Bendigo Advertiser '' The way we were'' from 2002. Premiers: Kennington Methodist Cricket Club, PYMCA premiers for 1955-1956. Back row: D. Derby, R. Harris, G. Hoy, A. McKean and S. Bowles. Middle row: C. Gibson, N. Cowling, W. Rickard, K. Jacka, C. Cail and F. Harris. Front row: E. Toy, A. Court (captain), S. Osborne (vice-captain) and A. E. Jones (president). The clip is in a folder.newspaper, bendigo advertiser, the way we were

2 Raffle tickets Bendigo Easter Fair Society Limited, 1976, cream, blue print. Coloured TV set first prize, valued at $500. Raffle in aid of Bendigo Urban Fire Brigade, Base Hospital, Home & Hospital for the Aged, RSL Building Patriotic Fund, Apex Club Toy Fund, Sandhurst Apex Club, Golden Square Spastic Centre Auxiliary. H.A. Sutton Secretary, W. Robertson, Sec/Treasurer. Promoted by Hargreaves St. Popular Girl Committee.bendigo, bendigo easter fair, raffle ticket 1976

BHS CollectionGreen cover book of musical sheets titled "Rosie's 8th Dance Album" containing: Toy city barn dance, Holly Berries mazurka, Glen Rosa schottische, Coronation Day polka, Darby and Joan waltz, Babes in the wood polka, Little blue eyes waltz, Baby's birthday waltz. The London Music Publishing Stores. On the inside cover there is a black and white pencil drawing by George Harris of a landscape signed by the author and dated '19. Aileen and John Ellison Collection.music, dance music

Object. Six paper covered wooden blocks. Childrens toy, not a complete set.(meant to be 12). Six different pictures can be made by changing the blocks around. Also one picture of one puzzle depicting two children in a garden scene near a pond. Picture appears to have been pasted onto the back cardboard of a notepad. On the back of picture - Joyce, Joyce Brown is no good, Chop her up for firewood, If she is no good for that, Give her to Mick Bennett.toys, general, blocks, wooden blocks paper covered

Information provided to the Bendigo Historical Society by Rohan Moresi: Rohan 'grew up on a farm near Buckrabanyule. The bat belonged to Rohan and his brothers, Grant and Alistair. At the age of twelve in early December of 1977, my father took my brothers and myself to the Queen Elizabeth Oval in Bendigo to watch a match of the newly created World Series Cricket being played. West Indies versus World XI. OI took the one cricket bat we owned and a market pen, along with me. During the course of the match I gathered all the signatures I could from players as they left the field after batting, as they sat in the stands waiting for their turn to bat, and when they were fielding close to the boundary. I remember Clive Lloyd, who was sitting in the stands when I approached him, expressing some good natured scepticism that the signatures would remain permanently on the bat as he was signing it, due to the tyupe of market pen used. I also recall Tony Greig not stopping to sign it as he left the field after batting. I'm sure he had other more pressing issues on his mind at the time. When we returned home my father painted a type of a lacquer over each of the signatures in an attempt to ensure some sort of permanency. As it was the only cricket bat my brothers and I had, we continued to use it in our backyard games. Which goes a long way in explaining its current state. My brothers and I all left the farm in the early 1980's and I took the cricket bat with me. Since then it has remained in my possession up until now. I'm very happy to see it returned to the place of its origin, and for it to be kept in perpetuity at the Bendigo Hisgtorical Society, as it is part of the twentieth century history of Bendigo. I hope it brings some small pleasure to all who are interested in such things'. Rohan Moresi Well used cricket bat. It was taken by Rohan Morosi, then 12, at the Queen Elizabeth Oval in December 1977 for a game of the newly created World series Cricket between West Indies versus World XI. The young Rohan gathered as many signatures from players as they left after batting. The signature of Clive Lloyd, Ajif Labal, Mushtag Mohammed, Dennis Amiss, Eddie Barlow, Andy Roberts, Bob Woolmer, Barry Richards, Imran Khan and Joel Garner.recreations, sports, cricket, queen elizabeth oval, rohan moresi, 1977

A group of males play a game of blind cricket, possibly on the front lawn of the RVIB buildings in St Kilda Road. Three fieldsmen stand close, as a bowler prepares to underarm throw towards a man holding a bat. Behind a small box, acting as a wicket, another male partially crouches with his arms outstretched to clasp the incoming ball. As the bowler's arm is just out of shot, it is unknown if he holds a cane wicket ball (with bells inside) or another small object which makes a sound.Lantern slide of males playing cricketroyal victorian institute for the blind, recreation

Piano Recital by Nancy Weir, City Hall, Bendigo. Wednesday, 21st August, 1963, 8.15pm. President L R Harvey, Hon. Secs. Madge Edgar, Elsie Flanagan, E Bright. Programme One Shilling. Programme. Please Note: Change of date for next Concert Friday, 25th October Trio Di Bolzano (piano, violin, cello). Advertisements: Hesse Bros. Electrical Sales Pty Ltd. Phillips for Class and Quality Select Recordings by Philips. Edgar's Toy Shop-News agency.Boltons Print., Bendigoprogram, music, music advancement society bendigo, piano recital nancy weir, city hall, bendigo. 21st august, 1963, 8.15pm. president l r harvey, hon. secs. madge edgar, elsie flanagan, e bright. programme. next concert 25th october trio di bolzano (piano, violin, cello). advertisements: hesse bros. electrical sales pty ltd. phillips recordings by philips. edgar's toy shop-news agency.

The Music Advancement Society of Bendigo Presents by arrangement with Musica Viva Society of Australia 1st Concert 1970 Series 'Adelaide Wind Quartet' David Cubbin, Flute; Jiri Tancibudek, Obe; Gabor Reeves, Clarinet; Stanley Fry, Horn; Thomas Wightman, Bassoon. Wednesday, 15th April, 8.15pm, City Hall, Bendigo. President: Mr E Beilharz, Hon. Secretary: Mrs. J Bright. Programme 20 Cents. Advertisements: The Brolga Hotel - Motel. Powney's Toy Shop & Newsagency, Allan's Music,Bolton Bros. Pty. Ltd. Bendigoentertainment, theatre, music advancement society of bendig, the music advancement society of bendigo presents by arrangement with musica viva society of australia 1st concert 1970 series 'adelaide wind quartet' david cubbin, flute; jiri tancibudek, obe; gabor reeves, clarinet; stanley fry, horn; thomas wightman, bassoon. wednesday, 15th april, 8.15pm, city hall, bendigo. president: mr e beilharz, hon. secretary: mrs. j bright. programme. advertisements: the brolga hotel - motel. powney's toy shop & newsagency, allan's music

Reproduced by permission of Mr John Arnold from his book: "The Riversdale Golf Club - a history, 1892-1977." Copyright to book: Riversdale Golf Club. Surrey Hills Golf Club operated from 1892-1908 then moved and became Riversdale Golf Club. The game was played across paddocks from Trafalgar Street, Mont Albert to Whitehorse Road and down Victoria Crescent to where Box Hill TAFE is now located in Elgar Road. There were problems with cows eating the tee flags! The clubhouse still exists as 30 Trafalgar Street.Black and white photo with a large grassy paddock in the foreground. From the bottom left and right post-and-rail fences converge on a group of large industrial buildings in the centre middle distance. In the background are paddocks and buildings."Top: Looking towards Box Hill from the links in 1902. The old Box Hill Gas Works is in the centre of the picture."sports grounds, surrey hills golf club, riversdale golf club, box hill gas works, gasworks, public utilities, gas

Reproduced by permission of Mr John Arnold from his book: "The Riversdale Golf Club - a history, 1892-1977." Copyright to book: Riversdale Golf Club. Surrey Hills Golf Club operated from 1892-1908 then moved and became Riversdale Golf Club. The game was played across paddocks from Trafalgar Street, Mont Albert to Whitehorse Road and down Victoria Crescent to where Box Hill TAFE is now located in Elgar Road. There were problems with cows eating the tee flags! The clubhouse still exists as 30 Trafalgar Street.Apart from it association with the Surrey Hills Golf Club which is long gone, this image documents the landscape of pre-urban Surrey Hills.Black and white photo of a rectangular timber building with a slate hip roof and brick chimney on the LHS. The one visible window appears to be boarded up and has a door to its right. The building is fenced by posts and wire. A (?) street sign bearing the letters FLINT is at the right of the picture."The gate-keeper's shed was used as a clubhouse from 1895-1900."sports grounds, surrey hills golf club, riversdale golf club, timber building, john arnold

Reproduced by permission of Mr John Arnold from his book: "The Riversdale Golf Club - a history, 1892-1977." Copyright to book: Riversdale Golf Club. Surrey Hills Golf Club operated from 1892-1908 then moved and became Riversdale Golf Club. The game was played across paddocks from Trafalgar Street, Mont Albert to Whitehorse Road and down Victoria Crescent to where Box Hill TAFE is now located in Elgar Road. There were problems with cows eating the tee flags! The clubhouse still exists as 30 Trafalgar Street.This image is important for reference to the landscape and vegetation prior to urbanisation.Black and white photo in the foreground of which is a path running diagonally from left to right. Behind are 5 mature trees whose condition is not vigourous (showing signs of die-back). Several figures are beneath the trees, behind which is a post-and-wire fence, paddocks and distant houses. There is the shadow of a stamp in the top LH corner, suggestive of this having been copied from an earlier image.Caption: "Top: Looking towards Doncaster from the links in 1902."sports grounds, surrey hills golf club, riversdale golf club, john arnold

Reproduced by permission of Mr John Arnold from his book: "The Riversdale Golf Club - a history, 1892-1977." Copyright to book: Riversdale Golf Club. Surrey Hills Golf Club operated from 1892-1908 then moved and became Riversdale Golf Club. The game was played across paddocks from Trafalgar Street, Mont Albert to Whitehorse Road and down Victoria Crescent to where Box Hill TAFE is now located in Elgar Road. There were problems with cows eating the tee flags! The clubhouse still exists as 30 Trafalgar Street.Black and white panoramic photo taken from the corner of Braemar and Melrose Streets, Box Hill North. There is a large area of ground in the front. A fence and hedge traverse the photo in the middle distance in front of which is a tall light pole. Behind the hedge mature trees and houses can be made out.Caption: "Bottom: The same view today taken from the corner of Braemar and Melrose Streets, Box Hill North, or, from the position of the threesome to the left in the above photograph." + in grey lead pencil in Jocelyn Hall's hand (No 290)sports grounds, surrey hills golf club, riversdale golf club, melrose street, braemar street, surrey hills, john arnold

Includes colour photo of Alex "Bongo" Lane (suspended for 5 years for accepting a bribe during 1910 final series) B& W photos. Albert Trimm in game against Collingwood 1906. Bruce Doull with AFL Chief Commisioner Jack Hamilton after 1986 grand final loss. Des English in background. Photo Peter Jones (Carlton coach) fighting with Tony Jewell (Richmond coach) at quarter time of the 1980 qualifying final. Craig Bradley with 1987 premiership cup with Peter Motley in rooms. From Roger Skien Collection.Newspaper

Victorian Ice Hockey Association fixtures for 1955 at St Moritz Ice Palais, Upper Esplanade St Kilda, and the Glaciarium (also known as the Glaci), City Road South Melbourne. The St. Moritz Ice-skating Palais (its original name) opened in 1939 and operated until 1981. The building was damaged by fire and demolished soon afterwards. The Glaci opened in 1906, at which time it was the 3rd largest indoor ice rink in the world. It hosted the first game of ice hockey played in Australia. It closed in 1957 and the building was destroyed by fire in 1963. Buff coloured card, folded into three, printed in black on both sidesst moritz, glaciarium, ice hockey, victorian ice hockey association

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

The loom was made by John Charles Mann in the late 1920s-early 1930s for Lilian Joyce Mann. Mr Mann enjoyed woodwork. He died in 1945. Ms Mann was very interested in crafts and owned a shop in Jacob Street which sold handmade soft toys and items woven from the loom, for example table mats. The shop was later bought out by Henry Jacobs and later became Myer. Ms Mann died on the 17th July 2007. Ms Mann was a founding and life member of the Geelong Handweavers and Spinners Guild.W7219 (Mann loom) Lilian Joyce Mann's loom in house Lilian Joyce Mann's loom in houseOxy & Electric Welding Motor & Gehandicrafts, geelong handweavers and spinners guild inc., weaving looms, weaving, mann, mr john charles mann, ms lilian joyce, geelong, victoria

Photograph of 4 teenage boys doing archery with an instructor.It appears to be an outing planned for junior legatees or as part of a camp. Melbourne Legacy provided many activities and opportunities for junior legatees to participate in. It came from a Legacy envelope marked P7, 1966. The contents were described in red pen as: 1 Christmas Party / Govt House 2 Toy presentation Dept of Education 3 Residence Christmas party 3 HMAS Cerberus / Operation Float / Operation Firewood (added in blue pen). (these other items will be items 00411 to 00416)A record of the items and events provided to Junior Legatees.Black and white photo of Junior Legatees doing archery.On reverse: stamped "Copyright The Herald and Weekly Times" in blue ink, and "P7 Legacy" in blue pen. Was stored in an envelope marked P7, listing it's contents in red pen and 1966 in pencil.junior legatee outing, camp, archery

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and White photograph of performers in The Cingalee or Sunny Ceylon. The Cingalee is a musical play in two acts by James T. Tanner, with music by Lionel Monckton, lyrics by Adrian Ross and Percy Greenbank, and additional material by Paul Rubens. The photograph is of the performers on the raised stage of the Kew Recreation Hall with the conductor, Harry Jacobs, at front. The elaborate scenery was designed by Lance Nicholls who also produced, arranged and directed the performance"A2 "numbered lower rightperforming arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and White photograph of performers in The Cingalee or Sunny Ceylon. The Cingalee is a musical play in two acts by James T. Tanner, with music by Lionel Monckton, lyrics by Adrian Ross and Percy Greenbank, and additional material by Paul Rubens. The photograph is of the performers on the raised stage of the Kew Recreation Hall with the conductor, Harry Jacobs, at front. The elaborate scenery was designed by Lance Nicholls who also produced, arranged and directed the performanceA21 numbered lower rightperforming arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.A black and white photo of Marion Tilley in The Cingalee in 1953. She is dressed as a tea picker. Marion Tilley was wardrobe mistress of the Kew Light Opera Company in many later productions, however in the Cingalee, the wardrobe mistress was Ada Colton. "Marion Tilley", written in red and black ink on the base of the photo. Her role as a 'tea picker' is written in the scrapbook under the photo.marion tilley, kew light opera company, kew recreation hall -- wellington street -- kew (vic.), performing arts -- kew (vic.), theatre memorabilia

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia toned photograph of performers in The Maid of the Mountains, performed in the Kew Recreation Hall in May and June 1956. The Maid of the Mountains, called in its original score a musical play, is an operetta or musical comedy in three acts. The music was by Harold Fraser-Simson, with additional music by James W. Tate, lyrics by Harry Graham and additional lyrics by Frank Clifford Harris and Valentine. For the Kew production, the scenery was executed by James L. Alexander and the wardrobe supplied by J.C. Williamson. performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia toned photograph of a dance number in The Maid of the Mountains, performed in the Kew Recreation Hall in May and June 1956. The Maid of the Mountains, called in its original score a musical play, is an operetta or musical comedy in three acts. The music was by Harold Fraser-Simson, with additional music by James W. Tate, lyrics by Harry Graham and additional lyrics by Frank Clifford Harris and Valentine. For the Kew production, the scenery was executed by James L. Alexander and the wardrobe supplied by J.C. Williamson. The ballet and ensembles were choreographed by Lillie Willaton. The pianiste, Joy Barker, can be seen at the front of the photograph. performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia toned photograph of performers in The Maid of the Mountains, performed in the Kew Recreation Hall in May and June 1956. The Maid of the Mountains, called in its original score a musical play, is an operetta or musical comedy in three acts. The music was by Harold Fraser-Simson, with additional music by James W. Tate, lyrics by Harry Graham and additional lyrics by Frank Clifford Harris and Valentine. For the Kew production, the scenery was executed by James L. Alexander and the wardrobe supplied by J.C. Williamson. The pianiste, Joy Barker, can be seen at the front of the photograph with an unidentified bassoonist. performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia toned photograph of performers in The Maid of the Mountains, performed in the Kew Recreation Hall in May and June 1956. The Maid of the Mountains, called in its original score a musical play, is an operetta or musical comedy in three acts. The music was by Harold Fraser-Simson, with additional music by James W. Tate, lyrics by Harry Graham and additional lyrics by Frank Clifford Harris and Valentine. For the Kew production, the scenery was executed by James L. Alexander and the wardrobe supplied by J.C. Williamson. The pianiste, Joy Barker, can be seen at the front of the photograph with an unidentified bassoonist. performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia toned photograph of Marion Tilley, one of the 'Fisher Folk' in the production. Marion Tilley was the creator of the scrapbook from which the photo is drawn. Here she stands at the end of the performance with a bouquet of flowers.marion tilley, kew light opera company, kew recreation hall -- wellington street -- kew (vic.), performing arts -- kew (vic.), theatre memorabilia