Coloured print of a WWII RAAF Sunderland, 4 engine sea plane mounted with grey border. Brown wooden frame with gold inner edge, glass front, fawn paper backing & white cord hanging strap attached.Underneath print: “A World War II RAAF Sunderland on patrol from an original by Peter Connor” Handwritten in black ink on backing: “Donated by Rick Hattam”print, sunderland, raaf

Black & white photo taken October 1917 of unknown hospital group from Bradford, England during WWI. Mounted on green background, brown wooden frame with glass front, white cardboard backing & wire hanging strap.Written in white at bottom of photo: “The War Hospital, Bradford, October 1917”photograph, bradford, hospital

Coloured photo of HMAS Melbourne Aircraft Carrier at sea with aircraft on deck. No 21 visible on front of flight deck & flag at rear. Tan wooden frame with glass front, tan ply backing. Photo mounted with grey border.In black print on white tag with black border, front, top centre: “H.M.A.S. MELBOURNE” “G. MURRAY”photograph, framed, hmas, melbourne

It is not sure which of the two Dowseys from Bendigo it is. The two are; David DOWSEY No 2133 enlisted in the AIF in 6th reinforcements 14th Batt on 21.5.1915 age 34 years 11 months. Embarked for Egypt 17.6.1915, embark for Gallipoli 1.8.1915, hospital with sore feet 11.10.1915, rejoin unit 21.10.1915, WIA 26.11.1915 GSW to Arm, during recovery gets himself into a bit of trouble, hospital 8.3.1916 with Influenza, rejoin unit 10.3.1916, hospital again two days later with Influenza and then classed Rhuematism, returns to Australia 11.5.1916 classed Chronic Rhuematism. Edward DOWSEY No 5526 enlisted in the AIF in October 1916 Tunnelling Coy reinforcements on 13.3.1916 age 29 years 1 month. Embark for England 25.10.1916, embark for France 4.6.1917 and attached to the 1st Tunnelling Coy, WIA 15.2.1918 GSW to Left shoulder, returns to Australia for discharge 11.12.1918 and discharged on 1.3.1919.Brown, wooden frame with white inner edge, glass front with brown cardboard backing. Black & white full length portrait of WWI Soldier in AIF uniform, jacket peeked cap, puttees & boots. Pyramid background backdrop. On rear in pencil: "Dowsey Bendigo"photography-photographs, frame accessories, trades - carpentery

Portland Town CouncilBlack and white photograph of a man with white hair parted on left and a moustache. He is wearing round glasses and a dark suit with white shirt (peaked collar) and dark tie. Mounted in grey matt, under glass in wooden frame.Front: J. Edward C. Henry, Town Clerk and Surveyor Appointed 20th November 1888, over 50 years an officer of the Council (white paint, lower centre).

The diorama of mounted specimens of seaweed was framed by Richard Foster Norton for Thomas Watson and is dated 1860. Watson was the Warrnambool District Surveyor at the time (1860). The inscription on the back of the frame links the artwork to the Pigeon Hill property, which was located on Allansford Road (corner of Staffords Road – north side of the Princes Highway-A1). In the 1860s, the property known as Pigeon Hill was owned by William Wall who was a publican who ran several hotels in Warrnambool and district. In 1860 Wall, was running a hotel in Wangoom, near Pigeon Hill. Further research is required to determine the exact location, but Pigeon Hill could also have been the name for that area and may have had other people living there. Thomas Watson was a member of the local horticultural society. Another possible creator of the artwork is Samuel Hannaford, a biologist with a particular interest in collecting marine flora. Hannaford left Warrnambool in 1857 and went to Geelong, so it is possible he collected the specimens had them framed in Geelong, and then arranged for their return to Watson. The other known seaweed collector was Henry Watts, who lived in Warrnambool in the mid-19th century. The seaweed collection in this box was possibly one of Watts' and could have been prepared for the Victorian Exhibition of 1861, Richard Foster Norton, also known as R.F Norton, was one of only a handful of picture framers in 1850s Melbourne. Norton was born on the 24th of July 1822 in Yelvertoft, Northamptonshire and prior to his arrival in Australia, Norton is listed in England as having the occupation of a painter. It appears that he established his business in Melbourne in 1854 or 1855. Between 1855 and 1865 he operated from 87, then 83, and later 80 Collins Street. In the Argus newspaper, Norton advertised his business as a Print seller, Carver, Gilder and Picture Frame manufacturer, supplying the growing demand for artworks and decorative furnishings in the colony during the Gold Rush. Norton also had a Geelong branch in Market Square, where this work was produced. This framed work is highly significant. Previous research has found that only six frames are in existence that can be attributed to be made Norton, dating from the late 1850’s to the mid 1860’s. Moreover, Thomas Watson the owner of the artwork, is one of the government surveyors of the region during the mid-19th century.Diorama in deep wooden frame, behind glass. Seaweed specimens have been mounted within the frame. The back of the frame has handwritten inscriptions including the framer's label (portions missing). The diorama was framed by Richard Fraser Norton. Printed label; "RICHARD FOS --- Picture Framer and -- MANUF -- CARVER, GILDER, ---- PAINTINGS CLEANED, LINED AND --- GLASSES RESILVERED, FRAMES --- Architectual Decorations created to any design in Paper Mache, Carlton Pierre, or Composition, Country Orders promptly attended to, The Order Suppl ---, BRANCH ESTABLISHMENT, MARKET SQUARE, GEELONG" flagstaff hill, warrnambool, maritime museum, richard foster norton, r.f norton, picture framers, melbourne, geelong, artwork and decorative furnishings, gold rush, seaweed, botanical specimens, 1860, pigeon hill, district surveyor, thomas watson, william wall, wangoom, samuel hannaford, henry watts, victorian exhibition, 1861, yelvertoft, northamptonshire, market square

Born in 1903, Norman Penrose studied at the Bendigo School of Mines. A painter and a teacher, he lived in Bendigo most of his life.Watercolour painting by Norman Penrose titled "Sand Pit Fortuna." It shows a mining sand pit and the Fortuna mine in the background. The painting is signed on the bottom right-hand side. The painting is under glass in a dark brown wooden frame. On the back: Penrose Norman William 14 Barkly Terrace east Bendigo. Price: - guineas. Title: Sand Pit Fortuna. For: drawing, watercolour and graphic art exhibition. Victorian Artista Society 430 Albert Street, East Melbourne bendigo, mining, norman penrose, artist, teacher, fortuna

Photograph of employees and possibly others at opening of I.C.I. FABRICS (LEATHERCLOTH) P/L, Deer Park Victoria in 1930.Photograph of 122 original employees of LEATHERCLOTH PTY LTD plus key list of names of the employees. The key list is situated above the wide panoramic photograph, and both are enclosed within a glass faced black stained wooden frame.leathercloth, ici fabrics, employees, 1930, industries

Furphy water carts were first made in 1895Furphy Water Cart, Three wheel tractor drawn tank on a wooden frame. Original wheels and body made by J. Furphy Foundry. Holds 180 gallons. Red ends has signature Furphy markings with indented writing. Refer to photos

Wooden framed beige two panelled scholarship recipient certificate awarded to Timothy Goodson. The top panel is a photograph of Timothy and a Monash representative, and the bottom panel contains an orange box with the MONASH University Engineering logo and text reading:The Faculty of Engineering at Monash university congratulates Timothy Goodson from Wangaratta High School 2009 scholarship recipient

Stained glass window from the Principal's Residence, Burnley (demolished 1980.)Stained glass window in the Art Nouveau style with country scene and cottage depicted in the centre panel surrounded by border panels. Wooden framed lead light panels and painted centre glass piece with two brass mounting brackets. stained glass window, principal, burnley, art nouveau, principal's residence, decorative arts

Head and shoulders portrait painting of a man. The man has receding grey hair, and is wearing a blue shirt and brown top, and is painted on a black background. The number '20' is handwritten on both sides of the wooden frame on the back of the artwork. The number '18' is handwritten on both the top and bottom edges of the wooden frame on the back of the artwork. Bottom right hand corner of the frame is printed with the text 'BLARNEY STRETCHERS' and a phone number. Left hand side of frame is printed with the text 'BLARNEY LINEN and STRETCHERS' on upper section, and 'BLARNEY LINEN and' at bottom corner.

This brass bell bracket has been carefully shaped to fit around the shape of a bell. Its fitting allows it to swing freely. The bracket allows the bell to be fixed to a horizontal surface such as a s wooden frame, post or base. It may have been portable or fixed to a counter, desk or table. The bell may have been used to sound the time, to draw attention to an event such as a church surface, to signal a time to start or stop, or even as a percussion instrument.This metal bell bracket appears to be handmade and may have been used as a portable signal for a school or public meeting. It could have been used on a ship to signal the watch or the time.Bell bracket; the brass, bracket is bell-shaped with a removable hinged section across the top where the bell swung. The base is composed of a curved and shaped base stand. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bell bracket, bell stand, bell frame, swinging bell, portable bell, bell ringing, signal

Ostrich eggs were a novelty item found in many homes in the 19th and early 20th centuries, though in Australian homes they were more likely to be emu eggs. Some ostrich eggs may have been brought to Australia from South Africa after the Boer War or purchased by travellers to foreign lands at other times. This ostrich egg has no known provenance.This ostrich egg has been in the collection of the Warrnambool and District Historical Society for 45 years and the only known connection it has to Warrnambool is seen in the fact that the donor was Mrs Uebergang and the Uebergang name is well-known in our district as the Uebergangs were pioneering settlers in the Allansford/ Warrnambool area. This is a cream-coloured ostrich egg resting in a circular cavity in the centre of a rectangular wooden frame. The egg has a small hole on the top and has paintings of an African woman and child on one side of the egg and huts with palm trees on the other side. history of warrnambool, ostrich eggs, painted ostrich egg

Towanga & Mt Bogong. Mt Bogong is actually the mountain on the left at the back. Early maps spelt Tawonga differently to the current day spelling 'Tawonga'. The haystack and fence indicate that the photo may have been taken at the turn of the century. The exotic trees are not very old.This seems to be an early photo of Tawonga showing older style fencing and haystack and vegetation in the area.Black and white photo with title at the bottom middle - "Mt Bogong / Towanga (sic), Victoria Modern light brown wooden frame with black cardboard back triangular hook and black cardboard stand attached. Photo covered with clear glass.Sticker on back of frame "67480 Eng Walnut / 49426 / Made In Thailandtowanga. tawonga. mt bogong. kiewa valley.

Black / white photo of Sir Carl Herman JESS.on LHS. Life history in black / white print on white background on RHS. Both mounted on green backgorund with gold painted wooden frame, glass front, fawn cardboard backing. White sticker with black print front bottom RHS, bottom front & bottom back LHS: “73”framed, jess, passchendaele barracks trust

Black / white aerial photo of HMAS Melbourne with 5 aircraft on the flight deck plus 4 units of the RAN Combat fleet at sea. Photo is mounted with a fawn border with a grey wooden frame, glass front & fawn paper backing.Printed underneath photo in black ink: “H.M.A.S Melbourne and Units of the R.A.N. Combat Fleet” “Presented to Kevin Kelly by his Navy Office friends. Canberra 22nd January 1964” Written on back in pencil : “(Fate of Voyager and Melbourne) H.M.A.S. Voyager collided with H.M.A.S. Melbourne Feb 1964 - 81 lives lost” Written on back In black texta: “(Kevin Kelly)”photographs, hmas, melbourne

Photo of Artillery Battery Gun Emplacement. Field gun supported with sand bag wall. Gun crew preparing site for action. Black & white photo mounted in black wooden frame with black border, cardboard backing, glass front. Front RHS bottom & back, LHS bottom: “No 53 stickers” Back LHS bottom: “Trust No 22”photography-photographs, frame accessories, military history, arms-ordnance, passchendaele barracks trust

HENRY HOLMBERG No's 334, 26673, 8th L.H Regt AIF. Refer 54P for full service records re Henry and brother Carl. Also 626.Framed photo showing mounted bandsmen with trees in the background. HENRY HOLMBERG is 2nd from left. The tan wooden frame has moulding on the outer edge. Black & white photo is mounted on grey background with gold edging around glass.On back in black texta: H Leslie In gold lettering RH bottom corner of grey background: Frazer & Vallance Melbournemilitary history - army, army bands, photography-photographs, frame accessories

Artist comment: These three prints (The Groom, The Undertaker's Assistant, The Organist) are part of a series on forebears of Portland. The drawings are taken from people in a collection of photographs belonging to the Johnson Family of Portland. The "Old Lady" and "The Wedding" are part of the same series. I designed the background to each drawing to suit each character's expression.CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Screenprint of standing male from hips to head. The man wearsr a black suit, white gloves and has a moustache. Work has pink background with leaf and plant forms in green, yellows and blues. No matt. Wooden frame with glass glazing.Front: 1834 1984 Portland Commemorative Print (lower left) (stamp) 1/20 A Gee (lower left) The Undertaker's Assistant (centre) John Cain (lower right) (signature, brown ink) Premier of Victoria (black ink stamp) Back: (no inscriptions)