White cotton baby jacket. Finely knitted and with drawstring at neck.costume, infants'

Born on July 3, 1746, in Dublin, Ireland, Henry Grattan became a brilliant parliamentary orator who pushed for Irish legislative independence from Britain, achieved for a time starting in 1782. As a Protestant, he also advocated for Catholic emancipation and voting rights, clashing with ex-ally Henry Flood over ideology. Later serving in the House of Commons, Grattan died on June 4, 1820. [http://www.biography.com/people/henry-grattan-9318523, accessed 14/12/2013] Born in 1746, died in 1820; was admitted to the Irish Bar in 1772; entered the Irish Parliament in 1775; secured the restoration of independence to the Irish Parliament in 1782; retired from the Irish Parliament in 1797; returned to the Irish Parliament in 1800, in order to oppose the Union; elected to the Imperial Parliament in 1806, remaining a member until his death.[http://www.bartleby.com/268/6/4.html, accessed 14/12/2013] Portrait of a man wearing a jacket. He is Henry Grattan, MP.ballarat irish, henry grattan, henry grattan

Baulch Family HistorySIgnificantKhaki Dress Jacket size ? Issued by Defence Department AustraliaSleeve (both sleeves) patches Red and Blue on a grey background. Brass "Australia" flashes on both shoulders. Corporal stripes and Star on Right sleeve. Australian medals x 4 on right chest: - 1939 - 45 Star, - Pacific Star, - 1939-45 Australian Service Medal, -War Medal. Rising Sun Collar badges x 2. Brass buttons (1 button missing lower front)

Army Battledress jacket. RAEME Corporal with ribbons (Part of UC047)1981, army

Replica Arm Band Red Crossworn with U111 (Uniform Jacket)uniform, ww1, army

Reproduction, Flight Sergeant Royal Flying Corps Uniform jacketuniform, ww1, raf

Eva Pearce, 1888-1973, was a resident of Bacchus Marsh.Handsewn velvet jacket. Black coloured with gold coloured button.clothing and dress, eva pearce 1888-1973, pearce family

long sleeve white jacket with badges and rear bib on neck

Post Vietnam sample uniformJacket, camouflage drill uniform, tan, brown and green in colouruniform, camouflage

Round portrait of a bearded man wearing jacket collar and tie."William Blamire (Snr) Linton".william blamire snr.

This is possibly Christopher Stratton who lived at Linton and died in 1863, however it is more likely to be his son Christopher John Stratton, who was born at Linton in 1862 and died in 1906. The photograph was part of the Old Lintonians collection ; No. 75.Portrait of a young man with moustache, wearing jacket collar and tie."75 Chris Stratton"christopher stratton, old lintonians collection

Part of Old Lintonian Collection ; No. 32.Sepia portrait of a bearded man wearing suit jacket and tie."Mr Alex Kennedy"alex kennedy (darkie), old lintonian collection

8415-66-111.6437 Size:104 Garment 30453B

Part of S E Surman collection (album) page 12 lower right.Sepia portrait of a bearded gentleman wearing high necked jacket."Mr Wearne".mr wearne, surman collection

Khaki drill jacket WW2 with darkened AIF metal buttons

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Cotton is a common material for knitwear worn in the warmer months, as it is very breathable and absorbs moisture easily. While we mostly associate knitwear with keeping us warm in the cold, the market for Australian knitwear would be very limited without options to wear all year round. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Royal blue double breasted cardigan 'Reefer Jacket' with short sleeves in a textured rib stitch with six chrome metal buttons in two rows down centre front. Style 319/J .2 is sample tag with manufacturing information, including sizes and colours available.1) [white label at back neck with blue stitching] KATHRYN REGD. CREATED BY ALL COTTON / 24 / ROBERT BLAKE .2) [sample label] [OBVERSE] STYLE: 319/J – Reefer Jacket – Combed Cot. SIZE: 22” 24” 26” 28” 30” 32” PRICE: 20/- 21/- 22/6 24/- 26/- 27/6 COLOR: NAVY ONLY. [REVERSE] KATHRYN Garments are • PRE-SHRUNK • STANDARD MEASUREMENTS • FIT EXACTLY • LAUNDER PERFECTLY Designed and Manufactured by ROBERT BLAKE, MELBOURNEknitwear, children's knitwear, clothing, children's clothing, cardigan, manufacturing, fashion textile production, machine knitting, fashion cotton

This ensemble would have been worn early in the second half of the 20th century. It would have been worn on special occasions rather than for everyday wear and would perhaps have been worn with a hat, gloves and high heels. This ensemble is retained as an example of a women’s outfit worn in the 1960s and 70s. It will be useful for display. This is a cotton wove dress and jacket in matching material. The pattern has bands width-ways and is in grey, brown and cream colouring. The dress is sleeveless with a rounded neckline and a zip at the back. The skirt section is slightly flared. The jacket has short sleeves and finishes at the waistline. The jacket has four buttons and a small collar.ladies fashions

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this two piece ensemble from the influential fashion boutique "The House of Merivale and Mr John" to wear to a performance of "The Sleeping Beauty" by London Festival Ballet, featuring Rudolph Nureyev at the Palais Theatre in St Kilda in May 1975.A two piece ensemble consisting of long evening dress (.1) and matching jacket (.2), cropped jacket of black acetate. The jacket features a tie front and long buttoned sleeve. The full length dress is slim fitting with centre back zip, shoestring straps and shaped bust with ruched centre front."Mandamatilda", "Dry Clean Only, SSWdi reidie, 1970s, house of merivale, manda matilda

Used by cable tram conductors to retain or pin their trip slips on their jackets. See item 1923 for a photo of a conductor wearing them on his jacket.Demonstrates a trip slip safety pin used by conductors.Safety pin formed from spring steel with a folded steel sheet at one end and nickel plated. - Two copies held.tramways, cable trams, conductors, trip slips

Red and grey hard cover book with dust jacket. Dust jacket sepia photo background of 2 officers plus black & white photo of soldiers coming ashore from a boat.Written on title page in pen: Donated by Bendigo Y Mens Clubbooks, military, history

Book, green buckram with gold print & dust jacket. Jacket background is yellow with red & black print & 3D drawing of a battlefield. 200 pages. Illustrated with maps, 3D drawings & photos.From Bishop Noel Daly's collections 2004books, military, history

Dark brown hard cover with dark brown dust jacket. Picture on front of dust jacket of group of soldiers crossing a fast flowing river. 432 pages. Lex McAuley, Author.Written on title page: Donated by Len Bucher family.books, miltary, history

Army Uniform from the Vietnam War era.Representative of the era. Massed produced by the Australian Government.Uniform comprises Jacket (.1) Pants (.2) and Tie (.3) . Khaki wool. Button up trousers. Jacket has Royal Australian Engineers badge on shoulder, gold buttons on epaulettes.Label reads: Buckleys & Nunn Ptd Ltd / Melbourne. Handwritten: Chappelluniform, army, vietnam

Small waist length portrait of a man. He is wearing a jacket, waistcoat, shirt and a cravat. His jacket only has one button the front. He has a moustache and a small beard.B. Hormagee Photographic Artist. Eaglehawkphotograph, portrait, male, portrait of a man

Third Edition, 1965. First published 1957Green cloth-bound hardcover book. Dust jacket torn on spine to show title, considerable insect damage. Structurally sound and good condition other that dust jacket. 718 pp.Front flyleaf, 'Court House/KILMORE'.torts, kilmore court house library

Officers khaki drill cotton jacket with darkened Australian AIFmetal buttons and 3 pips denoting rank of Captain. Jacket has complete ribbon bar denoting 1939-45 StarMakers Tag; pre shrunk English drill