Corroded rod with a square shaped shaft end to end.archaeology, historic building, former royal mint

Three corroded nails with a square shaped shaft narrowing to a blunt tiparchaeology, historic building, former royal mint

Corroded nail with a rounded shaft consistent in diameter to pointed tip. Head seems to be comprised of three different types of metal. archaeology, historic building, former royal mint

Collection of three corroded nails with a rounded shaft consistent in diameter to pointed tip.archaeology, historic building, former royal mint

Small nail with a rounded shaft consistent in diameter to pointed tip.archaeology, historic building, former royal mint

Collection of two nails with a rectangular shaft narrowing to a blunt tip.archaeology, historic building, former royal mint

Collection of 10 nails with square shaft end to end and a kink.archaeology, historic building, former royal mint

Corroded nail with rectangular shaft that narrows to a blunt tip.archaeology, historic building, former royal mint

Corroded nail with rectangular shaft that narrows to a blunt tip.archaeology, historic building, former royal mint

Corroded nail with rectangular shaft that narrows to a blunt tip.archaeology, historic building, former royal mint

Corroded nail with rounded shaft and consistent in diameter to a pointed tip.archaeology, historic building, former royal mint

Corroded nail with rounded shaft and consistent in diameter to a pointed tip.archaeology, historic building, former royal mint

Corroded nail with rectangular shaft narrowing to a blunt tip. The shaft is pinched below the head and there is a white deposit, possibly paint on the nail head.archaeology, historic building, former royal mint

Corroded tack with rectangular shaft narrowing to a blunt tip. The head is covered with lead.archaeology, historic building, former royal mint

Corroded nail with rectangular shaft narrowing to a blunt tip. The head is slightly irregular. Horizontal incised lines on shaft below head.archaeology, historic building, former royal mint

Three corroded nails with rounded shaft consistent in diameter to a pointed tip.archaeology, historic building, former royal mint

Two corroded screws with circular narrowing to a pointed tip. Incised screw grooves extending down the body of the shaft. Incised notch extending across the nail head.archaeology, historic building, former royal mint

Three corroded screws with circular narrowing to a pointed tip. Incised screw grooves extending down the body of the shaft. Incised notch extending across the nail head.archaeology, historic building, former royal mint

Corroded screw with circular narrowing to a pointed tip. Incised screw grooves extending down the body of the shaft. Incised notch extending across the nail head.archaeology, historic building, former royal mint

Square-shaped nut with a circular perforation measuring 1.3cm with interior grooves.archaeology, historic building, former royal mint

Corroded nail with rectangular shaft that narrows to a blunt tip. The head is hooked and appears to have been a secondary manufacturing process, attached to a machine cut shaft.archaeology, historic building, former royal mint

Alloy clock hand with a circular plate and pointed tip. archaeology, historic building, former royal mint

Andrew Balsillie (30/8/1874-28/7/1949. For 50 years he was associated with the Bendigo Mutual Permenant Land and Building Society and was its secretary from 1916 to 1945. He was the son of Andrew and Maria (nee Laing), who operated Edinburgh House selling ladies and gentlemen's clothing. Andrew Jnr. married Helen (Nellie) Calder in 1903.Black and white photographs (2) mounted on rectangular brown board. House, stained weatherboard board to sill height, rough cast above, bow lead- light window on right, leadlight windows on left, louvred vents to both front gables, tiled roof, roughcast verandah surround and pillars, 3 steps to veranda level, one chimney visible, small white veranda lamp, woven wire fence. Gate wooden gateway with lintel. On back of photo 18a: 'Sold Balsillie £875 sewered, or £825 plus sewerage. Stamp with T.C. Watts & Son, 253 Mitchell St., Bendigo., 12 April, 1929' On back of 18b. A. Balsillie, Marks St., £950 (crossed out ) £875, sewered or £825 plus sewerage.' May 1929.Frank A. Jeffree Bendigobuilding, residential, t.c. watts and son, balsillie, marks street bendigo

A poster advertising the performances of Melbourne's Finest Jazz Bands presented by Arts Academy Diploma of Entertainment, Lighting and Sound Course at the Courthouse Theatre, SMB Campus, Lydiard Street South, Ballarat. Performances were nightly starting at 8pm from May31st-June 3rd, 2005. A Bar (18+ ID Req)and a Groove Atmosphere. Tickets $10. Bands performing were: Tuesday May 31st: Adam Simmons and Andrew Ogburn Wed. June 1st - Nick Freer Quartet; When Harry Met Frank; Symbiosis. Thursday June 2nd: Giannis Quartet; Bachelor Pad Royale; David Rex Quartet. Friday 3rd June: Ainslie Wills Band; Rohan Wallis; Eneo Roberto and Friends Original black and white and grey postercourthouse jazz, courthouse theatre, arts academy of entertainment lighting & sound course, nick freer quartet, when harry met frank, symbiosis, giannis quartet, bachelor pad royale, david rex quartet, ainslie wills band, rohan wallis, eneo roberto and friends, university of ballarat, musical performance

Lottie Lillian (Dolly) McDonald married Richard Clement (Clem) Eastick on 25 May 1942 at St. Andrew's Presbyterian Church, Nhill, Victoria.Both Dolly and Clem were born in Nhill, and continued to live in Nhill after their marriage.A delightful classical gown of white silk velvet with draped bodice and fell from the side of the skirt with soft full folds, the tiny shoulder and hip yokes were embroidered with small crystal beads.Shoulder and hip yokes were embroidered with small crystal beads.1942 weddings, wedding dresses, nhill - weddings, st. andrew's presbyterian church, mcdonald - eastick, textiles - bridal - fashion

'Into The Woods' was a production performed by the University of Ballarat Arts Academy in 2006. Music and Lyrics by Stephen Stodheim; Book by James Lapine; Musical Director - Andrew Paterson; Director - Terence O'Connell; Choreographer - Alana Scanlan; Set Design - Richard Jeziorny; Lighting Design - Nick Merryleese. It was performed at the Helen McPherson Smith Theatre, Camp Street, Ballarat from Wednesday 28th March to Friday 1st April at 8pm; a matinee on Saturday 1st at 2pm and Sunday 2nd at 5pm. Tickets were available from MajesTix: Adults $22, Concession $15.50, Student/Child $12.50. The production was by Arrangement with Hal Leonard Australia Pty. Ltd. The story follows a Baker and his wife, who wish to have a child; Cinderella, who wishes to attend the King's Festival; and Jack, who wishes his cow would give milk. When the Baker and his wife learn that they cannot have a child because of a Witch's curse, the two set off on a journey to break the curse. Into the Woods is a musical featuring dark comedy. The story follows a Baker and his wife, who wish to have a child; Cinderella, who wishes to attend the King's Festival; and Jack, who wishes his cow would give milk. When the Baker and his wife learn that they cannot have a child because of a Witch's curse, the two set off on a journey to break the curse. Everyone's wish is granted, but the consequences of their actions return to haunt them later with disastrous results.Original Posterinto the woods, stephen stodheim, james lapine, andrew patterson, terence o'connell, alana scanlon, richard jeziorny, nick merryleese, helen macpherson smith theatre, majestix

Christening of Beverley and Robin Kent's second child, Andrew.Beverley was the daughter of Padre Oliver and his wife Moira. She was born in the Mission an has lived there. Beverley and Robin met and married at the MissionColour photograph depicting a couple with their young daughter and a baby. The photograph was taken in the courtyard of the Flinders Street Mission. The baby is wearing a long white outfit Written in red ink on verso: KENT Written in blue ink on verso: Andre Kent baptism / at St Peter's Mariners / church / Dockland / (Robin, Beverley and Ro Kent) / Feb/March 1958robin kent, christening, baptism, mission to seafarers, flinders street, courtyard, st peter chapel, beverley kent nee oliver, rosamond kent, andrew kent

Pictures taken at RVIB 201 High Street building of Assist, RVIB Enterprises and Training and Technology staff members for their badge identification.114 digital images of staff at RVIB Burwood, mostly in low resolutionroyal victorian institute for the blind, steve beashel, daryl barnett, phil boyd, geoff crawford, adrian smith, alan berginc, annie cooper, anton rich, chris maskell, david weatley, don hoy, ernie dos santos, frank bauer, gena kacowicz, geoff paterson, geoff ralph, glen petrie, greg slorach, greg washington, jim doherty, jimmy nason, john martin, john nettelbeck, karen hope, keith weller, ken mcdonald, lisa watson, martin stewart, jim pipczak, mary pipczak, michael royals, norm richards, norm shepherdson, peter krnel, ray dunn, ray xhaferi, richard pryztula, robert toseland, roger poulter, terry lord, alan kelly, alan fowler, andrea cook, andrew white, anita sun, barbara cameron, brett shelton, brian gear, bruce loring, chris edwards, christine harvie, dale moore, david horsfall, elisa moralis, faye baxter, glen hobby, glen morrow, jeremy childs, jeremy king, kate stephens, kathryn cooke, katy shuttleworth, ken baker, lloyd smith, margaret kelly, michael williams, michael doherty, natasha brake, neil gillies, neil mathieson, nick allan, ranmali ratnachandra, rhonda patman, rob glenowski, robyn mckenzie, rod stewart, sean tyrell, steve lock, stewart hose, terri cameron, thavee lees, thong nguyen, damien mccormack, elaine brock, vince september

The bookplate/premium plate identifies this book as being from the Young Men's General Debating Society South Street Ballarat 1897. This society was formed six years earlier and evolved into The Grand National Eisteddfod of Australasia or the Royal South Street Society in 1962. This book of sermons was written by Ballarat personality the Rev William Henderson who was responsible for the building of Ballarat's St Andrew's Kirk and the establishment of Ballarat College. It is one of many books of sermons published by Henderson and is the most significant of those productions, most of which are booklets. The bookplate identifies this book as belonging to one of Australia's oldest and most prestigious Eisteddfods The Royal South Street Competitions founded in 1891, the best known feature of which is the Sun Aria operatic competition. The book itself is a totally local product printed, published and bound in Ballarat in 1882, the publisher & binder being McHutchison & Campbell of Lydiard St, Ballarat.theology, sermons