Boots issued to Brian CLEREHAN VX91862, refer cat 5269.2 for his service details..1) Brown leatherboot, left foot, no shoelace, black stitching with metal tacks and metal toe. boot with hard soles. .2) Brown leather boot. Right foot, brown cord laces, black stitching with metal tacks and metal toe. Hard soles Inscription on sole “9/5, N741, LO421,1943” both bootsarmy uniform, 2nd new guinea infantry battalion

Stawell Football Club footballers wearing uniform with long white shorts posing in front of weatherboard building c 1920's. Standing at the rear is Len Clearson, 3rd Team member. Len Clearson later left Stawell to play football in Geelong.Black and White team photograph of football players and assistants in long white shorts in front of weatherboard wall with window in center, probably No 1 Grandstand. Back row is standing, and front row seated and cross legged.stawell sport

Lightweight knee length linen coat with long sleeves. The coat is single breasted with a V neckline with a fold over collar of black linen fabric. There are two rows of black cotton piping on the edges of the collar. The front is made up of four pieces. The two centre panels are shaped at the bust line. The two side panels are narrow at the shoulders and flare slightly from the hip line to the hem line. There is a decorative line of stitching on the front seams. The front of the coat is fastened with three black buttons (2 cm) and button holes. The back of the coat is made up of three pieces. The centre panel is shaped in at the waistline. The two side panels are narrow at the shoulders and flare slightly from hip line to hemline. The two back seams each have three decorative black buttons (2 cm) vertically between bust line and waist. There is a decorative line of stitching on the back seams. The coat has long set in sleeves shaped at the elbow and with black linen cuffs (10 cm). There are two rows of black cotton piping on the top edge of each cuff and one row of black cotton piping on the lower edge of each cuff. There is a 14 cm cotton tape hanging tag stitched inside the coat just below the collar on the back. Machine stitched.costume, female daywear, linen coat

Clothing. Navy blue silk dress with V neckline faced in soft pink silk, which is overlaid with navy rouleau, giving a ''lattice'' effect, and then the neckline has been bound with navy fabric. The lower edge and side is decorated with three, four-petalled flowers, backed with navy fabric, with navy covered buttons in each centre, and navy tipped, pink rouleau 'stems'. Three X 2 cm diameter navy covered buttons are spaced on either side of neckline. Six X 1cm wide loose pressed(not stitched) pleats and two 2 cm pleats form a panel from neckline to waist of bodice. This pleating continues from the waistline, and is stitched horizontally for 31 cm below the waistline, before falling in a pressed form to the hemline. Back of skirt is plain, with top stitched centre back seam, which opens into a (X2) 5.5 cm wide inverted pleat at centre back. Long sleeves are also pleated-stitched down horizontally, for 17 cms, then pressed(not stitched) to the cuff. The cuff has an 8 cm deep peak, tapering to 4.5 cm deep at the opening-which fastens with two metal press-studs. Sleeve fullness is gathered into the cuff.costume, female, navy blue dress

Awarded for long and efficient sevice in the colonial era Silver Medal mounted on a decorative arm. Ribbon is made up of two 9mm Violet Bars set astride a 14 mm off white bar. Ribbon is susbended by a silver hanging loop Obverse face has a St. George Cross with 5 stars inside of a belt surmounted by a crown. This is surrounded by the words Local forces Victoria. The Reverse of the medal has " For long and efficient service" embossed on itFranz Kaaden PTE 1st Battn Inf BDE5/6rvr, officers and sergeants, long service medal, victorian, colonial

White. Longuniform, c2000, ran

Long Tanpicture, vietnam

Handmade running spikes worn by Pen Gilbert, winner of the open event at the Exhibition Oval c. 1922. She was not allowed to wear them in the final event because it was unknown for women to wear spikes.Associated with an Orbost identity and well-known local family.A pair of leather running shoes with spikes on the soles, with leather lacing and white stitching through metal eyelets.running-shoes running-spikes athletics sport women-sport

Originally built by John Hill, a shoemaker at Kangaroo Ground around 1878. In the late 1970s when our Society was the Shire of Eltham Historical Society, an offer was made to the Society regarding use of an old cottage at Christmas Hills. The cottage sat beside Watsons Creek just outside the then Shire of Eltham but following municipal restructuring it now lies within the Shire of Nillumbik. For various reasons the offer ultimately lapsed. At that time some research on the cottage was carried out for the Society by Keith Chappel as part of a larger research project that he was doing. Keith’s notes were taken from Lands Department records and showed that the property was the subject of a permissive occupancy of Crown land comprising the creek reserve. In 1903 a Miner’s Right of one acre in area was granted to Edwin Samuel Birch. In 1907 Birch applied to purchase this land but was unable to because it was part of the creek reserve. The documents show that the cottage existed at that time. Upon Birch’s death in 1932, his daughter, Honor Mary Birch was granted a permit to occupy the residence. Honor Mary Birch, known as Nora, was born 1900, the daughter of Edwin Samuel Birch and Honor (nee Young). In 1939 she married George Henry Williams (aka Henry). Honor died 8 July 1976. Her siblings were Margaret Martin (dec), Bert Birch and Brigidene Brinkkotter. In her will she gave and bequeathed “all the improvements on the land held by me at Christmas Hills under Permissive Occupancy from the Department of Land and Survey consisting of the house property thereon and all the contents of the said house to my nephew Brian Joseph Martin of Christmas Hills aforesaid farmer”. The will described the property as a four room, five square house, about 100 years old with enclosed verandah, including kitchen, combined lounge dining room, bedroom and store room; built of ‘bush slabs’ with a corrugated iron roof. A dairy had been erected in 1935. After her death, the property was acquired by the Melbourne Metropolitan Board of Works in 1978. The property is listed on the Victorian Heritage Database HO200-Hill, later Birch farm complex, 945 Eltham-Yarra Glen Road, Watsons Creek and described as: The house has a steep but simply gabled roof form clad with corrugated iron, vertical adzed hardwood slab front wall construction, split palings to the gable ends; rubble freestone chimney at one end (with added gsi flue), pole-framed Graeme Butler & Associates, 2006: 101 Shire of Nillurnbik Planning Scheme Amendment C13 Heritage Assessments verandah (rebuilt?); six-pane double-hung sash windows; T&G bead-edge boarded ledged & braced door; and paling clad rooms added at verandah ends. A slab-clad large fireplace is at the north corner of the house, with a gsi upper cladding added and an internal lining of rubble stone. The rear facade is different construction, being drop-slab, and sits beneath a rear skillion addition to the main gabled form: this may be more recent construction. The house appears to have been once set up for public display and may have been recreated in part for that purpose. Outbuildings are reached by a track along the east side of the house, including what may have been a creamery (typical standard inter-war design clad with corrugated iron and lined with 1938 Lysaght Queens Head Australia galvanised sheet iron) and a paling clad gabled out-house. Timber outbuildings of differing eras are to the north-west of the house, with pole framing and paling infill construction and Redcliffe brand corrugated iron. Post and rail (front) and split paling (rear) fence remnants line the front boundary. Pepper trees part of house yard landscape49 born digital images (includes one panoramic stitch and nine frames from drone video)birch cottage, christmas hills, early settlers, edwin samuel birch, honor mary birch, john hill, watsons creek

The silk card were created by French women during the First World War. The women would create these in there homes as a way to earn an income during the tuff times. The silk mesh was embroidered by the women and was later sent to factories to be placed on the cards. According to the Australian war memorial website there were 10 million of the cards made between 1914-1919. This card in particular was sent from John (Jack) McIntyre to his mother for her birthday. J. McIntyre served in the first world war, first arrived in Egypt in 1915, then to the Western front in France in July 1916. He was servery injured during his time in France and was sent to the Hospital in England. After the war finished Jack travelled back to Australia and lived in Lara with his brother and sister.This card is significant as it is a reflection on the communication between families during the First World War. It also is a symbol of the way women in France made their money during the tuff timesA birthday card with silk on the front of the card. It has pink flowers stitched into the silk and says 'happy birthday'On the front it has 'Happy Birthday" "Remembrance" On the first page in the inside "Remembrance" "To mother" "From Jack" "France 1918" On the second page in the inside: "Wishes are nothing; t'is the heart That in the few lines dwells And says to those from us apart More that the greeting tells" birthday card, mother, son, mcintyre, world war 1, ww1, happy birthday, handmade, silk, embroidered

Macleod High School Prefect's badge and pocket from Rosemary Isaacs (nee Davies). Embroidered pockets were sewn onto school uniform as a sign of student seniority and responsibilityA personal memento of responsibility at school.Green woolen pocket with stitched school crest and motto. Badge with school crest and motto, enamel on metal."Prefect" on each item.macleod high school, rosemary isaacs, rosemary davies, prefects badge

Singer began to market its machines internationally in 1855. They began mass-producing domestic electric machines in 1910. Treadle machines were powered mechanically by a foot pedal that is pushed back and forth by the operator's foot. There were also machines belt powered, hand powered and eventually electric powered. Treadle machines were made into the 1950s but they were most common during the late Victorian years (up to 1901). This machine is c1894.This machine was owned and used by a resident of the Kiewa Valley. It was used for domestic sewing such as for making clothes for the family, making toys for eg. a fete and making useful items eg. a bag for school readersSinger Fiddle Base treadle sewing machine with decoration of flowers. Straight stitch. No stand. A little rusty.Top: 'the Singer Manufacturing'. Front: 'Singer' and the Metal Plaque 'The Singer MFC Cony'singer manufacturing co., clothes, sewing, domestic

This banner was produced by the Gay Solidarity Group (GSG) for use in the first Mardi Gras, one of the events held as part of the Day of International Gay Solidarity, held on 24 June 1978. The banner was displayed on the side of the truck that was used in the Mardi Gras. It was subsequently used in numerous protests and demonstrations by GSG into the late 1980s.White text on green canvas backing, ends folded and stitched with red cotton, reinforced by black tape.

The evolution of the stiff shirt collar occurred in the 1830s when the detachable collar was "invented." At this time, the detachable collars were simply normal shirt collars like you’d see today, but sold separately from the shirt itself and needed to be kept in a container to keep them clean and accessible. The detachable collars were a way to avoid the weekly laundry. Because collars and cuffs were both the most visible parts of shirts and the parts most likely to get dirty, separating them allowed people to do the shirt equivalent of only washing your armpits after you go to the gym. That meant that the main body of the shirt could remain soft while the collar and cuffs that were visible could be starched and shaped. The popularity of detachable collars and starched collars, in general, began to fade in the 1920s and 30s. As shirt styles began to change. The advent of central heating, lighter weight fabrics, and a more relaxed social attitude to fashion all contributed to making men’s clothes more comfortable and less formal.An item that was used to store detachable men’s shirt collars from the early 20th century at a time when men's fashion was more formal and how a person dressed especially for formal occasions dictated a person's social standing. The subject item comes from a time that gives a snapshot into the past at the social norms of the time.Collar box, leather, cylindrical, includes strap, buckle, stitching and cardboard lining and man's white collarCollar inside box marked "CF652 Rexbilt Size 16 1/2 x 1 3/4" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, collar box, men's collar box, men's collar, leather collar box

Linen shoe bag with pink edging. Has a dog stitched on bag and the word shoes. Circa 1920. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Adjustable metal operating table with black padded vinyl cushioning white sheet with red cross stitchedDenyer "Major" Model Head End Control 234 Melbourne Australiadenyer operating table

Remembering the White Building, 2017 Clare McCracken As Cambodia rapidly urbanises, it is the urban poor that are forcibly removed from their homes to make way for shiny new apartment towers they cannot afford. In 2014 during a residency at the White Building, a medium-density slum in central Phnom Penh, Clare stitched pocket-sized cross-stitches of the ornate bricks of the building over the top of cross-stitch patterns of Angkor Wat. She gifted these tiny works to the residents she met - something they could take with them as a reminder of their community when it was demolished. In 2017, as the Cambodian government demolished the building, Clare created another series of the works: in memory of a community that had now been destroyed.Wangaratta Art Gallery CollectionA textile artwork that is made up of 4 cross stitch squares with each square a different colour and design.clare mccracken, cross stitch, textile

Green wool felt pennant with stitched side seam and white cotton tape tie sewn in seam.Front: JEPARIT / VIC. / SIR ROBERT MENZIES PARK Back: Lake Hindmarsh / JEPARIT / VIC.jeparit, victoria

History of quilt unknown.Quilt, covered in a brown and floral patterned cotton fabric, machine and hand stitched with black knitted insert.quilting history, running stitch group, running stitch collection, quilting - history

UnknownLadies samples coverlet. Machine stitched. Backed with a patchwork of mattress damask offcuts in a simple slat design.quilting history, patchwork history, running stitch group, running stitch collection, quilting - history, patchwork - history

Beige linen tea cloth with brown drawn thread centre and brown stitched box thread hem.domestic items, sewing, handcrafts, embroidery

Laburnum Primary School inherited the banner when Vicky St Blackburn East School closed and was amalgamated into Laburnum Primary School. Laburnum Primary School donated to WHSMaroon cloth banner with white felt letters ,machine stitched on. 'Blackburn East S.S Vicky StBlackburn East S S Vicky Stschool, pennant

Round white cotton doyley decorated with cut out embroidery. Scalloped edging in button hole stitch.handcrafts, needlework, manchester, table linen

Square white cotton doyley with centre flower embroidery in white. Scalloped edging in button hole stitch.handcrafts, needlework, manchester, table linen

Worked in Needlework Class - 1943 At high schoolPink sampler - cotton Loose cream insert - other Blanket stich edge Various embroidery stitchesEmbroideredpink needlework sampler, needlework, heather mcnamara & isobel mcnamara

An official AMF publication issued to all Australian servicemen and women just prior to their deployment to South Vietnam during the war in that country. Contains information about the culture of the country, aspects of the armed forces of USA, Republic of South Vietnam and the Viet Cong and North Vietnam Army. Details of weapons likely to be encountered. Green soft covered book titled 'Pocketbook South Vietnam', saddled stitched and stapled, 74 pages.vietnam war, weapons, language, customs

Worn by Pastor Steinicker (?)White leather gloves with press stud fastenings at wrist, three reinforced lines stitched on back of hand.RH '7 3/4' inside wrist, LH '301118' inside wrist, evidence of a tag removed LH inside wristcostume, male, gloves, leather, steinicker, lutheran