A wooden tennis racquet with red and white string whipping, and a bald handle. Inscription across throat on obverse: TARTAR, accompanied by illustration of Mongol warrior. Inscription across throat, on reverse: F.J. BANCROFT/PAWTUCKET/R.I./... Accomapnying decal trademark comprises of an eagle grasping a tennis racquet, in front of the Globe, with motto: USED/THE WORLD OVER. Materials: Wood, Gut, Leather, Glue, Lacquer, Metal, Ink, Stringtennis

A wooden Horsman 'Model G' tennis racquet, with oriental gut (silk) strings, laminated convex throat, and, a rounded handle. Inscription across crown, on obverse: MODEL G. Horsman 'Centaur' trademark features on throat, on obverse. On throat, on reverse, is a moon-face sticker with inscr. 'THANKS' across top. Carved inscr. along shaft on obverse: ELMER. Materials: Wood, Metal, Lacquer, Ink, Glue, Silktennis

'Ting Tong Table Pole'Tennis' game. Made in Denmark. Contains two wood paddles, a wood pole and cloth tape as 'net' and two wood poles and bases to anchor net. 'Ball' is a large wooden bead held in a string pouch. Pouch attached by string to a wood rod which is to be place in holder at centre of net. Appears complete. Materials: Cardboard, Ink, Wood, Lacquer, Metal, Stringtennis

Ernest Sewell series 'Tiddlytennis' game. Patent no.22857/35 (1935-6). Instructions sheet states: 'The game that interested H.R.H. The Duke of Kent at the/British Inductries Fair 1936'. Contains miniature net and wooden net supports, printed cotton as 'court', eight plastic discs (2 large, 6 small) and an instruction sheet. Materials: Cardboard, Ink, Glue, Wood, Natural fibre, Papertennis

Presentation to the Sergeants' Mess of 8/13 VMR by Cadre Staff member Sergeant RC Tetley when leaving the regiment at the completion of his posting. The presentation of a gift of this type was a common practice in regimental circles.A bespoke object with relevance to the character of an RAAC regiment using as it does a shell case from a fighting vehicle used by 8/13 VMR and indicative of business procedure in Mess meetings.Chairman's gong made of a chrome plated 76mm shell case suspended from a chrome plated metal frame mounted on a stained wooden base. Silver 8th/13th Victorian Mounted Rifles Regiment hat badge is mounted on front side of base. Stained wood and chrome plated metal gavel sits on two rests on rear side of base. Small engraved plaque attached to base at rear.On presentation plaque: "Presented to 8/13 VMR Sgts Mess by 2782108 Sgt RC Tetley Dec 1984"; and markings on base of shell case: "76mm ARMD C PW 175 ME 1970"sergeants' mess, 8/13 vmr, tetley

The rotunda was built in 1912 by Clarence Montgomery for the Surrey Hills Progress Association and the local community and dedicated to John Gray, "a highly respected and revered citizen". Surrey Hills Brass Band regularly gave concerts in the rotunda, provided music for regular 'loyal' celebrations and also for silent films held in the gardens. The rotunda was quite elevated off the ground due to the slope of the gardens and the bioscope was stored in the room underneath. This was later used as the infant welfare centre until the Progress Association built a dedicated facility for these purposes. The rotunda was demolished in 1972. Clarence Montgomery, carpenter, was living in Sunbury Crescent in 1914. By 1916 he had moved to 83 Croydon Road where he lived for the rest of his life. Clarence was born in 1869 in Taradale, son of John Montgomery and Jane Ford. He married Sarah Ann Ingram in Echuca in 1894. Their children were: 1. Annie (Mrs P Paynter) born Echuca in 1895 2. William Henry born Echuca in 1897 3. Christina Mary (Mrs F Meyers) born Echuca in 1898 4. Violet (Mrs G Ewing) born Echuca in 1902 5. Clarence George Ingram born Echuca in 1906 and died aged 7 months. Violet became a tailoress and Christina a dressmaker. William became a carpenter like his father. Sarah Ann Montgomery died at their home in June 1932 aged 62 years. Clarence died in August 1946 aged 77 years. They are buried in Box Hill Cemetery (P-EB-0020). John Gray was "actively associated with all movements for the benefit of neighbours and fellow citizens". [Quote from the official tribute on his death in 1909.] He was very active in the Surrey Hills Progress Association in the early 1900's. The rotunda built in the Surrey Gardens by the Progress Association in 1912 was dedicated to him. John Gray was born in 1861 in Eldorado. He died on 7 December 1909 in Surrey Hills and is buried in Box Hill Cemetery (M0472). He married Emma Beckett in 1888 at 'Guildford Villa' in Essex Road, the Beckett home. They are listed in both the 1903 and 1906 electoral rolls in Arundel Crescent; his occupation is given as bootmaker. The Alan Holt property register identifies this as 24 Arundel Crescent, known as 'Tumberumba'. John and Emma had a large family: (Gunner) John Robert Gray (1888, Surrey Hills - 21 June 1917, France) Benjamin Walter Gray (1890, Surrey Hills - 1949, Heidelberg) Herbert Harry Gray (1892, Surrey Hills - 1959, Queensland) William Beckett Gray (1897, Surrey Hills - 1899, Surrey Hills) Norman Douglas Gray (1901, Surrey Hills - 1947, Sydney) Evelyn Lizzie Gray (1906, Surrey Hills - 1983) Evelyn married Reginald Roberts and donated a number of photos to the collection. The donor Violet Ewing (nee Montgomery) was Clarence's daughter. She married George Isaac Henry Ewing (blacksmith) in 1934. They inherited the family home at 83 Croydon Road. Although constructed 5 years after their opening, this rotunda was a central feature of the Surrey Gardens which was planted to a design adapted from one suggested by the renowned landscape gardener and botanist William Robert Guilfoyle (1840-1912). Rotundas were a key feature of many late nineteenth and early twentieth century public parks. This particular rotunda was notable for the Chinoiserie influence reflected in its roof. Surrey Gardens are now regarded as one of the City of Boroondara's heritage gardens and this image is significant as evidence of the design of the rotunda which is no longer extant. It is also significant as evidence of the extent of the role of the Surrey Hills Progress Association in the provision of public facilities. A black and white photo of an octagonal rotunda situated within Surrey Gardens taken from the perspective of the main entrance. It is a largely wooden structure with a domed chinoiserie-style roof. The rotunda is enclosed by established gardens. There are 4 people in the photo, with 2 women standing on the steps at the rotunda's entrance. A man and a young person are seated within the rotunda. It has 8 support pillars, which are open with balustrades to 7 sides.rotundas, surrey gardens, union road, surrey hills progress association, surrey hills brass band, parks and reserves, 1925, john gray, clarence montgomery, box hill cemetery, cinema, john gray memorial rotunda, bandstands

The house was known as Rothwell and later as Kiora. It was the home of Mr and Mrs Tom Bulmer for many years. It has been demolished.Black and white photo taken from the street of a timber Edwardian home with 2 double brick chimneys and a galvanised iron roof. It has a verandah on 2 sides with wooden fretwork and the pathway leading towards the house has an archway over it. There is a similar archway on the LHS of the photo. The backyard is divided off with lattice fencing and the property has a simple front picket fence with gate behind which is a privet hedge.edwardian style, houses, kiora, rothwell, bulmer family, (mr) tom bulmer, albany crescent, surrey hills

Large black and white panoramic photograph showing 124 French and 213 Australian Soldiers and officers formed up in front of a large house, presumably in France during the later part of the First World War. Centrally there are 2 Australian flags and a French Guidon to each flank there are two French guidons. There is a fold in the left side of the photo. The photograph is mounted behind white mounting board and is in a dark wooden frame.nilsoldiers, wwi, first world war, great war, french, france

Shield shaped varnished wooden plaque with badge affixed to centre. in the foreground is a 2/6Bn Colour patch. The patch is made up of a purple rectangle laying atop of a red rectangle. this is surrounded by a narrow light grey boarder. behind the colour patch is a hidden rising sun badge. atop this is a queens crown. At the bottom of the badge is a black boomerang marked in gold with " 2/6 Aust. Inf. Bn"wark vc club, 2/6 aust inf bn

This flag was carried by B Coy and flown over the company HQ at all locations occupied by BCoy, including Gallipoli, Ypres and PozieresThis flag is connected to one of the two battalions that 5/6RVR derives its name.Flag in wooden frame on brown backing. The flag is a 6th Bn AIF colour patch( purple over red rectangles) with a large "B" barely visible after paint has been washed off . The flag itself is H 440mm x W 750mm A small card with "6 Battalion Royal Victoria Regiment" and RVR Badge printed on it and a hand written inscription is mounted below the flag.This flag was carried by B Coy and flown over the company HQ at all locations occupied by BCoy, including Gallipoli, Ypres and Pozieres.6bn, aif, ww1, colour patch, wark vc club, flag

A meat grinder or mincer was used for mincing or fine chopping of raw or cooked meat, fish, vegetables or similar food. It replaced tools like a mincing knife.A small vintage cast iron mincer with a wooden handle attached to the long cast iron handle. It can be screwed to a table or bench, secured tightly by a two pronged claws. It has a white enamel coated funnel at the top for the meat to be pushed into the mechanism which when the handle is turned operates the inner mechanism which forces the minced meat out through a side opening. The cast iron handle is curved.'Loveload London 1'domestic objects, kitchen equipment, cooking equipment, meat grinders, meat mincers

Two-plate etching and aquatint. Two semi-circles. One on top of the other to create a circle. Upper half depicts two flowers hanging from a stem, and an upright stem with small buds in the background. Lower half is an unwiped plate print, showing black line drawings or embossings of daisies against a black background. Mounted with brown card and black card. Framed in grey-painted wooden frame.Front: 1/10 (lower left) "Landscape" (centre) Ray Woods 71 (lower right) (pencil) Back: (no inscriptions)landscape, abstract

Understood to have been used in Linton c.1864. Information provided in 1993 by Russell McDonagh Bennett suggests these scales may also have been used at Dawsons Dam mine c.1907-1909.Beam scales used for weighing gold. Scales consist of two circular metal dishes, each supported by three wires suspended from a metal balance (beam), which in turn is linked to and supported by a vertical metal stand. A lever attached to the stand can be used to move the weighing dishes vertically and horizontally. The scales are mounted on a rectangular wooden box with a sliding drawer which is divided into three compartments.Maker's marks stamped on dishes, lever and stand. Date "1863" stamped on lever, also (in smaller letters) "10.8.1864".gold scales

Portrait of a man against a dark background (green-brown and black). He is wearing formal attire: a black suit, black waistcoat, a white shirt with small brass (?) buttons and a narrow black cravat. His hair is dark blond and parted on the left. His sideburns are of a more reddish shade and reach to his jawline. Only upper torso visible. Original frame: ornate gold-painted wooden frame.Front: (no inscriptions) Back: Framers label - (Isaac Whitehead Collins St Melbourne) Conservation Centre, Melbourne label.

black and white photo of underground mining, showing 8 miners in a stope with their Bendigo bucket carbide lights. A large quartz spur formation is visible in the foreground. A wooden ladder gives a good scale in relation to the stope size. Photograph taken in the Central Nell Gwynne at the 265 m. level C 1939. On back MNc4 ( in indian ink ) ? Hercules and Energetic ( in ball point pen ) RHSV of Vic. Stamp.organization, business, hercules and energetic mine

An abstract figure lies horizontally in the centre of flat and patterned fields of colour. The figure comprises of white, blue and burgundy. The colours in the background comprise of layers of green, blue, dark rose and dark green, which combine to make fields of maroon, aqua, dark green and textured dark blue. Mounted in brown matt, framed in silver painted wooden frame, with red undercoat showing through areas of wear.Front: J Courier (lower left) Reclining figure (lower right) (pencil). Back: Artist J Courier 368 Toorak Rd Sth Yarra. Title: Reclining figure. Price $90 framed, $70 un-framed.abstract, figure, print, nude

A wooden commode, a cylindrical shape in two sections. The top section is possibly mass produced, it's 40 centimetres diameter and 27centimetres high, it has a hinged circular lid with a hinged toilet seat under it. Below is a space for a container. A hand made section has been added underneath to raze it 20 centimetres and includes a draw. An insert has fitted into the original structure to hold a smaller pot.commode, chamber pot

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Illustration of a plant with prickly pointed leaves (holy-like) and pink flowers with thin tubular petals and yellow stamens (toothbrush-like in appearance). New leaves are at top with brown-red colouring. To mid-right of plant are two seed pods with a pink petal tube emerging from end. Mounted in double matt (faun on orange), framed under glass in gold, blue and brown wooden frame.Front: CE Woolcock (lower left) (green pencil) Back: Grevillea aquifolium (Variable Prickly Grevillea) (Sticky label, blue pen) CE Woolcock (signature)collin woolcock, botanical, woolcock collection, cema

Roundel painting in circular frame. Scene depicts a lagoon edged with grass and low bushes in foreground and trees in background. Two black swans swim in foreground and a boat with a mast and rigging is anchored near land and a tree at centre right of image. Top half of painting is a sunset with clouds in pink, red, white, yellow, indigo, russet. These colours are generally reflected in foreground water. Framed in round wooden frame.Front: (no inscriptions) Back: "Sunset" Blair's Creek, Portland. Jan. 7th 1893 (centre) (black ink). 90 (ink on varnish) (centre left). 1996 (pencil) (upper left).

Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of cuttings of a plants with different views and details. Two larger views depict stems with flowers and leaves. These are at the top and the bottom of the image, with the lower stem showing more base of the florettes. Six different views of leaves, three floew details and a smaller stem study accompany the larger studies. The work is mounted in a double matt (off-white on grey) and framed under glass in a wooden frame with silver-paint.Front: Hel. secundiflorum (Cascade Everlasting) " paralium (Coast " ) ~ " thyrsoideum (Sticky " ) (lower left) (pencil) Back: 29 (upper left) (pen)cema, botanical, collin woolcock

These hair tongs were used to curl or wave hair. They have the name’ Marcel’ on them. In 1872 Francois Marcel Grateau invented a hairstyle called the ‘Marcel Wave’ where women’s hair styles had mostly deep waves rather than curls. The tongs that were held manually and heated and used at home to produce deep waves or curls become a commonplace item in a woman’s home in the late 19th and early 20th centuries. By the 1930s electric hair tongs were introduced but the non-electric ones continued to be used until the 1950s. These hair tongs belonged to a woman from England and would have been used in the 1930s or 40s. They are a good example of the type of household article used by women 70 or 80 years ago and will be useful for display.This is a scissors-like article with wooden handles and metal blades for waving or curling hair. One blade is heavily curved and the other is a solid round shape. The ends of the blades are tapered. The blades were heated over a stove and used manually to enclose part of a woman’s hair to produce waves or curls. The handles were originally polished black and are somewhat rubbed and the blades and other metal parts are a little rusty. ‘Marcel’ ‘12’ hair curling tongs, warrnambool

A wooden miner's cradle with metal sieve used to separate gold or other heavy minerals from soil and water. Washdirt and water were tipped into the sieve at the top while the cradle was rocked. The oscillating motion washed away sand and fine particles, leaving the gold trapped behind ridges across the bottom. Large rocks and gravel caught by the sieve were discarded by hand. The metal sieve is slightly damaged.gold minning, gold washing cradle

A meat grinder or mincer was used for mincing or fine chopping of raw or cooked meat, fish, vegetables or similar food. It replaced tools like a mincing knife.A cast iron mincer with a wooden handle attached to the long cast iron handle. It can be screwed to a table or bench, secured tightly by a two pronged claws. It has a funnel at the top for the meat to be pushed into the mechanism which when the handle is turned operates the inner mechanism which forces the minced meat out through a side opening. The cast iron handle is curved. There are three mincing attachments tied with string.'UNIVERSAL' is stamped on the top of the mincer. Stamped on the front side of the handle - ' L.P. F&C. NEW BRITAIN. CONN.U.S.A.' On the inside of the cast iron handle is stamped - 'PATENT 10.2.1897. PATENT.MAY 15.1900. 4.18. 1890...... and several other numbers which are difficult to decipher.domestic objects, kitchen equipment, cooking equipment, meat grinders, meat mincers

Yields information about the delivery of the installation of the wooden poles around the depot fan in June 1973. Has a strong association with those involved.Set of three colour slides of the installation of the wooden overhead support poles at the depot. No. 26 in the background, note the construction of the overhead troughing in the background as well. Date possibly 16 June 1973 - based on the list of dates in the 1972 - 73 Annual Report. Photographer Eldon Hogan, AGFA Slide, blue plastic with white plastic on reverse. See also Reg Item 4760 for black and white photos.tramways, trams, btps, depot fan, construction, overhead, tram 26

Melbourne tramcar flag - in the shape of a windsock, made from vinyl for advertising an Air show (possibly the second Avalon one - 1995 one). Has the letters in blue on white Vinyl back "AIR SHOW". Made by vinyl sewn at the front with a inner metal section secured with a nut on the top that allowed the object to swing in the breeze and a wooden pole for mounting in the tramcar flag holder bracket fitted to the destination box.trams, tramways, flags, melbourne, air show

Framed MMTB Logo or Monogram - decal, printed in gold, mounted in a brown stained wooden frame with gold lining, glued to timber or could be an aluminium sheet - given the weight and condensation), glazed, has number 20891. Frame has rubber stops on rear, brown coloured framing tape, white card back and hanging strip. Second copy added 23/3/2019 from the same donor.trams, tramways, mmtb, logos, decal, monograms

The buff-banded rail is a medium-sized bird in the rail family, Rallidae, known for its striking plumage and strong dispersal abilities. This species includes multiple subspecies found across Australasia and the southwest Pacific, with populations in the Philippines, where it is called tikling, and New Guinea, Australia, New Zealand, where it is referred to as the banded rail or moho-pererū in Māori—and various smaller islands. This specimen was misidentified as an Australian Spotted Crake in original catalogue records and is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen is a small, stocky bird with yellow legs and bill. The Buff-banded Rail has grey colouring on its neck and an orange on the nape of its neck. The torso and rear are striped with black and grey/cream colours and have white spots along the rear. The specimen has brown feathers on the wings. It stands on a wooden platform in a standing position with a paper identification tag tied around its left leg. 19c Spotted Water Crake. See Catalogue, Page, 35.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, spotted crake, crake, australian birds, australian spotted crake, buff-banded rail

Photo shows 2 children aged about 5, standing on a concrete slab path beside a fibro-cement house. Kay Breen is wearing a gingham pinafore over a short-sleeved blouse. Rex Breen is wearing dark shorts with braces over a top with some sort of striped pattern. Behind them is another house with a circular water tank on a wooden stand. In the background there are tall pine trees.

Also photographic enlargement 20 x 25, also enlargement copy 28 x 35 in frameless frame. Also re Donor, Mrs Lucy King, previously Sanberg, nee Olsen, was the proprietor of Bellevue Guesthouse 1946 to 1988Black and white postcard of Vizes Bellevue Guesthouse, showing a large weatherboard building, corrugated iron hipped roof, gable at left front. Veranda across the front, picket fence enclosing front yard. Wire strung wooden fence between roadway and grassy area bordering sandy beach at lake edge. Kerosine tin on grass, church visible beside guest house. Lakes Entrance Victoriaguesthouses, waterfront, architecture

View of two tents and a wagon in a dry landscape. In foreground is a camel loaded with packaged goods. A man on a horse is in centre of image, to the right of one of the tents. Two more horses are tethered by the wagon of far right. In background are trees and grassland. The top half of image is sky, with clouds painted in blue, grey and mauve with white highlights. Australian desert scene. Framed in silver and gold painted wooden frame.Front: B. Malloch '77 (lower right) (sienna paint) Back: 8 (pencil, sticker, upper left)oil painting, camel, horses, transport