Studio portrait of unidentified female, taken circa 1880. From the Partington collection.Sepia studio portrait of unidentified woman."Stevenson Todmorden" (ie: West Yorkshire, England)partington family, studio portraits

c1923 studio portrait George Achisonsepia studio portrait, mounted, original, poor conditionOn back: George Achison circa 1923 from M Blake 43 Willis St Hampton 3188

Black and white portrait of male - possible a member of the Chatham family.Black and white portrait in light card framechatham-holmes collection, chatham family

110 pages : illustrations, portraits ; 29 cm.non-fictionFrom Municipality to City: Chairmen & Mayors of Kew 1861-1994 is the result of a collaborative history project completed by members of the Kew Historical Society. Th text includes a contextualised series of illustrated biographical and autobiographical profiles of the former civic leaders of Kew. The profiles explore the political, social, cultural and economic history of Kew from the earliest years of European settlement to the amalgamation of Kew into the City of Boroondara in 1994.kew (vic.). council -- history, mayors -- victoria -- kew -- biography, kew (vic.) -- history

Studio portrait of Amy Medhurst taken in 1904The Medhursts were a Greensborough pioneer family.Studio portrait, circular shape, mounted on heavy card.Studio name "The Allan Studio" printed on front of mount. Name of subject handwritten on back of mount.amy medhurst

Sepia photograph, mounted on fawn cardboard in a very dark timber frameCouncillor Dugald Macpherson J.P. Member of the Road Board 1862 - 1864 Councillor Ballan Shire Council 1864 -1873 President 1875 - 1880 Colart - Melbourne Merv Quinn 1992ballan shire councillor, •ballan shire president, •ballan road board, macpherson dugald

Full length coloured photograph of Dugald Macpherson of Bungeeltap in traditional Highland regalia, mounted under glass in a light brown wooden frame with black and gold trim.Dugald Macpherson original owner of Bungeeltap.macpherson dugald, ballan, bungeeltap

Black and white photographWritten on back of photograph: "Margaret Wilson friend of Gwen Miller-lived near Pitt St-Ringwood"

Elder brother to Ada Ingram (nee Key), Albert Key married Isabella Roberts in 1902. Paris Panel Photo Eden Photo Studios, Melbourne and Sydney Eden Studios was big in Sydney from 1895 through 1927+ but only appears to have operated in Melbourne at 284 Collins Street from 1896-1900 and 149 Swanston Street 1904-1906.Inscibed on back in pencil Alan [sic] Key and Bella Roberts 1898eden photo studios photographer, paris panel photo, albert key, isabella key (nee roberts), pam thoonen (nee ingram) collection

Kenneth Douglas Ingram divorced his first wife Margaret Rose (nee Teagle) in 1944. Kenneth married Elizabeth Marie (nee Frisch) Milliken in 1962 (15162/1962) Margaret subsequently married Richard Fielding and they had a son Tom, Pam's half-brother.pam thoonen (nee ingram) collection, kenneth douglas ingram, elizabeth marie milliken (nee frisch)

Founder of Montsalvat Reproduced Page 106 of Pioneers & Painters, edited by Alan Marshall (1971) Note: print in book and print copy are mirror imaged There was probably little earth building done in the district in this century until 1934, when Justus Jorgensen, architect and artist, bought land in Eltham and with his students and followers commenced to build the fascinating complex of buildings now know as ‘Montsalvat’. These buildings and his use of materials, both local stone and earth, and reclaimed materials, were to have a remarkable influence on the Eltham district-particularly in the period following World War II. The first building at ‘Montsalvat’ was a picturesque house of or rammed earth with a high-pitched roof. Jorgensen has used a variety of building materials but it is possibly his use of earth, both pise-de-terre and mud brick, which has had the most influence on the environmental building in Eltham in the post war years. By the end of the 1940s, an impressive array of adobe and pise buildings had been completed. – Alan Marshall, 1971, “Pioneers & Painters”This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch Clr Reversal (3) Print 21 x 16.5 cm (printed in mirror image)justus jorgensen, montsalvat, pioneers and painters, shire of eltham pioneers photograph collection

Black and white copy of photo printed on glossy photographic paper 30.5 x 40.5 cm (12 x 16 inch); image size approx. 18.5 x 28 cmdiamond creek, horse, hurstbridge

Black and white copy of photo printed on glossy photographic paper 30.5 x 40.5 cm (12 x 16 inch); image size approx. 18.5 x 28 cmcar, groups, motor vehicles

Black and white copy of photo printed on glossy photographic paper 30.5 x 40.5 cm (12 x 16 inch); image size approx. 18.5 x 28 cmdiamond creek, groups, hurstbridge, scouts

Digital file only - scanned from personal photos on loan to EDHSart, kim tarpey, portrait of tracey naughton, tracey naughton

This is the author's PhD research at the College of Arts and Education at Victoria University about the Blacksmith's Tree, memorial and art work constructed mainly by many blacksmiths and finally installed at Strathewen following the Black Saturday bushfires in February 2009. The book includes the authors own drawings and text. Includes a time line and references.Paperback, 296 pages Printed in landscape format (90 degrees to normal)blacksmiths' tree, memorial, public art, strathewen, blacksmiths, black saturday

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Eric Wigglesworth was born in England in 1926. He came to Australia in the 1960s. He was a specialist in accident injury prevention and continued this when in Australia. He was a Director of the Injury Research Project at the Royal Australasian College of Surgeons and a Director of the Sir Robert Menzies Memorial Foundation. He became a Fellow of the Institute of Occupational Safety and Health. Eric was instrumental in establishing the Graduate Diploma in Occupational Hazard Management in 1980 at Ballarat College of Advanced Education - the first tertiary-level course in accidental injury prevention in Australia. This course and others relating to Occupational Health and Safety were the centre of study for what was known as the Victorian Institute of Occupational Safety and Health, Australia - VIOSH.Colour photographviosh, victorian institute of occupational safety and health, ballarat college of advanced education, eric wigglesworth, accident injury prevention, royal australasian college of surgeons, sir robert menzies memorial foundation, occupational hazard management, graduate diploma

zig plavina

Reputed to be local identity, Ted Roberts. Sepia photograph in oval frame of a seated man and two boys, one seated. Could be Jim Roberts not Ted??Nillocal identities, ted roberts, photograph

220 p., black & white photographsnon-fictionThese photographs were originally taken for 'stereoscope' and include images from all over the world.photographs, world history, stereoscope

147 p., black and white illustrationsnon-fictionThe history of Walhalla from its early gold mining days.walhalla, mining towns, gippsland, gold mining

Black and white photograph of seaman in attire sitting on funnels on the deck of a shipseamen, boatdecks, peaked caps, charles page

William Dunbar Johnston was appointed sub-inspector of police in Meredith. He had a major drinking problem. He and another trooper were taking prisoners from Buninyong to Meredith but failed to realise their "loss' until they reached Meredith. He fell from his horse and died aged 37, had a lot of debts, had been widowed in 1853.This item is significant becausePhotocopy of a painting of William Dunbar Johnston. Policeman with large moustache, black hair curled on right side, dark eyebrows, looking slightly to his left and wearing a police uniformmeredith cemetery, meredith trooper died, meredith policeman, trooper, meredith trooper, william dunbar johnston, william dunbar johnstone

non-fictionkeith oliver, donation

non-fictiontramp, tramp steamer, merchant navy

hardback, 21 x 15 x 2 mm, dull red cloth binding.Himmer Bequest ; formerly Cowes Municipal Public Library

A collection of oral histories and recollections of life in the City of Whittlesea from the mid 20th century to 2000.Local oral history159 pages, black and white illustrations. Burgundy cover with photo collage..whittlesea, oral histories, robert pascoe, city of whittlesea