In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. The Penthouse, Art and Architecture Building (1958-64), Yale University, New Haven, Connecticut, USA. (Architect: Paul Rudolph.)Made in Australia / 6 / OCT 64M / 47 (Handwritten)slide, robin boyd

Stained glass window from the Principal's Residence, Burnley (demolished 1980.)Wooden framed coloured stained glass window: central panel depicts English cottage scene surrounded by a border of leadlight in Art Nouveau style. stained glass window, principal, burnley, art nouveau

Used by Mrs Lina Plehn in Germany and brought to Australia when the family migrated.Art Deco in blue & white featuring a blue rose pattern with blue scallops on white background. .1 Cup .2 Saucer .3 Plate'Crown' & an 'S'. 'ECHT TUPPECK' 'TIEFFENFURT'domestic items, crockery

Rick Amor, previous student and artist , teaching students about art and painting, he later went on to paint the fisherman mural on FSS-1464

Hand written words of two songs, How Great Thou Art (4 verses and chorus) and The Old Rugged Cross (2 verses and chorus).religions, christian, hymns, r.s.l. bendigo collection - how great thou art, the old rugged cross

Inspired by a well-loved poem of Gerard Manley Hopkins, the abstract sculpture is reflective of the elements of Bayside's coastal environment: wind, water and waves.welded steel Public Art Commission located on Sandringham Foreshore Reserve, Beach Rd, near Sandringham Life Saving Club, Sandringham, Victoria.sculpture, windhover, clouds, wind, waves, lenton parr, public art, sandringham, foreshore, bayside art coastal trail, beach road

Small metal tin with lid painted with art deco era design featuring a girl reaching with racquet for a tennis ball. Materials: Metal, Pigmenttennis

Double sided flyer as an invitation to attend the opening of an art exhibition in the QVWC building. Colour example of artwork on front of item, a biography of the artist on the back. art exhibitions, events and activities, invitations

Bakelite record by Regal T1232 "The Red River Valley" sung by baritone Art Leonard No G21555 Record cracked. Size: 10 inch record.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Edith CURNOW (1913–2003) Ballarat | Australia Edith Gertrude Curnow undertook Industrial Art teacher training at the Ballarat Technical Art School, with a five-year Senior Technical Scholarship, between 1926 and 1931. She taught for a time before marrying compositor James Lawn in 1937. She reportedly continued to teach at the Ballarat Technical Art School as Edith Lawn. She retired in 1972 at which time she was the Lecturer in Charge of Craft Edith Lawn was a member of inaugural Ballarat School of Mines Old Girls Association, and served as first Press Correspondent. Her daughter, Valda Lawn (later D'Angri) also attended and taught at the School. One of the subjects Curnow studied was Historic Ornament. This subject spanned time and space to inform and inspire designers. Students studied the influences of history, geography, culture and climate on ornamental aesthetics, including the tools, materials and methods applied to decorative objects, interior design and architecture.Two books containing student notes and drawing relating to courses at the Ballarat techncial Art School in 1931. The work was undertaken by Edith Curnow. .1) - Foolscap red covered book on Historic Ornament. Includes History of Ornament, Egyptian Ornament, Assyrian Ornament; Greek Ornament, Roman Ornament, Pompeian Ornament, Byzantine, Romanesque Ornament, Norman, Decorated Gothic, Perpendicular Gothic, Renaissance. .2) Green quarto book on Historic Ornament Part 2: Costume. The work includes Egyptian Costume, Greek Costume, Roman Costume, Richard I, Crusades, Edward III, Charles I, Charles II, George II.ballarat school of mines, ballarat technical art school, art history, edith lawn, edith curnow, val lawn, val d'angri, curnow, lawn, ornament, costume., ballarat technical art school library, artists workbook, journal, historic ornament, university women, ballarat school of mines old girls association

Cast steel Zinc?? alloy? with raised capital letters for use on Tram 760, when it was part of the "Transporting Art" program - "Transporting Art a project by the Victorian Ministry of Transport and the Ministry for the Arts / Tram 760 By Robert Jacks August 1986 Has six mounting holes. Letters were painted in black paint' Two copies held On rear: see belowon rear of one "Red Hot Urgent (S) 59878 Sand blasted" on rear of copy 2 - "(S) Red Hot urgent, 59878"trams, tramways, signs, transporting art, castings, tram 760

"A limited number of Centenary Medallions designed by Mr. V. Greenhalgh were produced by Stokes & Son, Melbourne to commemorate the Centenary of the School. The medallion was produced from copper base metal with a silver oxide finish and has been well received by past student, present students, staff members and the general public. A quantity of 50 medallions have been reserved for presentation purposes on special occasions."26 silver medals in a black hinged box. The medal struck for the Ballarat School of Mines centenary. . The School of Mines and Industries Ballarat 1870-1870 Verso Ingenio Effodere Opes A Centenary of Educaiton in Technology Science & Art ballarat school of mines centenary medal, centenary, anniversary, victor greenhalgh, stokes & son, medallion

Book dedication, “Dedicated to the men and women of Victoria’s central Gold Fields who served and made the supreme sacrifice in our name”.1) .2) Books, soft cover, cardboard, white print on front and spine, front cover illustrated sepia tone photo of a soldier in uniform, back cover illustrated sepia tone photo of Soldiers marching with crowd of spectators, 73 pages, plain white, illustrated B & W and sepia photographs.On title page adhesive sticker printed in red ink, “Central Goldfields/Art gallery”, hand written in black, “With Compliments”books military, history, ww1 biography

Written on back of photograph, "Ringwood Art Show, Lower Town Hall. Will Radden foreground, Mrs. Buckthorpe back aisle."

Australia 1788-1938 Author: Oswald L Ziegler Publisher: Simmons Ltd Date: 1938 The label on the spine cover with typed text RA 994 AUS Warrnambool Art Gallery sticker inside front cover. flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, warrnambool library, warrnambool mechanics’ institute, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, australia 1788-1938

Pencil markups and comments in Robin Boyd's writing on the article "Vision and confidence in art for textiles" by Sydney Ure Smith, p8russell drysdale, william dobell, textile design, walsh st library

Moran was an Australian realist artist who specialised in floral works in oil. She was highly regarded for her skills as an artist as well as her ability to share her knowledge of painting. realismRural City of Wangaratta Collection, Wangaratta Art Prize Grand Winner 1986.A still life oil painting of pink and white chrysanthemums arranged in a glass vase with rounded gum leaves which has been placed on top of a round dinning table which has been covered in a white tablecloth.Obverse: P. Moran/ (bottom right corner) WANGARATTA ART SHOW/ GRAND WINNER 1986/ (plaque mounted on frame)wangaratta art gallery, patricia moran, still life, flowers, chrysanthemums, painting

Rural City of Wangaratta Collection. Wangaratta Art Show Grand Winner 1985.A landscape of a pastoral scene, painted in oil using shades o green, brown, blue, and yellow.R Paterson '85/ (bottom right corner) - GRAND WINNER 1985 -/ WANGARATTA ART SHOW/ (plaque mounted on frame)wangaratta art gallery, ross paterson, landscape, painting pastoral

Rural City of Wangaratta Collection, Wangaratta Art Prize 1983.A pastoral landscape painted in oils using shades of blue, green, white, yellow, and brown.Obverse: L. Pawluk./ (bottom left) WANGARATTA ART SHOW/ GRAND PRIZE WINNER/ 1983/ (plaque mounted on frame)wangaratta art gallery, len pawluk, landscape, painting, pastoral

Colour three parts foldable leaflet explaining the history of the Mission, the Flinders Street building and the ANL Art Prize. Leaflet available in the club room for visitors.mission to seafarers, marketing

Green hard bound book 14 Coloured Plates are ink impressed from original woodblocks Ballarat Technical Art School Library book platenon-fictionfloral, arrangement, flowers, illustrations, japanese, artists, flora, ballarat technical art school library, josiah conder, japan, kimono, arrrangement

Carrie Lam, Hong Kong’s chief executive, had plenty of political support in the territory’s pro-Beijing legislature to pass a bill that would allow extraditions to mainland China. The legislators were set to begin discussing the bill in early June, and intended to vote on it just weeks later. A series of protests took place, and after a June 16 protest saw the largest turnout yet, Ms. Lam made a major concession: She postponed the bill, at least temporarily. It was an undeniable victory for the protesters — but it did little to quell the unrest. Since the bill could later be reintroduced, protesters felt they remained in danger. The police tactics to break up the demonstrations on June 12, including the use of more than 150 tear gas canisters to push protesters far away from the government office, created a new set of demands from the protesters. Now, instead of just calling for the withdrawal of the bill and Ms. Lam’s resignation, they said they wouldn’t be content unless there was an independent investigation of officers’ conduct. They also wanted the release of protesters arrested on June 12, and for the government to rescind its description of the demonstrations as a “riot,” a designation that carries legal significance. None of that has happened. Many analysts say Ms. Lam is unlikely to step down, nor would Beijing accept her resignation if she offered it. She has more wiggle room on the other demands, but has not indicated any willingness to budge. The Hong Kong Protests are a leaderless, digital movement.There is no single leader or group deciding on or steering the strategy, tactics and goals of the movement. Instead, protesters have used forums and messaging apps to decide next steps. Anyone can suggest a course of action, and others then vote on whether they support it. The most popular ideas rise to the top, and then people rally to make them happen. At its best, this structure has empowered many people to participate and have their voices heard. Protesters say it keeps them all safe by not allowing the government to target specific leaders. Their success in halting the extradition bill, which was shelved by the territory’s chief executive, speaks to the movement’s power. Despite the lack of a clear leader, protesters have shown extensive coordination at the demonstrations, having planned the specifics online beforehand. Supply stations are set up to distribute water, snacks, gloves, umbrellas and shields made of cardboard. Volunteer first aid workers wear brightly colored vests. People form assembly lines to pass supplies across long distances, with protesters communicating what they need through a series of predetermined hand signals. Anyone walking in dangerous areas without a helmet or a mask is quickly offered one. No individual can speak on behalf of the protesters, which makes negotiations difficult, if not impossible. (https://www.nytimes.com/2019/07/02/world/asia/hong-kong-protest-explained.html, accessed 07/07/2019) Hong Kong’s amended extradition law would allow the extradition of suspects to mainland China for the first time. Supporters say the amendments are key to ensuring the city does not become a criminal refuge, but critics worry Beijing will use the law to extradite political opponents and others to China where their legal protections cannot be guaranteed. The government claims the push to change the law, which would also apply to Taiwan and Macau, stems from the killing last year of a Hong Kong woman while she was in Taiwan with her boyfriend. Authorities in Taiwan suspect the woman’s boyfriend, who remains in Hong Kong, but cannot try him because no extradition agreement is in place. Under the amended law, those accused of offences punishable by seven years or more in prison could be extradited. The new legislation would give Hong Kong’s leader, known as the chief executive, authority to approve extradition requests, after review by the courts. Hong Kong’s legislature, the legislative council, would not have any oversight over the extradition process. Many Hong Kongers fear the proposed extradition law will be used by authorities to target political enemies. They worry the new legislation spells the end of the “one country, two systems” policy, eroding the civil rights enjoyed by Hong Kong residents since the handover of sovereignty from the UK to China in 1997. Many attending the protests on Sunday said they could not trust China as it had often used non-political crimes to target government critics, and said they also feared Hong Kong officials would not be able to reject Beijing’s requests. Legal professionals have also expressed concern over the rights of those sent across the border to be tried. The conviction rate in Chinese courts is as high as 99%. Arbitrary detentions, torture and denial of legal representation of one’s choosing are also common. Many in the protests on Sunday 09 June 2019 said they felt overwhelmed by a sense of helplessness in the face of mainland China’s increasing political, economic and cultural influence in Hong Kong. Hong Kong’s top political leader is not elected by ordinary voters but by a 1,200-strong election committee accountable to Beijing. Half of its legislature are chosen through indirect electoral systems that favour pro-Beijing figures. Many Hong Kongers also cited the jailing of leaders and activists from the 2014 Occupy Central movement– a 79-day mass civil disobedience movement – as well as the disqualification of young localist lawmakers as signs of the erosion of civil freedoms. Resentment towards China has been intensified by soaring property prices – with increasing numbers of mainland Chinese buying properties in the city – as well as the government’s “patriotic education” drive, and the large numbers of mainland tourists who flock to Hong Kong. Many Hong Kongers are also concerned about China’s growing control over the city’s news media, as they increasingly self-censor and follow Beijing’s tacit orders. https://www.theguardian.com/world/2019/jun/10/what-are-the-hong-kong-protests-about-explainerPhotograph of a street art poster taken on the streets of Hong Kong during the protests against legislation to allow Hong Kong suspects to be extradited to mainland Chinese carrie lam, hong kong protests, extraditions, poster art, posters

Colour photographs of an art tram by Mark Lycette, a Graphic Design Student at Ballarat University College. The tram includes the words "Crime Prevention - A Shared Responsibilty"graphic design, art tram, melbourne tram, royal australian air force, anniversary, mark lycette, alumni, police, crime prevention, crime stoppers