Showing 957 items
matching houses and housing
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Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 2/9 Tasman Ave., Nunawading, circa 2000
A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 2/9 Tasman Ave., Nunawading This property is listed as having sold for $160,000 in 2006 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a semi detached brick house on a sub-divided lot, with a driveway on right leading straight to a connected garage, and sweeping to the left up to the garage for the front property.2/9 Tasman. Nunawadingwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 27 Citriodora Walk., Vermont South, 1993
A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 27 Citriodora Walk., Vermont South This property is listed as having sold for $157,000 in 1993 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house with a concrete footpath in front and along the right hand side leading to a back gate in the background. There is greenery along long the left, right and bottom edges of the drawing. There are two hole punch holes just below centre of the upper edge27 Citriodora Walk., Vermont South Margaret Picken - 93 Woodards - Kewwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 2/3 Centre Rd., Vermont South, 2001
A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 2/3 Centre Rd., Vermont South This property is listed as having sold for $207,000 in 2001 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house with a concrete footpath in front and along the right hand side leading to a back gate in the background. There is greenery along long the left, right and bottom edges of the drawing.2/3 Centre Rd., Vermont South Margaret Picken © 2001 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 3 Coringa Close., Vermont South, 1992
A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 3 Coringa Close., Vermont South Although drawn for sale in 1992, this property is listed as having sold for $98,000 in 1996 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house. To the left is a driveway leading to a gated carport, connected to the house. In the foreground is a front lawn either side of the driveway, with garden beds in front of the house. There are two hole punch holes just below centre of the upper edge3 Coringa Close., Vermont South Margaret Picken - 92 Woodards - Kewwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 274 Springfield Rd., Nunawading, 1994
A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 274 Springfield Rd., Nunawading Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story house, on the left is a driveway leading into the background. While in the right foreground is a front garden, with a path to the front door.274 Springfield Rd., Nunawading Margaret Picken -92 Woodards -whitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 49 O'Shannassy St., Nunawading, 2003
A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 49 O'Shannassy St., Nunawading This property is listed as having sold for $290,000 in 2003 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story weatherboard house. On the right is a driveway leading to a back gate. In the foreground on the left is a front yard, with garden beds edging a lawn. There are two holepunch holes on just under the upper edge.49 O'Shannassy St., Nunawading Picken - 2003 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 35 Shady Gve., Nunawading, 2004
A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 35 Shady Gve., Nunawading This property is listed as having sold for $500,000 in 2004 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house. A driveway on the left leading to a carport, with winding foot path leading to the front door. In the foreground on the right is a front yard with garden bed edging.35 Shady Gve., Nunawading Picken © 2004 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 8/20 Springfield Rd., Nunawading, 1997
A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 8/20 Springfield Rd., Nunawading This property is listed as having sold for $135,000 in 1997 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a two story semi-detached brick house. With a joint driveway on the right leading to an built in garage, which is connected to the neighbours garage. On the left is a garden bed in front of the front door. There are two hole punch holes centre of the upper edge363 Springfield Rd., Nunawading Margaret Picken - 97 Woodards - Balwynwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 1/89 Springfield Rd., Nunawading, 1994
A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 1/89 Springfield Rd., Nunawading This property is listed as having sold for $135,000 in 1997 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a two story semi-detached brick house. With a joint driveway on the right leading to an built in garage, which is connected to the neighbours garage. On the left is a garden bed in front of the front door. There are two hole punch holes centre of the upper edge363 Springfield Rd., Nunawading Margaret Picken - 97 Woodards - Balwynwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 254 Springfield Rd., Nunawading, 2001
A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 254 Springfield Rd., Nunawading This property is listed as having sold for $220,000 in 2001 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house with a sloping roof. On the left is a driveway leading to an connected garage. In the foreground isa horizontal timber fence, which is enclosing a front garden on right.245 Springfield Rd., Nunawading Margaret Picken © 2001 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 363 Springfield Rd., Nunawading, 1997
A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 363 Springfield Rd., Nunawading This property is listed as having sold for $90,000 in 1997 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story weatherboard house. On the right is a driveway leading to separate garage in the background. In the left hand side foreground is a front yards with garden bed edging, and large gum tree.363 Springfield Rd., Nunawading Margaret Picken - 97 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading -
Greensborough Historical Society
Booklet, Commonwealth Department of Housing and Construction, Defence Force School of Music Watsonia Barracks, 1984
This booklet describes the new building at the Defence Force School of Music at Watsonia Barracks, including the upgrade to Meares House. Colour printed booklet with text and colour photos.watsonia army barracks, army school of music, simpson army barracks -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 6 Judy Crt., Vermont, 2001
A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 125 Jolimont Rd., Vermont This property is listed as having sold for $225,500 in 2001 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house, with a driveway on the left leading to a connected garage in the background. In the foreground is a front yard with garden beds edged with stone boarders. There are two hole punch holes just below centre of the upper edge6 Judy Crt., Vermont Margaret Picken © 2001 Woodards - Blackburnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 5 Manhattan Square., Vermont, 1995
A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 6 Lusk Dve., Vermont This property is listed as having sold for $136,000 in 1995 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a single story brick house with a path up to the front door from the footpath in the foreground. On the left is a front lawn, and on the left is a timber fence enclosing the other half of the property frontage. There are two hole punch holes just below centre of the upper edge5 Manhattan Square., Vermont Margaret Picken - 95 Woodards - Balwynwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 16 Morack Rd., Vermont, 2000
A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 16 Morack Rd., Vermont This property is listed as having sold for $240,000 in 2000 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a brick single story house. On the left is a driveway leading to a connected garage, while to the right in the foreground is a front lawn, with a couple of gumtrees.16 Morack Rd., Vermont Margaret Picken © 2000 Woodards - Balwynwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 99 Newry St., Fitzroy, 1991
A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 99 Newry St., Fitzroy. This property is listed as having sold for $148,000 in 1991 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a single story brick row house with bullnose veranda. In the left foreground is a small front garden with gumtree, and on the right is a tile path to the front door. 99 Newry St., Fitzroy Margaret Picken -91 Woodards - Camberwellwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, camberwell, fitzroy -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, Units 1+2/2 Lusk Dve., Vermont, 1994
A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 125 Jolimont Rd., Vermont This property is listed as having sold for $124,000 in 1994 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of two single story brick houses, one behind the other. There is a driveway on the left leading to the house at the back of the block, with paths up to the front doors. In the foreground on the right is a front lawn, and a brick post box. There are two hole punch holes just below centre of the upper edgeUnits 1+2/2 Lusk Dve., Vermont Margaret Picken - 93 Woodardswhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 6 Lusk Dve., Vermont, 2002
A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 6 Lusk Dve., Vermont This property is listed as having sold for $270,000 in 2004 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a single story brick house. On the left is a driveway leading to a gated garage in the background. While in the right foreground is a low stone fence enclosing a front yard with hedging. There are two hole punch holes just below centre of the upper edge6 Lusk Dve., Vermont Margaret Picken © 2002 Realatorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 45 Nurlendi Rd., Vermont, 1991
A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 99 Newry St., Fitzroy. This property is listed as having sold for $148,000 in 1991 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a ingle story brick house with veranda across the frontage, on the left it forms a carport in front of the connected garage. In the foreground on the left is the driveway, while on the right is a front garden enclosed by a wrought iron fence.45 Nurlendi Rd., Vermont Marg. Picken '88 Woodards - Boxhillwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south -
Warrnambool and District Historical Society Inc.
Administrative record (collection) - Documents relating to house in Warrnambool, 1951
Collection maintained by daughter of original owner.Historical reasonsCollection of items in folder in chronological orderCorrespondence from Government and legal sourceswarrnambool housing post world war twowarrnambool housing post world war two -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph - Lakes Entrance, 1993c
Red brick house on right O'DonnellsColour aerial photograph of Blair Road showing first few dwellings of housing estate Tarra Landing in background Lakes Entrance Victoriaaerial photograph, township -
Eltham District Historical Society Inc
Negative - Photograph, View towards Main Road, Research from Maroondah Aqueduct Trail showing mudbrick manufacture, Research Industrial Estate, 1991
... houses ...Eltham Little Theatre in centre distance and new housing estate development off Reynolds Road in distanceRoll of 35mm colour negative film, 9 strips Colour print 10 x 15 cmFuji HG 200 CA-1eltham little theatre, houses, main road, maroondah aqueduct, maroondah aqueduct trail, mudbrick, mudbrick construction, research (vic.), research industrial estate, reynolds road -
National Wool Museum
Document - The Fading Dream of Australian Home Ownership, Design and Photograph, Judy Turner, 1989
‘The Fading Dream of Australian Home Ownership’ was made by Judy Turner in 1989 for her son Nicholas (then 14 years) after a family discussion about mortgages and rising interest rates (17% at the time), out of concern for his generation. “Perhaps this will keep my son warm when he can’t afford a house”, wrote Judy at the time. As a quilting teacher for over thirty years, Judy was well aware of the ‘wagga’ tradition of making do with what you have and reusing resources to make something useful. The quilt was made using approximately 270 different men’s woollen suiting samples. The fabrics in the quilt were a gift from Micheal Haze who was a travelling men’s ware salesman and friend of the artist’s late husband. The suiting samples were used just as they were, without cutting, and are stacked liked house bricks. The pieces have been machine pieced and tied. The quilt has woollen backing, with no batting. Judy’s son Nicholas, always interested in drawing, and keen to see what his mother was making, helped with the drawing and design of the house. The quilt has been exhibited in Canberra, Armidale and Sydney and featured in publications in Australian and Japan. Judy’s work has been exhibited Nationally and Internationally, including in Japan, Korea, Germany, Switzerland and the United States of America. Judy’s work has featured extensively in publications around the world, and has received many awards. Her work is held in public and private collections across Australia and the USA. As well as a successful career as an artist, Judy spent three decades imparting skills to the next generation as a patient and skilled teacher. ARTIST STATEMENT The medium of my artistic practice is quilt making and my focus is the use of colour and speedy, accurate and efficient methods of making successful quilts. In 1995 I developed an original technique of applying woollen yarn to a woollen background, focusing on the subtle blending of colour to express an idea. Author of Awash With Colour (1997) and co-author with Margaret Rolfe of Successful Scrap Quilts (2002).Folio page depicting three items attached to a black card background. One item is a title written in black ink on white background, another is a photograph of a quilt, the third shows a hand drawn sketch of a house with a verandah.Front: [handwritten] 95 / Judy Turner / The fading dream of / Australian Home Ownership. / Initial sketch while / deciding how to depict / the Fading Dream of / Australian Home Ownership.quilt, wagga, home, house, housing affordability, design -
National Wool Museum
Textile - Quilt, Judy Turner, The Fading Dream of Australian Home Ownership, 1989
‘The Fading Dream of Australian Home Ownership’ was made by Judy Turner in 1989 for her son Nicholas (then 14 years) after a family discussion about mortgages and rising interest rates (17% at the time), out of concern for his generation. “Perhaps this will keep my son warm when he can’t afford a house”, wrote Judy at the time. As a quilting teacher for over thirty years, Judy was well aware of the ‘wagga’ tradition of making do with what you have and reusing resources to make something useful. The quilt was made using approximately 270 different men’s woollen suiting samples. The fabrics in the quilt were a gift from Micheal Haze who was a travelling men’s ware salesman and friend of the artist’s late husband. The suiting samples were used just as they were, without cutting, and are stacked liked house bricks. The pieces have been machine pieced and tied. The quilt has woollen backing, with no batting. Judy’s son Nicholas, always interested in drawing, and keen to see what his mother was making, helped with the drawing and design of the house. The quilt has been exhibited in Canberra, Armidale and Sydney and featured in publications in Australian and Japan. Judy’s work has been exhibited Nationally and Internationally, including in Japan, Korea, Germany, Switzerland and the United States of America. Judy’s work has featured extensively in publications around the world, and has received many awards. Her work is held in public and private collections across Australia and the USA. As well as a successful career as an artist, Judy spent three decades imparting skills to the next generation as a patient and skilled teacher. ARTIST STATEMENT The medium of my artistic practice is quilt making and my focus is the use of colour and speedy, accurate and efficient methods of making successful quilts. In 1995 I developed an original technique of applying woollen yarn to a woollen background, focusing on the subtle blending of colour to express an idea. Author of Awash With Colour (1997) and co-author with Margaret Rolfe of Successful Scrap Quilts (2002).Quilt featuring block pieces in tones of grey, blue, tan and brown, graduating in light to dark tones from top to bottom. The top third features a house with a verandah.quilt, wagga, home, house, housing affordability, design -
National Wool Museum
Document - The Fading Dream of Australian Home Ownership, Design and Fabric Sample, Judy Turner, 1989
‘The Fading Dream of Australian Home Ownership’ was made by Judy Turner in 1989 for her son Nicholas (then 14 years) after a family discussion about mortgages and rising interest rates (17% at the time), out of concern for his generation. “Perhaps this will keep my son warm when he can’t afford a house”, wrote Judy at the time. As a quilting teacher for over thirty years, Judy was well aware of the ‘wagga’ tradition of making do with what you have and reusing resources to make something useful. The quilt was made using approximately 270 different men’s woollen suiting samples. The fabrics in the quilt were a gift from Micheal Haze who was a travelling men’s ware salesman and friend of the artist’s late husband. The suiting samples were used just as they were, without cutting, and are stacked liked house bricks. The pieces have been machine pieced and tied. The quilt has woollen backing, with no batting. Judy’s son Nicholas, always interested in drawing, and keen to see what his mother was making, helped with the drawing and design of the house. The quilt has been exhibited in Canberra, Armidale and Sydney and featured in publications in Australian and Japan. Judy’s work has been exhibited Nationally and Internationally, including in Japan, Korea, Germany, Switzerland and the United States of America. Judy’s work has featured extensively in publications around the world, and has received many awards. Her work is held in public and private collections across Australia and the USA. As well as a successful career as an artist, Judy spent three decades imparting skills to the next generation as a patient and skilled teacher. ARTIST STATEMENT The medium of my artistic practice is quilt making and my focus is the use of colour and speedy, accurate and efficient methods of making successful quilts. In 1995 I developed an original technique of applying woollen yarn to a woollen background, focusing on the subtle blending of colour to express an idea. Author of Awash With Colour (1997) and co-author with Margaret Rolfe of Successful Scrap Quilts (2002).Folio page depicting three items attached to a black card background. One item is a red, blue, black and white textile sample, another is a hand drawn sketch of a house, the third shows hand written text on lined paper in black ink.Front: [handwritten] Final / design / for housequilt, wagga, home, house, housing affordability, design -
National Wool Museum
Document - The Fading Dream of Australian Home Ownership, Letters, Judy Turner et al, 1991
‘The Fading Dream of Australian Home Ownership’ was made by Judy Turner in 1989 for her son Nicholas (then 14 years) after a family discussion about mortgages and rising interest rates (17% at the time), out of concern for his generation. “Perhaps this will keep my son warm when he can’t afford a house”, wrote Judy at the time. As a quilting teacher for over thirty years, Judy was well aware of the ‘wagga’ tradition of making do with what you have and reusing resources to make something useful. The quilt was made using approximately 270 different men’s woollen suiting samples. The fabrics in the quilt were a gift from Micheal Haze who was a travelling men’s ware salesman and friend of the artist’s late husband. The suiting samples were used just as they were, without cutting, and are stacked liked house bricks. The pieces have been machine pieced and tied. The quilt has woollen backing, with no batting. Judy’s son Nicholas, always interested in drawing, and keen to see what his mother was making, helped with the drawing and design of the house. The quilt has been exhibited in Canberra, Armidale and Sydney and featured in publications in Australian and Japan. Judy’s work has been exhibited Nationally and Internationally, including in Japan, Korea, Germany, Switzerland and the United States of America. Judy’s work has featured extensively in publications around the world, and has received many awards. Her work is held in public and private collections across Australia and the USA. As well as a successful career as an artist, Judy spent three decades imparting skills to the next generation as a patient and skilled teacher. ARTIST STATEMENT The medium of my artistic practice is quilt making and my focus is the use of colour and speedy, accurate and efficient methods of making successful quilts. In 1995 I developed an original technique of applying woollen yarn to a woollen background, focusing on the subtle blending of colour to express an idea. Author of Awash With Colour (1997) and co-author with Margaret Rolfe of Successful Scrap Quilts (2002).Two typed letters held together with a staple. The first letter has a grey printed letter head which includes a logo of a person with wings holding a heart.[printed] PATCHWORK QUILT TSUSHINquilt, wagga, home, house, housing affordability, design -
Glen Eira Historical Society
Document - Historic Conservation Areas Project
Contains 4 items relating to historic conservation: 1/Five newsletters (one page each newsletter, dated 07/1975, 08/1975, 09/1975, 10/1975 and the final one 12/1975) describing how the project evolved, project funds, progress, study method, project 1 report, project 2 report and summary as no further funds available. Project was to include all of Melbourne but funding did not allow this. Note: newsletters stamped with Caulfield Historical Society. 2/Letter (one page on official city of Caulfield letterhead) from Andrew Rodda (manager planning) to Hazal Ford (dated 13/11/1989) describing ‘council resolved on 18/07/1989 to proceed with preliminary conservation survey’ and mentions that a copy is included. 3/Preliminary conservation survey for the City of Caulfield (nine pages) describing background, study area, budget, purpose, study outline, timeframe, report format, ownership, tasks and background information (mentions number and types of houses and properties as at 1986 and 1988) and a map of City of Caulfield. 4/Booklet (28 pages) titled ‘Heritage Area – Caulfield North Draft Heritage Guidelines July 1999 – City of Glen Eira’, containing Caulfield North Heritage Area, cultural heritage, Heritage Overlay Area, architectural description, common architectural forms and features, development guidelines, key design checklist. It includes a map of the Caulfield North Heritage Overlay Area, two illustrations about the development envelope and many black-and-white photographs of houses and architectural features.historic conservation areas project niven barbara, newsletters, town planning, historic buildings, heritage studies, housing, royal historical society of victoria (rhsv), read michael, plans, local government, historical societies, committee for urban action (cua), national trust, hopkins sherry ms., ford hazel, preliminary conservation survey, town planning, heritage studies, rodda andrew, city of caulfield, housing estates, victoria national estate grants program, australia icomos, burra charter, buildings structures and establishments, land surveys, suburbs, historic buildings, architectural significance, ‘caulfield’s heritage study’, soloman geulah dr., caulfield library, dandenong road, nepean highway, hotham street, iknerman road, orrong road, north road, poath road, ‘plan of the city of caulfield’, north ward, east ward, south ward, west ward, kooyong road, neerim road, bambra road, balaclava road, shire of caulfield, railways, world war 1914-1918, depression 1929-1939, rippon lea, labassa, parks, mansions, community services, ‘caulfield north draft heritage guidelines july 1999’, city of glen eira, caulfield north heritage area, glen eira heritage management plan, mayfield grove, normanby avenue, carnarvon street, glenferrie street, arthur street, malakoff street, normanby road, heritage advisory service, construction materials, victorian style, mediterranean style, spanish mission style, californian bungalow style, federation style, architectural style, architectural features, heritage conservation design, building construction, building regulations, aboriginal peoples, carnarvon road