This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.Photograph postcardMiddle row, 4th from left school photo; postcard; west sydney; australia; suburbia; grade 3

Photograph of soldiers wearing slouch hat and holding rifles mounted on horseback - most likely Victorian Mounted Rifle contingent.The Victorian Mounted Rifles (VMR) was a regiment composed of Australian forces that served in the Second Boer War.Black and white photograph of eight soldiers mounted on horsebackHandwritten top left corner "Contingent"victorian mounted rifles, contingent

Kazenwadel and Decker family groups, Templer Society members and internees in Camp 3 during WW2.Black and white photograph of 6 adults and one youngster held by her father (probably) and in the front seated 4 youngsters and a mother. The group are in front of a Army hut with a path and huts in the background. Each person is identified and include the Kazenwadel and Decker families.on the left hand side the number 205kazenwadel family, decker family, templer society, internees

The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia.Grey duplicated bi-fold application form.Top left corner "Obtainable @ D.C.E."methodist order of knightts

Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Newspaper clipping20-4-66' on left in pencilsydney opera house, utzon, sydney opera house project, walsh st library

This article contains an announcement of Robin Boyd's death on Friday 16th October and gives a short summary his career, including tributes for many people, including Premier Sir Henry Bolte.Image/RVIA on top left in pencilwalsh st library

This article announces the private funeral of Robin Boyd and gives short tributes from friends and associates.RVIA/Images? on top left in pencilwalsh st library

Composer Sergei ProkofievAddress in La Jolla on top leftwalsh st library

Norma Bull is an Australian painter who is most famous for her paintings and sketches made during World War II in Britain as an official war artist. Bull was a finalist in the Archibald prize twice, in 1952 and 1953. Her work is featured in collections around the world including the Royal Collection, the Imperial War Museum, the National Gallery of Australia, and the Bright Art Gallery.traditionalRural City of Wangaratta Collection. Donated by Associate Professor Leslie E Bolitho AM.A windy seascape painted in oil using blues, browns, greens, yellows, and whites.Obverse: Norma Bull/ (bottom left)wangaratta art gallery, norma bull, seascape, painting

abstractRural City of Wangaratta Collection. Purchased with funds from the Wangaratta Art Council.An abstract painting of an eatery dinning area painted in oil using a colour palette of predominantly blue alongside shades of green, pink, brown, and yellow.Pyett/ '76/ (bottom left corner)wangaratta art gallery, christopher pyett, painting

Slawa Horowitz-Duldig) was both an artist and a designer, and both aspects of her practice are represented in the collection. There is an archive of approximately 255 drawings by Slawa dating from 1917 until 1922. Slawa’s sketchbooks from this period provide an insight into her early training and demonstrate the artist’s early interest in portraiture. A number of the drawings have been framed, but the majority remains 'in situ'. Slawa was a student at the Viennese Kunstschule für Frauen und Mädchen (the Viennese Art School for Women and Girls) (KFM) from 1917 until 1921, and in 1922 she became a student of Anton Hanak. The KFM School had been established in 1897 as a private school, and it was highly regarded both for its teaching staff and academic curriculum. By 1918 it had introduced stringent admission policy similar to those of the Austrian Academy of Fine Arts, and obtained government funding for its academic program, and began to focus on students seeking to pursue careers as professional artists. In 1921 when Slawa applied to the Austrian Academy of Arts for a place in its program, her application was unsuccessful, as her work was considered advanced, and a place in the third or fourth year of the program was not available. In 1922 she became a private student of Anton Hanak. Many of the portrait images from this early period concentrate on capturing the physical appearance of the face of the model. A number of these studies, in which the subject is not identified, display an academic approach to the genre. Her technical skills in capturing precise facial features of the model, the expression of eyes and the texture of hair are evident. These drawings were perhaps completed in the studio of the KFM School. There are also portraits of friends and family members, including her sister Rella and others, perhaps parents and grandparents, who have yet to be identified conclusively. It is these images of family and friends that particularly demonstrate Slawa’s confidence with pen, charcoal and crayon on paper. Amongst the group are several portraits that indicate the artist’s interest in conveying the inner psyche of a subject, as well as capturing a likeness. Ann Carew 2016The drawings from this period give us an insight into the artist’s early training, and the teaching methods of Viennese Kunstschule für Frauen und Mädchen, one of the first professional art schools for women in Vienna. The drawings and sketchbooks have artistic, interpretative and research significance as records of the art education of women in Vienna in the early 20th century. Ann Carew 2016Charcoal over pencil sketch on paper of Slawa's sister Rella.Artist signature in the bottom left corner.

Oil on canvasSigned top left corner of work.

Oil on paperSigned lower left of paint "Serwan"

Black and white post card photograph of Mt Carmel Convent, RutherglenAt bottom left of photo: "A. P. Thomas"presentation convent, presentation sisters, mt carmel convent

Black and White PhotographPlaque on front bottom left of frame.

A program of a Legacy Demonstration at the Melbourne Town Hall. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Herald (Melbourne), Friday 19 October 1951, page 5 says: "Children in Legacy show Two hundred children will take part in a Legacy Club demonstration at the Melbourne Town Hall tonight and tomorrow night. They will show the work done in physical training and speech therapy classes. Boys will give gymnastic displays including wrestling and tumbling. Girls will feature costume dances and tableaux. They made the dresses themselves. Speakers will tell of the more serious side of Legacy's work, and of the benefits available to children."A record of a Junior Legatee Demonstration in 1951.Cardboard program includes running order, acts being presented and names of instructors. Presented at Melbourne Town Hall Friday 18th October and Saturday 20th October 1951.Pen 'X' in the bottom left corner.junior legatee, annual demonstration, legacy on parade

Item in the Education Section of The Courier Ballarat, Monday 19/5/1997 giving a background to the trams in Ballarat and asking a series of questions for students to consider. Information given was comments by local residents for and against, questions, suggested routes, use of horse trams, map and a photo of SEC No. 31 at the junction of Mt. Pleasant and Victoria St. routes. Has newspaper details stapled to the top right hand corner of item.An "X" in the top left hand corner.education, ballarat revival, horse trams, students

The Kew Historical Society's map collection includes a substantial number of real estate subdivision plans, mainly of Kew but also of surrounding suburbs in Melbourne. Most of the subdivision plans date from the 1920s and 1930s when the districts old homes and local farmland were being split up to accommodate residential growth in the postwar period. These early plans were assembled by a local firm, Jas R Mather & McMillan, which had an office in Cotham Road. Many of the plans, and sometimes photos, were annotated by the agents.Subdivision plans are historically important documents used as evidence for the growth of suburbs in Australia. They frequently provide information about when the land was sold as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.The photograph may also be aesthetically significant depending on the importance of the photographic atelier.The ‘Eastlawn Estate’ was surveyed and ready for auction in March 1914, three months before the outbreak of World War I. Sixty-six allotments, created on the ‘order of Mr & Miss Preston’ surrounded the mansion of Woodlands in Harp Road. Woodlands formed part of the Estate, being advertised as lot 1. The allotments faced High, Station and Wright Streets, Harp and Normanby Roads, and Woodlands Avenue. Pru Sanderson in the Kew Conservation Study (Vol.2, 1988) wrote that the Eastlawn Estate ‘covered the western half of the failed Harp of Erin Estate’. Contemporary advertisements promoted the Eastlawn Estate as: ‘There will be no more convenient district nor pleasant Suburb than East Kew for the busy business man. When the Electric Tram is laid, he will be able to journey quickly and pleasantly direct from Collins Street to his home in the Eastlawn Estate in about 20 minutes’. The actual plans of subdivision were included in advertisements in The Argus and in the local newspapers."C" top left. Various annotations.subdivision plans - kew, station street, normanby road, high street, woodlands avenue, harp road, woodlands - kew

UnknownPilgrim, Catherine. Tree. 2001, Etching, Brimbank City Council Art Collection, BrimbankEtchingNumbered 87/99, bottom lefttree, catherine pilgrim, 2001, national bank, valued client

Round bronze medallion depicting a male profile.Inscribed MS on reverse left sidematcham skipper, bronze, medallion, male, profile

Round resin mould depicting a crouching figure. Inscribed MS on top left side. matcham skipper, mould, resin, nude

Pro (Kevin Charles) HART (30 May 1928 – 28 March 2006) Born Broken Hill, New South Wales Pro Hart drew upon a variety of techniques in his paintings, including layering, chiaroscuro, glazing, scumbling, scratching and Alla prima. Insects, particularly ants and dragonflies, are among Hart’s most popular and most identifiable images. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A framed red, blue and coral asbstract painting featuring one ant. Signed lower left "Ant" 1967art, artwork, ant, pro hart, australian outback painting, oil on board, ballarat teachers' college collection

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed coloured lithograph on paper showing a busy city street.Signed lower left 'Barry Pillar'art, artwork, barry pillar, cityscape, streetscape, requires framing

Harry Montague Marks was born at Pall Mall Bendigo on the 1st October 1855. At age 18 he worked for Goldsborough & Co in Melbourne learning land, wool and banking business. He returned to Bendigo aged 22 to open an auctioneers business which operated on the corner of Williamson and Hargraves Streets. Councillor Marks was elected to the seat of Darling in May 1893 and remained serving until 1902. He served as Mayor once only from 1896-97. It was noted in the Bendigo Advertiser on July 3rd 1897 that Mayor Marks appeared in new robes .. made to council order by Messrs Henderson and Goodisson who dealt in highly fashionable goods in the Beehive. (fn https://trove.nla.gov.au/newspaper/page/9088966). It is not know if these robes are still in existence. Harry Marks married Mary Leech in 1881and together they had four sons and one daughter. Harry Marks died in February 1916 aged 60. After his death Mary Marks became the senior partner in the firm HM Marks and Sons auctioneers. Mary died in 1919.Oval black and white silver gelatin print mounted on card. Studio portrait of Mayor Marks. Photograph mounted on card. Front facing seated portrait wearing mayoral robes and chain, clutching a rolled document. Original rectangular shaped photograph has been trimmed to fit into oval frame.Bartlett Bros. lower left on photograph.councillor h m marks, mayor marks, mayoress marks

A vintage green pocket sized reference book with the title Collins' Unique Gem Reckoner printed in silver lettering at the top of the front cover and on the spine. There is a user's Guide and Contents. p.508non-fictionThis Reckoner is uniform with a series of Gem Dictionaries covering the English, French, German, Spanish and Latin languages and is therefore part of a comprehensive publishing plan. It is unique in that in addition to all the orthodox price and tonnage tables it contains much detailed an specially prepared information which is not available in other small reckoners. Constant and full use of the many tables will bring a twofold reward in time-saving and accuracy.reckoners, reference books, reference tables

The Victorian Railways oil can/feeder was used to oil various parts of engines of trains as part of the maintenance of trains. This would have been carried out by employees in the 'Rolling Stock Branch' of Victorian Railways, which included the maintenance and operation of locomotives and rolling stock. It was donated by a resident of Wodonga, and the Wodonga train line and train station opened in November 1873 when the section of the line from Wangaratta to Wodonga was completed. The expansion of Victorian Railways to the northeast of Victoria occurred after the Victorian Government took over the railways in 1867 and the trains serviced large towns such as Seymour, Wangaratta and Wodonga, as well as smaller towns along the way.The oil can/feeder has local significance as it was donated by a resident of Wodonga, as well as state significance as an example of the equipment used by the Victorain Railways.Grey metal Victorian Railways oil can/feeder used to oil various parts of train engines, with a long spout, handle and a chain attached to the lid."V↑R" on the proper left side.oil can, oil feeder, vintage oil cans, vintage oil feeders, victorian

Yellow race colours with white sash and red sleevesBiris Devcic embossed left chestboris devcic, b devcic, aim first, bendigo harness racing club, bhrc, bendigo, horses, race colours, trotting, pacing, harness racing