The name ILCHINKINJA was given to the Arunta Tribe messenger and was to summon young men for initiation. The name is derived from the Arunta words " ILACH " (a hand) and IKINJA ( to raise ). Best expressed by the phrase " The Beckoning Hand ".Metal statue on wooden plaque.Dandenong RSL 1977. From Dandenong Army Careers Information Centre. Depiction of Aboriginal stood on boomarang inscribed " ILCHINKINJA ".

Lists of residents of the Warangesda 1880-1925, Maloga 1874-1888, Cummeragunja 1889-1953 (Stn) 1883 - present (Res) Moonah Cullah 1910-1952(Stn) 1896-1962(Res) Aboriginal Stations and other Rivereina Aboriginals 1874-1954maps, b&w photographs, registry listingsyorta yorta, wemba wemba, wiradjuri, warangesda, maloga, cummeragunja, moonah cullah

The two names hand written are, VX43695 KM Casey (Kevin Michael), VX52172 JV Casey (John Vincent) The 2/7th AIF ..... ? Kevin was discharged in the 2/17th Bn and John in 2/1st Guard Bn. The first page relates to joining the 6th Division AIF in 1939 and Marching through Melbourne. These items were in the collection Lawrence Vernon Andrews VX114736. Refer Cat No 4228 for his service details..1) - .4) Four pages of poetry on ruled Salvation Army letter head in red, hand writing is in black pen. Two names have been written on the paper in ink at the top of the pageMain heading, “Remember us Australia by Will Handy”.poetry, will handy, 6th division

Born in the Otways at Tanybryn in 1929 where he spent the bulk of his life he started writing poems in 1999 and since then has had over 100 poems listed. While many poems are memories of what has gone in Paddy's past he also pens about current day events, such as "Bob and Betty", or just about life as he sees it, such as "Diamonds in the Sky".Paddy's poems. The poetry of Paddy O'Connor, the Otway poet. P.J. O'Connor; Apollo Bay (Vic); 2004. vii, 121 p.; illus. Soft cover. ISBN 0 646 44331 3Paddy & Betty O'Connor 61 Wallace Street Colac VIC 3250paddy o'connor; poems; otways;

Wooden shield with emblem, gold bordered ships crown, kiln oven and aboriginal weapons below.Motto: Silence is Golden"plaque, aboriginal

A short guide to the history, lives and culture of the First Australians, the Aboriginal and Torres Strait Islander peoples.b&w photographs, colour photographsmoieties, reconciliation, land rights, mabo

Includes songs in the reclaimed Aboriginal languages of the Adelaide region, including some composed by Chester Schultz.B&w illustrations, b&w photographs, sheet music, word listskaurna, adelaide

From Victoria and Metropolis.Black and white image of 16 Aborigines who were living at Coranderrk Aboriginal Station in 1886.aboriginal, aborigines, coranderrk

Digitised directly from 'Blackfellows of Australia' by Charles Barrett and A.S. Kenyon (Sun Books)Aboriginal woman named Truganini wearing a shell necklace. She was a native of Bruni Island, Tasmania. Title - Truganini (When She Died Her Race Became Extinct).aborigine, aboriginal, truganini, tasmania, bruni island, shell necklace

The expansion of Bendigo's NAIDOC Week art attractions has strengthened calls for a permant space in the city's arts precinct dedicated to the display of indigenous works.Bendigo Advertiser article: ' Arts Pitch' Push for an Aboriginal and Torres Strait Islander Art Gallery.bendigo, naidoc, indigenous arts

Vol. 7, No. 4, Sep-Oct 2002 CONTENTS Comment 2 War Heroes: the blood and the glory 3 Geoff Todd tells it all in paint John Patrick on trees and environmental survival 8 Pam Dougherty Short Story: Treading water 10 David Fettling Rivers of Life: Paintings by Kerry Kaskamanidis 13 Jill Orr: performance artist 14 John Jenkins Making Art with Liz Nettleton 16 Book review: Contemporary Aboriginal Art 18 Susan McCulloch Poetry News and Reviews 20 John Jenkins CD Reviews 22 Geoff Achison, Mirth, King Kadu On Various Bards 24 John di Mase Artin'about 27 Wining and Dining 30 Poetry by Ian McBryde 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, aboriginal reconciliation, bundoora homestead, jacqueline healy, willy wonka's ice cream gourmet food, melbourne rudolf steiner school, eltham fullife pharmacy, montsalvat, trees, landscape degeneration, urban development, david fettling, dynamic vegies, nillumbik artists' open studios, kerry kaskamanidis, jill orr, john jenkins, thompson's pharmacy, liz nettleton, st andrews hotel, hurstbridge nursery, chris pittard, mary-lou pittard, eltham wiregrass gallery, john di mase, eltham warrandyte pottery open studio, ian mcbryde, bulleen art & garden centre

Daughter of George Temple and Mary McAuslane of Castlemaine, Hilda married James Kerr in 1893 and lived at Lincluden, Raymond Street, Orbost. Her husband was a Scot who had come to Australia as a ship's doctor and practised in NSW before visiting Orbost on a government vaccination programme. He liked Orbost and returned there, its first doctor, until his death in 1928. Hilda was sometimes referred to as 'Mrs Dr Kerr.' She and her sisters Mabel Stewart Temple and Margaret Ferrie Temple were all talented writers and musicians.This booklet is an example of the talent of Hilda Temple Kerr. Hilda Temple Kerr (1874-1956) grew up in Orbost. She was very talented and published several books. It is reflective of the style of poetry in the early 19th century.A small book with a cream coloured cover. It is titled Nell - A Story of the Sea and contains poetry, a libretto written by Hilda E. Temple Kerr for a musical event, a musical cantata by Mr W. R. Furlong.On front cover - donated by Connie Cruickshank.music kerr-hilda

These verses are handwritten and this suggests they originated locally but they were published in a Melbourne paper in 1874 and the writer is unknown.The verses refer to the cricket match in Warrnambool in January 1874 when a team of 22 players representing the Western District played the touring All-England Eleven captained by William Gilbert Grace, the famous English cricketer. The match in Warrnambool, one of 15 matches played in Australia, was won easily by the English team after one and a half days in a scheduled three day match but W.G.Grace did not star, making only 18 runs in the first innings and not required to bat in the second innings. Frank Allan of Allansford,who played for Victoria and Australia and was later called 'the bowler of the century.' took 6 for 28 in the first innings. Grace made a bad impression in Warrnambool with his brusque and insolent tone, refusing to attend the local Ball put on for the English team because the 'professional' players would be in attendance. The poem echoes the lack of goodwill and condescension shown in Warrnambool by Grace and refers to 'the greatest bat in all the world' making only 18 and sends a message to the English team - 'Don't quarrel and don't blow!'This poem is of considerable interest because it shows the ill-feeling in Warrnambool engendered by the attitude taken by W.G.Grace when his English Eleven was playing in Warrnambool in January in 1874. It is a reminder also of one of the 19th century highlights in Warrnambool's sporting history.These are two sheets of blue paper with 15 stanzas of poetry in black handwriting. The paper has ruled red lines and probably came from a ledger. It is torn at the edges in places where it has been folded.all england cricket team in warrnambool 1874, w.g.grace in warrnambool

Two copies of The School Paper Grades III & IV for the months of June,(2), and July,(1) 1964. Contain short stories, information, illustrations, poetry, plays and music. Published by the Victorian Education Department.education, primary, school paper, lydia chancellor collection, collection, education, literature, school paper, poetry, short stories, plays, drama, illustrations, artwork, information, reading, reader, school

Booklet. A 32 page booklet of humorous stories and poetry compiled by ' Semaphore' and probably aimed at the Defence Forces market during the 2nd World War. Called a 'Semaphore' Smile Book. Price One Shilling.Printed by E. H. Gibbs and Sons, Melbournecottage, miners, comedy, world war 2

Six papers on the relationship of language and culture in the Australian Aboriginal context are presented. "Some Thoughts on Yanyuwa Language and Culture" by Jean Kirton gives an overview of some language-culture relationships and examines seven kinds of possession in one language. "Nyangumarta Kinship: A Woman's Viewpoint" by Helen Geytenbeck outlines kinship and its terminology as learned by a field linquist for her work with this group. In "A Description of the Mathematical Concepts of Groote Eylandt Aborigines," Judith Stokes describes an Anindilyakwa mathematical language in its cultural context, refuting popular generalizations about the limited counting ability of the Aboriginal people. "Facts and Fallacies of Aboriginal Number Systems" by John Harris criticizes anthropologists' and linguists' neglect of and bias concerning existing data about the mathematics of Aboriginal groups. In "Aboriginal Mathematical Concepts: A Cultural and Linguistic Explanation for Some of the Problems," Barbara Sayers suggests that the mathematical problems of some Aboriginal schoolchildren are real, but have a cultural rather than linguistic basis. "A Report on Colour Term Research in Five Aboriginal Languages" by Susanne Hargrave describes and presents preliminary analyses from a research project on color terminology.B&w illustrationslinguistics, language and culture, sociolinguistics

Outlines and notes on a variety of Victorian languages. Chapters on the Wemba Wemba language; the Wergaia Language (Djadjala dialect); the Madimadi language; and the Narinari language; phonetic notes on Gundidj, Woiwuru, Yodayoda, Ganai (Gippsland) and Southern Ngarigu; Aboriginal - English Vocabularies; and an English - Aboriginal vocabulary.maps, word lists, b&w photographswemba wemba, wembawemba, madimadi, madhi madhiu, woiwuru, woiwurrung, wergaia, djadjala, narinari, wadi wadi, gundidj, buandidj, buandig, yodayoda, yorta yorta, gippsland, southern narigu, glossaries, vocabularies, luise hercus

These works are a display of my frustration of hour our family were lucky we were not beheaded, scalped, taken away and impaled as a warning to others not to enter farming lands, which had been traditional lands of the Nganyaywana country. The word 'Policy' represents the White Australia Policy, the word "Lost' stands for those lost including hundreds of family members, 'Jobs' asks why Aboriginal people can only find employment if through Aboriginal positions and policies. The number 3 symbolises myself and my siblings, red is for bloodshed, blue is for secrets and black the family history. Patrice MUTHAYMILES MAHONEY OAM Anewan/Nganyaywan/Dunghutti country. Patrice Mahoney is a printmaker, sculptor, weaver, drawer and painter. Her work challenges mainstream and Aboriginal Australians and is profoundly influenced by space, place and country, taking inspiration from nature, environment and looking forward to a time when she can return to her family's traditional country to make work. In 2012 the artist completed a Bachelor of Visual and Media Arts at Monash University’s Churchill campus (from 2014 Federation University's Churchill Campus). The Victorian Indigenous Art Awards 2014 were exhibited and judged at the Art Gallery of Ballarat.This unique edition triptych involves the techniques of intaglio copper plate, pigment, soft ground, open bite, aquatint, spit-bite, stamping, relief, drawing and burnishing on paper. It was awarded the 2014 Victorian Indigenous Art Awards Federation University Acquisitive Award for for work by a Victorian regional artist. Text, colour, metaphor and Aboriginal symbolism are important components of her work. This work expresses the artist's frustration with unjust situations experienced by traditional owners of Nganyaywana country. The word 'Policy' refers to White Australia Policy, 'Lost' the hundreds of lost family members, and 'Jobs' highlights the difficulty of Aboriginal peple obtaining work, especially outside Aboriginal positions and policy. The number 3 symbolises Patrice Mahoney's siblings, with black used to denote family history. The violently splattered red represents bloodshed, with the blue washing across the work obscuring details and representing secrets. The Selection Panel of the 2014 Victorian Indigenous Art Awards made the following comments on the work: 'The selection panel for the Federation University Acquisitive Award for 2014 were highly impressed by this work and applauded the vigorous use of symbolism and metaphor in a well scripted visual composition. The poignancy of connectedness to the past, memory, place and country is palpable and enhanced by the suggestive employment of text and minimal colour. A provocative and evocative work of art!artist, artwork, patrice mahoney, aboriginal, victorian indigenous awards, jobs, culture, printmaking, drawing, policies, lost, victorian indigenous art awards, available, alumni

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of sea shells and bones. The remains of an Aboriginal feast. Close-up of shell on a midden at Cat Baylocal history, photography, aboriginal midden, black & white photograph, aborigines, aboriginal middens, cat bay phillip island, john jenner, bryant west

Graphic illustration of group of protest marchers holding banners against a background of the Aboriginal flag; text in black."Right to march dance : Balmain Town Hall : [featuring] Kamakazi Kidz - Mental as Anything. Defend the right to organise. Smash Bjelke's ban. Proceeds to Qld Bail Fund."

Black covered book of 60 pages featuring Aboriginal artwork. The book related to the stolen generation at Ballaratballarat, stolen generation, ballarat orphanage, oral history, karen atkinson, raylene fernell, murray harrison, faye thorpe, nancy peart, lloyd clarke, kym nikkelson, dianne clark

Investigates issues affecting East Timorese and Aboriginal people. Also calls for a national social welfare policy.Illustrationssocial welfare, bureaucracy

A survey of various methods of conducting linguistic research with Aboriginal people in traditional contexts, especially elicitation techniques.linguistics, linguistic fieldwork