photograph is a record of the founding of the building. The stone is now part of the bluestone wall on Beach Road, Port Melbourne. The Mission was given the name: George V Memorial Institute, and the concert hall was given the name Huntingfield Hall.A black and white photograph depicting the laying of a foundation stone. Photograph of two clergymen standing to one side of the Governor of Victoria (1934-1939), Lord Huntingfield, who is holding a trowel in his left hand. A foundation stone, resting on a low brick wall is thought to be the granite foundation stone of the Port Melbourne Mission. A small crowd of approximately 21 people are gathered behind the wall. Back of photograph stamped, "Herald Feature Service Melbourne".port melbourne, beach road, lord huntingfield, art deco, alfred nicholas, foundation stone, trowel, harry a. norris, george v memorial institute, port melbourne mission, 1937

Nineteen page booklet with blue cover. The booklet describes a brief account of the development of this Mission to Seafarers from its foundation in England in the 19th Century as the Mission to Seamen to its work today. It is illustrated with photos and engravings.booklet, caring, story, mission to seafarers, headoffice

Built in England in 1881 by Robert Steele & Co., Greenock, it was first called Routenburn. It was sold to a Swedish Company and renamed Svithiod in 1905, and Beatrice in 1922. The four-masted iron barque was one of the last full-rigged clippers to sail. The barque was the oldest vessel on the Baltic-Australian run. On her maiden voyage (as Routenburn) she made a fast passage to Melbourne in 1881, her freight then being new settlers bound for the gold fields. In 1929, its last trip to Melbourne, it was bringing Baltic timber tor Messrs. John Sharp and Sons. It was one of the last wool clippers. It won the Grain Race in 1923 and 1925. The ship was broken up in 1932. There are several images of the Barque Beatrice in the MTSV Collection. Mounted Sepia photograph of the bow and figurehead of the Barque Beatrice. "PH-521" Lwr left corner on mount in handwritten ink Barque Beatricebarque beatrice, figureheads, windjammers, iron barque, sweden, greenock, routenburn, svithiod, wheat race, grain race, crews and ships

The Beatrice was a Swedish barque, one the last windjammers. An extremely active practice of clipping Marine topics and images from newspapers and journals has resulted in a body of material about the history of the shipping industry and maritime movements in and out of Melbourne.Discoloured newspaper cutting (undated) with the 'Beatrice' figure head and part of the bowsprit in the foreground and the steamship Runic in the background.The image contrast the old and the new - sail and steam. barque beatrice, mv runic, windjammer, windjammers, grain race, wheat race, sweden

This is a photograph of crew members that formed the football team of the S.S. Tasmania. Taken place on the deck of the ship, it is a snapshot in timeAn addition to the collection of crew photographs in the MTSV Collection with all crew members featured in the image named and dated with name of ship making it a useful research and reference image.Black and white photograph of S.S. Tasmania football team in 1922. The photograph is mounted onto a grey green cardboard frame with the text, 'S.S. "Tasmania's" Football Team 1922' on the top. The bottom reads, 'The Happy Thirteen', handwritten in black ink. The photograph itself is of 13 men in three rows, 6 on top row standing, 4 in the middle row sitting on a bench and 3 on the bottom row sitting with their legs crossed. All men have their arms crossed across their chest. On either side of the front row is a lifesaver with the text "S.S. Tasmania/Plymouth". The men are posed on the ships deck. On front mount with photograph: 'S.S "Tasmania's" Football Team 1922' / The Happy Thirteen Inscribed back:of mount names in ink : Thomas Holohay / William Bridges / James. H. Stone / George Angus / James Arthurs / George Arthurs / C. Quinell / C. (Lawrence/labence ?) / W. Manon / M. Zard / I. Ancell LT/JL ?. Chipperfield / F. Franksuniform, team, s.s. tasmania, 1922, football, crew, life buoy, crews and ships

This is a photograph of crew members on the S.S. R-? Norvag. Inscription and Exact name of ship to be checked..Black and white photograph of S.S. R-? Norvag crewmen in suits and caps or fedoras . The photograph has been mounted onto a cardboard frame. The bottom reads, 'S.S. r-? Norvag" handwritten in black ink. The photograph itself is of 9 men in two rows, 5 on top row standing and 4 in the bottom row sitting on a bench.The men are posed on the ship's deck. On front with photograph:: S.S. Rine-? of Norvag Lwr r. corner very faint in pencil: E.T Lake photo. Lincoln inn , CH-? William Street / Melbnorvag, s.s. norvag, crews and ships

The original artwork painted by William Yates Holt Titcomb (1858-1930), an English artist specialist in religious subjects, is located in Clifton College Chapel, Bristol, England (visible in their virtual tour online). The original title draws on the Giving of Communion words: The body of our Lord Jesus Christ, which was given for you, preserve your body and soul unto everlasting life. Take and eat this in remembrance that Christ died for you, and feed on him in your heart by faith with thanksgiving. The blood of our Lord Jesus Christ, which was shed for you, preserve your body and soul unto everlasting life. Drink this in remembrance that Christ's blood was shed for you, and be thankful. The body of Christ. The blood of Christ. The body of Christ keep you in eternal life. The blood of Christ keep you in eternal life. The body of Christ, broken for you. The blood of Christ, shed for you. The bread of heaven in Christ Jesus. The cup of life in Christ Jesus.FigurativeReproduction ( Lithograph?) framed mounted and glazed print. The image shows a group of soldiers kneeling before a makeshift altar during World War One in Flanders field with a Red Cross flying on a flag pole at the far right of the composition. A Union Jack flag is being used as an improvised altar cloth. A priest or chaplain in a surplice, also a soldier , administers the sacrament to the reverent congregation. The print is glazed with a substantial window mount and housed in a dark wood frame with eyelet screws and very rusted hanging wire.Preserve Thy Body + Soulpainting, world war one, ww1, wwi, soldier, priest, altar, union jack, red cross, red cross flag, titcomb, andre sleigh and anglo ltd, clifton college, royal academy exhibition, 1915, preserve thy body and soul, reproduction print, the soldiers' communion, william yates holt titcomb (1858-1930), artwork-paintings

The Ladies' Harbour Lights Guild originally inspired by the Central Mission in England was established in Melbourne in 1906. The first secretary Miss Ethel Godfrey is known to have addressed and helped establish LHLG groups in Brisbane and Sydney circa 1918 to 1920 (see clipping MTS scrapbook 1906-1935). This badge therefore represents a link with LHLG groups elsewhere in Australia. The LHLG groups were vital in raising funds and maintaining facilities around Australia for seafarers. This badge is an early Queensland variation on the usual circular badge of the LHLG.Enamel badge with back fastening: The Ladies' Flying Angel Guild in the form of a blue enamel "Q" with the flying angel flag (see also notes on reverse).At the front: The Ladies' Harbour Lights Guild. On reverse stamped in upper case the word "SILVER" and initials "W.B." (possibly W.Blake?)badge, lhlg hostesses, ladies' harbour lights guild, queensland, brisbane, mission to seafarers, seafarers

The man is possibly a ship master or captain and the photo of the couple depicts also his wife. Studio photographic portrait of two people: female standing dressed in black? formal attire, arm leaning on seated male also formally dressed in 3 piece suit with watch chain and bowler hat.skipper, captain, ship master

This poster dates from a time when the Geelong Mission was based more centrally. The Mission currently operates from Corio Bay. The poster demonstrates the type of entertainment and activities available mid twenty century. The poster also indicates another name by which the Mission was known ie. King Edward VII Sailors' Rest.This document is indirectly related to the object MTSV_0617. Representing the close links of the Mission to Seafarers over the last century with British Merchant Shipping and Seamen.Poster for facilities available at King Edward VII sailors' rest in Geelong.Pencilled alterations.poster, seafarers, mission to seafarers, seamen rest, geelong, british sailors' society, entertainment, king edward vii sailors' rest, sailors, seamen, entertainments, canteen, dances, concerts, library, lounge, recreation

This portrait could be of Captain Daniel McCallum. In the Williamstown Chronicle dating back Saturday 16 March 1895 we could read: " An interesting ceremony will be performed at the Sailor's Rest next Thursday 21st. inst., when a large photo of the late Captain D. McCallum (which has been presented to the Rest) will be unveiled, in the presence, it is expected, of several of those who assisted Captain McCallum in his good, work amongst the sailors, and others who were closely connected with the Mr Ronald Reid a will supply the musical part of the pogramme." Captain McCallum was secretary of the Williamstown Sailors' Rest, located in Ann Street, and had himself saved the rest paying some of its debt. He died in 1887.Many portraits of supporters were unveiled in the several buildings of the Mission. Sadly few reached us and are difficult to identify.Studio portrait of a man sitting, with moustache, wearing a 3 piece suit with buttonhole spray, walking cane ad bowler hat.Signature in red ink in the bottom right corner: "CHUCK-artist"portait, bowler hat