VA 2825 Attorney-General's Department (previously known as the Law Department)Eureka Stockade:Brief for the Prosecutiontrial, catherine bentley, william henry hance, john farrell, dr. carr, william duncan, barnard welch, thomas mooney, peter martin, edward john davy, mary ann welch, agnes sinclair, gorden evans, james stewart, george bostock, henry green, everard gadd, alfred carr, michael welch, james bentley

VA 856 Colonial Secretary's OfficeEureka Stockade:Bentley's servant confessestrial, james scobie, thomas mooney, michael welsh

VA 856 Colonial Secretary's OfficeEureka Stockade:Catholics protest over the treatment of Smyth's servanttrial, catholic, protest, maltreatment, johannes gregorious, james lord, timothy hayes, charles hotham, michael bourke, timothy shanahan, patrick curtain, michael quinlan, john hynes, john manning

VA 2825 Attorney-General's Department (previously known as the Law Department)Eureka Stockade:Depositions from Scobie Murderinquisition, james scobie, james bentley, d.s williamson, walter anderson, john gillott, hugh meikle, henry green, john campbell, duncan henderson, david richards, john haig, john fletcher, john phelan, walter davis, james hasseltop, archibald carmichael, william duncan, j.f bentley, barnard wech, peter martin, mary ann welch, john alfred carr, dr alfred carr

VA 2825 Attorney-General's Department (previously known as the Law Department)Eureka Stockade:Additional Depositionstrial, goldfields, depositions, eureka, gold, mining, miners, gold rush, james scobie, john farrell, michael welsh

It took just six weeks in the spring of 1891 to collect nearly 30,000 signatures on the ‘Monster Petition’ for women’s suffrage. Dedicated suffragists collected an average of 5,000 signatures a week (over 700 per day) before the petition was presented to the Victorian Parliament in September 1891. The six-week drive proved the determination of the suffragists, and was one of first major steps along the road to 1908 and the achievement of women’s franchise. Now a prized possession of the State of Victoria, the petition itself was truly a ‘monster’, running 20 centimetres across and 260 metres in length. Several men were required to carry it into Parliament. Its sheer size and unique shape make it a marvel; a stack of paper with an equal number of signatures would not be nearly as impressive as the huge, winding roll presented to Premier James Munro. Quoted from the article ‘The “Monster Petition” and the Women of Davis Street’ by Brienne Callahan, in Provenance: The Journal of Public Record Office Victoria, issue no. 7.

This photographic exhibition was developed by the Federation University-led Community Wellbeing research stream of the Hazelwood Health Study in collaboration with Morwell Neighbourhood House and Gippsland Centre for Art and Design at Federation University Australia. It highlights people's hopes for the future of Morwell has its roots in two unexpected places: the Hazelwood mine fire in 2014 and an academic study into community recovery from that fire. In late summer of 2014 a bushfire spread to the coal mine near the town of Morwell in the LaTrobe Valley, in south-eastern Victoria. The Hazelwood mine fire burned for 45 days, shrouding communities - especially Morwell - in smoke and ash. Strong calls by the community for an investigation into the health impacts of the Hazelwood Mine Fire led to the Department of Health's (Know the Department of Health and Human Services) decision to fund a ten year study of the potential health effects of this smoke event (Known as the Hazelwood Health Study). This exhibition came out of work undertaken by the Community Wellbeing Stream of the Hazelwood Health Study during 2016 and 2017. Based at Federation University Australia's Gippsland Campus, just a few kilometres from where the fire took place, one of our Study's main aims has been to find out from the community how the smoke event impacted on community wellbeing. We also planned to talk to community members about the effectiveness of community rebuilding activities, and find our how these have aided recovery following the smoke event. In 2017 we began working with community organisations on a project to foster community recovery and wellbeing. What emerged from these discussions was the idea for a photographic exhibition, on the theme of 'Our hopes for the future of Morwell'. Invitations to participate were extended to up to 50 members of various community groups. The groups were asked to think of some object that symbolizes their hopes for the future of Morwell. Individuals were then invited to attend a photographic session kindly hosted by the Morwell Neighbourhood House. Each individual was to hold this object while it was photographed, as well as explain what the object represented in terms of Morwell's future. Out of this process twenty nine photographs with their captions were produced, enlarged and framed for exhibiting. The photographs were taken by Clive Hutchison of the Gippsland Centre for Art and Design at Federation University Australia.Twenty nine framed original photographs.morwell, our hopes for the future of morwell, clive hutchison, photography, morwell neighbourhood house, hazelwood health service, gippsland centre for art and design, hazelwood mine fire, haxelwood health study, morwell neighbourhood mine fire, neale stratford, tracie lund, ian brown, susan yell, sue whyte, ainsley ja, ainsley james, michelle duffy, shaun mallia, valerie prokopiv, morwell art and framing

Methodist Church (Wesleyan) Interior 1908Black and white photographchurch, sunday-school, building, james street

St Andrew's Church (Presbyterian)Black and white photograph of Large bluestone church with tall narrow windows either side of double door entrance with two steps church, sunday-school, building, james street, st andrews, presbyterian

Freemasonary or Masonry has its beginning in local guilds of stonemasons which from the end of 13th century regulated the qualification of stonemasons. Modern Freemasonry uses scriptures which include ritual practices and ethical conduct as part of its foundation and every member must profess a belief in a Supreme Being. Women are not allowed to be admitted and discussion of religion and politics is not to take place within the lodge. Freemasons meet in local Lodges which are supervised at a regional level by a Grand Lodge. The degrees of Freemasonry retain the three grades of medieval craft guilds, those of Entered Apprentice, Journeyman or fellow (now called Fellowcraft), and Master Mason. The candidate of these three degrees is progressively taught the meanings of the symbols of Freemasonry and entrusted with grips, signs, and words to signify to other members that he has been so initiated. The degrees are part allegorical morality play and part lecture. Candidates for Freemasonry will usually have met the most active members of the Lodge they are joining before being elected for initiation. (https://en.wikipedia.org/wiki/Freemasonry) The Golden Lodge of Sandhurst was established as the first Masonic Lodge in Bendigo in 1854. Many prominent men including City Councilors were lodge members at it was a popular way for men to socialise. As the masonic movement expanded further lodges were established in Bendigo and the surrounding Boroughs and Shires. The Golden and Corinthian Lodges purchasing two blocks of land in a prominent position in View Street in 1866 with the intention of erecting a new temple and after amalgamating in 1872 appointed architects Vahland and Getzschmann to design the building. The Bendigo Masonic Hall (now the Capital Theatre) was built in 1873 -74 for both public and private use and contained lodge rooms, a public tavern anda concert hall. The Masonic section occupied the northern side of the building at ground floor level and included a lodge room at the rear, a library and reading room, and other affiliated rooms. Walls of the entry hall and lodge room were decorated with classical columns and panels ornamented with Masonic emblems. The upper level of the building contained a large hall with balcony at the north end and removable stage at the south end. Elaborately decorated with Masonic emblems, this hall was used for Masonic purposes as well as being available to the wider community for social events. The tavern, which became known as the Masonic Hotel, occupied the basement and the ground floor of the southern side of the building and included a sitting room, parlours, billiard room, bedrooms, kitchen, cellars and servants' rooms. It appears that two public entrances were provided for this section, one directly from street level into the basement, the other from the public entry hall. Invitation for the Installation of unnamed Brothers. Half fold printed in gold and red ink on cream coloured card. Embossed cover with plain edging. Front and back cover decorated with masonic symbols. Menu listed inside. Front cover: The Zenith and Golden and Corinthian Lodges ? Joint Installation / Masonic Hall, Bendigo / Wednesday, June 28th, 1905 / Bro J.O.R Milburn Caterer bendigo masonic hall, capital theatre bendigo, milburn catering bendigo, making a nation exhibition, james printer eaglehawk, bendigo masonic lodge, city of greater bendigo community groups

J. H. Carolin was active in municipal politics from 1886 - 1913. He began his career in Kyneton and arrived in Bendigo in 1879. Councillor Carolin became Mayor for the first time from 1889 - 90 and then again in 1907 -08. John Paul Carolin married Mary Corcoran in 1861and together had 10 children. Event program for the Mayor's Ball. Gold and purple print on pink card. Half fold with menu and wine list inside. Embossed and scalloped edging. Back cover lists the 'light refreshments' served in the Council Chamber throughout the night. Front cover: Return Ball / by the / Citizens of Bendigo / TO HIS WORSHIP / The Mayor of Bendigo, / Cr Carolin and Mrs Carolin / TOWN HALL, BENDIGO / TUESDAY, JULY, 14th, 1908bendigo town hall, making a nation exhibition, councillor john paul carolin, mayor carolin, mayoress mary carolin, mary corcoran, james printer eaglehawk, r.h. reed caterer bendigo, city of greater bendigo events, city of greater bendigo ceremonial item

Ill, p.264.non-fictionA description of Cook's journeys for a juvenile audience.exploration, james cook - travels

p.528.fictionThe interwoven story of James Graham, first Marquis of Montrose, and his king. A queer tale of sedution and witchcraft. montrose 1612-1650 - fiction, scotland - fiction

Robert Ingpen, illustrator, designer, writer and consultant, was born in Geelong in 1936. He was educated in Geelong before studying art and illustration under Harold Freedman at the Royal Melbourne Institute of Technology, 1955-58. Early in his career he specialised in relating design to scientific research, and this included work as a graphic design artist for the CSIRO, 1958-67, commissions for designing pamphlets on fisheries for the United Nations in Mexico and Peru, and involvement in a number of Australian conservation and environmental projects. He launched into freelance work in 1968. Ingpen's work has focused on environmental and heritage issues and his exploration of fantasy and imagination. He is best known as an illustrator, and as an author of children's books, and historical books and pamphlets for adults. He has painted murals on public buildings, designed the flag and coat of arms for the Northern Territory, and designed postage stamps, including stamps for the Captain Cook Bicentenary and the 50th anniversary of CSIRO. He has been involved in a number of conservation and environmental projects, including the establishment of the Swan Hill Pioneer Settlement as consultant/designer. He was one of the founders of the Australian Conservation Foundation. Ingpen rose to prominence with his illustrations for Colin Thiele's classic children's story Storm Boy, winning for him the first Visual Arts Board award for children's book illustration. He won the international Hans Christian Anderson Medal for children's literature in 1986, and the Dromkeen Medal in 1989.Robert Ingpen, celebrated Geelong artist, was commissioned to paint a mural to be located above the entrance of the new west wing. The mural was designed to represent the objects and systems that characterise Geelong and its district and that played a major role in the city’s growth and development. The three systems comprise: the natural (producing) system; the man-made or technological system, and the natural (trading) system.ingpen, mural, city hall geelong, james harrison

Carlton's Football Team 54 years ago (1870)The photograph was taken in 1870 in Royal Park near the point Burke & Wills party left in 1840. Significant people in the group; Ben James Carlton's first secretary & Jack Conway.Replica of Black & White photo taken 1870