Cliff Young was a sixty-one-year-old potato farmer from Beech Forest in the Otway Ranges, a couple of hundred kilometres south-west of Melbourne. With his distinctive shuffle, friendly wave and innocent grin, he beat a field of professional runners to take out the inaugural Westfield Sydney to Melbourne Ultra-marathon starting on April 27 and finishing May 2 in 1983.Cliffy: the Cliff Young story. Julietta Jameson. 1st ed. Melbourne (Vic); The Text Publishing Company; 2013. vi, 218 p.; illus. ISBN 978 1922 0798 6 2 Soft covercliff young; beech forest; sydney; melbourne; ultra-marathon; otways;

Black round topped box with brass hooks at front and brass hinges at rear. There is a black fabric handle on the top (broken). Inside the box is black padding with the manufacturer's logo printed in gold leaf. There is a square section in the base of the box, usually for a glass bottle but which is holding a metal pourer. The rest of the kit is missing.Printed in gold leaf on inside lid of box: MAYER & MELTZER / LONDON / MELBOURNE & CAPE TOWN Stamped on underside of metal pourer: BARTH & CO / LONDON Handwritten on inside of lifting linen-covered paper: [indecipherable] d as described on Pawn-Ticket / January 1903 / Jacket / Boots [cont...]mayer & meltzer, barth & co

One of a group of items including lace and crochet collars and pelerines, a jabot, a chid's dress and a wedding dress donated by KHS member, Kathryn (Kate) Gwynne Reeve (nee Marx) that belonged to members of her family. A pelerine is a woman's long narrow cape or tippet, with ends coming down to a point in front, usually of silk or lace, or of the material of the dress.Tape lace pelerine. L 41 cm / W 57 cm / Circumference 142 cmpelerines, accessories, tape lace

In architecture a corbel serves a decorative as well as structural function as a solid piece of stone, wood or metal that is built into a wall and juts out like a bracket to carry a weight. The smoothly shaped corbel was formerly built into the external wall of the lighthouse facing the sea. It consists of two cupped, rounded forms, one bigger than the other, which are attached to a damaged flat base. Made of cast concrete, it is the same fabric as the lighthouse and shows evidence of white paint on its surface. An early architectural drawing of the tower shows the corbel as a projecting, decorative moulding underpinning the balcony floor associated with the auxiliary light. It indicates the original corbel was a much larger architectural feature which started as a solid rectangular block and terminated with a smaller block and then two tapering, rounded forms. Prepared in mid-1888, the architectural drawings for the lighthouse by Victorian Public Works Department architect, Frederick Hynes, were amended in 1888-89 to provide for an auxiliary light, which comprised an arched opening and door in the tower wall below the lantern room and small balcony. In the late nineteenth century all of Victoria’s lightstations installed a red auxiliary light to serve as a danger warning to mariners sailing too close to shoare. Existing lightstations, like Cape Otway, built a pavilion below their lighthouse facing out to sea, but newly constructed towers like Point Hicks and Split Point incorporated them into their designs. The efficacy of auxiliary lights became a controversial issue and all were discontinued on 1 January 1913. The Point Hicks balcony was removed from the face of the tower in 1971 after it was found to be badly rusted. This resulted in the complete removal of the corbel, from which the rounded moulding and part of the base survives. The auxiliary light and door were subsequently removed in 1975 and glass blocks now fill the opening. Cape Schanck Lightstation retains four cast iron brackets from its auxiliary light balcony which are currently stored in the lighthouse on the ground floor. No other architectural fabric associated with the auxiliary light has been identified at Point Hicks Lightstation. The fragment of corbel has first level contributory significance for its historic and architectural values as a relic of the auxiliary light and as an original moulding from the fabric of Victoria’s first concrete lighthouse.A masonary corbel.

Malone Collection. Greeting card. White card with a coloured picture of a lady and a man. The man is wearing awhite shirt, greenish tie, brown hat & coat. The lady is wearing a greenish Dress Yellow hat with a white tie with red spots and white with red spotted frill around her yellow cape. The picture has a black border. The bottom right corner of the picture is cut out and Greeting is printed in gold. Top & bottom right corners are rounded. Card given to Miss Malone.person, greeting cards, malone collection, malone collection, greeting card

Erstine Schlisweg married William Bosse in Germany in 1860, later settled in Nhill districtSettlers in Nhillc 1860 Three piece silk & lace wedding ensemble handmade in Germany, consisting of a silk full length skirt with lace & ribbon trim which hugs the waist, flows into a small train at the back; the high round neck, sleeveless bodice/top tucks into the skirt, is silk with pleats down either side of a lace panel in front; cape is silk, slightly gathered so it elegantly flows over the shoulders, finishing below the hips, is trimmed with lace around the neck and bottom. Lace & ribbon trims wedding dress, william bosse, erstine schlisweg, nhill, german - textiles - handmade

This is an envelope used in the business of Ludeman Real Estate, Warrnambool. The Director, Bruce Ludeman, had previously been a stock and station agent before establishing his real estate business in Warrnambool in 1985. Bruce Ludeman, a business broker, auctioneer and property manager, is President of the Otway Division of the Real Estate Institute of Victoria and received a Presidents Award in 2012 for services to the real estate industry in the Western District. This envelope is of minor interest as an example of the type of business envelope used today in the real estate businesses in Warrnambool. This is a business-type white envelope with a see-through insert to show the address. It is self-sealing. The name and business address of Ludeman Real Estate is printed at the top left hand corner of the envelope. It also has a stamp to show that postage has been paid. ‘Ludeman Real Estate p/l 122 Liebig Street Warrnambool Victoria 3280’history of warrnambool, businesses in warrnambool, ludeman real estate, bruce ludeman, warrnambool history, liebig street

Made by Cox, F J 1845-1882 (1891), optical & mathematical instrument maker, optician, camera manufacturer, London.Sliding box camera, about 1855. This type of camera was in use before bellows became common. The camera belonged to Hugh Strachan who passed it on to an employee, Charlie Lugg. The Strachan family is distinguished in the Geelong wool industry. James Ford Strachan, born in Scotland, established a very successful wool broking business and his sons carried on his work.Wooden case with brass handle lined with green felt containing one sliding box camera, with a brass fitting for a lense, a removable glass focussing screen, which conseals the removable lense inside the camera. Also two small wooden frames for developping the photographs. Also a linen cape and a leather pouch containing metal filters with gradients. Booklet about the life of Charles Lugg who owned the camera before it was passed to his nephew who then donated it to the NWM. Booklet details Lugg's military service, working life in Stachan's wool stores and life in Geelong and Moriac. Measurements of parts (in centimeters): 27 26 41.5 Carry Case 24.5 36.5 21.2 Sliding box Camera 15.4 .5 17.6 slide frame 11 14.5 9.5 lens 152 71 cape 9 1.5 6.5 pouch 8.5 .1 6.5 5.5 Filter Lense 8.5 .1 6.5 4.5 Filter Lense 8.5 .1 6.5 3.5 Filter Lense 8.5 .1 6.5 1.2 Filter Lense F.J. Cox/ 26/Ludgate Hill/ London (Plaque on top of box) Fred J Cox/26 Ludgate Hill/London (Engraved on side of Lens)charles lugg, fred j cox, james ford strachan

Items relate to Jack Grinton No 1043, 38th Batt AIF. The postcards document Grinton's visits to various UK, French and European sites of interest. The ephemera in the last section include booklets, sketches, souvenirs, programmes, paper money, photo wallets, letters, pay slips and Grinton's discharge certificate. Part of the Grinton Collection which included hundreds of negatives and developed photos taken by Jack Grinton during WW1. Refer Cat No 1280 for service details. See also 1291.2P and 4528.2P. Black three ringed plastic folder in a rectangular black plastic box. Folder is divided into labelled sections each of which contains a number of postcards and assorted ephemera. Postcards and ephemera are housed in clear plastic pockets. A handwritten label is taped to the spine of the box..1) Each section divider is labelled in blue ink: 'P/Cs CAPE TOWN', 'P/Cs ENGLAND & SCOTLAND', 'P/Cs FRANCE & EUROPE', 'ASSORTED EPHEMERA' .2) On spine label handwritten in blue ink: 'POSTCARDS - Sth AFRICA, UK, FRANCE, ASSORTED EPHEMERA, JEAN GRINTON'. 38th battalion, books - albums, western front, john 'jack' grinton, grinton collection

1 Fd Svy Sqn in conjunction with 2 Fd Svy Sqn conducted Operation Aright 87 in the Cape York Peninsula area over the period 8 May - 18 Jun 1987. The aim of the Survey Operation was to field verify the 70 x 1:50,000 map sheets which comprised the area of operations. This report details the activities conducted and the results achieved. Manilla Folder with title "OP ARIGHT 1987" containing a paper report of typed pages and diagrams bound together with an ARNOS fastener."OP ARIGHT 87" on front coverroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

The camera belonged to "Jack Grinton" No 1043, 38th Batt AIF. This was Jacks second camera that he bought after buying his first camera in Cape Town on the way to England in 1916. Part of the Grinton collection which contained hundreds of negatives and photos that he took during WW1. Refer Cat No 1280 for service details. Refer 1316.2, 1317P, 1320P..1 Camera No 1A Autographic Kodak JR. Aluminium frame with dark brown leather covering. Leather carrying straps on one end. .2 Cable .3 CableOn small brass plate: "JF Duthie 13 So Dt David St EDINBURGH"photography, camera, grinton, ww1

A capelet is a small cape, usually worn around a person's shoulders and often chosen to wear with an evening outfit. The design may include a hood, collar or even ruffles. Fabrics range from fur, leather, velvet and wool to shear silk and net. Trimmings include buttons, lace, ribbon, and tassels. A capelet was a fashionable garment from the late 19th to the early 20th centuries.Capelet with collar. White fur lined with white fabric. flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, capelet, cape, evening wear, fur garment, fashion, edwardian, victorian, white fur

There was usually a Women's Auxiliary of Overseas Missions group in every church which would support a particular missionary, as well as raising general funds [UCA Glossary of Methodist Terms]. The W.A.O.M. celebrated its 70th anniversary in 1962. The periodical contains articles from Matavelo, Fiji; New Guinea Highlands; Nausori, Fiji; East Cape, Papua; Elcho Island, North Australia.Eight page paper periodical with black print of the Victorian Methodist Women's Auxiliary of Overseas Missions for December 9161. Vol. XXXII, No.8. The periodical is held together with two staples at the centre fold.methodist women's auxiliary of overseas missions

This fairly substantial wooden desk with vinyl top was issued to Wilson’s Promontory Lightstation by the Department of Public Works in the 1960’s. Primarily the desk was used for correspondence purposes, and now has the Bureau of Meteorology computer stationed on it. Although the design and make of this desk is common to many lightstations across Victoria, it is a good example of the kind of furniture that was provided to Victorian lightstations in the 1960’s. The solidly constructed desk was used in the lightstation office. It is made of honeycoloured hardwood and has a green vinyl top and three drawers on the left side. The style suggests that it may date to the 1960s. Gabo Island Lightstation has two identical desks, and all were probably standard issue from the Commonwealth Lighthouse Service or Public Works Office. Another twentieth century vinyl topped desk at Gabo is manufactured with a steel frame. Cape Nelson, Cape Schanck, Point Hicks and Gabo Island retain nineteenth century cedar desks. The desk at Wilsons Promontory has second level significance as a good example of the style of office furnishing provided to lightstations in the 1960s.Wooden desk with square legs and green vinyl top. It has three drawers with wooden handles on the left . The top drawer has a keyhole.

In order to accommodate its key Otways staff of train crews, station masters and gangers the VR provided departmental housing. Laurie McCabe, a former porter at Wyelangta, a player in the local football team, and married to one of the potato-growing families, was the Station Master becoming the travelling station master and guard in 1930. He was based in Beech Forest and housed departmentally with his wife, Victoria Elizabeth (nee Tann) and their two children.Laurie McCabe, Travelling Station Master and goods Guard, his wife, Victoria, and their two children outside their railway house at Beech Forest. B/W.beech forest; railway; departmental housing;

RIDGE PARK, Length: 65.2 m.; Owned by H. Simpson & Sons; Built at S. P. Austin & Sons in 1878. Registered at Adelaide. On 10 February 1881, RIDGE PARK (Capt. Heslop) was on voyage from Adelaide to Sydney with a cargo of brandy, wine and flour, when she was lost after running aground.Beware Reef is located south east of Cape Conran in east Gippsland. This is the sextant from the Ridge Park which, on10 February 1881, was wrecked on Beware Reef , just south of Cape Conran in east Gippsland. An old wooden sextant from the ship, Ridge Park. It is black with yellow measuring stripes.sextant maritime navigational

RIDGE PARK, Length: 65.2 m.; Owned by H. Simpson & Sons; Built at S. P. Austin & Sons in 1878. Registered at Adelaide. On 10 February 1881, RIDGE PARK (Capt. Heslop) was on voyage from Adelaide to Sydney with a cargo of brandy, wine and flour, when she was lost after running aground.Beware Reef is located south east of Cape Conran in east Gippsland.This cutlery is from the Ridge Park which, on 10 February 1881, was wrecked on Beware Reef , just south of Cape Conran in east Gippsland.Two forks and two spoon which are silver plated dinner cutlery.On front of handles - S.S.Ridge Park On back of handles - EP & NS with an A inside a circle

This watch belonged to Alan Robert WEBSTER who was born on 11-1-1923 at Wangaratta. He enlisted in Melbourne and served with the RAAF 30 Squadron. He was killed on the 11-8-1944 when his Beaufighter A19-194 was hit by AA fire at Cape Simork, Dutch New Guinea while on a bombing mission. He is buried in the LAE Cemetery in Papua New Guinea. Gold coloured metal watch with square face and white plastic watch band.Engraved on rear of watch - ARW 409630 RAAFalan robert webster, raaf, 30 squadron, ww2, lae, png

This is a set of 19 photographs taken in 1989 during 4th Field Survey Squadron’s deployment on Operation NERIGHT 89 in Queensland and the Northern Territory. It was a two-part operation in 1989 with work conducted in the areas of Camooweal and Weipa. Part 1 was the field completion of topographic maps conducted near Camooweal QLD, along the Barkley Highway on the border between NT and QLD, from the 12th of September to the 20th of October 1989. A Bell Kiowa LOH helicopter from 162 Recce Sqn supported topographic field completion. Operation NERIGHT 89 Part 2 was the acquisition of mapping control by GPS field parties utilising Texas Instruments TI4100 Global Positioning System receivers around Weipa on Cape York Peninsula from the 22nd of September to the 22nd of October 1989. Part 2 Two Bell UH-1H Iroquois helicopters from RAAF’s 35 Squadron were principally used to deploy GPS field parties. Identification photography of control points was taken by air camera operators in AAAvn Pilatus Porter aircraft from 173 Gen Spt Sqn fitted with an RC10 aerial camera. The two parts of the operation were conducted concurrently. This is a set of 19 photographs taken in 1989 during 4th Field Survey Squadron’s deployment on Operation Neright in Queensland & the Northern Territory. The colour photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) to .3) - Photo, colour, 1989. En-route to areas of survey operations. .4) to .5) - Photo, colour, 1989. Unidentified personnel relax next to river/waterhole. .6) - Photo, colour, 1989. Two Bell UH-1H Iroquois helicopters from RAAF’s 35 SQN utilised in the movement of GPS parties. .7) to .9) - Photo, colour, 1989. Unidentified soldier practices repelling from a UH1H Iroquois helicopter. .10) - Photo, colour, 1989. Inside the cockpit of a UH1H Iroquois helicopter. .11) - Photo, colour, 1989. Field Party camp with GPS equipment in foreground. Unidentified soldier prepares a meal. .12) - Photo, colour, 1989. GPS antenna plumbed over a survey ground mark. Witness post on left. .13) & .14) - Photo, colour, 1989. Unknown Cape York Peninsula beaches. .15) & .16) - Photo, colour, 1989. Dramatic fire next to base camp. .17) - Photo, colour, 1989. Aboriginal rock art at unknown location. .18) - Photo, colour, 1989. Aboriginal rock art at unknown location. L to R: unidentified, SPR Andrew Quin. .19) - Photo, colour, 1989. Aboriginal rock art at unknown location. LT Chris Topovsek..1P to .19P – There are no personnel identified. ‘1989 OP NERIGHT’ annotated on negative sleeve.royal australian survey corps, rasvy, 4 fd svy sqn, op neright 89

This catalogue was written by Joan Luxemburg for the Art Gallery of Ballarat Exhibition of James Meek works (13th June to 9th August 2015). It is not intended as a full biography of James Meek and concentrates on his decorative works. Joan Luxemburg has spent many years researching the life and works of James Meek and the exhibition and catalogue are part of a PhD project at Federation University. A biography of James Meek by Joan Luxemburg is due for publication in 2016. English-born James Meek, a fisherman, cannery operator, poet, writer, explorer in the Otway district, librarian, calligrapher and accountant, was one of the first settlers in Ballarat, building the first house and establishing a cordial and sly grog business. After some time in Melbourne he came to the Warrnambool area, becoming an early settler in the Peterborough area and establishing a cannery there. In Warrnambool he set up a commercial fishing company which failed, organized an Otways exploration trip looking for gold and established a reputation for producing fine calligraphy works. He was in New Zealand from 1874 to 1890 and died in Warrnambool in 1899. This catalogue is important because it records the decorative works of James Meek, an important early settler in Warrnambool and district. Meek was well-known in Warrnambool in the 1850s and 60s as a commercial fisherman, an Otways explorer, a writer and lecturer and a calligrapher. One of his daughters married Peter Dallimore, a fellmonger at Lake Gillear and the Dallimore family is also prominent in our history. The Art Gallery of Ballarat 2015 Exhibition of Meek works featured one of our Meek documents, a Fidler Family tree.This is a catalogue with a reinforced plastic-covered cover. It has 87 pages with illustrations and photographs. The sepia-coloured cover features a portion of a James Meek work of calligraphy.Front cover – ‘The Inimitable Mr Meek’ Back cover – Art Gallery, Ballarat james meek, the inimitable mr meek, james meek artist

Beech Forest first entered the association prior to World War 1, playing in maroon and gold on a ground situated 200 metres north of the final ground. Little is known of the competition in those days. The Club reformed in 1921. Beech Forest changed its colours to Richmond colours and used a ground south of the township, now known as the Football Break Road in the Forest Commission pine plantation. In 1922 the site of the present ground had been purchased but it was 1929 before it was first used, and it was used every year, except 1953 when G. Bellchamber's paddock was used while major renovations were carried out on their home ground. It was in the same year, 1929, that they changed their colours yet again to the blue with white V colours, which they retained until the Club disbanded. Beech Forest won premierships in 1924 and 1940. In 1945 the Club reformed yet again to enter the Otway Association. They were successful in winning premierships in 1946, 1947, 1952 and 1953. Finally, in 1957, the Club disbanded to become part of the Otway Rovers Football Club.Beech Forest Football Club, (1) Annual Meeting and Ordinary Meeting Minutes, November 1948 - September 1952; (2) Annual Meeting and Ordinary Meeting Minutes March 1953 - April 1954, Statements of Receipts and Expenditure 1950 - 1952. 2x Exercise Book.Insert: Grounds used; Best and Fairest Players.beech forest; football; minutes;

Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Joan Lindros - Geelong Environment Council Joan Lindros has been a mentor to community environmentalists across the Geelong region and beyond for many years. In 1972 she was a foundation member of the Geelong Environment Council. She was also instrumental in the Save the Otways campaign that resulted in the Great Otway National Park. Joan is an inspirational leader, tenacious advocate and a gentle person. In 2001 she was inducted into the Victorian Honour Role of Women. She continues to be involved in the Friends of Buckley Falls who have been working and advocating for the protection and restoration of the Barwon and Moorabool River Reserves for nearly forty years. Photo at Buckley Falls lookout by Nicole Marie.Image showing an environmental portrait of a woman leaning against wooden railing with trees, a river and a waterfall in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers, buckley falls

A small number of heavy cast iron weights and two rods remain at the Point Hicks Lightstation. These weights comprise one rod with a forked top and four circular weights attached to the bottom of the shaft. The weights and rods were part of the original clockwork mechanism that was fitted beneath the lens to keep the kerosene‐fuelled light turning. They were attached to a cable or chains and moved vertically in similar fashion to the way weights move on grandfather clocks. As the weight fell, the optic clock was driven and the lens was turned. To keep the clock turning, the weight needed to be wound back up to the top of its travel. The cables and weights in this lighthouse were visible as they moved through the length of the tower up to the lantern room. It was usual for systems to move inside a tube extending up to the top, but in this case the tower’s cast iron spiral staircase, which is supported on cantilever cast iron brackets set into the concrete wall, spiralled around the space in which they moved. Lighthouse keepers had the arduous job of having to constantly wind the clock to keep the light active, and at least two keepers needed to observe a strict roster of hours. When electric motors were invented, all of this became redundant and the motors were able to turn the optic for as long as there was power to drive them. In December 1964, the original 1890 Chance Bros kerosene‐fuelled light and clockwork mechanism were replaced by small electric motor, and the number of keepers reduced to two. The six circular weights and rods originate from the obsolete system and may have been part of a larger set. Wilsons Promontory retains seven of its original set of ten weights, all of which are detached from the tower’s weight tube. Cape Schanck has a set of fourteen weights remaining in situ as well as another four detached weights, which have inscriptions. One weight is displayed in the lantern room at Cape Otway. The image shows four of the clockwork weights attached to a rod with a forked top. They were part of the original clockwork mechanism that was fitted beneath the lens to keep the kerosene‐fuelled light turning. The Aldis lamp in its case sits on the floor next to the weights. Source: Parks Victoria.The Point Hicks weights have first level contributory significance for the insights they provide into the superseded technology and operations of a late nineteenth century lighthouse. They are well provenanced and are significant for their historic value as part of the lightstation’s Chance Brothers optical system installed in 1890. Four circular metal weights are stored on a metal rod with a forked section at the top. The weights have a cut out section which allows the weights to be removed easily.

Four of a collection of slides taken by Laurie Dixon. (Scanned by E Alexander) The new bridge was built in 1968.Four coloured photographs scanned from slides. Three aerial views. 273-01. Aerial view of the old and new bridges and Newhaven, San Remo and Churchill Island - extra close up of same photo. 273-02. Aerial view of the old and new bridges looking towards Cape Woolamai on the top right. 273-03. Aerial view of the Cowes Pier and township - extra close up of same photo. 273-04. Looking down the Cowes Pier towards the township with Isle of Wight Hotel in the background.273-03. Inscription on the slide: Cowes from the air Jan 1968.phillip island suspension bridge, two bridges phillip island, san remo, newhaven, laurie dixon, cowes pier, cowes pier phillip island

In the late 19th and early-20th centuries household heaters burned wood and coal for heating. In winter the warm air from the fireplace would flow into the room through a round flue in the face of the chimney. In the warmer months the unnecessary heater and flue was removed and the chimney cleaned. Homemakers then covered the circular flue hole with a decorative and usually inexpensive wall hanging to prevent draughts and dust. The practice was especially popular in France and Germany where a lot of the artwork originated. The covers were no longer needed after households changed over to more modern designs of heaters. The flue covers were known as Wall Art or Flue Cover Art. They were usually round and illustrated with a lithograph or chromograph print. The picture was then mounted on card, covered with glass, and framed with a brass or tin rim. The border was commonly gilt with a black stripe around the centre. There were numerous illustrations, many with a European appearance, and were easily bought through local merchants for a small price.This pretty flue cover is significant for representing a common domestic wall decoration from the late Victorian to the Edwardian eras, when solid fuel heaters were used in low to high income homes. The picture is similar to many other flue cover images, apart from the holly clutched in the girl’s hand, which gives the cover a Christmas theme. This flue cover is the only one in our collection and appears to have a unique design; the hand painted floral decoration on the glass and the two crimson rings around the edges of the frame’s white border haven’t been seen on other flue covers. Flue cover, metal and glass. Print of a young girl with blue eyes and curly blonde hair, a hooded blue cape, a silver clasp with blue stones, and a sprig of holly in her hand. The round metal frame forms a deep, white-painted, crimson-edged border for the illustration. The hand-painted blue flowers on the glass front form add to the border and give a 3-dimensional effect. The picture is between the cardboard backing and the glass front, with the metal frame holding them together. There is a metal chain attached for hanging the cover.warrnambool, flagstaff hill maritime museum, picture, handpainted, portrait, girl in blue cape, metal frame, round picture, illustration, print, holly, christmas, child in blue cape, silver and blue clasp, holly sprig, late 19th century, early 20th century, 1890s-1930s, victorain, edwardian, flue cover, flue cover art, wall art, chimney flue cover, chimney hole cover, stove pipe cover, fireplace flue cover, antique, victorian, glass frame, chromograph, lithograph, tin, brass, lithograph print, chromo print, christmas girl, blue cape, blonde girl

Sepia photograph on grey board. Ten females in long white dresses with long fringed sashes embossed with 'cead mile failte'. All have small Irish harps in hair and carry small black bags. Back row - three young girls with white tops and dark capes. Inscriptions: in image - on sashes 'cead mille failte'. Printed on board at bottom 'H Davidson, Photo, Russell Street, Quarry Hill, Bendigo'. On back - hand written in pencil. 'Empire Fair', 'Ireland', 'Mechanic's Institute'.H Davidson, Russell Street, Quarry Hillperson, group, women

Textiles. Cream and blue tablecloth. Two hemmed sides. Two selvedge sides. Cream centre with 9.5cm blue border on all sides. Centre circular pattern (18cm diameter) of a wreath with horns, reindeer heads and rope pictures. In each corner of the centre cream section is a male seated figure dressed in Scottish kilt and cape. On either side he has an arm draped over a hunting dog resting beside him. In each corner is a circular emblem with the words "Deer Stalking" written on the top edge.textiles, domestic, tablecloth

Sleeveless cape of black and silver striped silk. Un-lined. Sleeveless, with bound armholes. Revered collar bound in silver silk. A 4.5 cm band of silver silk borders the front opening edges, and the hemline. 10 cm long black and silver fringing then borders the hemline; on the lower edge are two shield shaped patch pockets-one on either side of the front opening, and placed over the seams. Pockets have a fine binding on three sides and the 10cm deep black and silver fringing on lower edge.costume, female, grey striped fringing sleeveless cape

The Boer War Campaign (1st and 2nd Campaigns) 1899 - 1902 WW1 Campaign "The Great War" 1914-1918 All relate to Soldier Sidney William Eustace, Chiltern resident. The Boer War 1899 - 1902 WW1 The Great War - 1914-1918 Chiltern Resident and family connection5 Medals Group of 3 medals WW1 : The 1914-1915 Star, The British War Medal and The Victory Medal all related to service in WW1 1914-1918 - all medals brass and silver metal, 38mm diameter. Group of 2 and Brass Medals : The African Boer War Campaign medal Queen Victoria with three clasps depicting Cape Colony, South Africa 1902 and the Transvaal, and the King George Meritorious Medal African Campaign. Medals made from silver metal and are both 38mm diameter. WW1 : The 1914-1915 star shaped medal has inscripted crossed swords and scroll with the scroll having the inscription 1914-1915 across it. The British war medal has an engraved picture of of King George and the Allied Victory medal has a winged figure engraved upon it. Boer War : One side has an engraving of King George with the reverse having a lady with a torch and the wording South Africa inscribed around the edge. The Meritous Service Medal has an inscription "for Meritous Service". ww1, chiltern family residents, the boer war, sidney william eustace

Papers relate to Violet Jolley's father. [a] Photocopy of Richard Albert Collinson Signing up for WW1 paper [ Attestation Paper for Service Abroad] signed 17/8/ 1914, Red stamped capital letters DECEASED. [b] Photocopy of unsigned application form to Cape Helles Memorial, Part 111 [Brooks -Crook] Military Missing on Land, relating to Sergt Richard Albert Collinson. [c] Photocopy of Consignment Receipt from Defence Department re R A Collinson Medals, signed Violet Collinson.bendigo, history, aviation 1920s.