In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FLESH" features a golden umbrella, serving as a metaphor for sex.

This is a typical example of a flat wick domestic paraffin lamp used in households prior to the introduction of electricity.A flat-wick lamp is a simple type of paraffin lamp, which burns paraffin drawn up through a wick by capillary action. A flat-wick lamp has a fuel tank (fount), with the lamp burner attached. Attached to the fuel tank, four prongs hold the glass chimney, which acts to prevent the flame from being blown out and enhances a thermally induced draft. The glass chimney needs a "throat", or slight constriction, to create the proper draft for complete combustion of the fuel; the draft carries more air (oxygen) past the flame, helping to produce a smokeless light, which is brighter than an open flame would produce. The wick holder has holes around the outer edges. When the lantern is lit and a chimney is attached, the thermally induced draft draws air through these holes and passes over the top of the wick. This has a cooling effect and keeps the wick from over heating. The lamp burner has a flat wick, made of cotton. The lower part of the wick dips into the fount and absorbs the paraffin; the top part of the wick extends out of the wick tube of the lamp burner, which includes a wick-adjustment mechanism. Adjusting how much of the wick extends above the wick tube controls the flame. The wick tube surrounds the wick and ensures that the correct amount of air reaches the lamp burner. Adjustment is usually done by means of a small knob operating a cric, which is a toothed metal sprocket bearing against the wick. If the wick is too high, and extends beyond the burner cone at the top of the wick tube, the lamp will produce smoke and soot (unburned carbon). When the lamp is lit, the paraffin that the wick has absorbed burns and produces a clear, bright, yellow flame. As the paraffin burns, capillary action in the wick draws more kerosene up from the fuel tank. All paraffin flat-wick lamps use the dead-flame burner design, where the flame is fed cold air from below, and hot air exits above. (Source: Wikipedia accessed 24 Nov 2023) This lantern has a circular heavy green glass base for holding the paraffin. The base has a 12mm green glass handle. There is a small clear glass chimney with a fluted upper edge and some bubbles in the glass. The metal burner and wick holder has four metal prongs to hold the glass chimney in place. The round metal wick winder is functioning. There is a small amount of residual paraffin in the base. The flat wick is made of cotton.There are no markings to indicate the manufacturer.paraffin lamp, flat wick lamp, domestic lantern

Provides information on the use of concession cards for travelling on Victorian public transport, including senior and other concession cards. Shows images of the various cards allowed including students, seniors, and other concessions and free travel passes. Issued 2024.Yields information about the concession cards in use 2023/2024Pamphlet - 3 fold DL on recycled paper.public transport, tramways, myki, fares, tickets, concession fares

Jenna Lee dissects and reconstructs colonial 'Indigenous dictionaries' and embeds the works with new cultural meaning. Long obsessed with the duality of the destructive and healing properties that fire can yield, this element has been applied to the paper in the forms of burning and mark-making. In Without Us, Lee uses charcoal to conceal the text on the page, viewing this process as a ritualistic act of reclaiming and honouring Indigenous heritage while challenging the oppressive legacies of colonialism. Lee explains in Art Guide (2022), ‘These books in particular [used to create the proposed works] are Aboriginal language dictionaries—but there’s no such thing as “Aboriginal language”. There are hundreds of languages. The dictionary just presents words, with no reference to where they came from. It was specifically published by collating compendiums from the 1920s, 30s and 40s, with the purpose to give [non-Indigenous] people pleasant sounding Aboriginal words to name children, houses and boats. And yet the first things that were taken from us was our language, children, land and water. And the reason our words were so widely written down was because [white Australians] were trying to eradicate us. They thought we were going extinct. The deeper you get into it, the darker it gets. But the purpose of my work is to take those horrible things and cast them as something beautiful.’Framed artwork

non-fictionA catalogue of the exhibition of Private Press & Fine Press books at Federation University's E. J. Tippett Library, SMB Ballarat 20 March 2023 - 18 May 2023. The exhibition was opened by John Arnold and featured books from Ballarat private collections.school of mines ballarat, smb, ballarat, exhibition, books, book collection, private library, federation university, e.j.tippett library, book collectors

A small paperback book of ski instruction and techniques. The book consists of 28 pages of text and illustrations.This item is from the private collection of George Shirling of Red Onion, Falls Creek. It is the 3rd edition of a Ski Instruction Manual produced by Kosciusko Alpine Club, written by A. J. Stone and G. R. T. Ward. It was originally published in 1936. The handbook was a great success and was later used in Lebanon during the Second World War to train allied ski troops. George Shirling arrived in Falls Creek in 1962. He engaged Phil Nowell to build the original Koki Alpine Lodge which opened in 1965 with 14 beds. George operated the lodge with Michael “Baldy” Blackwell as manager. In 1981 he graduated in sport psychology and was invited to become team psychologist for the Australian Winter Olympic team which went to Albertville, France, in 1992. He later owned the Red Onion Chalet. George Shirling passed away on 27th February 2023. He had remained actively involved in Falls Creek and was generous with his time and knowledge, always an amazing supporter of The Falls Creek Museum and Falls Creek Village.george shirling, ski instruction manual, ski technique

Lama Zopa Rinpoche visited the Great Stupa of Universal Compassion in September 2014 to lead a six-week retreat, encompassing teaching on Shantideva’s ‘A Guide to the Bodhisattva’s Way of Life’ (Bodhicaryavatara). During the retreat he gave an extremely rare oral transmission (lung) of the 21st chapter version of the Golden Light Sutra. He also gave a talk on the benefits of stupas at the Thubten Shedrup Ling Monastery. Lama Zopa Rinpoche (1945-2023) was the co-founder and spiritual director of the Foundation for the Preservation of Mahayana Tradition (FPMT), dedicated to the transmission of the Mahayana Buddhist tradition worldwide through teaching, meditation, and community service. He was also a spiritual director of the Great Stupa of Universal Compassion at the time of the visit.'Photos' in gold lettering on the front cover.lama zopa rinpoche, retreats