Postcard photo of Bourke St looking east from about half way between Elizabeth and Queen St with the Melbourne GPO, Post Office in the middle of the photograph, along with a number of horse drawn vehicles and cable trams. mid 1900's (c1905). Divided back with spaces for Correspondence, address and stamp. On right hand side in red "Marlborough Series" (Printed in Australia)trams, tramways, cable trams, bourke st, horse drawn vehicle

Postcard - titled "Sturt St Ballarat Vic" showing the view along the south side of Sturt St from Grenville St looking west. Has tram No. 12 in the view, part way fitted with dash canopy lighting - c1960. In the view are the 8-hour monument, the T&G building, the Mechanics Institute advertising Davies Bread and Robur Tea, the Odeon Theatre, the National Mutual building, and the Town Hall. Yields information the buildings, buildings and scene along Sturt St from Grenville St.Postcard printed by Kodak and a copy photograph of Rose Stereograph Co. postcard, No P 13491 with trimming marks along the top edge.ballarat, trams, tramways, sturt st, town hall, tram 12

One of the trams is a Sebastopol-type tram No 22. Has the large shelter in the background and another tram in the view. Taken c1913, following the introduction of the Sebastopol type tram. From a Rose Series postcard - Rose Number 1710. Note the Mechanics Institute advertising sign on their building advertising the institute rather than a company. The 8-hour monument at the end of the central median can be seen. See item 9012 for a printed illustration of this photograph,Yields information about the operation of ESCo trams in Sturt St and in particular the Sebastopol type.Black and white copy photograph of a postcard showing two ESCo trams at the Grenville St terminus, looking west along Sturt St.tramways, trams, ballarat, sturt st, esco, grenville st, sebastopol type, tram 22

One of a collection of photographs donated by Shirley PetersonColour postcard of the Kilcunda coastline, near San Remo"Kilcunda, new San Remo" On back: "Victorian Railways Tourist Series" For particulars as to Fares, Times, etc., consult "Picturesque Victoria" Current Time Table, Inquiry Office, Melbourne, or Local Station-master"kilcunda victoria, coastline, shirley peterson

One of 11 photographs left in the museum for the Society by an anonymous donor.Black & White postcard taken after coming under the San Remo - Newhaven Bridge. Shows Cape Woolamai in the distance.The Rose Series P 706 Cape Woolamai, from Bore Bay, San Remo, Vic. 3.3.47. On back: "Cape Woolamai in background, after coming under San Remo bridge. Cape Woolamai highest point on Phillip Island."cape woolamai, cape woolamai phillip island, bore bay san remo

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Coats Patons and contains knitting patterns for mens and womens raglan sleeved cardigans. The photos were taken at the Chateau Tahbilk winery at Nagambie in Victoria.Patons / CLASSIC / SERIES / 2 / CARDIGAN WITH / RAGLAN SLEEVES / High & Medium Button / with and without Collar / BLUEBELL, PAT- / ONYLE, TOTEM, / MOHAIR & JET / 25c 2'6knitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Coats Patons and contains knitting patterns for raglan sleeved jumpers for boys and girls.Patons / CLASSIC / SERIES / 5 / THE RAGLAN / PULLOVER / V, Round, Polo, in / JET, BLUEBELL, / MOHAIR, ARIEL, / HIGHLAND, SOFT / TOUCH, TOTEM, / & PATONYLE / 30 centsknitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history

Report - single A4 sheet prepared by Kevin Staines 28/3/2019 titled "C & D Series Conductors Tins", or outfits and when they were phased out of use - during 1957/58. Has notes on recollections of Alan Bailey and National Service for young men in Australia at the time.trams, tramways, conductors, outfits, tickets, national service

Rose series postcard c1920 of St. Patrick’s Catholic Church Side view of church with wooden sanctuary at back of building. Later the sanctuary was built onto this side of the Church in 1927.Post card of St Patrick's Church Stawell and a photographic enlargement. Both photos are black & white, showing a side view of the church with a wooden sanctuary at the back of the building. Pine trees can be seen front and back of the church.The rose series P. 4873 St Patrick's Church Stawell, Vic. on the back POST Card A Real Photograph Produced in Australiastawell

This copy of a postcard depicts Ford Street in Beechworth looking North. This postcard is part of the Rose Series produced by Victorian photographer George Rose’s business, the Rose Stereograph Company. George Rose (1861-1942), is considered one of Australia's best photographers of the late 19th and early 20th centuries. The Rose Stereograph Company was founded in 1880 and became famous for producing stereographs, or stereoviews, which gave the illusion of being in 3D when seen through a hand-held viewer, a big craze of the era. As stereographs lost popularity in the 1920s, Rose switched to production of postcards and decorative cards, and he and the photographers who followed took thousands of scenes around Victoria as well as interstate that became iconic images of Australian life.Black and white photograph (copy) on gloss photographic paper. Obverse: THE ROSE SERIES P.3481 COPYRIGHT FORD STREET, LOOKING NORTH, BEECHWORTH, VIC Reverse: BMM7743 PH 149 1998.00059beechworth, ford street, rose series, postcard, photograph, black and white, burke museum

Taken in Beechworth, this photograph depicts Ford Street looking North. This postcard is part of the Rose Series produced by Victorian photographer George Rose’s business, the Rose Stereograph Company. George Rose (1861-1942), is considered one of Australia's best photographers of the late 19th and early 20th centuries. The Rose Stereograph Company was founded in 1880 and became famous for producing stereographs, or stereoviews, which gave the illusion of being in 3D when seen through a hand-held viewer, a big craze of the era. As stereographs lost popularity in the 1920s, Rose switched to production of postcards and decorative cards, and he and the photographers who followed took thousands of scenes around Victoria as well as interstate that became iconic images of Australian life. Black and White photograph on gloss photographic paper. Obverse: THE ROSE SERIES P.2749 COPYRIGHT FORD STREET, LOOKING NORTH, BEECHWORTH, VIC Reverse: 7739 PH 152 1998.00059beechworth, rose series, ford street, george rose, burke museum

Yields information the buildings, buildings and scene at the intersection of Sturt and Lydiard St North Ballarat c1930, voting advertisements for the introduction of restriction alcohol trading and details of the taxis used in the period.Digital image from the Wal Jack Ballarat Album of a postcard - Rose Series - P1713, titled "The Town Hall and Sturt St, Ballarat Vic" with an ESCo tram with a "Vote No" on the front dash panel, two taxis mid block and the Town Hall in the background. Drivers standing along both taxis. Wal Jack has said in his hand written caption "Old type Electric No. 6, 1930" High resolution image scanned at 2400dpi. See item 8979 for the actual postcard.Written in pencil on back of photo "Old type Electric No. 6, 1930"trams, tramways, esco, sturt st, lydiard st, taxis, town hall, tram 6

List - 11 quarto ruled sheets, hand written, titled "R Series of Drawings - buses", listing in an alphabetical order of bus drawings, dates, sizes and title. Also has a listing by bus type. See also Reg Item List includes drawings up to 1971. Sheets numbered 201 to 211trams, tramways, drawings, preston workshops, buses

No. 1 from Valentine Series of small postcardsBlack and white postcard showing lower reach of North Arm, and gully. Vegetation has been removed from both sides of gully. Lakes Entrance VictoriaNorth Arm Lakes Entranceislands, township, topography, waterways

Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard C.2 - 1925, "Electrical Performance of Traction Motors - Direct Current Series Wound". Dated Dec. 1925. Provides an index and information about enclosures, ratings, testing and information to be supplied.On top right hand corner has stamp of the "The Electric Supply Co. of Victoria Ltd Ballarat" and date "17 April 1934".trams, tramways, tramways, electrical equipment, motors

Illustration or photograph looking at the Grenville St tram terminus. One of the trams is a Sebastopol-type tram No 22. Has the large shelter in the background and another tram in the view. Taken c1913, following the introduction of the Sebastopol-type tram. From a Rose Series postcard - Rose Number 1710. Note the Mechanics Institute advertising sign on their building advertising the institute rather than a company. The 8-hour monument at the end of the central median can be seen. On the rear is an illustration of Shoppee's Square in the median strip. See item 4083 for a postcard.Yields information about the operation of ESCo trams in Sturt St and in particular the Sebastopol type.Black and white Illustration cut from a journaltramways, trams, sturt st, esco, grenville st, sebastopol type, tram 22, shoppee's square

Divided back postcard with a view of the corner of Spring and Bourke St with Parliament House in the background and two cable car sets. Has the Treasury building in the background. C1905. Coloured postcard. Titled "Parliament House & Treasury Melbourne", along lower edge. Also has the Windsor hotel on the right hand side. On rear - postcard divided into two, part for address only, and part for correspondence. Part the "The BP Series". The dividing line is a wavy line.In pencil in top right hand corner "$19" which has been crossed out and "$9"trams, tramways, spring st, melbourne, cable trams, bourke st

Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs.

Used at the UCA Synod Offices 130 Little Collins Street. Possibly by Cliff Wright.Telecom computer phone Executive Series consisting of monitor; keyboard with handset; Teledrive unit model number: TELDV1.3; Thermal colour printer Okimate 20 mdoel number EN3212; 8 ICL microdrive cartridges in 2 cases: one labelled "Demonstration", one labelled "Welcome", one labelled "Help"; Cables; 51 page printer manual.Telecom log on monitor and keyboard

Yields information about Ballarat 's trams in the 1930's and three street scene at the City Centre with the Town Hall in the background. Shows nature of the area with street lights and parked motor vehicles and a sign on the tram regarding prohibition and a vote on the banning of the sale of alcohol.Copy negative of a black and white photograph from Ray Pearson Collection, taken by Dave Macartney in 1975c of the intersection of Sturt and Lydiard St during the late 1920s. From the Rose series P1713, photograph of a postcard. Shows tram with a "Vote No" banner - about a local vote on prohibition in Ballarat? See Reg Item 5117 for another version and 8979 for the actual postcard. Image from the Ray Pearson album used to replace previous image 30/5/2020. Ray Pearson identified this as No. 6 in his album.trams, tramways, sturt st, prohibition, town hall

Postcard - Black and White - Rose Series P13352, titled "St Kilda Road, from Princes Bridge Melbourne Vic", featuring a traffic in St Kilda Road, all stopped (by a traffic policeman) at the intersection with City Road - has 7 motor vehicles all neatly stopped in a line and two tramcars (W2). Includes three black and white taxis - tow of the FJ Holden type. The City Road tram tracks are in the foreground. On the rear - has a divided back, and "A Real Photograph" " & Produced in Australia".On the rear has the stamp of Graeme S Breydon - see image i2.trams, tramways, melbourne, princes bridge, st kilda rd, city rd