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University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Publicity Branch Victorian Department of Agriculture, Students Picking Fruit, 1958-1960
These students are from the first intake for the Diploma of Horticulture who graduated in 1961.Black and white photographs. Students picking apples and pears. The students are wearing special bags which attach by straps round the neck and around the waist, with a flap that opens at the bottom allowing the fruit to be removed. The bags are stamped "Burnley Gardens,". 7 photographs by the Publicity Branch Victorian Department Of Agriculture Ref. No. c.1317. (1) D Left to right: John Richards, Dorothy Issell, Helen Page, picking pears. Also see B92.560 enlarged. (2) E Doroth Issell picking apples. (3) F (2 copies) 6 students picking apples. (4) H Helen Page picking apples. (5) I John Richards, ?, Helen Page, picking apples. 3 unmarked photographs (6) 1 John Richards, Helen Page, Dorothy Issell, picking pears. This photograph used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p99. (7, 8) 2, 3 John Richards, Dorothy Issell, Helen Page picking pears. fruit picking, apples, pears, diploma of horticulture, 1961, bags, john richards, dorothy issell, helen page, green grows our garden, a.p winzenried, students working outside, orchard -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Information Branch Victorian Department of Agriculture, Burnley Horticultural College Basketball - 1974, 1960-1974
Note by T.H. Kneen 4 March 1992, "Students (facing camera) identified as Robert Allen (Left) and Bill Cox (Right)" and on 8 July 1992, "Probably 1961."Black and white photographs. (1) 4 copies, 1 an enlargement. 7 male students standing and seated with 2 Staff members in the Burnley Gardens, one student holding Premiers flag. See B96.618, Flag. (2) 2 copies, one a very similar enlargement, 3 students playing basketball in Burnley College grounds.On reverse, "Photograph by Information Branch Victorian Department Of Agriculture Ref. No. 1974(99-19) to (99-21)." On reverse of enlargement, "Burnley Horticultural College Basketball-1974 Won 'D Grade' Premiership. Back L-r Ken James, Colin Nish, Peter Boyle, John Sorrel, Niel(sic) Jones, Jack Farrance. Front L-r Brian Simpson, Peter Leneghan, Paul Scannel." sports, premiers flag, burnley horticultural college, basketball, 1974, d grade, premiership, ken james, colin nish, peter boyle, john sorrel, niel jones, jack farrance, brian simpson, peter leneghan, paul scannel, students, robert allen, bill cox, green grows our garden, a. p. winzenried -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Fred M. Day Press & Commercial Photographer, Poultry Field Day 1954, 1954
Note by T.H. Kneen 8 April 1992, "Included in photo: Chief Veterinary Officer of D of A Mr. Talbot seated with walking stick. Second from his left Bill Macauley, Curator Egg-Laying Competition. On his right T.H.K. and kneeling third from right Bill Stanhope Poultry Expert D of A."Black and white photograph. Large group of men, women and children outside the Administration Building. N.U.P.B.A. Field Day (National Union of Poultry Breeders). Also see B91.430.On reverse, "Poultry Field Day 1954 27.2.54." and, "Fred M. Day Press & Commercial Photographer 10 Ailsa Grove Ivanhoe Phone JX 1944."administration building, poultry, chief veterinary officer, bill macauley, curator, egg-laying competition, bill stanhope, poultry expert, mr talbot, field day, main building, public day -
Stawell Historical Society Inc
Photograph, Boothey Family Photo Collection -- Eight sleeves of Photos, 28 photographs
Boothey Photo Collection. Eight sleeves.-1 Black Memorial Card John Boothey January 14, 1908 -2 Marble Gravestone for John Boothey & Hannah Boothey buried at Stawell -3 John & Ann Boothey Family -4 Wedding Photo Son of John & Hannah Boothey (seated) and his wife in wedding dress -5 Wife of John & Hannah's son -6 Mrs J Boothey -7 Mrs J Boothey -8 Boothey House Lake Road Stawell -9 Boothey House Napier Street, Stawell -10 Boothey Home Napier Street, Stawell -11 Left to Right Mrs Boothey, J Robson, W Boothey, L Robson, E Boothey, D Boothey, c 1940's -12 Sent By Cpl. Boothey E B V240192. Left Myself, Bill Cairns, Sgt Mc Nell, Lieut. Izod, Ken Cullen, Reg Kelso -13 Myself & Bob Richards. New Guinea 1945. -14 Stawell Cenotaph Main Street. Lawson's Model Bakery at left. -15 Erin, Daisy, Walter -16 Daisy 15 Years -17 Mrs W B Boothey 1934. nee Ursula Harris -18 W B Boothey in suit with Bicycle -19 Man with two Puppets on knee -20 Five puppets -21 Walter Boothey & dancing dolls 1941 -22 Daisey Boothey -23 Soldier in uniform WW2 in Card Folder Ern Boothey -24 Soldier in uniform WW2 Ern Boothey -25 Man in suit with Gladston bag in front of tree foliage. Mr E Boothey left Stawell for camp 19 December 1941 -26 Soldier with parents. To Ern from Mum & Dad. May 1942. -27 Early truck. Ern Truck Boothey -28 Ern Boothey in uniform.-1 The Australian Card Company, 49 Elizabeth Street Melbourne -3 Stawell Photographic Co, Close Railway Station, C Hewitt, Manager -12 PHOTOGRAPH No 15587, Supplied by Military History Section (S.D.9), General Staff L.H.Q. -15 W. J. Chapman, Stawell. -23 Chapman Photo Stawell -25 Mr E Boothey left Stawell for camp 19 December 1941 -26 To Ern from Mum & Dad. May 1942. -27 Ern Truck Boothey stawell -
Chiltern Athenaeum Trust
Clothing patch
... circle. Inside the circle are black upper case letters D and C... are black upper case letters D and C intertwined with an upper case ...Was owned by Adde CooperSquare fabric patch, ochre coloured with a red coloured circle. Inside the circle are black upper case letters D and C intertwined with an upper case V.chiltern, ww1 -
Melbourne Athenaeum Archives
Flyer, Ornamental Collapse, (dance) By d-XTYRIA performed at the Athenaeum Theatre August 1994
D-XTYRIA also performed what about costello at the athenauem theatre from August 18 1994Black and white flyerornamental collapse, athenaeum theatre -
Clunes Museum
Photograph - PHOTOGRAPH FOOTBALL 1934, 1934
Back Row: A. Dawson, G. Dunn, B.Dunn, G. Leishman, R. Hearn, J. Parish, Mayman? 2nd Row: R. Roberts, A. Jones, J. Leishman, H. Robertson, K. Strain. J. Lester, L. Leishman, MacKenzie, C Pearce, 3rd Row: Powell, G. Whitnall, P. Law, G. Toole, W. Bailey, D. Wrathall, E. Brown, B. Jones, C. Jones 4th Row: B Puniar, L. RobertsBLACK AND WHITE PHOTOGRAPH OF 1934 PREMIERS FOOTBALL TEAM. .1 MOUNTED PHOTOGRAPH WITH NAMES LISTED UNDER PHOTOGRAPH 2.MOUNTED PHOTOGRAPH WITHOUT NAMES .3 ORIGINAL PHOTOGRAPH (POOR CONDITION) NO MOUNTING, NAMES HAND WRITTEN ON BACK .4 PHOTO COPY OF NAMED PHOTOGRAPH .5 SMALL PHOTOGRAPH OF MOUNTED PHOTOGRAPH - SOME NAMES NOT REPRODUCED. SEE CONTEXTphotography, photographs, football, premiere 1934 -
Clunes Museum
Book, CLAREMOUNT PUBLISHING PO BOX 537 HAWTHORN 3122 VICTORIA, DEBONAIR JACK - A BOGRPAHY OF SIR JOHN LONGSTAFF 1861-1941, 1994
... HANDWRITTEN IN CURSIVE IN BLACK INK: DONATED BY MR D... IN BLACK INK: DONATED BY MR D PARKINGTON STAMPED ON INSIDE COVER ...JOHN CAMPBELL LONGSTAFF WASKNIGHTEDIN 1928, THEF IRST AUSTRALIAN PAINTER TO BE SO HONOURED...BIOGRAPHY OF SIR JOHN LONGSTAFF BY PRUE JOSKE. 1861 - 1941. BLACK LINEN COVER WITH GOLD PRINTING. 252 PAGESnon-fictionJOHN CAMPBELL LONGSTAFF WASKNIGHTEDIN 1928, THEF IRST AUSTRALIAN PAINTER TO BE SO HONOURED...local history, book, biography, longstaff sir john -
Clunes Museum
PHOTOGRAPH
... THE U TO D TANK MAKER CLUNES BLACK & WHITE PHOTOGRAPH FRITZ ...BLACK & WHITE PHOTOGRAPH FRITZ WEICKHARDT WITH HIS WORK MEN AND TANKS DISPLAYED IN FRONT OF HIS FACTORY REPRODUCTION OF COLLECTION WEICKHARDT FAMILY BUSINESS PHOTOS PROBABLY REMOVED FROM LARGE FRAMED DISPLAY.FRITZ WEICKHARDT THE U TO D TANK MAKER CLUNESlocal history, photography, photographs, weickhardt, tanks -
Clunes Museum
Photograph - PHOTOGRAPH FOOTBALL, JOHN BALLARATPROCTER, 1958
PREMIERSHIP 1958 .1 BLACK AND WHITE PHOTOGRAPH OF CLUNES FOOTBALL TEAM. PREMIERS CLUNES FOOTBALL LEAGUE 1958 MOUNTED ON CARDBOARD .2 COPY OF PHOTOGRAPHPRINTED UNDER THE BLACK AND WHITE PHOTO; BACK ROW - W HUDSON, D COULTON, D FINNIS, N MILLGATE, J CLARKE, W JONES, R MILLGATE, D PEARSE, T FRASER, T COON, K SENOY, J MCLENNAN, J HIGGINS, I MAHER MIDDLE ROW - E STEART, J MITCHELL, R JONES, K STEART, R ANDREWS, I LEISCHMAN, F COLLINS, B BELL, R FLYNN, R FAWCETT, K OULTEN, A STEART, K RIDLEY FRONT ROW - B ANDREWS, G MCLENNAN, R DOLAN, L QUINTON local history, photographs, sport, football -
Clunes Museum
Photograph - PHOTOGRAPH HOSPITAL, 1951
CORAL, JEFFREY AND PATRICIA GRAY FIRST TRIPLETS BORN AT THE CLUNES HOSPITAL, BALLARAT ROAD IN 1951.1 BLACK AND WHITE PHOTOGRAPH OF MATRON DESDA VALENTINE BROWNE AND SISTER MARY COUNDON WITH THE TRIPLETS BORN IN CLUNES HOSPITAL 1951 .2 Newspaper cutting, (undated, no publication indicated) of the birth of the triplets .3 Photocopy of the newspaper cutting, enlarged..1 Hand written in blue biro on reverse of photo; Coral Gray 1954, Jeffrey ", Patricia ", Matron d. Valentine Browne, Sister Mary Coundon Clunes 144hospital, desda valentine browne, sistermary coundon, gray triplets -
Clunes Museum
Photograph, HERALD SUN, MELBOURNE
STAFF, PRESIDENT (P.C.ANDERSON), AMY HARDEN (LATER MARRIED R. COOK) SEC., L. HUTCHEON (CAMPBELL) (CHEF). J.HUTCHEON (GARDNER/HANDYMAN), D.SENDY (DOMESTIC STAFF MEMBER), MATRON D.V.BROWNE (MATRON), DR. CLIFFORD HUNT, SISTERS F. JONES (LUKE) AND TWO NURSESBLACK AND WHITE PHOTOGRAPH OF STAFF AND PRESIDENT OF CLUNES HOSPITAL. BACK ROW. UNKNOWN, P.C.ANDERSON, JOHN HUTCHEON, A. HARDEN (A.COOK), L. HUTCHEON (CAMPBELL), MIDDLE ROW - UNKNOWN, MATRON D. VALENTINE BROWNE, DR. CLIFFORD HUNT, O. SENDY. FRONT ROW. F. JONES (LUKE), UNKNOWN, UNKNOWNNillocal history, photography, photographs, hospital -
Clunes Museum
Photograph - PHOTOGRAPH FOOTBALL 1951, THORNTON - RICHARDS & CO. PHOTOGRAPHER, 1951
... PRINTED ON REVERSE IN BLACK INK; D DAVIES, A FEATHERSON, L... photographs football PREMIERS 1951 PRINTED ON REVERSE IN BLACK INK; D ...BLACLK AND WHITE MOUNTED PHOTOGRAPH OF THE 1951 CLUNES SENIORS FOOTBALL CLUB TEAM PREMIERS 1951PRINTED ON REVERSE IN BLACK INK; D DAVIES, A FEATHERSON, L BRUSASCHI, R FEATHERSTON (DELEGATE), F TOWNSING, S BRUSASCHI, R ANDERSON G MCLENNAN, H TOOLE (VICE PRES.), J LEISHMAN (PRES), G W JONES (SEC), K ROBINSON (COMMITEE) K VORBACK, R MULLER J HIGGINS (TRAINER) J HUDSON, L TOOSE, T FLETCHER, J MCLENNAN (VICE-CAPT), F ATCHISON (CAPT.) V MCRUM, T WICKHAM, G HAWKINS, P MCGRACH SITTING, W INGRAMphotographs, football, premiers 1951 -
Clunes Museum
Photograph
PHOTOGRAPH TAKEN IN CLUNES BOWLING CLUB CLUBROOM AT CELEBRATION CLUNES BOWLING CLUB CENTENARY ON JUNE 1ST, 1978BLACK AND WHITE PHOTOGRAPH OF CLUNES BOWLING CLUB 1978 REAR - K. KINNERSLY, J. HILL, B. KINNERSLY, K. DELMENICO, C. HENDER, R. DOLAN, B. DOLAN, T. HARDEN SEATED - B. DELMINICO, K. FRASER, D. HILL (PRES) I. HILL, F. BOURKE, N. HILLlocal history, photography, photographs, sport, bowling club clunes -
Clunes Museum
Photograph
BLACK AND WHITE PHOTOGRAPH OF CAPTAIN AND MEMBERS OF CLUNES FIRE BRIGADECAPTAIN A. LEAN L. CARTER, D. WRATHALL, B. WINGATE, E. BROWN.local history, photography, photographs, fire brigade -
Clunes Museum
Photograph - PHOTOGRAPH FOOT BALL CLUB, 1967
... LINE WHICH READS : ABSENT: G EPPINGSTALL, D JAMES, G TOOSE ...THE CLUNES FOOTBALL CLUB WERE RUNNERS UP IN CLUNES LEAGUE IN 1967. PHOTOGRAPH TAKEN IN CLUNES FOOTBALL GROUND.BLACK AND WHITE PHOTOGRAPH OF CLUNES FOOTBALL CLUB. 1967 - PASTED ON TO YELLOW CARDBOARD ORIGINAL PHOTOGRAPH OF 1967 FOOTBALL TEAM. .1 - 3 MOUNTED ON CARD WITH NAMES UNDERNEATH .4 - .6 COPIES OF MOUNTED PHOTOGRAPH .7 SMALL PHOTOGRAPH OF MOUNTED PHOTOGRAPHCLUNES FOOTBALL CLUB. RUNNERS UP CLUNES LEAGUE 1967- PLAYERS NAMES UNDERNEATH PHOTOGRAPH. MISSING FROM MEDIA BOTTOM LINE WHICH READS : ABSENT: G EPPINGSTALL, D JAMES, G TOOSE.local history, football, football club 1967 -
Nillumbik Shire Council
Floor mosaic: Deborah Halpern (b.1957 Melb.), Deborah Halpern, The Spirit of Nillumbik (Mosaic), Location: Eltham Town Square - Main St, Eltham, 2001
In October 2000, Council invited three artists from the region (Deborah Halpern, Matcham Skipper, Tony Trembath) to submit designs for a sculpture / public art work for the Eltham Town Square. The commission was paid for by supermarket giant Safeway (Woolies) as part of its supermarket permit, which required them to contribute to beautification work in the Town Square. This is the second of three parts. The 'Spirit of Nillumbik' is a celebration of the artistic spirit of Eltham and surrounding communities. Each area is identified through the flora and fauna represented in the panels. The work honours the many creative artists and architects, past and present, who have built homes and shaped lives and livelihoods with their unique creative spirit. Halpern describes her work as a public expression of their individual and collective visions. Halpern acknowledges these contributions to our hand-made history and the influence they have on the character and identity of Eltham and Nillumbik. Square floor mosaic. Black and white chequered border. Multicoloured coiled snake intercepted with six multicoloured peaks. Made up of small mosaic tiles and hand painted. Hand painted artist signature bottom right hand side. 'Deborah D. Halpern '01'eltham, halpern, mosaic, snake, square, laurence, painted, tiles, spirit, nillumbik -
Nillumbik Shire Council
Painting: Piers BATEMAN (b.1947, Perth - d.2015, NSW), Piers Bateman, Blackboys, 1989
Piers Bateman was a local artist, held in very high esteem by his peers and community. He was born in Perth in 1947, moving to Eltham in 1955 as a young child with his family. In 1966 Bateman moved to London for eighteen months to develop his craft. In 1969 he settled in St Andrews, where he built a studio. The St Andrews locale is said to have been a strong influence on his work. Bateman’s talent was such that he was promoted and mentored by such ilk as Charles Blackman, Clifton Pugh and Arthur Boyd, among others. Bateman’s work is an intimate dialogue with the environment, renowned for his paintings of the outback, wilderness frontiers and the sea. He spent a year in the mid-seventies sailing the Greek Islands and the French canals to Amsterdam. In 1980 Bateman and Marcus Skipper embarked on a trans-Australian venture to the red centre and across northern Australia from Cairns to Broome. In the mid-eighties Bateman returned to the Mediterranean, before returning to the Australian outback in the late-eighties. His international career continued on an upwards trajectory between the Australian outback and European seas, providing a unique contrast throughout the course of his career. Bateman's work questions our relationship with the natural world, and in particular, reconciling our colonial heritage with our indigenous past. This line of questioning and his genuine response to place is the key to Piers Bateman’s work, for which he is lauded and celebrated. On September 4th 2015, Piers Bateman died in a boating accident on the NSW coast line. Piers Bateman was an instinctive painter whose inspiration came from nature. He reworked and scraped off the paint, moving it around until forms and colours of the landscape took shape. Although Bateman lived in Spain and Italy, his time in Europe made him aware of the contrast between the two continents and the bright clear light that defined the Australian landscape. At the time of this work, Bateman was living in St. Andrews, but travelled regularly to New South Wales and South Australia on painting trips. The ‘Grass Tree’ Xanthorrhoea johnsonii (commonly known as ‘blackboy’) is indigenous to these areas. It is a uniquely Australian, slow growing plant with twenty-eight species growing within Australia. Old examples of this tree are survivors of many wild fires, which can cause their blackened trunk, of one to two metres, branch into two or more heads. These heads consist of thick, rough corky bark, surrounded by long, wiry leaves and flowers that produce seed capsules with hard black seeds. The tree’s ability to be one of the first to flower after a wild fire ensures a food source for many insects and birds.Oil on canvas painting. Detail of three grass trees resting on the side of a mountain/hill. Green and gold palette throughout depicting the colours and light of the Australian landscape. Hand written, low right in capitals: 'BATEMAN'bateman, grass trees, xanthorrhoea johnsonii, landscape -
Nillumbik Shire Council
Ceramic (plates): Alma SHANAHAN (b.1924 - d.2015 Melb.), Alma Shanahan, Horse Power - The Flip Side, c.1965
Alma Shanahan (1924-2015) was a Victorian potter who came to live at Clifton Pugh's Dunmoochin art colony at Cottlesbridge, on Melbourne's outskirts in 1953. Unable to join the co-operative proper, as she was a potter, not a painter, she built her house at the top of the hill, 135 Barreenong Road, Cottles Bridge. The c.1953 house is historically, aesthetically and architecturally significant because it is a good example of the design and ethos of mud brick dwellings synonymous with Eltham and features the extensive use of recycled materials, which was characteristic of the 'Eltham style' of architecture. Like the others in the artist community, Alma Shanahan built her own residence in stages out of local materials. Shanahan was later joined by neighbours and Dunmoochin potters Peter and Helen Laycock. She trained for a term with Peter Laycock but was otherwise self-taught, basing her practice on the teachings of Bernard Leach. After Pugh's death in 1991 she became the longest standing Dunmoochin resident. Her works are incised with her full name. Alma Shanahan was a part of the Dunmoochin Artist's community whose (other) members (Kevin Nolan, John Howley, John Olsen, Mirka Mora, Peter Laycock, Helen Laycock, Peter Wiseman and Chris Wiseman) made an important contribution to Victoria's cultural history. From the mid 1950s Pugh persuaded a number of other painters, as well as potters and other artists, to come and live at Dunmoochin and they formed one of Victoria's most important artist communities. She started potting around 1961 (aged 37). "Horse Power" was made using Chullora clay, which indicates it was made during her first seven years of production. Horse Power is about man's search for "energy" and how the "energy" can turn around. Made from Chullora (Sydney) clay. Glazed stoneware plates (x2) with brush decorations resting on hand made ceramic stands. Plate one: 2006.64.1VA (Horse Power + stand) shows a figure on horse back with blue foliage in background. Plate two: 2006.64.2VA (Flip Side + stand) shows a horse with figure under it's hooves. Hand painted signature in brown/black on back of both plates; "Alma Shanahan"shanahan, stoneware, glaze, plates, horse, dunmoochin -
Nillumbik Shire Council
Public Art: Tom SANDERS (b.1925-d.2008 Vic, Aus), Tom Sanders, Wall of the Moon (Homage to Miro) - (Location: Eltham Town Square, Arthur Street, Eltham), 1968
Sanders was a well-known local potter who worked for a time with David Boyd at the Martin Boyd Pottery, before returning to Melbourne where he had some association with Arthur Boyd, at the pottery in Murrumbeena. Sanders set up a studio in Eltham in the early 1950s and made the first of a series of architectural ceramic murals with painter and print maker Lawrence Daws in 1956. In 1957 he left for Europe and while there was inspired by the Spanish artist Joan Miro’s unconventional painting style and large scale murals, in particular Wall of the Moon (1957). After returning from his travels in Europe to Australia in 1964, he began to work solely on creating ceramic murals, some of which were commissioned for Southland Shopping Centre in Cheltenham, Melbourne, 1968 (now demolished), the National Mutual Centre, Melbourne,1964-5 (now demolished), Dee Why Library, Sydney 1966, Woden Valley High School, ACT, 1967, Tullamarine Airport Melbourne, 1969-70 (now demolished), Perth Concert Hall, 1971 and The University of Melbourne,1975 (with John Olsen). This mural is one of only three remaining in the public realm by Tom Sanders (the others are at the Perth Concert Hall (1971) and at the University of Melbourne (1975). Ceramic mural (earthenware tiles) consisting of a playful/organic abstract design similar in style to the Spanish artist Joan Miro. Shades of blue, yellow and black glazes are layered onto matte black and shiny bronze tiles. N/Amural, public art, earthernware, pottery, ceramics, glaze, eltham, ekphrasis2017, eltham town square, joan miro -
Nillumbik Shire Council
Photograph: Sue FORD (b.1943-d.2009), Sue Ford, Neil Douglas Research 1964, Photographed 1964; printed 2015
Sue Ford (1943-2009) was an important practitioner in the wave of 1970's Australian feminist photographers. Ford regularly took intimate and candid pictures of artist friends, such as 'Neil Douglas Research 1964', documenting a time in Eltham when Montsalvat and Dunmoochin played an important part in the early attraction of artists to the Nillumbik area. Artist, conservationist and activist Neil Douglas (1911-2003) is best known for his garden at the Bend of Islands, Kangaroo Ground where he formed a co-operative for like-minded people who wished to live in harmony with the bush and wildlife. His love of nature and the beauty and fragility of the bush are constant themes that often run parallel in his ceramic works and paintings.Sue Ford and Neil Douglas were artists of national significance who both lived in the local Nillumbik area in the mid to late twentieth century. They were part of a community of artists integral in forging a dynamic artistic spirit, heavily inspired by the region's landscape and its people. Black and white silver gelatin photographic print of Neil Douglas plein-air painting in his rose garden at Research. Ed.1/3N/Aford, douglas, silver gelatin photograph, bend of isles, research, kangaroo ground, garden, environment -
Nillumbik Shire Council
Pottery (jug): Phyl DUNN (b.1915 Vic, AUS - d.1999 AUS), Black brown jug
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Nillumbik Shire Council
Pottery (plate): Artur HALPERN (b.1908 POL arrived 1945 AUS - d.1976 AUS), Black Platter
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Nillumbik Shire Council
Print (etching & acquatint): George BALDESSIN (b.1939 ITA – d.1978 AUS), George Baldessin, ‘Portrait II’ from 'The Baldessin & Friends' commemorative folio, 1966 (printed 2017)
George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. This work chosen for the folio is from an incomplete edition from 1966. It has been printed on Baldessin's original 1974 cast aluminium Enjay press (designed and made in collaboration with Neil Jeffreys) and restored specifically for this project by Dan Jones. In addition Deanna Hitti has used Baldessin's original Japanese Torinoko paper, stored safely in his studio for over forty years. ‘Portrait II’ is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print is a fine example of Baldessin's primary interest of the figure, which displays great sensitivity to and observation of the human condition. Distortion, exaggeration and fragmentation were employed by Baldessin as tools to animate and scrutinize the displaced, dispossessed and alienated figure, flattened against the picture plane. Black and white distorted and exaggerated figure (head and shoulders), with hands raised to the face and the figure's right eye. acquatint, etching, baldessin, ekphrasis2018, figure -
National Wool Museum
Photograph - General Managers Conference, c.1946
Members at the General Managers Conference, London, around 1946.Black and white photo of 7 men seated around a table in suits. Photo is framed in wooden frame painted silver. Back of the frame has the names of the men written in pen.Back: [handwritten] LEFT TO RIGHT / Mr Wollan Manager Dalgetys East Africa / K. R. ELDER GM Australia / LT. COL. HON. I. LESLIE MELVILLE DIRECTOR / DESMOND ABEL-SMITH CHAIRMAN DALGETYS / G.S. HUNTER GENERAL MANAGER / LONDON / M. STOOKS Secretary / D. COOPER G. MANAGER NZ / General Managers / Conference London / About 1946managers, coference, london, dalgety and company limited -
Stawell Historical Society Inc
Photograph, Wimmera Flour Mill during Demolition -- Coloured
Various colour photos of Wimmera Flour Mill at time it was being demolished. Note roof being dismantled. Rail line in foreground. Willaim Frayne founded the Wimmera Flour Mill on a site in Taylor Street (beside the railway line) Stawell 1876. When Willian Frayne dies 1899 his son George took over the mill. The mill continued to be a propriety company until early 1966, when it was sold to the Victorian Mill Owners. The sale was forced because of the lack of export markets. A factor which affected most country mills. The Victorian Oat Growers Pool took over on July 1st, 1967. Trading under the name of Wimmera Flower Mill as a subsidiary company. Later years it sold clipped and graded seed, oats, stockfeed for poultry, pigs and dairy cattle and all types of crushed grain. The original Frayne homestead still stands behind where the Mill stood facing Frayne Street. In 2007 during our "Collection Review" the four smaller colour photos, which were donated by Mr. Mick Walsh, 52 Patrick St Stawell were very similar to the bigger photo in the file 139.6e.139-6 a-d & e Coloured photographs showing various views of the Wimmera Flour Mill or Grain Handling Corporation building in progress of being demolished. There is a red brick building with a tiled roof in these coloured photos. The rail line is shown in foreground of 139-6 e. Our records on the data base show 139-6e to be a black & white photo but the same photo in the office folder is an enlarged colour photograph. Grain Handing Corporation stawell industry -
Stawell Historical Society Inc
Newspaper, Two Newspaper Articles in the Stawell Times News 1988 about the Demolition of the Flour Mill plus 4 colour photographs
Two Newspaper Cuttings Stawell Times News, September 30, 1988. The newspaper cutting show the demolition of old flour mill with views of the building from the front and back. The four colour photographs 139 c, d, e, f, show detail of the internal rooms being demolished.Black & white demolition photos 139 a and b from Stawell Times News. Four colour photographs 139 c - f of internal rooms being demolished. The Grain Handling Corporation PTY LTD Crown Beef Co. Page 2 Stawell Time-News Friday September 30, 1988.stawell industry -
Stawell Historical Society Inc
Tool - Realia, 3 Large wooden boxes, with carpenter, Shipwright tools beloning to G Pert of Stawell
41 items of Woodworking equipment and tools once belongng to G. Pert, 25 Seaby Street, Stawell, Victoria, Australia. Toolbox - Timber box with hinged lid and removable tray. Contents include woodworking tools. L 83.5 x D 41 x 211 cm. Toolbox - Timber Box black, hinged lid, lock. l 88 x H 32 x w 35 cm. Toolbox - tiber box, black metal handle, lock mechanism and tools. L 82 x H 30 x w 29 cm. 1 Plane Smoothing plane, coffin type, 1 Plane, Rabbet moulding plane, 1 Plane - Jack-type Farquarson, blade and wedge. 1 Auger - Ring auger. 1 Auger - Ring Auger, Mathieson. 1 Auger - Ring Auger. 1 Auger - Ring Auger, Matieson. 1 Auger - Ring Auger, Mathieson. 1 Ring Auger, Mathieson. 1 auger - Ring Auger. 1 Auger - Ring auger. 4 Auger - Ring Auger Mathieson. 1 Auger - Nose bit Auger JB & co. 1 Auger - Nose Bit auger. 2 Auger - Nose Bit Auger Mathieson 1 Auger - Nos bit Auger Sheffield. 1 Auger - nos bit auger Mathersion, L Vernes & co. 1 Auger Nosebit auger Matheison. 1 Auger Nose bit Auger Mathieson & Son. 3 Auger - nose bit Auger 1 uger head and ga=shaft. 1 Bit - Bit Double twist Matherison 1 Bit - Bit Double Twist, Barnsly (Broken end) BIt double twist symbol (3 Clovers) Mallet - Caulking Mallet wooden Head, iron Ferrules. Tool - Imporovised tool wooden handle metal ferrules. 1 Screwdriver - wooden handle Sheffield, Thos Well & sons. 1 Gauge - Bevel gauge wooden adjustable. 1 Nippers - wire nippers, pivoted, spring loaded, symbol (footprint) 1 Drill - drill hand operated, wooden handles an some red paint. 1 Maul - Shipwright maul, metal head, replaced handle. dotted embosssed inscription of name h 9.5 x L 63 x w 17 cm2 Black & 1 Brown boxes wiyh G Pert 25 Seaby St Stawell Victoria Australia painted on the lids. -
Stawell Historical Society Inc
Photograph - Stawell Fire Brigade, Stawell Fire Brigade with Captain Ray Maddocks
Black and White Photo. Men in Uniform with Helments. Officers in capsStan Illig, A, Oliver, Jack Maddocks, Lindy Hughes, Ray Maddocks, Eric Freeland, Harrold Freeland, Harold D???, Henry Dunn. Front Harry Widge, Wally Steard, Phil Jamison, Frank Floyd, Jack Jamison, Toby Rowlands, Fred Crouch. -
Stawell Historical Society Inc
Book - Laboratory Text Book, Introduction to Polymer Chemistry, D. Margerison & G.C. East
Laboratory, Lab Reference - Norwellan & AUNDE North Western Woolen Mills became Norwellan Textiles then AUNDELight Brown soft cover book with Black Molecular Structure Diagram on coverJohn T. Bennett, October 1971manufacturing