This photograph was taken in 1945, as WW2 was ending. It shows Orbost men who are members of the Orbost Football Club, their Club trainer, and Club President. Football has always been a strong and well-supported sport in the Orbost district, with two teams in Orbost, another at Newmerella and outlying localities. These days (2023), there is only one club still existing in Orbost with a clubhouse and football field at Lochiel Park.Evidence of Orbost Football Club, 1945A b/w photograph of a group of 20 men wearing jumpers with a logo OFC and two other men in suits. This is a posed photograph with men at the back standing, and men at the front kneeling. It has been taken on a sportsfield. On back of photo: Orbost Football Club 1945. Back row L-R Artie Young (trainer), Alex McDonald, Mac Lock, Rick Railey, Tom Wehner, Bill Murphy, Clarrie Stevens, Ray Smith, Alan Hammond, -------------, Clyde Lynn, Maurice Marshall, John Stoddard (President) Front row L-R ----------------, ----------------, Reg Kettyle, Ray Cooney, George Watson, --------------, Sam Lynn, Jim Lynn, ...Parsonssport, football, orbost football club

Black and white photo of 1937-38 Victorian Sub-District Cricket Association Premiers. Port Melbourne Cricket Club. 26 men shown, 12 in cricket clothing, named as follows: Back Row : B. ROWAN, J. TATE, J. HARVEY (Assistant Secretary), T. BOWMAN, H. CROMPTON, G. GLOVER, S. FINDLAY, W. WILSON Centre Row : F. STEVENSON (Hon. Treasurer), A. DOWNER, W. PAYNE, B. CULLEN, Cr. H. C. SOUTHWARD (President), J. WOODRUFF, E. LEE, W. J. PRICE (Hon. Secretary), A. NUGENT Front Row ; G. MOORE, B. DUNN, T. MARSHALL, T. LAHIFF (Captain), G. V. BEARD (Vice-Captain), W. JONES, A. YOUNG Seated : H. GAYsport - cricket, port melbourne cricket club, b rowan, j tate, j harvey, t bowman, h crompton, g glover, s findlay, w wilson, f stevenson, a downer, w payne, b cullen, henry carr southward, e lee, w j price, a nugent, g moore, b dunn, t marshall, tommy lahiff, g v beard, w jones, a young, h gay, jack woodruff

Bendigo Operatic Society White Programme Booklet, Black Type & Lilac Illustration on cover. Production: 'Lilac Time' Capital Theatre, View Street Bendigo. Five night season. Commencing Friday, 20th November, 1970. Permission by Chappell & Co. Ltd. Producer Cyril Holden. Music Franz Schubert. Arranged Heinrich Berte & G.H. Clutsam. Adaptation & Lyrics Adrian Ross. Choreographer Madge Welch. Cast: Ann Ball, Dorothy Field, Cheryl Marshall, Graeme Daws, John Tonkin, Harry Brewer, Shane Brennan, Ruth Iredale, Peggy Green, Patricia McCracken, Brian Thomas, Douglas Sayle, John McCormack, John Boquest, Neil Roxburgh, Fred Trewarne, Ferd. Lorenz, Michael Filippini, Patrica Lyon, Christine Cavanaugh, Bartina Daws.Printed offset by Cambridge Press, Bendigoclubs and associations, theatre, bendigo operatic society

Coloured photograph of the Golden Square Primary School Year 3/G 2001 class and their teachers. Their names are; Back Row, L to R: Mrs Julie Gibson (Teacher), Joseph Singe, Maddie Eames, Winston Pene, Joshua Adams, Mitchell Spedding, Natalie Carroll-Taylor, Mrs Ruth Dean (Teacher). Middle Row, L to R: Brandon Lee, Jessica Parsons, Tyler Ruschmeyer, Melissa O'Brien, Caleysha Hunt, Lauren McLean, Shanae Roberts, Dylan Herbertson, Tyler Dixon. Front Row, L to R: Hayley Gilroy-Scott, Nuhtaya Johnson, Bradley Clayton, Seb Anderson, Emma Penno, Piri Tumai, ;Jessica Apps, Sharni Marshall. Sitting, L to R: Anthony Hunt, Noah Dunlop, Jackson Bissett, Sonia Witcombe, Jack Holliday.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - golden square primary school year 3/g 2001, mrs julie gibson (teacher), joseph singe, maddie eames, winston pene, joshua adams, mitchell spedding, natalie carroll-taylor, mrs ruth dean (teacher), brandon lee, jessica parsons, tyler ruschmeyer, melissa o'brien, caleysha hunt, lauren mclean, shanae roberts, dylan herbertson, tyler dixon, hayley gilroy-scott, nuhtaya johnson, bradley clayton, seb anderson, emma penno, piri tumai, ;jessica apps, sharni marshall, anthony hunt, noah dunlop, jackson bissett, sonia witcombe, jack holliday

.1 - Modern Tramway & Rapid Transit Review - May 1975 issue, Vol38 No. 449 p157. - from the Part One of Three part article Ballarat Tramway System history, with Map of System complied by W.J.Wyse 3/62 from sketch by A.T.Marshall with various photos of Bendigo and Ballarat. Part 1 of "A Museum Trilogy", written by John Price and David Menzies. .2 - Modern Tramway & Rapid Transit Review - August 1975 issue, Vol. 38, No 451, p267, part 3 of 3 part article, Bendigo, with map of system, by W. J. Wyse 4/62, completed from sketch by A.T. Marshall, along with various photos. Part 2 of "A Museum Trilogy", written by John Price and David Menzies. Record revised and images of cover, index and article added.Both issues with biro "75c"trams, tramways, trams, rapid transit, ballarat tramways, bendigo

Two part object. (1) A Slazenger 'Phantom Silver' tennis racquet with open throat, plastic butt cap and handle wrapped with leather. Clear plastic shop wrap still on handle. Manufacturer name along side of right throat pillar and printed as pattern on leather handle wrap. Model name printed along right throat pillar. Adhesive label inside throat states: 'MARSHALL INDUSTRIAL CORP./ITEM NO. SCT-639'. Plastic butt cap features manufacturers name and cat logo. Cat logo also sprayed onto net. (2) 3/4 length silve vinyl racquet cover with zipper and printed with manufacturer's name and logo. Materials: Adhesive tape, Plastic, Leather, Ink, Vinyl, Graphitetennis

BHS Collection32 pages of copies of Bendigo businesses and hotels including photos, sketches, or illustrations of D & W Chandler, Kirkby's, Langley & Plumbe's name plate, City Family Hotel, The Bendigo Taxi Cab & Motor Garage, Morley Johnsons, Leggo's, Plane Trees, Lansell Statue, Soldier's Statue, Gold Jubilee Statue, View Point, Queen's Statue, In the Conservatory, Chief Officer W M Chellew, Deputy Chief J Turner, Chief Mechanic J Trengove, Senator Captain David Andrew, Lieut-Col T S Marshall, Mr T R J Brown, Mr Sinclair, Sandhurst Hotel, Metropolitan Hotel, The Dug-out,Crown Hotel, Stilwell's and Irvine Motors. Advertisements mention business name, location, phone number, proprieter and goods and services for sale.bendigo, history, long gully history group, the long gully history group - collection of advertisements, chandlers, d & w chandler ltd, casamento's ballarat and daylesford daily motor service, casamento's garage, george pethard, kirkby's, c j kirkby, langley & plumbe, f c wright, cta, racv, city family hotel, f h mcintosh, the bendigo taxi cab & motor garage, catling & roberts, the arcade stores, george bennetts, morley johnsonsmr j w hill, pethard motors, bendigo mutual permanent land & building society, andrew balsillie, leggo's, h m leggo & co ltd, a stroll along pall mall bendigo, prominent men of victoria's country fire service, chief officer w m chellew, deputy chief j turner, cjief mechanic j trengove, senator captain david andrew, lieut-col t s marshall, mr t r j brown, mr sinclair, andrew & son, farmers & citizens trustees company bendigo limited, r a rankin, chatfield bros, jas andrew & co, j d andrew, mr t e andrew, lougoon and strahan, andrew's buildings, w h gurton tire co ltd, webb's old mill, b b b, sandhurst hotel, les patten, w cowling, metropolitan hotel, m walsh, dowel's, the dug-out furniture stores, the dug-out, thomas & newell, 59th battalion, 38 battalion, state savings bank, crown hotel, r w leahy, stilwell's complete house furnishers, the advertiser, the bendigo advertiser, morris minor, irvine motors, webster bros

BHS CollectionBendigo Advertiser ''The way we were'' from Monday, March 3, 2003. Elegant: an Anglican ball debutante set, September 14, 1948. Back row: Brian Ackland, Peter Houston, Bob Burnett, Keith Rollinson, John Moran, Max Jackman, Max McCaig, David Beattie, Bob Kerr, Leith Mitchell, Reginald Runnells, Ronald Watt. Centre row: Jim Murphy, Ian Hamilton, Wilma Kilcullen, Natalia Huggins, Joan Bennett, Valarie Potter, Fay Norris, ''self'', Jean Dewar, Pat Bruechart, Peter Ladd, Arthur Wright. Front row: Pam Wright, Una Manning, Gaymor Beard, Margaret Tuff, Chaperon Mrs O.G. Lowe, Joy Thomas, Norma Ball, Betty Marshall, Norma Bennett. The clip is in a folder.newspaper, bendigo advertiser, the way we were

The Riding of the Bounds was an annual event that took place in Berwick. It linked back to a centuries-old tradition in sister city Berwick upon Tweed, England. Riders followed a route through local streets and participate in ceremonies along the city's border. The Mayor would wave off riders from the local showgrounds with instructions to inspect the boundary with the neighbouring municipality. Once the ride was complete, the Marshall would report back to the Mayor that the boundaries were secure, and this would herald the commencement of the presentation ceremony. This re-enactment of the Berwick-Upon-Tweed Riding of the Bounds was filled with pomp and ceremony and many of the riders took the opportunity to dress in period costume in recognition of the history of this event. This information is from https://collection.casey.vic.gov.au/Ribbon for City of Berwick Riding the Bounds 199. Printed on white material with red ink. Has the City of Berwick coat of arms at the top of the ribbon.city of berwick, riding the bounds, city of berwick coat of arms, horses, berwick boundaries

The Riding of the Bounds was an annual event that took place in Berwick. It linked back to a centuries-old tradition in sister city Berwick upon Tweed, England. Riders followed a route through local streets and participate in ceremonies along the city's border. The Mayor would wave off riders from the local showgrounds with instructions to inspect the boundary with the neighbouring municipality. Once the ride was complete, the Marshall would report back to the Mayor that the boundaries were secure, and this would herald the commencement of the presentation ceremony. This re-enactment of the Berwick-Upon-Tweed Riding of the Bounds was filled with pomp and ceremony and many of the riders took the opportunity to dress in period costume in recognition of the history of this event. This information is from https://collection.casey.vic.gov.au/Ribbon for City of Berwick Riding the Bounds 19919. Printed on white material with blue ink. Has the City of Berwick coat of arms at the top of the ribbon.city of berwick, riding the bounds, city of berwick coat of arms, horses, berwick boundaries

The Riding of the Bounds was an annual event that took place in Berwick. It linked back to a centuries-old tradition in sister city Berwick upon Tweed, England. Riders followed a route through local streets and participate in ceremonies along the city's border. The Mayor would wave off riders from the local showgrounds with instructions to inspect the boundary with the neighbouring municipality. Once the ride was complete, the Marshall would report back to the Mayor that the boundaries were secure, and this would herald the commencement of the presentation ceremony. This re-enactment of the Berwick-Upon-Tweed Riding of the Bounds was filled with pomp and ceremony and many of the riders took the opportunity to dress in period costume in recognition of the history of this event. This information is from https://collection.casey.vic.gov.au/Ribbon for City of Berwick Riding the Bounds 1993. Printed on white material with red ink. Has the City of Berwick coat of arms at the top of the ribbon.city of berwick, riding the bounds, city of berwick coat of arms, horses, berwick boundaries

The Riding of the Bounds was an annual event that took place in Berwick. It linked back to a centuries-old tradition in sister city Berwick upon Tweed, England. Riders followed a route through local streets and participate in ceremonies along the city's border. The Mayor would wave off riders from the local showgrounds with instructions to inspect the boundary with the neighbouring municipality. Once the ride was complete, the Marshall would report back to the Mayor that the boundaries were secure, and this would herald the commencement of the presentation ceremony. This re-enactment of the Berwick-Upon-Tweed Riding of the Bounds was filled with pomp and ceremony and many of the riders took the opportunity to dress in period costume in recognition of the history of this event. This information is from https://collection.casey.vic.gov.au/Ribbon for City of Berwick Riding the Bounds 1992. Printed on white material with blue ink. Has the City of Berwick coat of arms at the top of the ribbon.city of berwick, riding the bounds, city of berwick coat of arms, horses, berwick boundaries

The Riding of the Bounds was an annual event that took place in Berwick. It linked back to a centuries-old tradition in sister city Berwick upon Tweed, England. Riders followed a route through local streets and participate in ceremonies along the city's border. The Mayor would wave off riders from the local showgrounds with instructions to inspect the boundary with the neighbouring municipality. Once the ride was complete, the Marshall would report back to the Mayor that the boundaries were secure, and this would herald the commencement of the presentation ceremony. This re-enactment of the Berwick-Upon-Tweed Riding of the Bounds was filled with pomp and ceremony and many of the riders took the opportunity to dress in period costume in recognition of the history of this event. This information is from https://collection.casey.vic.gov.au/ Ribbon for City of Berwick Riding the Bounds 1989. Printed on white material with green ink. Has the City of Berwick coat of arms at the top of the ribbon. city of berwick, riding the bounds, city of berwick coat of arms, horses, berwick boundaries

Edendale Farm is Nillumbik Shire Council's environment centre situated in Gastons Road, Eltham between the railway and the Diamond Creek. The homestead on the property was built in 1896 and is of historical significance, being the subject of a Heritage Overlay under the Nillumbik Planning Scheme. The Edendale property was originally part of an extensive land purchase in 1852 from the Crown by pioneer Eltham farmer Henry Stooke. He initially purchased 51 acres and later expanded his holdings by purchasing another three adjacent Crown allotments extending northerly from Josiah Holloway's Little Eltham subdivision. Despite clearing the land, Stooke did not build on this property, choosing to live on his property "Rosehill" at Lower Plenty. In 1896 Thomas Cool, Club Manager of the Victoria Coffee Palace in Melbourne purchased 7 acres of the original Stooke land and built the house now known as Edendale. Cool did not farm the land, instead using it as a gentleman’s residence, retiring to Eltham at weekends. In 1918 he purchased an additional 7 acres but in 1919 he sold the property. Later owners included J.W. Cox, the Gaston family and D. Mummery. In the 1980s the Eltham Shire Council purchased the site for use as a Council depot, but this use did not proceed. Subsequently, it was used as the Council pound. The Edendale Farm Pet Education and Retention Centre was established in the summer of 1988/1989 and was set up to replace the existing dog kennels with a high standard pet retention centre. The design style of the building was established to compliment the features of the existing house. It was equipped with 10 retention pens, a veterinary room and a pet education area where school children and other interested parties learnt about pet care procedures. It was later developed into a community farm and was run by an advisory committee and in 2000 it became an Environment Centre. In early 2006 an advisory committee was established for the development of a master plan for future development at Edendale Farm. The committee included Russell Yeoman, a former long-time shire planner and founding member of the Eltham District Historical Society. At the time of filming the Master Plan and future for Edendale was about continuing to develop Edendale as a centre of environment learning and looking at expanding displays and school program, running a lot more of life-long learning and workshops around sustainable living. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p101 A sharp turn from busy Wattletree Road by the railway line, brings a surprise. Only 1.4 km from Eltham’s centre, sheep feed, blissfully unaware of the hectic suburban activity so close by. At the entrance to the 5.6ha Edendale Farm is another surprise. A work of art that looks like huge tree trunks transformed into bowler and top-hatted men. The Fences Act 1968 by Tony Trembath with Mark Cain and John Doyle, 1996, is classified by the National Trust of Australia as having Regional Significance. The title refers to a government act on disputes between neighbors over the placement of fences and boundaries. This takes a ‘wry swipe’ at a community divided by trivial squabbles. It also celebrates making do with limited resources.1 Further along on the left, the office wall is decorated with a massive Eltham Copper Butterfly, designed by Robert Tickner and made by school children with used plastic bottles and other waste material. Nillumbik Council runs Edendale as an Environmental Education Centre, to help preserve and enhance the local environment. As early as 1988 the former Eltham Shire Council realised Edendale’s importance in meeting people’s needs, particularly of children, to enjoy farmland. The centre, with the Eltham North Reserve to the north - including remnant bushland and open parkland - makes up the major part of the public open space for this area. The council considers this area will become increasingly important to the local community for recreational use.2 Educational programs aim to encourage community involvement to ensure the long-term rehabilitation and protection of natural bushland areas. Edendale is used by people of all ages - from school children to adults - for environmental programs and workshops, as well as for recreation, to enjoy the domestic animals and to picnic. Edendale is also home to the Environmental Works staff who manage reserves and roadsides and support Nillumbik Friends environmental groups. The Friends propagate plants at the nursery, which grows indigenous plants and sells these to the public.3 The centre demonstrates the sustainable living the farm teaches, with features like solar hot water and drive lighting and for the fireplace, logs of recycled cardboard. Edendale has had a varied history as a dog pound and even as a retreat for Thomas Cool, Club Manager of the Victoria Coffee Palace in Melbourne. His single-storey weatherboard house built in 1896, which still stands, was grander than most homes in Eltham. Although such buildings were common in many other parts of Melbourne, Eltham’s poverty and remoteness did not encourage such construction. The Victorian rectangular-shaped house, with a corrugated iron roof and veranda, has elegant large rooms, leadlight windows, ceiling roses, two bay windows and ornately carved wooden fireplace surrounds. Cool bought seven acres (2.8ha) from pioneer Eltham farmer Henry Stooke’s 200 acre (81ha) farm, which he had bought from the Crown in 1852. In 1918 Cool bought an extra seven acres (2.8ha) but in 1919 sold the estate to farmer John Cox. In 1933 Cox sold Edendale to Mrs Elizabeth Gaston, after whom the road leading to the centre was named. The property was owned by several Gaston family members, who called it Edendale, then by a police constable, Douglas Mummery, until the Shire of Eltham bought it in 1970. Oddly Edendale was known as Mummery’s for almost 20 years, although Mummery owned it only for a short time.4 The shire used Edendale as a dog pound until amalgamation with other municipalities in 1996. The pound then moved to the Yan Yean Road, Plenty site, which had been used by the former Diamond Valley Shire Council. To the west and north the centre is bounded by Diamond Creek and on the east by the Melbourne-Hurstbridge railway line. Part of the Research creek forms the centre’s southern boundary.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, edendale farm

The Eltham Court House is Eltham's oldest public building. It was classified by the National Trust in 1977. In 1857 five Eltham residents petitioned the licensing magistrates of the Heidelberg district asking for better police protection, including from itinerant gold prospectors who turned to crime when their quest was unsuccessful. In response the Eltham Courthouse was constructed in 1860. Over the years it has also been used for other activities, including for electoral polling purposes, inquests, early meetings of the Eltham Roads Board and even as an overflow classroom. This type of localised solution is characteristic of the self-reliance preserved in Eltham today. The court house is an important symbol of the spirit which makes Eltham distinctive as a community. The Eltham Courthouse is historically significant because its construction was intended to emphasise the centralised control over law and order in the Colony of Victoria in the wake of the 1852 Snodgrass committee report on the Victorian police force and the resulting Police Regulation Act (1853). The nature of the Court House planning and use of architectural devices make the building's function easily interpreted. The arrangement of rooms, with public entry and clerical rooms to the rear, and the use of raised floor levels throughout these spaces to signify relative rank is easily perceived. The distinction in entries, public, magistrate and person-in-custody, and the existing court furniture enhances appreciation of this building. The Eltham Court House is one of only two intact examples in the state of this simple design with projecting entry. The building is of architectural significance because it retains intact early features. These include use of handmade bricks, simple decoration, roof trusses, timber ceiling boards, original windows, doors and associated hardware and a collection of court furniture. Additions to the court house have been done in a manner which did not interfere with the fabric of the original building. Typical cases heard before the Court of Petty Sessions included financial debt, straying livestock, theft, assault, drunkenness, public disorder, truancy, motor vehicle offences, unregistered animals and failing to have children attend school, or be vaccinated. The courthouse operated for over 120 years before it closed in 1985. In April 2021, Nillumbik Shire Council authorised restoration of the building and furnishings. The extensive works required for the total restoration of this highly valued heritage building was undertaken by Ducon Building Solutions and other specialist contractors. Covered under Heritage Overlay, Nillumbik Planning Scheme. Victorian Heritage National Trust of Australia (Victoria) State significance Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p65 A demand for better police protection resulted in the building of the Eltham Courthouse and the police residence beside it. In 1857 five Eltham residents petitioned the Heidelberg district licensing magistrates. They pointed out that Eltham had two hotels, a population of about 1000, and many strangers employed on the public roads. Yet the nearest police were at Heidelberg eight miles (12.8km) away, or at the Caledonia Diggings 21 miles (33.7km) away.1 Subsequently the courthouse and then the police residence, near the corner of Main Road and Brougham Street, were built in 1859/60. The courthouse is Eltham’s oldest public building and the National Trust classified it in 1977. It ceased operation in 1984 and has since been used by local groups. There are only six other known examples of similar small brick country courthouses in Victoria . For £536, a Mr Duncan built the courthouse – a neat, narrow, oblong building with handmade orange bricks. Its gabled roof and porch are covered with brown slate tiles and it has 12-paned windows. Inside, the roof is peaked and the courthouse is still ventilated by oblong slits near the ceiling. Most of the fine carved timber and upholstered furniture is original. The original prisoners’ door, now permanently closed, led from the police station to the dock. Builders, Langridge Wright and Witney built a timber police station (since demolished) and a brick residence to its north,2 for £1150/7/-. Built around the same time were the lock-up behind the residence, also later demolished, and the two-storey orange brick stables. The former police residence also has a brown slate roof and handmade bricks. The front veranda roof is made of corrugated iron, as is the roof of the back weatherboard extension. The application for police protection was approved within a few months and police operated from a cottage rented at ten shillings a week and owned by William Jarrold. This was probably the one at the corner of Main Road and Dalton Street called Jarrold or White Cloud Cottage. In 1858 a second constable was appointed to Eltham following a fight at the hotel. The timber police office a replica of which was built in the early 1990s is at the building’s side. The lock-up was demolished following the relocation of the police to a new station in about 1952. The residence has been used as the Eltham District Historical Society centre since 1997. Records show court cases were held at Eltham before the courthouse was built, but the location is unknown. Some court cases were not very different from those today. In 1891 a man was charged with being drunk while in charge of a horse and was fined ten shillings. The courthouse was used for other purposes during its long history. It was probably used as a polling place as indicated by old photographs of election-day crowds outside. The Eltham Road Board met there from the early 1860s until 1868 when the Board transferred to Kangaroo Ground. During the same period the Road Board Secretary used the courthouse as an office until 1867 when it was transferred to his home at Wingrove Cottage. The courthouse was also used as an overflow classroom for the Dalton Street school in 1875. The two buildings can further link us with Eltham’s early days through Police Department correspondence. The first constable-in-charge was George Reid. In 1860 a letter to The Argus newspaper signed ‘A Sufferer’ declared the Eltham police were not active enough in their duties. The writer suggested that the ‘very snug’ police quarters were too comfortable, and he detailed various incidents including one of an alleged break-in to the Road Board Secretary’s home. But the Board Secretary, C S Wingrove, wrote to the Police Department refuting The Argus letter saying he had received full co-operation from Sen. Constable Peter Lawler.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, eltham court house, main road

The Eltham Community and Reception Centre was Australia's first public mud-brick building. Commissioned in 1977 by Eltham Shire Council, led by Shire president (and architect) Robert Marshall, architects Whitford and Peck were asked to design a multipurpose facility in mud-brick and timber. The official opening was performed by the Hon. R.J. Hamer; E.D., M.P., Premier of Victorai on Saturday, April 22, 1978. Architects: Whitford & Peck Pty Ltd Quantity Surveyor: D.J. Cant & Associates Structural Civil Engineers: Charlett & Moore Pty Ltd Landscape: Peter Glass, Dennis Edwards Mech Elec: Lobley Treidel & Partners Pty Ltd Acoustics: Riley Barden & Kirkhope Builder: L.U. Simon Pty Ltdjim connor collection, eltham community and reception centre, eltham community centre, mudbrick construction

Photo taken immediately after the Wiregrass gallery closed at the end of November. The property was purchased in October 2004 for $565,000 by a local investment company, Sentinel Equities run by local residents Jethro and Suzanne Still. Plans to redevelop the property into offices and a gallery designed by Robert Marshall and supported by a number of local artists met with opposition from Eltham Gateway Action Group in 2007 over the proposed new building size and insufficient parking provision given the proposed reliance on the VicRoads reserve on Main Road for parking. The development proposal was finally approved by VCAT in January 2008 subject to VicRoads approving the use of the road reserve for parking. That did not happen and the property remains undeveloped 15 years later (August 2023).fay bridge collection, 559 main road eltham, 2004-12-05, eltham, eltham gallery, graffiti, main road, wiregrass gallery

Vol. 4, No. 4, Jul-Aug 1999 CONTENTS FOLLOWING THE SIGNS Master craftsmen of Melbourne 3 MAGNIFICENT OBSESSIONS Why we are artists 6 THE WILLIAM BLAKE EXHIBITION Closing a chapter at NGV 9 IAN McBRIDE REVIEWS Peter Porter 12 MAN OF BOOKS Anthony Marshall 13 THE INNER VIEW The book & exhibition at Arts Project Australia 16 SHORT STORY "The Angel's Paramour" 19 THE MELBOURNE BIENNALE Signs of Life 22 MONO FEAST Monologues at the Universal 23 COLLIDING RYTHYMS Blue House meets Lisa Young 25 POETRY 26 CD REVIEWS 8, 27 ARTIN' ABOUT 28 WINING & DINING 30 ART SERVICES AND TEACHING 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, gordon ford, know & grow, dymocks booksellers, pam dougherty, sign writing, terry pepperell, bruce jackson, carlucci's, ona henderson, syd tunn, carl vine, elizabeth scarlett, william blake, national gallery of victoria, peter porter, willy wonka's ice cream gourmet food, katrina kincade, anthony marshall, plenty views golf park, lovegroves of cottles bridge, adams of north riding, adams of north riding, arts project australia, dorothy berry, julian martin, chris mason, john gollings, john hardcastle, montsalvat, mon feast, evelyn krape, artspeak studio gallery, karen throssell, nillumbik art award, andy cowan, wild dog hill, kerri simpson, valonga khosa, magenta, chirs wilson, veronica holland, st andrews gallery, winter in banyule, volumes

Vol. 5, No. 2, May-Jun 2000 CONTENTS ALAN MARSHALL SHORT STORY AWARD 2000 3 JOHN BRACK: DIRECTOR Exhibition review 7 GARDENS, MEMORY & IMAGINATION Book review 9 IT'S ALWAYS POSSIBLE Book review 12 BRUSH WITH PARADISE Peter Oyston interview 14 FELIX BOSARI, 1945-2000 Obituary 15 TOP ARTS VCE 1999 16 JEFFERY SMART Exhibition review 18 THE DENNIS GARDEN 19 WORDS AND MUSIC BY … Book review 22 TRAVELS IN 1840S IRELAND Book review 23 CD REVIEWS 24 RECIPE 26 CD REVIEW Betty Scarlet 27 ARTIN ABOUT 28 WINING & DINING 30 ARTISTS SERVICES 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, john brack, museum of modern art at heide, alan marshall short story award, kinglake gallery, bahnhof cafe, gwen ford, plenty views golf park, carlucci's, eltham wiregrass gallery, peter oyston, felix bosari, top arts, jeffrey smart, helen dennis, craig horne, jill blee, dynamic vegies, faces coffee place, montsalvat, maria sangiorgi, helen lucas, were street cafe

Material pertaining to the production of a history of the Shire of Eltham, "Pioneers & Painters: One Hundred Years of Eltham and its Shire" in recognition of the shire's centenary in 1971 Item Title 04769-1 Manuscript: Pioneers & Painters - A History of Eltham Shire, edited by Alan Marshall, 1971 04769-2 Eltham District Road Board Members 04769-3 Shire of Eltham Councillors 04769-4 Galley Proof, Pioneers & Painters, Appendices pp137-138 04769-5 Eltham Shire Celebrates 100 Years of Colour and Progress; Book Review, The Australian Municipal Journal, July 1971, p 13 04769-6 Letter: Acknowledgement from RHSV to Shire of Eltham Historical Society that Pioneers & Painters is to be reprinted, 10 November 1978 The idea to develop a book on the history of the Shire of Eltham to be edited by noted author, Alan Marshall in celebration of the shire's centenary was initiated in 1969. The Shire of Eltham Historical Society undertook significant research in conjunction with Alan Marshall locating material at various institutions and other societies; interviewing longer term residents and a public campaign through the local press to acquire photographic material for duplication and use in the book. The public campaign received generous response and the material collected became the genesis for the Shire of Eltham Pioneers Photograph collection now held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library).Paper documents of various sizesalan marshall, cr. charis pelling, manuscript, pioneers and painters, rhsv, royal historical society of victoria

Feature news story about 1979 Eltham Parade with photo of Society members Joh Ebeli and Russell Yeoman pushing Peter Bassett-Smith along in a wheelbarrow. Others featured were Eltham Rugby club float and Anne Mandel of the Slovenian Association of Melbourne. Other story on "Council elections provide shocks" featured the defeat of Eltham sitting councillors, Ken Hines and Helen Wells with Shire president Cr, Robert Marshall returned with a commanding majority. Reverse side (p2) story "Laughing cop no softy" is a feature article on Tony Zalewski of Greensborough CIB who was the key policeman involved in a hour-long siege in Norfolk Crescent, Bundoora in 1978 and for which he received the Victoria Police Valour AwardNewsprint page1979, anne mandel, ansell and muir, bundoora, elections, eltham festival, eltham rugby football club, greensborough cib, helen wells, joh ebeli, ken hines, lyon bros ford, norfolk crescent, parade floats, peter bassett-smith, robert marshall, russell yeoman, shire of diamond valley, shire of eltham, shire of eltham historical society, siege, slovenian association of melbourne, tony zalewski, victoria police valour award

A photo of 28 Legatees assembled in Canberra in 1930 for a Conference. The names are written on a paper label attached to the base of the photo. In brackets after the name is an initial, believed to be an indication of where the Legatee came from. (S) for Sydney, (Ad) for Adelaide, (M) for Melbourne, (C) for Canberra, (G) and (Br__) not known. Names include: Carr, Turnbull, Hillman, S Walker, J Freeman, W W Berry, McDonald, C R Carleton, Behan, H W Marshall, Hilmer Smith, E Harding, Seaborn, E J Fairnie, Penfold, Souter, S Rohu, Bastin, J Stewart, Perry, Gargett, E Terry, J Rex Hall, L Backwell, Paul Simonson, Frank Meldrum, Harrison.A record of a conference early in the establishment of Legacy. Black and white photo of the 1930 Canberra Conference delegates.The names of the men are written on a paper label attached to the base of the photo.conference, founding legatee

Contents: • What happened in the Shire of Eltham in 1924 by Jim Connor • Next Meeting –7:30pm Wednesday 9th October 2024 • November Excursion - Saturday 2nd November – Killeavey Walk and Talk • Robert Hoddle – Chains and Grids in Terra Nullius by Anne Paul (Part 3) • A Heidelberg School Artist in Eltham by Marguerite Marshall • Eltham Council Officers; Tuesday 6th April 1937 • Our new sponsor • Percy Leason by Richard Pinn • Body in the Bush – Misadventure or Murder? By Terry Beaton • Shillinglaw Cottage – 60 years on by Jim Connor • Montsalvat People by Richard Pinn o Helen Lempriere (1907-1991) o Sigmund Jorgensen (1940-2019) • You Can Bank On That! by Jim Connor The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 newsletter distributed to members (Digital and A4 photocopy)newsletter, eltham district historical society

Black and white photograph - Teachers, 1971."Attached to photograph" Back Row- L to R: Leslie Emerson, Joy Leslie, Amy Douglas, Martha Celnar, Gwen Whitney, Ann Jacobs, Joan Mathey, Isobel Marshall, Maureen Keogh, Jennifer Molders. Front Row- L to R: Baden Chadwick, Bernadette Martyn, Rae Jacobsen, Jeanette Parks, Alex Enterkin, Miss O'Toole, Randall Smith, Jean Watson, Joan Hallett, Anne Schneider, John Roach.

The grave of Thomas Sweeney, former convict turned respectable citizen. The Murray and Sweeney families were both early settlers of the Eltham district and connected by marriage. Their family plots are located side by side in the Catholic section of the Eltham Cemetery. Irish-born Thomas Sweeney is regarded as the first settler in Eltham. He was transported to Sydney in 1823 after being convicted of arson. He was granted his freedom in 1838 and married Margaret Meehan in the same year. They moved to Melbourne and in 1842 Thomas purchased 110 acres beside the Yarra River in the vicinity of present-day Sweeneys Lane. He called the property ‘Culla Hill’ and built a small slab hut (reputedly with Wurundjeri help; Margaret is said to have run an informal hospital for them in return). This was followed in 1846 by more substantial buildings consisting of a three-roomed Irish-style ‘longhouse’ and a barn made of stone and handmade bricks, with doors large enough to accommodate a fully loaded wagon. When the gold rush came, Thomas prospered by selling meat and potatoes to the prospectors, enabling him to purchase a further 308 acres in 1856. He promoted the construction of a bridge over the Plenty River and the establishment of a school at Eltham. Roman Catholic Church services were held at Culla Hill in the early years. When he died in 1867, he was regarded as a respected member of the community. Thomas and Margaret are buried in Eltham Cemetery with many of their descendants. Their first son John continued to farm Culla Hill until his death in 1909. Culla Hill passed out of the Sweeneys' possession in 1939. The house and barn remain today, though lesser outbuildings have gone. The facade of the house is much the same as it was in the 1840s. Sacred To the memory of Thomas Sweeney Who died Sep 6th 1867 Aged 65 years May his soul res in peace Also his wife Margaret Died Oct 3rd 1884 aged 73 years And their daughters Annie Died Aug 22nd 1860 aged 21 years Johanna Died Aug 19th 1872 aged 22 years Margaret Died 7th Sep 1913 aged 72 years R.I.P. Also In Memory Of John Sweeney Died 24th May 1909 Aged 65 years Also of his wife Ellen Died 8th March 1910 Aged 64 years R.I.P Also In Memory Of Caroline Infant daughter of John & Ellen Sweeney Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p55 From the piety and poverty of 19th century Eltham, 20th century artists and environmentalists, to today’s comfortable middle class, Eltham Cemetery records it all — and more. A visit to Eltham Cemetery reveals an important social record since its beginnings in 1858. The cemetery was situated on about six acres (2.4ha) (now around 4.8ha) at the corner of Mount Pleasant and Metery Roads.1* It is thought that Metery Road was originally called Cemetery Road, but in the early 1940s, a resident, possibly a councillor, objected to the name resulting in the change.2 Much can be gleaned about the developing Eltham community from burial styles and the names of former local residents. Originally the cemetery was divided into Christian denominations, like others of that time, following the United Kingdom burial system. In 1861 the cemetery included Church of England, Presbyterian, Roman Catholic and Wesleyans (later Methodist) sites. Graves also indicated social class. Some had grand tombstones, perhaps fenced with ornamental cast iron railing, but most in the 1860s and 1870s were constructed of modest stone slabs.3 This indicated the poverty of the district, which was largely inhabited by farmers on small landholdings. A poignant reminder of the high rates of infant mortality of those times, are the many infants and young children recorded on the headstones. Major changes occurred in the cemetery in the late 20th century as Christian adherence weakened and society became more egalitarian and informal. In the early 1970s a non-denominational lawn section for burials was established. Since then all new areas have been non-denominational to accommodate the more diverse local community. Now, instead of large ornamental headstones, some mourners have chosen boulders, reflecting the natural Eltham style, while others choose graves in the lawn areas or niches in walls. In the late 1970s, the University Donor Section was established north-west of Candlebark Lawn for those who donated their bodies for The University of Melbourne medical research. In the early 1980s the natural Australian garden style, popular in Eltham, was mirrored in a new section called Ashes Walk. Local landscape architect Gordon Ford, who had popularised this style, designed the Walk using boulders shaded by native plants beside curved pathways. Landscape architect Robert Boyle later redesigned Ashes Walk and developed other parts of the cemetery in keeping with this style.4 Appropriately Ford, who died in 1999, was interred in the Native Garden Section in a cluster of sites shaded by a large eucalyptus tree.5 By 2007, about 6400 interments were recorded in the Eltham Cemetery. Close inspection reveals notable names in the district’s history. The grave of Thomas Sweeney, a former convict who became a respected citizen, can be found in the Roman Catholic section near the path. Eltham Primary School’s first headmaster, David Clark, is buried in a modest grave in the Church of England section to the east of the path from the main entrance. Sir William Irvine, Victorian Premier from 1900 to 1902, whose grave is in the north-east Presbyterian section was at various times Victoria’s Chief Justice, Deputy Governor and Treasurer.6 Further south is the grave of social reformer Bertram Wainer, born in Scotland in 1928 and died in 1987. He campaigned to legalise abortion and exposed police corruption in allowing illegal ‘backyard’ abortions. Other prominent local residents interred in the cemetery include: Justus Jörgensen, who founded Montsalvat; Alistair Knox, the mud-brick housing pioneer and Eltham Shire Councillor from 1971 to 1975 and President in 1975; Clem and Nina Christensen, who had a major influence on the literary development of post World War Two Australia. Others were: composer Dorian Le Gallienne; artist Peter Glass; Stephen Dattner, a prominent Melbourne furrier; ALP parliamentarian for Greensborough, Pauline Toner and political scientist and commentator, Professor William Macmahon Ball.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, annie sweeney, caroline sweeney, ellen sweeney, eltham cemetery, graves, gravestones, johanna sweeney, john murray, john sweeney, margaret sweeney, mary ellen drain, mary murray, thomas murray, thomas sweeney

Names on back 6975-17 Stawell State School 502 Grade 6B 1968 Teacher Mrs Pearce Top Row. Ronald Cameron, Morris Seamons. Kenny Killeen, David O’Donald, Greg Dryburgh, Mark Lewis, Allan Hall, Steven Cameron, Terry Rickard, Mrs Pearce Second Row. Mark Lever, Peter Tangey, Stephen Stewart, Kerryn Bibby, Susan McKenzie, Susan Walker, Marita Kriewaldt. Judy Kennedy, Julie Devlin, Ian Cameron, Trevor Waterfield, Gilbert Whealan, Third Row. Ruth Ellett. Katy Collins, Helen Marshall, Barbara Wilson, Betty Mitchell, Leanne Rickard, Debbie Oliver, Lynn Roder, Jeni Guy. Janine, Ralph, Gillian Beecroft, Susan Sinclair. Students Standing and sitting in front of building with windows open in backgroundStawell State school SS 502 Grade 6b1968education

6975-18 Stawell High School Form 1B 1969 Teacher Miss Absolom Top Row, Jenny Jenkins, Carol Mason, Jenny Eagles, Judy Kennedy, Maree Hupfield. Second Row. Jillian Johnston, Marie Hunt, Ruth Ellett, Christine Jones, Lynette Matheson, Robyn Honeyman, Gayle McCann, Sue Maher, Robyn Hill, Third Row. Marita Kriewaldt, Suzan McKenzie, Annette Langdon, Janet Friend, Beth Kindred, Carey Gilas. Janette Howden, Sandra McKellar, Marlene Dunmore, Helen Hofferman, Fourth Row. Michelle Gross, Helen Marshall, Elizabeth McCann. Karan McIntyre. Jeni Guy, Miss Absolom. Janine Lang. Anne McConachie. Lynette Hallam. Denise Gross, Jenny Karslake. Students and Teacher Class Photo beside high School wingsStawell High School Form 1Beducation

A series of photos of Pugh at work. Clifton Pugh (1924-1990) was born at Richmond Victoria, and educated at various schools including Briar Hill Primary, Eltham Higher Elementary School and Ivanhoe Grammar. He studied art at the National Gallery School of Victoria 1948-52. Pugh is recognised as a one of Australia’s foremost painters. He is represented in major galleries throughout the country and overseas. He founded the “Dunmoochin” artists colony at Cottles Bridge. This front image from "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall, page 128 shows Pugh working on his portrait of Dame Mabel Balcombe Brookes (1890-1975). According to an entry in the Australian Dictionary of Biography for Dame Brookes, this Pugh portrait remains in the family. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image Various prints and colour reversal films artists, clifton pugh, cottles bridge, dunmoochin, eltham local characters, painters, "pioneers and painters", sepp, shire of eltham pioneers photograph collection, painting, dame mabel brookes