Arthur V Gregory b.1867, d.1957 worked from studio at 326 Albert Road South Melbourne established by his father G F Gregory in 1852In her latter years she was still making good passages under Captain Horne, in spite of a shortage of good crews. The following runs are recorded: 1892 Tuskar to Cape Otway 71 days 1894 Downs to Melbourne 77 1895 Lizard to Melbourne 77 1895 Melbourne to Prawle Point 80 1900 Melbourne to Prawle Point 85 1901 Adelaide to Cape Otway 48hr 1903 Port Phillip Heads to Lizard 74 days 1904 Melbourne to Dover 77 1905 Tuskar to Cape Borda 73 1905 Equator to Leeuin 36Water colour painting in painted gilt frameLoch Garry rounding Cape Otway A.V. Gregory 1933a.v gregory, loch garry, water colour

Newspaper clipping and photograph provides the story of Ballarat tram No. 36 visiting Hawthorn and Camberwell areas following its return to Melbourne. Lists those who travelled on the tramYields information about the visit of SEC tram 36 to Hawthorn and Camberwell during Sept. 1971.Newspaper clipping from the Eastern Suburbs Standard, 28/9/1971.Has the newspaper source in ink along the top edge.tramways, tramcars, tram 36, mmtb, hawthorn, tourism

Frederick Bice Menadue (1895-1981) was Mayor of Sandringham in 1935-36.councillor, sandringham, local government, municipality, mayor, mayoral robes, portrait, city of sandringham, jabot, frederick bice menadue, cr. f.b. menadue, dickinson-monteath studio, mayor of sandringham

Photographs by Stan Lakey, SEC Deport Foreman. Shows some of the Ballarat fleet being loaded prior to going to other locations. Provided to donor at the time. Yields information about the transport of former Ballarat trams to their new "homes" or other tramway Museumstram Series of seven colour prints of SEC Ballarat trams loaded onto trucks for transport to their "new" homes, September 1971. .1 - Tram 12 - for the Sydney Tramway Museum - 8/9/1971 .2 - Tram 17 - for the TMSV Bylands - 20/9/1971 .3 - Tram 21 - for the AETM or St Kilda Tramway Museum Adelaide 21/9/1971 .4 - Tram 33 - for the Hamilton Transport Museum, with the depot crew standing in front of the tram 1/9/1971 .5 - Tram 36 - for transport to Preston Workshops and then Ballarat Tourism Week running in Melbourne 14/9/1971 .6 - Tram 37 - for the Sydney Tramway Museum 27/9/1971 .7 - Scrubber - for the TMSV Bylands 21/9/1971On rear has the photographers name and details written in by donor.ballarat, depot, tram disposal, tram transport, sec ballarat tramways, tram 12, tram 17, tram 21, tram 33, tram 36, tram 37, scrubber tram, trams, tramways

Photo of Ballarat 36 and W7 1024 in advertising livery for Channel O. Tram 36 has destination of Sebastopol and 1024, City, (route 67).. In the background is Addressograph Multigraph, Oxford Hotel and Kays Rent - A - Car office at 449 Swanston St. Mid to late September 1971. Has a strong association with a Melbourne tram driver who assembled the scrap book and series of photos of Ballarat trams at the time of closure, with the original photographer and the event of a Ballarat tram running in Melbourne to promote Ballarat tourism after the closure of the Ballarat tram system.Black and white photograph contained with Reg item 5988, a Stamford Kiwi School Scrap Book - card covers, 23 sheets, spiral bound, titled "Ballarat", prepared by Ellen Butland of Auckland following the closure of the SEC Ballarat Tramway system.On rear is the "M. Rowe Copyright Photograph No. 2"closure, trams, tramways, ballarat, tram 36, swanston st, tourism, tram 1024, channel 0, kays rent a car

Historical Details: . Description: First flown on the 29th of September 1943, the Vampire, in its many versions, came to be the most widely used British military jet aircraft ever produced, and saw service with some 25 air forces around the world. In 1951 the RAAF ordered 36 DeHavilland. Level of Importance: Regionaldh vampire

South Yarra, Vic. : Hyland House, 1986 xii, 288 p., [36] p. of plates : ill., facsims., ports. ; 25 cm. non-fictionHistory of the War Widows Guild of Australiawar widows -- australia -- societies and clubs -- history., war widows' guild of australia -- history.

A collection of 36 identical Tennis Craft 'Speedflex Deluxe Model' tennis racquets, with no netting, and tan & brown Kinghorn 'Original' tacky perforated handle grips. Materials: Wood, Fibre, Paint, Ribbon, Adhesive tape, Leather, Cloth, Paper, Ink, Glue, Lacquer, Metaltennis

February 1973 issue of 'Tennis U.S.A.' (Vol.36, No.2). Materials: Ink, Paper, Metaltennis

George Rimington established The Parkhill Nursery in 1877. By 1910, it was more commonly known as Rimington’s Nurseries and well known for its sale of violets. After World War II, Rimington’s Nurseries were gradually subdivided and sold. The 38 allotments were released in sections, including lots 34 to 36 on the corner of Mont Victor Road and Victor Avenue. Previous lots in the subdivision had bordered Burke Road, Rimington Avenue, Heather Grove, and Stoke Avenue. The selling point as it had been in comparable estates for a century were the proximity to transport, schools and churches, as well as the high location and excellent views. The subdivision plan shows most of the lots in the entire subdivision: 1-11, 13-26, and 34-38. Presumably, lot 12 and lots 27-33 were still to be released.Subdivision plans are historically important documents used as evidence of the growth of suburbs in Australia. They frequently provide information about when the land was sold on which a built structure was subsequently constructed as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.Subdivision plan advertising five superb home sites among lots in Burke Road, Stoke Avenue, Victor Avenue, Mont Victor Road and Heather Grove.subdivision plans - kew, rimington avenue -- kew (vic.), heather grove -- kew (vic), stoke avenue -- kew (vic.), burke road -- kew (vic.), mont victor road -- kew (vic.)

Subdivision plans are historically important documents used as evidence of the growth of suburbs in Australia. They frequently provide information about when the land was sold on which a built structure was subsequently constructed as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.The Raheen Estate Subdivision of 1960 involved the creation of 36 residential allotments and the sale of 34 of these. The land on which the subdivision was created had until 1960 formed part of the grounds of the mansion Raheen in Studley Park Road. In 1917, the Catholic Church had purchased Raheen and its lands. It was to become the home of Archbishop of Melbourne, Daniel Mannix, for 46 years. The sale of the subdivision took place three years before the Archbishop’s death. Subsequent archbishops were to reside at Raheen until its sale to the Pratt family in 1981. When the sale of the Estate was reported in the newspapers in 1960, it was described as the last big subdivision near Melbourne. At the auction, 33 of the 36 allotments were sold. The auction realised £315,750. Purchasers were advised that the vendor intended to keep lots 22 and 23. The alllotments in the subdivision required the construction of new roads. These included Eamon Court and Raheen Drive. The justification provided by the Church for the sale was that the estate was being sold to finance school building projects.subdivision plans - kew, studley park, raheen estate, eamon court, studley park road, coombes avenue, raheen drive

The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.An almost identical plan of the ‘Pointed Firs Estate’ is in the State Library of Victoria. The plan unusually uses a photograph to show the panoramic views from the Estate. A prospective purchaser could expect to look across the Yarra Valley to Eaglemont and Heidelberg. The 36 lots advertised for sale faced Doncaster Road, Houghton Street, Maud Street and Thackray Street in Balwyn North.subdivision plans - balwyn, pointed firs estate

Extracts from The Church on the Hill: Presbyterianism in Kew 1874-1974 by John A. O’Neill (Mullaya, Canterbury (Vic), 1974, pp.58-60. “An outstanding family which gave devoted service to the Church was the Campbell family of which James Maitland was the “head”. He died at “Ramornie” on the afternoon of Monday 15 December 1930. … “James Maitland Campbell was born in 1847 in Melrose, Scotland, where his father, the Rev. A. J. Campbell D.D., was the Minister of the Kirk. The Rev. Dr. and Mrs. A. J. Campbell, with their family, came to Australia in 1861 and settled in St. George’s Church, Geelong, where he was the first Minister. James Maitland, after completing his secondary education at Geelong College, entered the Melbourne University where he graduated Master of Arts and Master of Laws, and eventually became a partner in the legal firm of Davies and Campbell. When he first came to Melbourne Mr Campbell attended Chalmers Church, East Melbourne, and married Miss Annie Harper, daughter of Robert Harper, a merchant and a sister of Professor Andrew Harper. In March 1875 the young couple settled in Pakington Street, Kew. After the induction of the Rev. Maxwell and the formation of a Board of Management, Mr. Campbell was elected its first Secretary. David Beath, James Maitland Campbell and Duncan Robert McGregor were the first Trustees of our Church. Mr. and Mrs. Campbell joined the Church Choir, and Mr. Campbell became Choir Leader. Members of their family, Bessie, Mary, Nellie and Lewis also sang in the Choir. Mary became a famed teacher of singing in Melbourne. She taught singing to members of the Choir, and gave lessons in voice production to students for the Ministry. In 1879 Mr. Campbell became Superintendent of the Sabbath School, a position he occupied for 27 years. In 1887 he was elected an Elder, and the Session Clerk for 37 years. In 1924 Mr. Campbell compiled a very complete Jubilee History of the Kew Presbyterian Church. Mr. J. M. Campbell saw our existing Church and the Old Manse erected, the Villa purchased, and, with the help of the Kew Congregation, the Charges of West Hawthorn, East Kew and Deepdene established. In the General Assembly of Australia and the General Assembly of Victoria he occupied the important position of Law Agent, and was a member of numerous Church Committees and Councils. … At the Annual Congregational Meeting on Wednesday 28 October 1931, it was decided to erect a tablet in the Church to the memory of the late Mr. J. M. Campbell to record his service to the Church. The tablet was unveiled at the morning service on 13 December by Mr. Legge. The Preacher was Rev. J. Barnaby.”James Maitland Campbell (1847-1930) the owner of “Ramornie” in Pakington Street was an important contributor to the community of Kew in the 19th and early 20th centuries. A Councillor of the Borough of Kew, he was to be elected Mayor on three occasions: 1889-90, 1890-91 and 1892-93. In addition to his political roles, he was the first Secretary of the Kew Presbyterian Church, being actively involved in the life of the Church until his death in 1930. The Kew Historical Society has a small collection of items once belonging to the Campbell family, including a series of invitations issued to Mr. and Mrs. J. M. Campbell for the festivities organised to commemorate the opening of the first Australian Parliament in Melbourne in 1901. Memorial Tablet to James Maitland Campbell (1847-1930) that was originally erected in the Kew Presbyterian Church in Cotham Road. The tablet is comprised of iridescent ceramic tiles.“Erected by the congregation to the Memory of James Maitland Campbell. LL.M. died 15th., December 1930. Session Clerk of this church for 36 years. “A Christian gentleman.”james maitland campbell (1847-1930), kew presbyterian church, ramornie (pakington street), campbell collection

Modern Wonder was a largely factual magazine aimed at boys and young men. It had many articles and pictures on science, engineering and warfare etc. In some of the magazines, the Flash Gordon comic strip is printed in colour on the back cover. Issues were usually around 20 pages in length, with the covers and inside two pages printed in colour. The magazine was printed in Great Britain by Oldhams (Watford) Limited, St. Albans Rd., Watford. The magazine was in "tabloid" format, approximate dimensions 36 cm x 27 cm. The magazine (cost two pence, every Wednesday) began publication in May 1937 under the title Modern Wonder, and went through a few name changes, becoming Modern Wonders in December 1939 and Modern World from March 1940 until the magazine stopped in March 1941, possibly due to wartime paper shortages in England. (Source: Wikipedia)This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A magazine in tabloid format published in June 1940. The magazine includes a number of articles about the Second World War.modern world, second world war 1939-1945

The 13th Light Horse was the Corps Cavalry of the Australian Corps. One role of the Corps Cavalry was the escort of prisoners-of-war from the front line to POW compounds in the rear area. Lieutenant Leslie Deegan was a 36 year-old Company secretary of Melbourne with service in the Boer War when he enrolled in the 13th Light Horse AIF. He embarked as Squadron sergeant-major of C Squadron of the regiment and was later commissioned as a lieutenant.Rare photograph of Australian Light Horse escorting prisoners-of-war in large numbers in France during WWI. Officer named has connection to other items in collection.Framed black and white photograph showing long column of German prisoners-of-war led by mounted Australian officer and flanked by mounted Australian soldiers passing along a village road. Several onlookers, one on bicycle. light wooden frame painted black.German prisoners captured by 13th Light Horse at Hamel being marched to Prisoner of War cage at Poulainville in France, 4th July 1918. Lieut. L Deegan 13th Light Horse leading.13th light horse, hamel, deegan leslie lieutenant, prisoner-of-war

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 36 Argyle Road, Kew by Margaret Picken.36 ARGYLE RD, KEW / MARARET PICKEN (c) 1993 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 36 argyle road -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)36 Stawell Street in Kew was built to a design by Anatol Kagan & Associates in 1952. The drawing, dating from 1995, is one of a series of property illustrations created by Margaret Picken for real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 36 Stawell Street, Kew by Margaret Picken.36 STAWELL ST., KEW / MARGARET PICKEN ~95 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 36 stawell street - kew (vic), anatol kagan & associates - buildings -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 36 Uvadale Grove, Kew by Margaret Picken.36 UVADALE GVE., KEW / MARGARET PICKEN '90 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 36 uvadale grove -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 36 Childers Street, Kew by Margaret Picken.36 CHILDERS ST., KEW E. / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, property illustrations — buildings — kew (vic.), 36 childers street - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 36 Ridgeway Avenue, Kew by Margaret Picken.36 RIDGEWAY AVE., KEW / MARGARET PICKEN '91 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 36 ridgeway avenue -- kew (vic.)