Example of soldiers making their own entertainment while posted to remote location in New Guinea during WW11 The 20th Light Horse (Victorian Mounted Rifles) was raised in 1920 as part of the 3rd Cavalry Brigade, 2nd Cavalry Division, Citizen Military Forces, with Headquarters at Seymour and depots along the Goulburn Valley from Mansfield to Tocumwal in southern NSW. In December 1941, 20th Light Horse (Victorian Mounted Rifles) converted from horse to mechanised, initially as 20th Motor Regiment. In 1943 the Regiment was deployed to Merauke, Dutch New Guinea. Upon its return in April 1945, the Regiment was redesignated 20th Pioneer Battalion. It was disbanded following the end of the war. 20th Light Horse was the only light horse regiment to serve overseas in WWII.This is one of a collection of photographs featuring a Light Horse regiment drawn from rural and regional Victoria on active service during World War 2 (1939-1945).Four black and white photographs of soldiers dressed up as women for a concert party at Merauke, Dutch New Guinea 1944. Part of 20th Light Horse collection." Lowell French, John Cole, Ballet Girls. "20th, merauke, new guinea, wwii world war two, entertainment

The 3 letters are all written by C.J.C. McQuie MM to his Mother and Father. Refer Cat No 9680P for his service history. .1) Soldier is McQuie MM. .2) Standing left is McQuie, on the right is possibly Cpl Percy George Houghton. sitting on left is Sgt Edward William Cobbledick, on his right Pte "Nurse " Mu............ .3) Sgt E.W. Cobbledick. Cpl Houghton No 1977 enlisted 6.1.1915 age 21 years in 5th reinforcements 6th Bn, embarked 17.4.1915, discharged 20.4.1919 with the rank of Sgt. Sgt Cobbledick No 3706 enlisted 29.7.1915 in 12th reinforcements 6th Bn, embarked 23.11.1916, KIA 10.12.1916 less than 3 weeks after this photo was taken. It appears that these photos were taken at "Vignacourt" in the studio of Louis and Antoinette Thuillier where the famous Glass Plate negatives were found and produced in "The Lost Diggers" by Ross Coulthart. .1) Postcard sepia tone, soldier sitting on a chair, slouch hat, 3 stripes on arm (Sgt) - rear has text in purple indelible pencil, dated and addressed. .2) Postcard sepia tone, 4 soldiers 2 standing & 2 sitting, 2 have Sgt stripes, 1 Cpl 2 stripes - rear has text same as .1) .3) Postcard sepia tone, soldier sitting with peak cap and 3 Sgt stripes - rear has same as .1) .2)All three, "France 24.11.1916 - On Active service"postcards, photos, mcquie

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Arthur Bond & Co. (wallpaper shop Melbourne) reproduction of 1850s/1860s French design. Manufactured in the 1970s in France (presumably on behalf of Arthur Bond & Co). "Manuela" design. 2 rolls, lustre brown. "3017" written on back of rolls.Verso: "3017"decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history

MIGRATION Travel is a luxury for most people, and although seafarers undoubtedly face hardships as part of their profession, they are also able to experience parts of the broader world than that of friends and family at home. The stories and experiences of seafarers - together with the work of the Mission to Seafarers ministry - contribute to the archive of ongoing global links and narratives of world trade and migration. As an example of this, in 1917 alone the Mission directed almost 6,000 letters written by visiting seafarers home to their families abroad, and received almost 3,000 letters in return. After experiencing Melbourne through the Mission, many seafarers later chose to make the city and Australia their home, and some chose to marry their partners at the Mission’s chapel. This pair of windows, titled ‘Baptism’ and ‘Holy Spirit’, was installed during 1933 and represents the integral links between seafaring and the world.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the lancet windows in the baptistry ad a photograph of the Eiffel Tower taken by Allan Charles Quinn during one of his voyages.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: A snapshot of the Eiffel Tower with Australian seafarer Allan Charles Quinn in the foreground, taken during a voyage to France in 1956reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, allan charles quinn, eiffel tower, france, travel, migration, baptistry, paris, catherine mclay, arthouse

One of 15 sheets with copies of photographs taken of Phillip Island from the Shirley Jones Collection. Photograph A - Cowes and the Pier Photograph B - Cowes Pier Photograph C - Westernport from Rhyll looking towards French Island Photograph D - Back Beach Phillip Island and The Nobbies Photograph E - Back Beach Phillip Island with Cape Woolamai Photograph F - McCaffey's Reef Phillip Island Photograph G - Wreck of The Speke 1905 Photograph H - The Nobbies Phillip IslandCowes + Pier Cowes Pier Phillip Island Westernport from Thyl looking at French Island in middle distance. Back Beach Phillip Island The Nobbies Back Beach Phillip Island with Cape Woolamai Scene McCaffey's Reef Cowes Wreck of The Speke The Nobbies Cowes cowes pier phillip island, westernport, the nobbies phillip island, back beach phillip island, view cape woolamai, mccaffey's reef phillip island, mchaffies reef cowes, wreck of the speke

8th Battalion embarked from Melbourne on board Transport A24 Benalla on 19th October 1914. Temple was awarded the Military Cross in mid 1918, and Bar to Military Cross in mid 1919. He returned to Australia in July 1919, and later (1920?) returned to France to marry and live.Collection of Alfred Temple (938 - 8th Battalion, H Company) includes 8th Battalion Christmas card, letter signed by General Birdwood congratulating Lieutenant Temple on being awarded the Military Cross, wedding invitation to the Paris wedding (on 26/2/20) of Lt Temple, and a letter dated 5 December 1941 from Temple - in occupied France - to his mother via a neutral source in USA.military cross, ww1, letters, 8 battalion, alfred douglas temple, general birdwood

Of further importance is that William George Hogg served in the same unit as William Lionel Schwerkolt in the First World War in France. William Schwerkolt died on 9 November 1916 and the action and his death is recorded in George Hogg war diary.Black and white copy of Hogg Family taken on Christmas Day 1918 immediately after William Hogg's return from The Great War 1914-18 to the family Farm House, 'Rosebank', Toolern Vale via Melton. All are now buried in the Melton Cemetery.|George Cox a member of the W.H.S is Grandson of William George Cox.|Of importance is that William Hogg was in same unit as unit as William Lionel Schwerkolt in France.|Cross Ref: ND3736hogg, george, william george, tolhurst, elizabeth, catherine, thomas, ethel, elsie, jack, toolern vale, cox, schwerkolt, william, world war 1914 -1918

The silk maps were carried by Aircrew. Item in the collection re A.F. Goodall DFC RAAF, refer Cat No 543.2 for his service details.Framed black with black mounting background, silk map over in colour, scale 1: 3,000,000 showing the area of North Africa, Spain, France, Sardinia, the opposite side has mostly Southern France. Inset over is a photo of A.F. Goodall.maps, silk

Typical hand embroided post card. One of 5 in this display. Embroided rectangular card featuring large “1917” made up from national flags of United Kingdom, Belgium, France, USA, Russia and Portugal. Beneath is embroided “Souvenir de France” in silver (?). “I’m thinking of you” printed at base of card. Reverse details TBAcard

These hair pins were used to secure the fashionable hairstyles of the 20thC. Women could either manage their hair style themselves or attend a Hairdresser at a Salon.A box of 5 packs of 50 waved,hairpins made by Kirby-Beard Pty Ltd. Packs are wrapped in green paper. These pins became known as 'french hairpins' commonly used for 'up styles' of long hair- chignons, french roll etc,Paper wrapper STANDARD / KIRBY- BEARD/ Reg / QUALITY / HAIR PINS Box : SMEERKAAS 40 moorabbin, bentleigh, cheltenham, hairstyles, combs, hairpins, early settlers, hairdressing, coiffure, kirby-beard pty ltd

The French Collection was donated to the Society in 2022. This collection includes documents, artworks, books, costumes and artefacts belonging to two families. A number belonged to, or were made by the grandparents of the donor: Vera May Wing and her husband Hubert Charles McDonald. [Other items belonging to Vera and Hubert are in the collections of the Australian Performing Arts Museum and Museum Victoria.] A second significant group of objects were gifts made to the donor's family by Lucy (Jean) Hornby of Queen Street, Kew whose family had been early settlers in the district.Meerschaum pipe, with fitted brown leather case. The stem of the pipe is shaped like an arm with a carved hand supporting the bowl. The pipe is believed to belong to Joseph Wing (1812-95) or John Wing (1841-1914). The pipe has been passed down through the Wing, McDonald and French families.wing family, pipes, meerschaum

Part of correspondence written to Gladys Holmes, Byaduck by local servicemen. Gladys Holmes was the daughter of Joseph, the Byaduk baker, and Agnes Brand. In 1924 she married Alexander George Anderson. Wilfred R possibly (Rentsch) enlisted for WW!1. Cited in 'Stories Untold & Forgotten Faces' "RENTSCH, Wilfred. Byaduk, Born 1898, farmer, aged 18 years, enlisted 29 August 1916, served as 6886 with 24th infantry Battalion - 19th Reinforcements(May 1917)Proceed to France 6th March 1918. Returned to Australia per' Shropshire' 1st April 1919. Photograph on Byaduk Hall Honour Board" Part of collection of letters, photographs and postcards received by Gladys Holmes during 1916-1919. 001801: Front of postcard has a white embossed mount frame with an embroidered insert of Australian symbols, Southern Cross constellation, Rising Sun. Kangaroo with Australian flag standing on ADVANCE AUSTRALIA banner and wattle and red flower springs.France/ 27th Oct 18/Dear Gladys/Wishing you a/very Merry Christmas/and a prosperous/New Year, from/your old friend/Wilfred.Rgladys holmes, byaduk, ww1, ww1 postcard, tuck's postcards, rachel tuck, embroidered postcard

Re Jack Grinton 38th Battalian AIF collection. Refer Cat No 1280 for his service details..1 Album of 20 photos of Paris. .2 Album of 22 colour photos of landmarks in France"Visit Paris with 38th Batt" "3.6.71" (for colour photos)books-albums, photography-photographs

Awarded MM posthumously (1 of 2 Voctorian Aborigines to receive the award)Typescript of Life and Service of Private W R Rawlings. KIA France August 9th 1918

Quotidien Officiel, Day Program for French Open 10th June 1995 Materials: Paper, Inktennis

Quotidien Officiel, Day Program for French Open 4th June 1996 Materials: Paper, Inktennis

Quotidien Officiel, Day Program for French Open 11th June 1995 Materials: Paper, Inktennis

Quotidien Officiel, Day Program for French Open 11th June 1995 Materials: Paper, Inktennis

Quotidien Officiel, Day Program for French Open 10th June 1995 Materials: Paper, Inktennis

Tournament Programme: Davis Cup Semifinal 1983; Australia vs France Materials: Paper, Inktennis

Quotidien Officiel, Day Program for French Open 9th June 1995 Materials: Paper, Inktennis

Quotidien Officiel, Day Program for French Open 9th June 1995 Materials: Paper, Inktennis

Quotidien Officiel, Day Program for French Open 8th June 1995 Materials: Paper, Inktennis

Quotidien Officiel, Day Program for French Open 7th June 1995 Materials: Paper, Inktennis

Quotidien Officiel, Day Program for French Open 5th June 1995 Materials: Paper, Inktennis

Quotidien Officiel, Day Program for French Open 2nd June 1994 Materials: Paper, Inktennis

Quotidien Officiel, Day Program for French Open 2nd June 1994 Materials: Paper, Inktennis

Quotidien Officiel, Day Program for French Open 26th May 1999 Materials: Paper, Inktennis

Quotidien Officiel, Day Program for French Open 5th June 1997 Materials: Paper, Inktennis