Photos include: Log building which the students constructed and used as a co-operative shop, Primary Class, Science class outside their classroom, Government meeting held in the outdoor theatre, Janet and Lawrence Nield. "Koornung School, Warrandyte was established by Clive and Janet Blake Nield in 1939, after they had visited progressive schools in Europe and America. They believed children should be given freedom to grow while learning to accept responsibility; that school should be a miniature democracy and education not a preparation for life but experience of life itself. A government of children and all staff (whatever their jobs in the school) met regularly, made the rules and dealt out punishment for breaking them. The few rules set down by staff related to health and safety, for instance, no pupils were allowed to go into the river without supervision. The school could not have been started at a worse time. Food rationing and coupons, petrol shortages and men at war limiting teaching staff made difficulties. It was an expensive school to run. Financial difficulties became more serious and eventually the school had to close in 1946. Efforts by the children and a Board of Management of notable people failed to save it. Janet Nield (M.A., Dip Ed.) was an inspired teacher of history. She was one of the few women at Melbourne University at that time to gain a Masters degree in history. The Nields left Melbourne to live in Sydney, Clive to work at Sydney University in lecturing in Education and particularly interested in Colombo Plan students. Janet devoted herself to children as a Lay Analyst. She was awarded the title of Training Analyst by a meeting of international psychoanalysts in Europe. - Pat Scott (Mrs Wynne Scott), a former member of staff at Koornung School Collection of five black and white photographs a, letter and descriptive material relating to Koornong School, Warrandyte showing various teachers and students and Connie and Alec Smith's studio.schools, koornong, warrandyte, danila vassilieff, lorna carter, adrian rawlins, teachers, janet nield, clive nield

Part of set of 4 photographs of Poulter posing in traffic signals. They were kept with note with information on Poulter. Black and white photograph of William Arthur Poulter posing in traffic signals. Right arm in right angle and left arm straight out.January 1944 Stamp: PHOTOGRAPH BY // RITTER JEPPESEN STUDIOS // 107-111 LONSDALE ST., MELB 0.1 // PHONE CENT. 5218 // REFERENCE NO [handwrittern] 10043 // POSITION [handwrittern] Dtransit police, traffic signals, 1940s, ritter jeppesen studios, poulter, william, william arthur poulter, victoria police museum

Part of set of 4 photographs of Poulter posing in traffic signals. They were kept with note with information on Poulter. Black and white photograph of William Arthur Poulter posing in traffic signals. Right arm straight out and looking in the same direction, left arm down.January 1944 Stamp: PHOTOGRAPH BY // RITTER JEPPESEN STUDIOS // 107-111 LONSDALE ST., MELB 0.1 // PHONE CENT. 5218 // REFERENCE NO [handwrittern] 10043 // POSITION [handwrittern] Atransit police, traffic signals, 1940s, ritter jeppesen studios, poulter, william, william arthur poulter, victoria police museum

Part of set of 4 photographs of Poulter posing in traffic signals. They were kept with note with information on Poulter. Black and white photograph of William Arthur Poulter posing in traffic signals. Standing on his right side, his right arm is straight out (stop signal).January 1944 Stamp: PHOTOGRAPH BY // RITTER JEPPESEN STUDIOS // 107-111 LONSDALE ST., MELB 0.1 // PHONE CENT. 5218 // REFERENCE NO [handwrittern] 10043 // POSITION [handwrittern] Ftransit police, traffic signals, 1940s, ritter jeppesen studios, poulter, william, william arthur poulter, victoria police museum

Part of set of 4 photographs of Poulter posing in traffic signals. They were kept with note with information on Poulter. Black and white photograph of William Arthur Poulter posing in traffic signals. Right arm bend right towards his left shoulder. January 1944 Stamp: PHOTOGRAPH BY // RITTER JEPPESEN STUDIOS // 107-111 LONSDALE ST., MELB 0.1 // PHONE CENT. 5218 // REFERENCE NO [handwrittern] 10043 // POSITION [handwrittern] Btransit police, traffic signals, 1940s, ritter jeppesen studios, poulter, william, william arthur poulter, victoria police museum

Sepia toned photograph of Constable Michael Scanlan's grave stone mounted onto card with embossed scalloped, leaf and ribbon design at top and along top sides.michael scanlan, stringybark creek, police murders, hunt for the kelly gang, edward kelly, ned kelly

Photographic image of Patrick Charles Gascoigne in his mounted constable uniform. Photograph is taken in a studio with his hat and right hand resting on a mock wall. Bushland setting created behind.Mtd Const. P.C. Gascoigne (blue pen on rear)kelly gang, edward kelly, ned kelly, glenrowan, constable gascoigne, patrick charles gascoigne, police murders

Sepia coloured photographic image of Sergeant Michael Kennedy's grave stone moulded onto card with embossed scalloped, leaf and ribbon design at top and along top sidesmichael kennedy, stringybark creek, police murders, hunt for the kelly gang, edward kelly, ned kelly

Sepia coloured photograph of Constable Thomas Lonigan's grave stone mounted onto card with embossed scalloped. leaf and ribbon design at top and along top sidesthomas lonigan, stringybark creek, police murders, hunt for the kelly gang, edward kelly, ned kelly

Sepia photograph of the Police Memorial dedicated to Scanlan, Lonigan and Kennedypolice murders, thomas mcintyre, stringybark creek, edward kelly, ned kelly, hunt for the kelly gang, thomas scanlan, thomas lonigan, michael kennedy

Large black and white photograph showing members of the King's Carnival Executive Committee, August 9th 1902john mitchell christie, detective christie, king's carnival

Booval Hill was an early name for the area to the north east of the Princes Highway and Liebig St intersection. The winning horse being a horse named Bloodstain which is recorded on the mount of the photograph. This item has a social and historical significance. Socially, it shows an early association which Warrnambool has had with steeple-chasing, with jumps racing still representing an important part of the horseracing calendar. The photo has a strong link with Warrnambool, being one of many photographs taken by The Jordan studios which operated out of premises in Liebig Street .Two black and white photos mounted on card showing the first and second last jumps of the Booval Steeplechase in 1921. There is text handwritten below the photographs and there is damage to the top right hand corner of the top photograph.Bottom photo signed Arthur Jordan 6 W'bool.steeplechase, warrnambool, booval, bloodstain, booval hill1921, jordan studios, horse racing

This is a paper back book with a plasticized cove which has an image of Flagstaff Hill Maritime Village (reproduction of Daniel Clarke’s Studio) in the background in muted colours, photographs and paintings of Thomas and Susan Lawson in colour on the front cover and a photograph of and information on the author on the back. It has 37 pages, a Lawson family tree at the back and an introduction by Helen Jones. The book included printed material, black and white photographs and illustrative material.non-fictionFamily history of Thomas Lawson (1831-1907) and his descendants lawson family, warrnambool, cobden, camperdown

Joseph Jordan was born in 1841 in Leicester England and spent over a decade in India with his regiment. In 1867 he gained first prize for his views of Indian scenery. He followed the same profession when he came to Victoria in 1884 and set up a professional photographic studio in Warrnambool He became very well known in the Western District for family photographs as well as official photographs of local councillors and groups as well as views of local scenery. This album is one which was advertised in 1901. Of the two albums in the collection they seem to consist of a core number of the same photographs with others included in the selection. The business was taken over by his son Arthur around 1917. This album includes a number of professionally taken photographs which give a high quality view of Warrnambool and the popular spots around the district at the turn of the century.Faded Maroon cloth over card cover with title in gold lettering on front cover. Advertisements for local businesses inside front and back covers. The album contains a number of black and white photographs from around Warrnambool, including the Titan crane at the Breakwater, banks of the Hopkins, Stephens Coachbuilders, Grand Annual Show, panorama of Warrnambool and Suspension Bridge on the Merri. All are mounted on card. It includes advertisements of J J O Mullane, Bay View Hotel, Hopkins Hotel, T Redford, Royal Hotel, Robinson and Morse, H D Stewart & Co, F Uren.2142 in grey lead inside front cover.warrnambool, joseph jordan, views of warrnambool, photograph album of warrnambool, views of warrnambool 1891

A collection of photographs depicting numerous people. Some have been taken by studios such as Lovewell & Co, Hider, Jordan and Daniel Clarke of Warrnambool. Most of the photos are unnamed but of those that are there is a Thom Wickham, E. M. Fleming, Henry and Stanly Frisch. There are also a number of photographs depicting land clearing and wood cutting also a couple of cards, one happy New year and Glaedelig Jul( Danish Merry Christmas)An album typical of the era with local family connections as well as work by local photographersBrown leather cover with gold figure work over embossing on the front with possibly the letter,”C”. The back cover is entirely embossed. Edges of metal clasp are on front and back cover but clasp part is missing. Gold edges to pages, which are all heavy card. Front inside page has pink briar roses with “Album” on card inserted through it.Jan 17th 1888. To Morris from H Bambrick?warrnambool, warrnambool photographers, lovewell & co, jordan photographers, daniel clarke, thom wickham, e m fleming, henry frisch, stanley frisch

Young couple in wedding attire (the young male could be William Henry NIGHTINGALE B. 1883;d 1943)Thompson CollectionB/W Photograph on grey board of couple in wedding attire Photographers mark on board. Inscription on back of photograph 'To dear Mrs Nightingale With love from Emily & Williethompson collection, nightingale

The child photographed was Frances Ruby Thompson (1900 - 1967) daughter of Albert Paul Thompson (b. 1865;d.1944) and Elizabeth Anna (nee) Fleming (b.1874;m.1899;d1954)Thompson Collection documenting family histories of nursery peoples of the DandenongsSepia photograph on cream board of blonde infant girl in dress and bonnet. Makers Marks: Eden Photo Studios Paris Panel superior finish Melbourne and Sydney. Inscription on back: 'Fransis Thompson Uncle Alls first (Francis)thompson collection, fleming

Wedding party; groom, bride, older woman (possibly mother of the bride) plus couple on groom's L/H side. As Ethel is mentioned on inscription the bride could be Ethel Georgina Nightingale(b.1885 - 1946) currently do not have spouse's name. Older seated woman possibly mother of the bride could be Emma Augusta Thompson (1859 - 1949) (Needs further research for confirmation)Sepia photograph on dark grey card of wedding partyMakers mark: The Yeoman Studios Inscription on back: To Dear Ethel with best wishesthompson collection, nightingale

Wedding photograph of Sophie THOMPSON (1880 - 1950) and Henry William TUCKER in 1912. From the collection of Emma NIGHTINGALE. Sophie's brother William also sent a wedding photograph to Emma NIGHTINGALEThompson Collection, NightingaleSepia photograph mounted on brown card Studio portrait of young coupleManufacturer's mark on front of card: Pearce and Fullwood, Photographers, 238 Sydney Road, Brunswick, opposite Town Hallthompson collection, nightingale, tucker

Photograph of Albert Paul THOMPSON and Elizabeth FLEMING, married 5/4/1899 in Windsor VictoriaThompson CollectionSepia photograph on cream board of couple in wedding attire. Makers Marks: Photo Eden Studios, Paris Panel Superior Finish, Melbourne and Sydney. Inscription on back: Uncle All and Aunt Lis Mum's brother and sister in law.thompson collection, nightingale,

Reginald Howard SPARKS (1899-1981) was son of Alice May Nightingale and grandson of Emma Augusta Thompson. He married Eileen Maddock (1900-1984) in 1921. Best man looks like bother of Reg Sparks, Edmund HenrySepia photograph mounted on light board; wedding party 1921Markers Mark: embossed insignia: Gainsborough Studio Inscription on back: To Grandma from Eileen and Regthompson collection, nightingale, maddock, sparks

Aunt Emma is Emma Nightingale (1859 - 1949) Albert John (Jack) Bedggood was son of Emma's sister Ester Ruth (1872 - 1952). Jack and Winnie were married at Box Hill on 9/8/1928Thompson CollectionB/W photograph on grey board of couple in 1920's (wedding portrait)Inscription on Back: To dear Aunt Emma with love from Jack and Winnie Markers Mark: Burlinston Melbourne thompson, nightingale, bedgood

Studio portrait of wedding partyB/W photograph on grey mount. Wedding couple with groom, bridesmaid and flower girlNonethompson collection, nightingale

Monochrome photograph of Emily Ogilvy (nee Stoddard) in nurses uniform, mounted on cardboardEmily Stoddard Ogilvy Ethel Ogulvy

Ladies' reading activities at Ringwood Library, 28 Warrandyte Road, c.1970s

Red Cross ladies loading books into cars at Ringwood Library, 28 Warrandyte Road, for distribution to remote readers. c.1970.

Photograph of the City of Ringwood Library, Eastern Regional Libraries car park, 28 Warrandyte Road, c.1974

Photograph of librarian checking out books using a hand-held scanner at City of Ringwood Library, 28 Warrandyte Road, c.1974.

Photograph of woman reading book to a young child, City of Ringwood Library, c.1970s

Black and white photograph. ( Photo by courtesy of Gazette Newspapers)Photo shows Anderson's Furniture, Speeds Shoes, Flamingo fashions, Cassari Pizza, Ron Mason's Studio, and Guests.