Mairin Ni Shiochain Máirín Ní Shíocháin’s practice reflects a lifelong affinity with non-human animals. Her observation of animals and birds in natural habitats in and around Ballarat and district was the foundation for this research. She won a Ballarat Art Foundation Award in 2012. This item is part of the Federation University Art Collection. The Art Collection features over r000 works and was listed as a 'Ballarat Treasure' in 2007.Blue headed bird perched on a wooden stand. Individual feathers are made from paper, coloured with watercolour. art, artwork, mairin ni shiochain, bird, sculpture

To encourage the development of audio books, a series of awards were established by the National Library of Australia in 1988, and sponsored by TDK from 1991 until their demise in 2000. Open to both commercial and non-commercial publishers, it aimed to recognise the quality achievements by individuals and publishing houses and to promote the inclusion of audio books into the mainstream market. After the conclusion, Vision Australia Foundation decided to continue the awards in-house.1 digital image of poster produced to celebrate winning multiple awardsVision Australia Library 2002 Awards Winners Braille Book of the Year: Rose Boys by Peter Rose Adult Audio Book of the Year: Corfu by Robert Dessaix Adult Narrator of the Year: Paul English for Corfu Civica Young Adult Audio Book of the Year: Willow Tree and Olive by Irini Savvides Civica Young Adult Narrator of the Year: Melissa Eccleston for Willow Tree and Olive Vision Australia Library Producing books in alternative formats since1894vision australia foundation, awards

To encourage the development of audio books, a series of awards were established by the National Library of Australia in 1988, and sponsored by TDK from 1991 until their demise in 2000. Open to both commercial and non-commercial publishers, it aimed to recognise the quality achievements by individuals and publishing houses and to promote the inclusion of audio books into the mainstream market. After the conclusion, Vision Australia Foundation decided to continue the awards in-house.1 digital image of poster created to celebrate award winnersVision Australia Library 2000 Awards Night Presentation Dinner held at Hotel Sofitel, The Carillon Room Braille Book of the Year: Happy Families by Susan Varga Sanderson Young Adult Narrator of the Year: Stuart Halusz for The Ivory Trail Sanderson Young Adult Audio Book of the Year: joint winners The View from Ararat by Brian Caswell & The Ivory Trail by Victor Kelleher Narrator of the Year: Helen Morse for Happy Families Audio Book of the Year: Happy Families by Susan Vargavision australia foundation, awards

To encourage the development of audio books, a series of awards were established by the National Library of Australia in 1988, and sponsored by TDK from 1991 until their demise in 2000. Open to both commercial and non-commercial publishers, it aimed to recognise the quality achievements by individuals and publishing houses and to promote the inclusion of audio books into the mainstream market. After the conclusion, Vision Australia Foundation decided to continue the awards in-house.1 digital imageVision Australia Library Awards 2001 2001 Braille Book of the Year: The Shark Net by Robert Drewe 2001 Sanderson Young Adult Narrator of the Year: David Tredinnick for Max 2001 Sanderson Young Adult Audio Book of the Year: Whistle Man by Brian Ridden 2001 Adult Narrator of the Year: Deidre Rubenstein and James Wright for The Architect 2001 Adult Audio Book of the Year: Conditions of Faith by Alex Millervision australia foundation

The documents provided information to Yarra Trams drivers on setting up the Myki ticket machine controllers on trams with the Portable Memory modules - see item 7681 for an example and further notes. Included instructions when changing ends of a tram, logging off, being taken at depots, non rostered trips etc. Based on item 14, "Being taken at Moreland", used at Brunswick depot.Demonstrates a set of instructions for crews in the operation of the Myki ticket machine controllers on a tram.Three pocket size sheets printed.trams, metcard, ticket machines

This crucible was raised from the wreck of the LOCH ARD. It is one of six similar relics, in a range of sizes, now in the Flagstaff Hill collection. All bear markings to indicate their manufacture by the Morgan brothers of Battersea, trading as the Patent Plumbago Crucible Co. A crucible is a container used for purifying and melting metals so that they can be cast in a mould to a predetermined shape and use. They must withstand extremely high temperatures, abrupt cooling, and shed their contents with minimal adherence. The addition of graphite to the traditional firing clays greatly enhanced the durability of industrial crucibles in mid-Victorian Britain, a significant technological advance at a time of great activity in foundries and expansion of demand for refined metals. The Morgans first noticed the advantages of graphite crucibles at the Great Exhibition held in London in 1851. Initially they contracted to be sole selling agents for the American-made products of Joseph Dixon and Co. from New Jersey, but in 1856 they obtained that firm’s manufacturing rights and began producing their own graphite crucibles from the South London site. The Morgans imported crystalline graphite in 4-5 cwt casks from the British colony of Ceylon (now Sri Lanka) and mixed it with conventional English (Stourbridge) clays to be fired in kilns. Their products were purchased by the Royal Mints in London and India, and exported to official mints in France and Germany. They were successful exhibitors of their crucibles and furnaces at the London Exhibition held in 1861 (Class 1, Mining, quarrying, metallurgy and mineral products, Exhibit 265, Patent Plumbago Crucible Co). The range of sizes represented by the six crucibles retrieved from the LOCH ARD, suggest they may have been part of a sample shipment intended for similar promotion in the Australian colonies ― at Melbourne’s International Exhibition to be held in 1880. The summary of cargo manifest, by Don Charlwood in ‘Wrecks and Reputations’ does not mention any crucibles, implying that they were not a large consignment of uniform items. A newspaper account of an 1864 tour of the Morgan brothers’ ‘Black Potteries’ at Battersea indicates: “All the pots were numbered according to their contents, each number standing for one kilogram, or a little over two pounds; a No. 2 crucible contains two kilogrammes; a No. 3, three kilogrammes, and so on.” These numbers are obscured by marine sediment on three of the crucibles in the Flagstaff Hill collection, but those legible on the remaining three are 5, 6, and 8. None of the six are of the same size from a visual appraisal.The shipwreck of the LOCH ARD is of State significance ― Victorian Heritage Register S417A large crucible, or fluxing pot, for heating and pouring molten metal. It was recovered from the wreck of the LOCH ARD. The clay fired vessel rises from circular flat base to a larger rim with pouring lip. It is stained a rust colour and bears some sedimentary accretion. Half of its loose fitting lid with central knob has also survived. Markings on the artefact indicate it is a Morgan’s crucible, made with graphite to prevent cracking in the furnace and provide a smooth (non-adhesive) inner surface. On base: “…RGAN’S PATENT CRUCIBLE”. On rim: “MORGAN’S PATENT P…” Below top edge "BAK"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, graphite crucible, plumbago crucible, morgans crucible company, loch ard, fluxing pot, crucible

Bill Sutton Collection Jacob Estey founded te Estey Organ Company Battleboro in the late 1800s. One of the largest manufacturers of reed organs in the world. The company closed in the 1960s. This organ possibly 1923Used by a resident of the Kiewa ValleyMade of white Oak this small organ has a lid on 2 hinges at the sides and has 2 steel clips, each side, to keep it closed. At each end is attached a leather handle to move the organ.Next to the right-hand side of the keyboard is a movable silver knob. It has 2 wooden pedals each with a piece of non-slip material 'glued?' on. Each pedal is attached to the keyboard area with a leather strap. See "Reed Organ Society" La Vernia Tx, USA"Estey Organ Co. Brattleboro Vt USA" on the lid. (Note: Vt = Vermont) "Allan and Co. Ltd / Melbourne / Sole agents for Victoria" on the lid.reed organ, music, estey organs

Journal of the Tramway Museum Society of Victoria. Ltd. Volume 5, No. 4. Feb - March 1969. 30 cents, sixteen pages. Front cover photo took by Malcolm Rowe. Bendigo Birney no. 28 seen in its guise as "Myer's santa special" turning out of Caledonia Street on the North Bendigo route on Saturday, 21st December 1968. The conductor's red uniform is rather non-standard, but it matched the color on the roof of the car. History of document: Part of 'Basil Miller Tramways Collection'.document

The Little Red Yellow Black Book is an accessible and highly illustrated pocket-sized guide. It's an invaluable introduction to Australia's rich Aboriginal and Torres Strait Islander histories and culture. It takes a non-chronological approach and is written from an Indigenous viewpoint. The themes that emerge are the importance of identity, and adaptation and continuity. If you want to read stories the media don't tell you, mini-essays on famous as well as everyday individuals and organisations will provide insights into a range of Australian Indigenous experiences.maps, b&w photographs, colour photographsindigenous history, culture, art, sport, health, education, employment, reconciliation, resistance, governance

Set of 14 colour prints of the COTMA Conference non-tram events, around the depot, Ballarat Railway Station, Olympic Rings, Lake Wendouree, Ballarat East, Lydiard St. Nth, Royal Mail Hotel Sebastopol, Bungaree Railway Station site and Sovereign Hill. Photos taken by Stuart Keenan. Image taken at Sovereign Hill 19/11/2000. Others - 20 and 21/11/2000. See Reg Item 2704.1 for programme. Printed on Agfa paper.btm, cotma, bungaree, sovereign hill, ballarat railway station, lake wendouree

Four copies of the Non Stop Old-Time Ball Programme held on July 15th 1977. Front page has a sketch of a couple dancing. Music by two bands: Ross Pritchard and New Notes. Inside are the names of 52 dances and the Master of Ceremonies, Mr. Peter Ellis and Callers, Mr. Alf Carey, Mr. Les Rankin, and Mr. Tom Brereton. On the back is a short account of the work of Mr. Cliff Beauglehole who studied Victorian native plants.Peter N. Ellis, Hon., Secretary W.V.F.N.C.A.entertainment, dance, fund raiser, peter ellis collection, non stop old-time ball programme, ross pritchard, new notes, a c beauglehole, lcc, western victoria field naturalists clubs assn, bendigo fnc, 'the distrubution and conservation of native plants in victoria', mr peter ellis, mr alf carey, mr les rankin, mr tom brereton

White catalogue with blue printing for a sale on the 8th October, 1996 on account of Coliban Water, Golden Square. For sale were motor vehicles and trucks, survey equipment, trailers, generators, pumps, power tools, chainsaws, concrete mixers, parts, pipe, brass meters, ferrous & non ferrous scrap, office furniture, hand tools and sundries. J. H. Curnow & Son P/L were the auctioneers. Directions how to get to the Coliban Water Depot on the back cover.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - coliban water, barry breen, j h curnow & son p/l

A Wilson 'T2000' metal tennis racquet, with double shaft; white plastic shaft casing featuring 'W' logo and silver whipping. Handle wrapped with non-original maroon 'Profile'-branded grip tape and red grip seal tape. Net anchored to metal wire wrapped around head frame. White plastic butt cap with adhesive label featuring manufacturer's 'W' logo in black. Materials: Metal, Plastic, Adhesive tape, Nylon, Adhesive labeltennis

This device was used to measure surface wind speed and direction. This anemometer was located on a concrete pad outside room 2.15 on a steel pole. The pole was considered unsafe and the anemometer was relocated to it's current position. When lowering the pole it fell over and was badly damaged. The Bureau of Meteorology donated it to the museum. It was then repaired and restored. The central pole on which it is mounted is galvanised iron pipe painted black. The anemometer, a portable device that manually measures wind speed, was a necessary instrument once common to all weather stations. The arms are attached to a vertical rod and as the wind blows, the cups rotate, making the rod spin. The stronger the wind blows, the faster the rod spins. The anemometer counts the number of rotations, or turns, which is used to calculate wind speed, surface wind and direction. They were designed to be durable to withstand the corrosive environment and strong winds expected at coastal sites such as those at Gabo Island. Anemometers existed in the nineteenth century and their design was improved by various experts including John Robinson in 1846, John Patterson in 1926, Brevoort and Joiner in 1935 and Derek Watson in 1991 who added wind direction measurement to its functions. This example was made for the Bureau of Meteorology by the Melbourne instrument company, Synchrotac, which became registered and incorporated on 26 July 1966. It is now displayed inside the building. A good example of its kind, the anemometer has first level contributory significance for its historic value and provenance to the lightstation.Anemometer and tripod stand. Three cupped brass discs on rotating arms fixed to turned brass cylinder shaped shaft. Beneath discs is a lead directional wind arrow attached to a rotating arm. A wooden three legged stand with central supporting pole of black painted hardwood and attached to a white painted marine ply circular base.Under wind cups: " SYNCHROTAC / MELB. / ser.no.70/372 / MADE IN AUSTRALIA." Above wind direction arrow: "C.OF.APT..../ SYNCHROTAC / MELB ? MADE IN AUSTRALIA / ser.no.70/372"

This metal plaque was dug up in a Warrnambool garden in the early 1980s. It appears to be an item that would have been attached to a wall or building and is possibly a representation of a British military figure involved in military campaigns or colonial administration in a British Empire outpost in the 19th century or early 20th century, perhaps in the Middle East or in north Africa. It could also be a non-British military figure from the same areas. This item is of minor interest as an object found in Warrnambool but with no known details of what it represents. . It is retained pending further research. This is a metal plaque showing the head and shoulders of a man wearing a fez and a military uniform. The back is slightly hollowed out.warrnambool, metal plaque, military plaque

These type of marking crayons have been in use from the 1800s onward to mark commercial and non commercial goods and articles that require waterproof and visual identification labels. Items such as bales of wool, tobacco tags, transportation tags(shipping, rail and road) and other "hard to mark" items that require information to be displayed by semi permanent waterproof signage. The crayons are also an advantage for young student art work.This particular box of leviathan crayons was in use by students in the Mount Beauty Primary School through the Victorian Education Supply Department. As the texture and adhesive/application qualities (soft medium and hard) allows students to be "creative" on various type of canvases. This type of application in schools is of a non commercial and simplistic art -form nature however more advanced students could present a commercial interest in a viable creative artistic venture. The major commercial and non educational uses are encompassed in a rural grazing and farming regions, of the Kiewa Valley and adjoining lands.The crayon box is made from cardboard and light buff colour. The box contains six "No.1" crayons, two of which have been used. Each crayon is wrapped with manufacturer's details on 180 gsm thick paper. The wrapper runs nearly 4/5 th of the entire length, leaving 1/5th open to display the colour of the crayon. The colours of the crayons are blue, purple, green, yellow, red and black. These crayons provide a waterproof writing, sketching and numbering method and are available in soft, medium and hard texture.Within a chain border and on two opposite sides of the box: "1 Dozen No.1", and below this and underlined "Leviathan Marking Crayons" and below this "Indispensable for all Marking and Checking purposes Waterproof and will not rub off", below this "SUPPLIED UNDER GUARANTEE"waterproof, freehand marking and artworks, school waterproof art, commercial identification marking of rural produce, school art, waterproof labelling

This object relates to Bernard HUSSEY. He was born on 15/05/1892 in Skipton, VIC. Bernard served in the Army (V92122) enlisting on, 24/03/1941 in Preston, VIC before being discharged from duties with the STH COMMAND WKSPS as a Army Non-Commissioned Corporal / Bombardier (CPL/LBDR) on 25/06/1946. Bernard HUSSEY was not a prisoner of war. His next of kin is Mary HUSSEY.Serial No. L21, No. 216527first world war (ww1), 1914 - 1918, literature, ballarat rsl, ballarat

This object relates to Fred Harold STRONG. He was born on 1/04/1890 in Chewton, VIC. Fred Harold served in the AIF (6844) enlisting on, 12/09/1916 in Chewton, VIC before being discharged from duties with the 1 TUN COY as a Army Non-Commissioned Sapper (SPR) on 03/08/1920. Fred Harold STRONG was not a prisoner of war. His next of kin is Caroline STRONG.No. A101217"To the Women of Australia"souvenirs, ballarat rsl, ballarat, badges, women, home front, wwii, second world war, world war two

This object relates to Charles JOHNSTONE. He was born on 1/04/1875 in Cope Cope, VIC. Charles served in the AIF (3086) enlisting on, 13/11/1916 in Cope Cope, VIC before being discharged from duties with the 7/37 BATTN as a Army Non-Commissioned Private (PTE) on 26/12/1917. Charles JOHNSTONE was not a prisoner of war. His next of kin is Grace CONSTABLE (Sister).second world war (ww2), 1939 - 1945, photo/pictures, ballarat rsl, ballarat

This object relates to Leslie KOPPLEMAN. He was born on 1/01/1895 in Hobart, TAS. Leslie served in the AIF (5737) enlisting on, 03/04/1916 in Hobart, TAS before being discharged from duties with the 12th BATTN 3rd BRIG as a Army Non-Commissioned Private (PTE) on 25/12/1917. Leslie KOPPLEMAN was not a prisoner of war. His next of kin is Millie KOPPLEMAN (Wife).first world war (ww1), 1914 - 1918, souvenirs, ballarat rsl, ballarat

This object relates to Bert Albert DAY. He was born on 1/01/1882 in Vancouver, CANADA. Bert Albert served in the AIF (6498) enlisting on, 11/08/1916 in Williamstown, VIC before being discharged from duties with the 8TH BATTN as a Army Non-Commissioned DVR (GNR) on 24/01/1920. Bert Albert DAY was not a prisoner of war. His next of kin is Dulcie DAY (Wife).Engraved with Australian Coat of Arms and No. 6498 DVR B A DAY 8th Bat. A.I.F. Letter from Avis BRITTAIN d/of B A DAY and copies of Death & Funeral Noticesfirst world war (ww1), 1914 - 1918, craft, ballarat rsl, ballarat

This object relates to Bert Albert DAY. He was born on 1/01/1882 in Vancouver, CANADA. Bert Albert served in the AIF (6498) enlisting on, 11/08/1916 in Williamstown, VIC before being discharged from duties with the 8TH BATTN as a Army Non-Commissioned DVR (GNR) on 24/01/1920. Bert Albert DAY was not a prisoner of war. His next of kin is Dulcie DAY (Wife).first world war (ww1), 1914 - 1918, photo/pictures, ballarat rsl, ballarat

This object relates to Joseph OSBORNE. He was born on 1/01/1891 in Newport, VIC. Joseph served in the (6867) enlisting on, 15/01/1917 in Leigh Creek, VIC before being discharged from duties with the 12/24 BATTALION as a Army Non-Commissioned Private (PTE) on 02/07/1919. Joseph Osborne was awarded the British War Medal and the Victory Medal. Joseph OSBORNE was not a prisoner of war.first world war (ww1), 1914 - 1918, medals, ballarat rsl, ballarat

This object relates to George Henry BARTLETT. He was born on 1/07/1877 in Beaufort, VIC. George Henry served in the aif (5975) enlisting on, 20/03/1918 in Ballarat, VIC before being discharged from duties with the 8 BATTN as a Army Non-Commissioned Private (PTE) on 14/07/1920. George Henry BARTLETT was not a prisoner of war. His next of kin is Catherine BARTLETT (Wife).second world war (ww2), 1939 - 1945, medals, ballarat rsl, ballarat

This object relates to George William BRADY. He was born on 1/01/1887 in Geelong, VIC. George William served in the AIF (3173) enlisting on, 06/03/1916 in Geelong, VIC before being discharged from duties with the 38TH BATTN as a Army Non-Commissioned Private (PTE) on 17/06/1919. George William BRADY was not a prisoner of war. His next of kin is Jane BRADY (Wife).second world war (ww2), 1939 - 1945, medals, ballarat rsl, ballarat

This object relates to James CHERRY. He was born on 1/03/1883 in Corindhap, VIC. James served in the AIF (7218) enlisting on, 02/11/1916 in Corindhap, VIC before being discharged from duties with the 2nd M G BATTN as a Army Non-Commissioned Private (PTE) on 10/10/1919. James CHERRY was not a prisoner of war. His next of kin is Thomas CHERRY (Father).second world war (ww2), 1939 - 1945, medals, ballarat rsl, ballarat

This object relates to Bert Albert DAY. He was born on 1/01/1882 in Vancouver, CANADA. Bert Albert served in the AIF (6498) enlisting on, 11/08/1916 in Williamstown, VIC before being discharged from duties with the 8TH BATTN as a Army Non-Commissioned DVR (GNR) on 24/01/1920. Bert Albert DAY was not a prisoner of war. His next of kin is Dulcie DAY (Wife).first world war (ww1), 1914 - 1918, literature, ballarat rsl, ballarat