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National Wool Museum
Currency - One Pound Note, John Ash, 1938 - 1948
John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash -
National Wool Museum
Currency - One Pound Note, John Ash, 1938 - 1948
John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Cotula coronopifolia (Water Buttons). Podolepis jaceoides (Showy Podolepis), 1985
Part of "Woolcock Gallery Collection" exhibition 1989 CEMADrawings of cuttings and flower details of two plant species with yellow flowers and green foliage. Five drawings including one flower detail (yellow and pencil), one cutting of tall yellow (Daisy-like) flower with a red-brown stem and long green leaves along stem and at base, one cutting with many flowers (no petals, button-like) on thin green stems with green flower details. The work is on white paper mounted on apricot (first layer) and pale grey (second layer) cardboard. It is framed under glass in a gold and grey-green frame.Front: CEW/85 (vertical next to stem) Podolepis jaceoides (Showy Podolepis) Cotula coronopifolia (Water Buttons) (lower left) CEWoolcock (lower right) Back: 22 (upper left)woolcock, cema, botanical -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Leucopogon montanus (Snow Beard-heath), 1982
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cutting and flower heads with brown stem and green foliage and white start-shaped flowers with pink and green centres. Six drawings include cutting with flowers, flower bud details and flower details from above and side. The work is on white paper, mounted in a double matt (grey on dark pink), unframed.Front: CEW/82 (signature, lower left in image, next to stem) (green pencil) Snow Beard-heath - Leucopogon montanus (lower centre) (pencil) Back: 32 (upper left) (pen) Snow Beard-Heath $80 (Leucopogon montanus) CE Woolcockcema, botanical, collin woolcock -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Bossiaea cordigera (Wiry Bossiaea), n.d
Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of a plant stem with detailed views of flowers and leaves. Upper left is a top view of a yellow and red flower, labled "b1". Below this is a study of two heart-shaped, dark green leaves ("c"). In centre is a setm view with many-leafed stems coming from the central stem (approximately 8-10 leaves per stem) ("a"). Three flowers on long thin stalks come from these leafed stems. One bud and two seed pods are also shown sprouting from the stems. On right are two flower views - one side view and one back view. Numbers are in pencil and are also printed on white paper and glued to surface of the paper. The work is mounted in a double matt (off-white on yellow) and framed under glass in a wooden frame with gold paint.Front: Bossiaea cordigea (lower left) (pencil) Written in hand unlike the artist's over an erased pencil title. CEW (signature, lower left of image) (purple pencil) Back: 52 (upper left) (pen) -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Glycine clandestina (Twining glycine), 1970-1990
Part of "Woolcock Gallery Collection" Exhibition 1989, CEMAFlower study with detailed views. View on left is of a stem of two entwined pale green tin stalks, with three-leafed stems coming from it, flower buds, flowers and a seed pod. Views on right are details of (top-bottom): a blue flower (top view), two leaves, a seed, and three views of flower emerging from purple sepals. View labled in pencil and with typed letters on paper glued to surface of image. Mounted in a double matt (grey on pale blue) in wooden frame with gold and blue paint.Front: Glycine clandestina (lower left) (pencil) Back: 75 (upper left) (pen)cema, botanical, collin woolcock -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Correa alba (White Correa), n.d
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of a cutting of plant with dark green foliage and eight white flowers. Single drawing on white background with name and signature in lower corners. The work is on white paper mounted in a double matt (grey on gold), unframed and wrapped in plastic.Front: White Correa Correa alba (lower left) (blue pencil) CEWoolcock (lower right) (brown pencil) Olearia speciosa (Netted Daisy-bush) (lower left) (pencil) Back: 23 (upper left) (pen) White Correa (Correa alba) $80. C E Woolcock (sticker, upper left)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Swainsona phacoides (Dwarf Swainson Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem view and details of a flowering plant in colour pencil. On left a stem view depicts stem with two off shoot branches of leaves and pea flowers on a long stem. The leaves are dark green, flat, long and gradually tapered with paler central vein. Flowers are purple with white partially blended striations. On right (t-b): front view of pea flower; side view with partial stem; rear view with sepals; leaf views with rear, front and side depicted in detail; side view of whithered flower. Numbered in pencil and typed letters on white paper affixed to surface of image. Mounted in double matt (pale grey on mauve), framed under glass in wooden gold and green frame.Front: Swainson phacoides (Dwarf Swainson Pea) (lower left) (pencil). CEW (lower centre in image) (maroon pencil). Back: 71 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Olearia speciosa (Netted Daisy-bush), 1984
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of a cutting and flower and leaf details of plant with pale orange and green stems, large green crinkle-edged foliage and white daisy-like flowes with orange centres. Six drawings include one branch with foliage and flowers, one flower head detail in orange, white and green (side view), one flower detail (above) one stamen detail (orange and grey) (sideview) and two leaf details, one front (green) and one back (grey). The work is on white paper mounted in a double matt (off-white on pale apricot), framed under glass in a gold and grey-green frame.Front: CEW/84 (lower left in image, next to stem) (maroon pencil) Olearia speciosa (Netted Daisy-bush) (lower left) (pencil) Back: 17 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Dillwynia Cinnerascens (Grey Parrot-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibition CEMA 1989.Detail of plant stem on left and on right details of pea flowers and stem views. Stem view on right is a long stem with many fine green leaves (long and thin). At top of stem is a cluster of range pea-flowers and buds. On right of page (t-b): view of pea-flower from top, showing orange petals and dark pink and magenta colouration at centre; side view of emergent bud; stem detail with leaves; side views of full bloom flower; rear view of flower. All views are numbered in both pencil and on typed paper affixed to surface of image. Mounted in double matt (white on faun) framed under glass in wooden frame with gold detail.Front: Dillwynia cinerascens (lower left) (pencil). CEW (lower left, in image) (purple pencil). Back: 41 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Dillwynia Sericea (Showy Parrot-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.View of flowering plant with stem and flower details. On left is a view of stem with three smaller stems bearing long, thin green leaves and ending in clusters of pea flowers (apricot in colour). On right (t-b): stem detail with leaves; end view of leaf depicting curve; top view of flower; side view; rear view. All views are numbered in pencil and typed numbers on paper affixed to surface of paper. Mounted in double matt (white on apricot), framed under glass in wooden frame with gold detail.Front: CEW (signature, lower left in image) (maroon pencil). Dillwynia sericea (lower right) (pencil). Back: 39 (upper let) (pen)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Functional object - Film Developing Envelope, n.d
... P & B Film Developing Service Envelope Paper envelope... Functional object P & B Film Developing Service Envelope Paper ...Displayed at History HouseP & B Film Developing Service Envelope Paper envelope with green graphic and text, with line drawing of a camera in rounded in lower right. Sewn with green thread down sides. Folded to form pouch and cover.Front: H 3711/WET TF/537/8/13.6 (pencil, in boxed areas on front).camera, photography, film developing -
Glenelg Shire Council Cultural Collection
Decorative object - Ornamental Tea Set, 1884
Displayed in History House (cabinet, North wall). Owned by Mrs. C. Keiller? (from scrap of paper in pot).Ornamental tea-set in cream and green glaze with pattern of flowers in red, white, black and green glaze. Red chinese charcters down side. 4193.1 - Sugar bowl. H: 5.0 x DIA: 6.3 (8.5 with handle) 4193.2 - Tea-cup. 2.9 x 4.2 x 5.3 (with handle 4193.3 - Lid to sugar bowl 4.0 x 1.0 4193.4 - Tea-pot 7.0 x 9.6 4193.5 - Saucer 1.2 x DIA: 8.0 4193.6 - Milk jug 6.5 x DIA: 6.7 4193.7 - Lid to teapot 3.7 x 1.0Front: Base of saucer (4193.5): Gift from/China 1884 (blue pen on sticker) Back: 1884 (blue pen scratched into glaze) -
Glenelg Shire Council Cultural Collection
Administrative record - Cashbook - Ancient Order of Foresters, c. 1878
Cash book, hard cover, green marbled, brown leather binding. Members' contributions and expenses for Court The Hope (Portland), dating from 9 March 1878 - 24 Nov 1914 White label on cover '1878 - 1914'Back: inside back cover - small sketch map of the site of Foresters' Hall in Portland - black ink on white paper -
Glenelg Shire Council Cultural Collection
Book, Charles Lowe, Prince Bismarck. Vol 1: From Waterloo to Versailles, 1885
Red leather-bound spine and cover corners. Marbled design paper on covers (red, blue, green and fawn). -
Glenelg Shire Council Cultural Collection
Domestic object - Label, n.d
Henty Cordials and Generated Waters, Portland, paper bottle label, Rasberry Cordial. Red background; green sailing ship on white, top right corner. Green and black print. -
Glenelg Shire Council Cultural Collection
Book, Charles Lowe, Prince Bismarck. Vol III: The German Empire, 1885
Red leather-bound spine and cover corners. Marbled design paper on covers (red, blue, green and fawn). -
Glenelg Shire Council Cultural Collection
Book, W.F. Rae, Wilkes, Sheridan, Fox: The Opposition Under George the Third, 1874
Red leather-bound spine and cover corners, marbled design paper on covers, red, blue, green and fawn. -
Glenelg Shire Council Cultural Collection
Administrative record - Book - Formularies and Lectures of the Ancient Orders of Foresters Friendly Society, n.d
The Ancient Order of Foresters, which originated in England in the mid 1700s, established its first branch (Court) in Victoria in 1849. Foresters was set up as a non-profit organisation, the founding principles of the Society being to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. The Society is now known as the Foresters Friendly Society and in July 1999 was incorporated as a public company limited by shares and guarantee.Emerald green hardback booklet, embossed, 'C.R.' in gold, front cover. A slip of paper pinned to page 5, containing the quarterly password for use from 1st Feb 1909 to 30th April 1909Front: Jany 1882 JR-CR' hand written, ink, inside front cover. Also white label, 'Key for the solution of the Quarterly and Travelling passwords' -
Glenelg Shire Council Cultural Collection
Book, Victorian Parliamentary Debates 1894-1900, 1894-1900
... and graphics. Marbled design paper on covers, green, blue, red and faun... corners. Gold text and graphics. Marbled design paper on covers ...Red leather-bound spine and cover corners. Gold text and graphics. Marbled design paper on covers, green, blue, red and faun. 539.1 - 539.20 539.1- Victoria Parliamentary Debates. Vol. 74, Session 1894 539.2 - Victoria Parliamentary Debates. Vol. 75, Session 1894-5 539.1 - Victoria Parliamentary Debates. Vol. 74, Session 1894 539.2 - Victoria Parliamentary Debates. Vol. 75, Session 1895 539.3 - Victoria Parliamentary Debates. Vol. 76, Session 1894-5 539.4 - Victoria Parliamentary Debates. Vol. 77, Session 1895-6 539.5 - Victoria Parliamentary Debates. Vol. 78, Session 1895-6 539.6 - Victoria Parliamentary Debates. Vol. 79, Session 1895-6 539.7 - Victoria Parliamentary Debates. Vol. 80, Session 1895-6 539.8 - Victoria Parliamentary Debates. Vol. 81, Session 1896 539.9 - Victoria Parliamentary Debates. Vol. 82, Session 1896 539.10 - Victoria Parliamentary Debates. Vol. 83, Session 1896 539.11 - Victoria Parliamentary Debates. Vol. 84, Session 1896 539.12 - Victoria Parliamentary Debates. Vol. 85, Session 1896 539.13 - Victoria Parliamentary Debates. Vol. 86, Session 1897 539.14 - Victoria Parliamentary Debates. Vol. 87, Session 1897 539.15 - Victoria Parliamentary Debates. Vol. 88, Session 1898 539.16 - Victoria Parliamentary Debates. Vol. 89, Session 1898 539.17 - Victoria Parliamentary Debates. Vol. 90, Session 1899 539.18 - Victoria Parliamentary Debates. Vol. 91, Session 1899-1900 539.19 - Victoria Parliamentary Debates. Vol. 92, Session 1899-1900 539.20 - Victoria Parliamentary Debates. Vol. 93, Session 1899-1900reference, government, state government, parliament -
Glenelg Shire Council Cultural Collection
Poster, 1980s
Screen print poster on butchers paper. Orange, black, pink print, green depiction of turntable, broadcaster. Poster in cardboard tube.poster, 1980, 1980s -
Glenelg Shire Council Cultural Collection
Print, Ti-Tree, 1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of twig with flowers. The twig has green leaves, red buds, and red flowers with yellow centres. The work is printed on cream paper with torn edges.Front: 17/18 (lower left) MD Solly '84 (lower right) (pencil) Back: 40 -
Glenelg Shire Council Cultural Collection
Flyer - Flyer - Self Drive Guide, Victoria's South West, n.d
... DL flyer, tri-fold, white gloss heavy paper, black... paper, black and green print, maps and illustrations. Self-drive ...DL flyer, tri-fold, white gloss heavy paper, black and green print, maps and illustrations. Self-drive guide to Victoria's south-west. -
Glenelg Shire Council Cultural Collection
Letter - Letter of correspondence from L. Fell, Town Clerk, to K.S. Anderson 1967, 18/10/1967
Typed letter from L. Fell, Town Clerk, to K.S. Anderson, thanking him for assistance on a submission re centralisation. Green/grey foolscap size, Town of Portland letterhead paper.k s anderson, town of portland -
Glenelg Shire Council Cultural Collection
Programme - Programme - Upwelling Festival, 2011, c. 2011
Two copies of programme for Upwelling Festival, Portland 2011. A4 heavy paper, folded into 4, printed both sides; white, green and blue print, Upwelling logo, Rotary logo on front.upwelling festival, portland, marine ecology, environment, whales, whale -
Glenelg Shire Council Cultural Collection
Print, Steampacket Inn, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a drawing of a building. The details of the building are done in thick black lines with patches of green, yellow and brown. The background has been left as the plain paper.Front: Darren Pumpa (lower left) Steam Packet Inn (upper centre) (pencil) Back: 50 -
Glenelg Shire Council Cultural Collection
Document - Copy of Title and Deeds - Sinclair West, n.d
... Land, January 3 1855. White heavy paper, bound with green tape... West, Crown Land, January 3 1855. White heavy paper, bound ...Bowerbird Museum -
Glenelg Shire Council Cultural Collection
Print - Labels, n.d
Two coloured paper labels for Cock Brand fancy apples. Blue background, red and green apple top right, rooster on yellow box with 'COCK BRAND' in red, on left. Dark blue stripe with yellow stars, packers details in dark blue, beneath stripe. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - M.E. Hedditch, OBE JP, Mayor 1956-60, c. 1960
Hand-coloured photograph of a woman with glasses wearing mayoral robes and mayoral chain. She is holding a rolled piece of paper in her hands. The background is tinted in green and mauve. Mounted in gold-coloured card in a decorative gold-painted plaster and wood frame.Front: Portland/Town Council (upper centre) Councillor/M.E. Hedditch, O.B.E., J.P/ Mayor 1956-60 (lower centre, printed black and red text). Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Poster - Poster - Portland Upwelling Festival, Oct-09
The Bonney Upwelling is the epic natural ocean occurrence that powers a 7 month ( November – May ) feeding frenzy of marine animals, supporting an incredibly rich ecological food web. The Upwelling is at its greatest off the coast of Portland and is the corner stone of our lucrative fishing and tourism industries. Presented by the Upwelling Festival Committee Inc. The Upwelling Festival is a free one day event that brings the community and visitors together to celebrate what is unique about our beautiful coastal environment in Portland Victoria.Two A3 sized posters promoting Portland's Upwelling Festival, Saturday October 31 2009. Shiny White paper. Printed over with pale grey. Blue outline of whale in blue sea; Dark/light blue and green ribbons of colour lead to lighthouse. Features of Festival printed in dark/light blue,green,grey. sponsors names and logos along bottom edge.upwelling, community, festival program, marine